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| {{title | | {{TextQuality|75%}}{{title |
| |title= Burmese Days | | |title= ''Burmese Days'' |
| |author= George Orwell | | |author= George Orwell |
| |notes= | | |notes= This novel publish in 1934 is based loosely on Orwell's five years as a policeman in the Indian Imperial Police force in Burma. It is a caustic, fast-paced tale about the waning days of British imperialism before World War II. From Wikipedia article on [[:en.wp:Burmese Days|Burmese Days]]. |
| }} | | }} |
| | {{PD-Canada}} |
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| 'This desert inaccessible | | <div class="text"> |
| | 'This desert inaccessible<br> |
| Under the shade of melancholy boughs' | | Under the shade of melancholy boughs' |
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| * [[Burmese Days/24|24]] | | * [[Burmese Days/24|24]] |
| * [[Burmese Days/25|25]] | | * [[Burmese Days/25|25]] |
| | | </div> |
| | | {{DISPLAYTITLE:''Burmese Days''}} |
| | | [[Category:George Orwell novels]] |
| | | [[Category:1934 novels]] |
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| == 10 ==
| |
| | |
| But as a matter of fact, Ko S'la's alarm was premature. After
| |
| knowing Elizabeth for ten days, Flory was scarcely more intimate
| |
| with her than on the day when he had first met her.
| |
| | |
| As it happened, he had her almost to himself during these ten days,
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| most of the Europeans being in the jungle. Flory himself had no
| |
| right to be loitering in headquarters, for at this time of year the
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| work of timber-extraction was in full swing, and in his absence
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| everything went to pieces under the incompetent Eurasian overseer.
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| But he had stayed--pretext, a touch of fever--while despairing
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| letters came almost every day from the overseer, telling of
| |
| disasters. One of the elephants was ill, the engine of the light
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| railway that was used for carrying teak logs to the river had
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| broken down, fifteen of the coolies had deserted. But Flory still
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| lingered, unable to tear himself away from Kyauktada while
| |
| Elizabeth was there, and continually seeking--never, as yet, to
| |
| much purpose--to recapture that easy and delightful friendship of
| |
| their first meeting.
| |
| | |
| They met every day, morning and evening, it was true. Each evening
| |
| they played a single of tennis at the Club--Mrs Lackersteen was too
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| limp and Mr Lackersteen too liverish for tennis at this time of
| |
| year--and afterwards they would sit in the lounge, all four
| |
| together, playing bridge and talking. But though Flory spent hours
| |
| in Elizabeth's company, and often they were alone together, he was
| |
| never for an instant at his ease with her. They talked--so long as
| |
| they talked of trivialities--with the utmost freedom, yet they were
| |
| distant, like strangers. He felt stiff in her presence, he could
| |
| not forget his birthmark; his twice-scraped chin smarted, his body
| |
| tortured him for whisky and tobacco--for he tried to cut down his
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| drinking and smoking when he was with her. After ten days they
| |
| seemed no nearer the relationship he wanted.
| |
| | |
| For somehow, he had never been able to talk to her as he longed to
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| talk. To talk, simply to talk! It sounds so little, and how much
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| it is! When you have existed to the brink of middle age in bitter
| |
| loneliness, among people to whom your true opinion on every subject
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| on earth is blasphemy, the need to talk is the greatest of all
| |
| needs. Yet with Elizabeth serious talk seemed impossible. It was
| |
| as though there had been a spell upon them that made all their
| |
| conversation lapse into banality; gramophone records, dogs, tennis
| |
| racquets--all that desolating Club-chatter. She seemed not to WANT
| |
| to talk of anything but that. He had only to touch upon a subject
| |
| of any conceivable interest to hear the evasion, the 'I shan't
| |
| play', coming into her voice. Her taste in books appalled him when
| |
| he discovered it. Yet she was young, he reminded himself, and had
| |
| she not drunk white wine and talked of Marcel Proust under the
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| Paris plane trees? Later, no doubt, she would understand him and
| |
| give him the companionship he needed. Perhaps it was only that he
| |
| had not won her confidence yet.
| |
| | |
| He was anything but tactful with her. Like all men who have lived
| |
| much alone, he adjusted himself better to ideas than to people.
| |
| And so, though all their talk was superficial, he began to irritate
| |
| her sometimes; not by what he said but by what he implied. There
| |
| was an uneasiness between them, ill-defined and yet often verging
| |
| upon quarrels. When two people, one of whom has lived long in the
| |
| country while the other is a newcomer, are thrown together, it is
| |
| inevitable that the first should act as cicerone to the second.
| |
| Elizabeth, during these days, was making her first acquaintance
| |
| with Burma; it was Flory, naturally, who acted as her interpreter,
| |
| explaining this, commenting upon that. And the things he said, or
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| the way he said them, provoked in her a vague yet deep disagreement.
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| For she perceived that Flory, when he spoke of the 'natives', spoke
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| nearly always IN FAVOUR of them. He was forever praising Burmese
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| customs and the Burmese character; he even went so far as to
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| contrast them favourably with the English. It disquieted her.
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| After all, natives were natives--interesting, no doubt, but finally
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| only a 'subject' people, an inferior people with black faces. His
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| attitude was a little TOO tolerant. Nor had he grasped, yet, in
| |
| what way he was antagonizing her. He so wanted her to love Burma as
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| he loved it, not to look at it with the dull, incurious eyes of a
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| memsahib! He had forgotten that most people can be at ease in a
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| foreign country only when they are disparaging the inhabitants.
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| | |
| He was too eager in his attempts to interest her in things
| |
| Oriental. He tried to induce her, for instance, to learn Burmese,
| |
| but it came to nothing. (Her aunt had explained to her that only
| |
| missionary-women spoke Burmese; nice women found kitchen Urdu quite
| |
| as much as they needed.) There were countless small disagreements
| |
| like that. She was grasping, dimly, that his views were not the
| |
| views an Englishman should hold. Much more clearly she grasped
| |
| that he was asking her to be fond of the Burmese, even to admire
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| them; to admire people with black faces, almost savages, whose
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| appearance still made her shudder!
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| | |
| The subject cropped up in a hundred ways. A knot of Burmans would
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| pass them on the road. She, with her still fresh eyes, would gaze
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| after them, half curious and half repelled; and she would say to
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| Flory, as she would have said to anybody:
| |
| | |
| 'How REVOLTINGLY ugly these people are, aren't they?'
| |
| | |
| 'ARE they? I always think they're rather charming-looking, the | |
| Burmese. They have such splendid bodies! Look at that fellow's | |
| shoulders--like a bronze statue. Just think what sights you'd see
| |
| in England if people went about half naked as they do here!'
| |
| | |
| 'But they have such hideous-shaped heads! Their skulls kind of
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| slope up behind like a tom-cat's. And then the way their foreheads
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| slant back--it makes them look so WICKED. I remember reading
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| something in a magazine about the shape of people's heads; it said
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| that a person with a sloping forehead is a CRIMINAL TYPE.'
| |
| | |
| 'Oh, come, that's a bit sweeping! Round about half the people in
| |
| the world have that kind of forehead.'
| |
| | |
| 'Oh, well, if you count COLOURED people, of course--!'
| |
| | |
| Or perhaps a string of women would pass, going to the well: heavy-
| |
| set peasant-girls, copper-brown, erect under their water-pots with
| |
| strong marelike buttocks protruded. The Burmese women repelled
| |
| Elizabeth more than the men; she felt her kinship with them, and
| |
| the hatefulness of being kin to creatures with black faces.
| |
| | |
| 'Aren't they too simply dreadful? So COARSE-LOOKING; like some
| |
| kind of animal. Do you think ANYONE could think those women
| |
| attractive?'
| |
| | |
| 'Their own men do, I believe.'
| |
| | |
| 'I suppose they would. But that black skin--I don't know how
| |
| anyone could bear it!'
| |
| | |
| 'But, you know, one gets used to the brown skin in time. In fact
| |
| they say--I believe it's true--that after a few years in these
| |
| countries a brown skin seems more natural than a white one. And
| |
| after all, it IS more natural. Take the world as a whole, it's an
| |
| eccentricity to be white.'
| |
| | |
| 'You DO have some funny ideas!'
| |
| | |
| And so on and so on. She felt all the while an unsatisfactoriness,
| |
| an unsoundness in the things he said. It was particularly so on
| |
| the evening when Flory allowed Mr Francis and Mr Samuel, the two
| |
| derelict Eurasians, to entrap him in conversation at the Club gate.
| |
| | |
| Elizabeth, as it happened, had reached the Club a few minutes
| |
| before Flory, and when she heard his voice at the gate she came
| |
| round the tennis-screen to meet him. The two Eurasians had sidled
| |
| up to Flory and cornered him like a pair of dogs asking for a game.
| |
| Francis was doing most of the talking. He was a meagre, excitable
| |
| man, and as brown as a cigar-leaf, being the son of a South Indian
| |
| woman; Samuel, whose mother had been a Karen, was pale yellow with
| |
| dull red hair. Both were dressed in shabby drill suits, with vast
| |
| topis beneath which their slender bodies looked like the stalks of
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| toadstools.
| |
| | |
| Elizabeth came down the path in time to hear fragments of an
| |
| enormous and complicated autobiography. Talking to white men--
| |
| talking, for choice, about himself--was the great joy of Francis's
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| life. When, at intervals of months, he found a European to listen
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| to him, his life-history would pour out of him in unquenchable
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| torrents. He was talking in a nasal, sing-song voice of incredible
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| rapidity:
| |
| | |
| 'Of my father, sir, I remember little, but he was very choleric man
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| and many whackings with big bamboo stick all knobs on both for
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| self, little half-brother and two mothers. Also how on occasion of
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| bishop's visit little half-brother and I dress in longyis and sent
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| among the Burmese children to preserve incognito. My father never
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| rose to be bishop, sir. Four converts only in twenty-eight years,
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| and also too great fondness for Chinese rice-spirit very fiery
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| noised abroad and spoil sales of my father's booklet entitled The
| |
| Scourge of Alcohol, published with the Rangoon Baptist Press, one
| |
| rupee eight annas. My little half-brother die one hot weather,
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| always coughing, coughing,' etc., etc.
| |
| | |
| The two Eurasians perceived the presence of Elizabeth. Both doffed
| |
| their topis with bows and brilliant displays of teeth. It was
| |
| probably several years since either of them had had a chance of
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| talking to an Englishwoman. Francis burst out more effusively than
| |
| ever. He was chattering in evident dread that he would be
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| interrupted and the conversation cut short.
| |
| | |
| 'Good evening to you, madam, good evening, good evening! Most
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| honoured to make your acquaintance, madam! Very sweltering is the
| |
| weather these days, is not? But seasonable for April. Not too
| |
| much you are suffering from prickly heat, I trust? Pounded
| |
| tamarind applied to the afflicted spot is infallible. Myself I
| |
| suffer torments each night. Very prevalent disease among we
| |
| Europeans.'
| |
| | |
| He pronounced it Europian, like Mr Chollop in Martin Chuzzlewit.
| |
| Elizabeth did not answer. She was looking at the Eurasians
| |
| somewhat coldly. She had only a dim idea as to who or what they
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| were, and it struck her as impertinent that they should speak to
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| her.
| |
| | |
| 'Thanks, I'll remember about the tamarind,' Flory said.
| |
| | |
| 'Specific of renowned Chinese doctor, sir. Also, sir-madam, may I
| |
| advise to you, wearing only Terai hat is not judicious in April,
| |
| sir. For the natives all well, their skulls are adamant. But for
| |
| us sunstroke ever menaces. Very deadly is the sun upon European
| |
| skull. But is it that I detain you, madam?'
| |
| | |
| This was said in a disappointed tone. Elizabeth had, in fact,
| |
| decided to snub the Eurasians. She did not know why Flory was
| |
| allowing them to hold him in conversation. As she turned away to
| |
| stroll back to the tennis court, she made a practice stroke in the
| |
| air with her racquet, to remind Flory that the game was overdue.
| |
| He saw it and followed her, rather reluctantly, for he did not like
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| snubbing the wretched Francis, bore though he was.
| |
| | |
| 'I must be off,' he said. 'Good evening, Francis. Good evening,
| |
| Samuel.'
| |
| | |
| 'Good evening, sir! Good evening, madam! Good evening, good
| |
| evening!' They receded with more hat flourishes.
| |
| | |
| 'Who ARE those two?' said Elizabeth as Flory came up with her.
| |
| 'Such extraordinary creatures! They were in church on Sunday. One
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| of them looks almost white. Surely he isn't an Englishman?'
| |
| | |
| 'No, they're Eurasians--sons of white fathers and native mothers.
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| Yellow-bellies is our friendly nickname for them.'
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| | |
| 'But what are they doing here? Where do they live? Do they do any
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| work?'
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| | |
| 'They exist somehow or other in the bazaar. I believe Francis acts
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| as clerk to an Indian money-lender, and Samuel to some of the
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| pleaders. But they'd probably starve now and then if it weren't
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| for the charity of the natives.'
| |
| | |
| 'The natives! Do you mean to say--sort of CADGE from the natives?'
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| | |
| 'I fancy so. It would be a very easy thing to do, if one cared to.
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| The Burmese won't let anyone starve.'
| |
| | |
| Elizabeth had never heard of anything of this kind before. The
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| notion of men who were at least partly white living in poverty
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| among 'natives' so shocked her that she stopped short on the path,
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| and the game of tennis was postponed for a few minutes.
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| | |
| 'But how awful! I mean, it's such a bad example! It's almost as
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| bad as if one of US was like that. Couldn't something be done for
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| those two? Get up a subscription and send them away from here, or
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| something?'
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| | |
| 'I'm afraid it wouldn't help much. Wherever they went they'd be in
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| the same position.'
| |
| | |
| 'But couldn't they get some proper work to do?'
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| | |
| 'I doubt it. You see, Eurasians of that type--men who've been
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| brought up in the bazaar and had no education--are done for from
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| the start. The Europeans won't touch them with a stick, and
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| they're cut off from entering the lower-grade Government services.
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| There's nothing they can do except cadge, unless they chuck all
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| pretension to being Europeans. And really you can't expect the
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| poor devils to do that. Their drop of white blood is the sole
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| asset they've got. Poor Francis, I never meet him but he begins
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| telling me about his prickly heat. Natives, you see, are supposed
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| not to suffer from prickly heat--bosh, of course, but people
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| believe it. It's the same with sunstroke. They wear those huge
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| topis to remind you that they've got European skulls. A kind of
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| coat of arms. The bend sinister, you might say.'
| |
| | |
| This did not satisfy Elizabeth. She perceived that Flory, as
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| usual, had a sneaking sympathy with the Eurasians. And the
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| appearance of the two men had excited a peculiar dislike in her.
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| She had placed their type now. They looked like dagoes. Like
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| those Mexicans and Italians and other dago people who play the
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| mauvais role in so many a film.
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| | |
| 'They looked awfully degenerate types, didn't they? So thin and
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| weedy and cringing; and they haven't got at all HONEST faces. I
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| suppose these Eurasians ARE very degenerate? I've heard that half-
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| castes always inherit what's worst in both races. Is that true?'
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| | |
| 'I don't know that it's true. Most Eurasians aren't very good
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| specimens, and it's hard to see how they could be, with their
| |
| upbringing. But our attitude towards them is rather beastly. We
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| always talk of them as though they'd sprung up from the ground like
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| mushrooms, with all their faults ready-made. But when all's said
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| and done, we're responsible for their existence.'
| |
| | |
| 'Responsible for their existence?'
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| | |
| 'Well, they've all got fathers, you see.'
| |
| | |
| 'Oh . . . Of course there's that. . . . But after all, YOU aren't
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| responsible. I mean, only a very low kind of man would--er--have
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| anything to do with native women, wouldn't he?'
| |
| | |
| 'Oh, quite. But the fathers of both those two were clergymen in
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| holy orders, I believe.'
| |
| | |
| He thought of Rosa McFee, the Eurasian girl he had seduced in
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| Mandalay in 1913. The way he used to sneak down to the house in a
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| gharry with the shutters down; Rosa's corkscrew curls; her withered
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| old Burmese mother, giving him tea in the dark living-room with the
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| fern pots and the wicker divan. And afterwards, when he had
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| chucked Rosa, those dreadful, imploring letters on scented note-
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| paper, which, in the end, he had ceased opening.
| |
| | |
| Elizabeth reverted to the subject of Francis and Samuel after
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| tennis.
| |
| | |
| 'Those two Eurasians--does anyone here have anything to do with
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| them? Invite them to their houses or anything?'
| |
| | |
| 'Good gracious, no. They're complete outcasts. It's not
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| considered quite the thing to talk to them, in fact. Most of us
| |
| say good morning to them--Ellis won't even do that.'
| |
| | |
| 'But YOU talked to them.'
| |
| | |
| 'Oh well, I break the rules occasionally. I meant that a pukka
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| sahib probably wouldn't be seen talking to them. But you see, I
| |
| try--just sometimes, when I have the pluck--NOT to be a pukka
| |
| sahib.'
| |
| | |
| It was an unwise remark. She knew very well by this time the
| |
| meaning of the phrase 'pukka sahib' and all it stood for. His
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| remark had made the difference in their viewpoint a little clearer.
| |
| The glance she gave him was almost hostile, and curiously hard; for
| |
| her face could look hard sometimes, in spite of its youth and its
| |
| flower-like skin. Those modish tortoise-shell spectacles gave her
| |
| a very self-possessed look. Spectacles are queerly expressive
| |
| things--almost more expressive, indeed, than eyes.
| |
| | |
| As yet he had neither understood her nor quite won her trust. Yet
| |
| on the surface, at least, things had not gone ill between them. He
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| had fretted her sometimes, but the good impression that he had made
| |
| that first morning was not yet effaced. It was a curious fact that
| |
| she scarcely noticed his birthmark at this time. And there were
| |
| some subjects on which she was glad to hear him talk. Shooting,
| |
| for example--she seemed to have an enthusiasm for shooting that was
| |
| remarkable in a girl. Horses, also; but he was less knowledgeable
| |
| about horses. He had arranged to take her out for a day's
| |
| shooting, later, when he could make preparations. Both of them
| |
| were looking forward to the expedition with some eagerness, though
| |
| not entirely for the same reason.
| |
| | |
| == 11 ==
| |
| | |
| Flory and Elizabeth walked down the bazaar road. It was morning,
| |
| but the air was so hot that to walk in it was like wading through a
| |
| torrid sea. Strings of Burmans passed, coming from the bazaar, on
| |
| scraping sandals, and knots of girls who hurried by four and five
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| abreast, with short quick steps, chattering, their burnished hair
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| gleaming. By the roadside, just before you got to the jail, the
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| fragments of a stone pagoda were littered, cracked and overthrown
| |
| by the strong roots of a peepul tree. The angry carved faces of
| |
| demons looked up from the grass where they had fallen. Near by
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| another peepul tree had twined itself round a palm, uprooting it
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| and bending it backwards in a wrestle that had lasted a decade.
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| | |
| They walked on and came to the jail, a vast square block, two
| |
| hundred yards each way, with shiny concrete walls twenty feet high.
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| A peacock, pet of the jail, was mincing pigeon-toed along the
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| parapet. Six convicts came by, head down, dragging two heavy
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| handcarts piled with earth, under the guard of Indian warders.
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| They were long-sentence men, with heavy limbs, dressed in uniforms
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| of coarse white cloth with small dunces' caps perched on their
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| shaven crowns. Their faces were greyish, cowed and curiously
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| flattened. Their leg-irons jingled with a clear ring. A woman
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| came past carrying a basket of fish on her head. Two crows were
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| circling round it and making darts at it, and the woman was
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| flapping one hand negligently to keep them away.
| |
| | |
| There was a din of voices a little distance away. 'The bazaar's
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| just round the corner,' Flory said. 'I think this is a market
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| morning. It's rather fun to watch.'
| |
| | |
| He had asked her to come down to the bazaar with him, telling her
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| it would amuse her to see it. They rounded the bend. The bazaar
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| was an enclosure like a very large cattle pen, with low stalls,
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| mostly palm-thatched, round its edge. In the enclosure, a mob of
| |
| people seethed, shouting and jostling; the confusion of their
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| multi-coloured clothes was like a cascade of hundreds-and-thousands
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| poured out of a jar. Beyond the bazaar one could see the huge,
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| miry river. Tree branches and long streaks of scum raced down it
| |
| at seven miles an hour. By the bank a fleet of sampans, with sharp
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| beak-like bows on which eyes were painted, rocked at their mooring-
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| poles.
| |
| | |
| Flory and Elizabeth stood watching for a moment. Files of women
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| passed balancing vegetable baskets on their heads, and pop-eyed
| |
| children who stared at the Europeans. An old Chinese in dungarees
| |
| faded to sky-blue hurried by, nursing some unrecognizable, bloody
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| fragment of a pig's intestines.
| |
| | |
| 'Let's go and poke around the stalls a bit, shall we?' Flory said.
| |
| | |
| 'Is it all right going in among the crowd? Everything's so
| |
| horribly dirty.'
| |
| | |
| 'Oh, it's all right, they'll make way for us. It'll interest you.'
| |
| | |
| Elizabeth followed him doubtfully and even unwillingly. Why was it
| |
| that he always brought her to these places? Why was he forever
| |
| dragging her in among the 'natives', trying to get her to take an
| |
| interest in them and watch their filthy, disgusting habits? It was
| |
| all wrong, somehow. However, she followed, not feeling able to
| |
| explain her reluctance. A wave of stifling air met them; there was
| |
| a reek of garlic, dried fish, sweat, dust, anise, cloves and
| |
| turmeric. The crowd surged round them, swarms of stocky peasants
| |
| with cigar-brown faces, withered elders with their grey hair tied
| |
| in a bun behind, young mothers carrying naked babies astride the
| |
| hip. Flo was trodden on and yelped. Low, strong shoulders bumped
| |
| against Elizabeth, as the peasants, too busy bargaining even to
| |
| stare at a white woman, struggled round the stalls.
| |
| | |
| 'Look!' Flory was pointing with his stick to a stall, and saying
| |
| something, but it was drowned by the yells of two women who were
| |
| shaking their fists at each other over a basket of pineapples.
| |
| Elizabeth had recoiled from the stench and din, but he did not
| |
| notice it, and led her deeper into the crowd, pointing to this
| |
| stall and that. The merchandise was foreign-looking, queer and
| |
| poor. There were vast pomelos hanging on strings like green moons,
| |
| red bananas, baskets of heliotrope-coloured prawns the size of
| |
| lobsters, brittle dried fish tied in bundles, crimson chilis, ducks
| |
| split open and cured like hams, green coco-nuts, the larvae of the
| |
| rhinoceros beetle, sections of sugar-cane, dahs, lacquered sandals,
| |
| check silk longyis, aphrodisiacs in the form of large, soap-like
| |
| pills, glazed earthenware jars four feet high, Chinese sweetmeats
| |
| made of garlic and sugar, green and white cigars, purple prinjals,
| |
| persimmon-seed necklaces, chickens cheeping in wicker cages, brass
| |
| Buddhas, heart-shaped betel leaves, bottles of Kruschen salts,
| |
| switches of false hair, red clay cooking-pots, steel shoes for
| |
| bullocks, papier-mache marionettes, strips of alligator hide with
| |
| magical properties. Elizabeth's head was beginning to swim. At
| |
| the other end of the bazaar the sun gleamed through a priest's
| |
| umbrella, blood-red, as though through the ear of a giant. In
| |
| front of a stall four Dravidian women were pounding turmeric with
| |
| heavy stakes in a large wooden mortar. The hot-scented yellow
| |
| powder flew up and tickled Elizabeth's nostrils, making her sneeze.
| |
| She felt that she could not endure this place a moment longer. She
| |
| touched Flory's arm.
| |
| | |
| 'This crowd--the heat is so dreadful. Do you think we could get
| |
| into the shade?'
| |
| | |
| He turned round. To tell the truth, he had been too busy talking--
| |
| mostly inaudibly, because of the din--to notice how the heat and
| |
| stench were affecting her.
| |
| | |
| 'Oh, I say, I am sorry. Let's get out of it at once. I tell you
| |
| what, we'll go along to old Li Yeik's shop--he's the Chinese
| |
| grocer--and he'll get us a drink of something. It is rather
| |
| stifling here.'
| |
| | |
| 'All these spices--they kind of take your breath away. And what is
| |
| that dreadful smell like fish?'
| |
| | |
| 'Oh, only a kind of sauce they make out of prawns. They bury them
| |
| and then dig them up several weeks afterwards.'
| |
| | |
| 'How absolutely horrible!'
| |
| | |
| 'Quite wholesome, I believe. Come away from that!' he added to
| |
| Flo, who was nosing at a basket of small gudgeon-like fish with
| |
| spines on their gills.
| |
| | |
| Li Yeik's shop faced the farther end of the bazaar. What Elizabeth
| |
| had really wanted was to go straight back to the Club, but the
| |
| European look of Li Yeik's shop-front--it was piled with
| |
| Lancashire-made cotton shirts and almost incredibly cheap German
| |
| clocks--comforted her somewhat after the barbarity of the bazaar.
| |
| They were about to climb the steps when a slim youth of twenty,
| |
| damnably dressed in a longyi, blue cricket blazer and bright yellow
| |
| shoes, with his hair parted and greased 'Ingaleik fashion',
| |
| detached himself from the crowd and came after them. He greeted
| |
| Flory with a small awkward movement as though restraining himself
| |
| from shikoing.
| |
| | |
| 'What is it?' Flory said.
| |
| | |
| 'Letter, sir.' He produced a grubby envelope.
| |
| | |
| 'Would you excuse me?' Flory said to Elizabeth, opening the letter.
| |
| It was from Ma Hla May--or rather, it had been written for her and
| |
| she had signed it with a cross--and it demanded fifty rupees, in a
| |
| vaguely menacing manner.
| |
| | |
| Flory pulled the youth aside. 'You speak English? Tell Ma Hla May
| |
| I'll see about this later. And tell her that if she tries
| |
| blackmailing me she won't get another pice. Do you understand?'
| |
| | |
| 'Yes, sir.'
| |
| | |
| 'And now go away. Don't follow me about, or there'll be trouble.'
| |
| | |
| 'Yes, sir.'
| |
| | |
| 'A clerk wanting a job,' Flory explained to Elizabeth as they went
| |
| up the steps. 'They come bothering one at all hours.' And he
| |
| reflected that the tone of the letter was curious, for he had not
| |
| expected Ma Hla May to begin blackmailing him so soon; however, he
| |
| had not time at the moment to wonder what it might mean.
| |
| | |
| They went into the shop, which seemed dark after the outer air. Li
| |
| Yeik, who was sitting smoking among his baskets of merchandise--
| |
| there was no counter--hobbled eagerly forward when he saw who had
| |
| come in. Flory was a friend of his. He was an old bent-kneed man
| |
| dressed in blue, wearing a pigtail, with a chinless yellow face,
| |
| all cheekbones, like a benevolent skull. He greeted Flory with
| |
| nasal honking noises which he intended for Burmese, and at once
| |
| hobbled to the back of the shop to call for refreshments. There
| |
| was a cool sweetish smell of opium. Long strips of red paper with
| |
| black lettering were pasted on the walls, and at one side there was
| |
| a little altar with a portrait of two large, serene-looking people
| |
| in embroidered robes, and two sticks of incense smouldering in
| |
| front of it. Two Chinese women, one old, and a girl were sitting
| |
| on a mat rolling cigarettes with maize straw and tobacco like
| |
| chopped horsehair. They wore black silk trousers, and their feet,
| |
| with bulging, swollen insteps, were crammed into red-heeled wooden
| |
| slippers no bigger than a doll's. A naked child was crawling
| |
| slowly about the floor like a large yellow frog.
| |
| | |
| 'Do look at those women's feet!' Elizabeth whispered as soon as Li
| |
| Yeik's back was turned. 'Isn't it simply dreadful! How do they
| |
| get them like that? Surely it isn't natural?'
| |
| | |
| 'No, they deform them artificially. It's going out in China, I
| |
| believe, but the people here are behind the times. Old Li Yeik's
| |
| pigtail is another anachronism. Those small feet are beautiful
| |
| according to Chinese ideas.'
| |
| | |
| 'Beautiful! They're so horrible I can hardly look at them. These
| |
| people must be absolute savages!'
| |
| | |
| 'Oh no! They're highly civilized; more civilized than we are, in
| |
| my opinion. Beauty's all a matter of taste. There are a people in
| |
| this country called the Palaungs who admire long necks in women.
| |
| The girls wear broad brass rings to stretch their necks, and they
| |
| put on more and more of them until in the end they have necks like
| |
| giraffes. It's no queerer than bustles or crinolines.'
| |
| | |
| At this moment Li Yeik came back with two fat, round-faced Burmese
| |
| girls, evidently sisters, giggling and carrying between them two
| |
| chairs and a blue Chinese teapot holding half a gallon. The two
| |
| girls were or had been Li Yeik's concubines. The old man had
| |
| produced a tin of chocolates and was prising off the lid and
| |
| smiling in a fatherly way, exposing three long, tobacco-blackened
| |
| teeth. Elizabeth sat down in a very uncomfortable frame of mind.
| |
| She was perfectly certain that it could not be right to accept
| |
| these people's hospitality. One of the Burmese girls had at once
| |
| gone behind the chairs and begun fanning Flory and Elizabeth, while
| |
| the other knelt at their feet and poured out cups of tea. Elizabeth
| |
| felt very foolish with the girl fanning the back of her neck and the
| |
| Chinaman grinning in front of her. Flory always seemed to get her
| |
| into these uncomfortable situations. She took a chocolate from the
| |
| tin Li Yeik offered her, but she could not bring herself to say
| |
| 'thank you'.
| |
| | |
| 'Is this ALL RIGHT?' she whispered to Flory.
| |
| | |
| 'All right?'
| |
| | |
| 'I mean, ought we to be sitting down in these people's house?
| |
| Isn't it sort of--sort of infra dig?'
| |
| | |
| 'It's all right with a Chinaman. They're a favoured race in this
| |
| country. And they're very democratic in their ideas. It's best to
| |
| treat them more or less as equals.'
| |
| | |
| 'This tea looks absolutely beastly. It's quite green. You'd think
| |
| they'd have the sense to put milk in it, wouldn't you?'
| |
| | |
| 'It's not bad. It's a special kind of tea old Li Yeik gets from
| |
| China. It has orange blossoms in it, I believe.'
| |
| | |
| 'Ugh! It tastes exactly like earth,' she said, having tasted it.
| |
| | |
| Li Yeik stood holding his pipe, which was two feet long with a
| |
| metal bowl the size of an acorn, and watching the Europeans to see
| |
| whether they enjoyed his tea. The girl behind the chair said
| |
| something in Burmese, at which both of them burst out giggling
| |
| again. The one kneeling on the floor looked up and gazed in a
| |
| naive admiring way at Elizabeth. Then she turned to Flory and
| |
| asked him whether the English lady wore stays. She pronounced it
| |
| s'tays.
| |
| | |
| 'Ch!' said Li Yeik in a scandalized manner, stirring the girl with
| |
| his toe to silence her.
| |
| | |
| 'I should hardly care to ask her,' Flory said.
| |
| | |
| 'Oh, thakin, please do ask her! We are so anxious to know!'
| |
| | |
| There was an argument, and the girl behind the chair forgot fanning
| |
| and joined in. Both of them, it appeared, had been pining all
| |
| their lives to see a veritable pair of s'tays. They had heard so
| |
| many tales about them; they were made of steel on the principle of
| |
| a strait waistcoat, and they compressed a woman so tightly that she
| |
| had no breasts, absolutely no breasts at all! The girls pressed
| |
| their hands against their fat ribs in illustration. Would not
| |
| Flory be so kind as to ask the English lady? There was a room
| |
| behind the shop where she could come with them and undress. They
| |
| had been so hoping to see a pair of s'tays.
| |
| | |
| Then the conversation lapsed suddenly. Elizabeth was sitting
| |
| stiffly, holding her tiny cup of tea, which she could not bring
| |
| herself to taste again, and wearing a rather hard smile. A chill
| |
| fell upon the Orientals; they realized that the English girl, who
| |
| could not join in their conversation, was not at her ease. Her
| |
| elegance and her foreign beauty, which had charmed them a moment
| |
| earlier, began to awe them a little. Even Flory was conscious of
| |
| the same feeling. There came one of those dreadful moments that
| |
| one has with Orientals, when everyone avoids everyone else's eyes,
| |
| trying vainly to think of something to say. Then the naked child,
| |
| which had been exploring some baskets at the back of the shop,
| |
| crawled across to where the European sat. It examined their shoes
| |
| and stockings with great curiosity, and then, looking up, saw their
| |
| white faces and was seized with terror. It let out a desolate
| |
| wail, and began making water on the floor.
| |
| | |
| The old Chinese woman looked up, clicked her tongue and went on
| |
| rolling cigarettes. No one else took the smallest notice. A pool
| |
| began to form on the floor. Elizabeth was so horrified that she
| |
| set her cup down hastily, and spilled the tea. She plucked at
| |
| Flory's arm.
| |
| | |
| 'That child! Do look what it's doing! Really, can't someone--it's
| |
| too awful!' For a moment everyone gazed in astonishment, and then
| |
| they all grasped what was the matter. There was a flurry and a
| |
| general clicking of tongues. No one had paid any attention to the
| |
| child--the incident was too normal to be noticed--and now they all
| |
| felt horribly ashamed. Everyone began putting the blame on the
| |
| child. There were exclamations of 'What a disgraceful child! What
| |
| a disgusting child!' The old Chinese woman carried the child,
| |
| still howling, to the door, and held it out over the step as though
| |
| wringing out a bath sponge. And in the same moment, as it seemed,
| |
| Flory and Elizabeth were outside the shop, and he was following her
| |
| back to the road with Li Yeik and the others looking after them in
| |
| dismay.
| |
| | |
| 'If THAT'S what you call civilized people--!' she was exclaiming.
| |
| | |
| 'I'm sorry,' he said feebly. 'I never expected--'
| |
| | |
| 'What absolutely DISGUSTING people!'
| |
| | |
| She was bitterly angry. Her face had flushed a wonderful delicate
| |
| pink, like a poppy bud opened a day too soon. It was the deepest
| |
| colour of which it was capable. He followed her past the bazaar
| |
| and back to the main road, and they had gone fifty yards before he
| |
| ventured to speak again.
| |
| | |
| 'I'm so sorry that this should have happened! Li Yeik is such a
| |
| decent old chap. He'd hate to think that he'd offended you.
| |
| Really it would have been better to stay a few minutes. Just to
| |
| thank him for the tea.'
| |
| | |
| 'Thank him! After THAT!'
| |
| | |
| 'But honestly, you oughtn't to mind that sort of thing. Not in
| |
| this country. These people's whole outlook is so different from
| |
| ours. One has to adjust oneself. Suppose, for instance, you were
| |
| back in the Middle Ages--'
| |
| | |
| 'I think I'd rather not discuss it any longer.'
| |
| | |
| It was the first time they had definitely quarrelled. He was too
| |
| miserable even to ask himself how it was that he offended her.
| |
| He did not realize that this constant striving to interest her in
| |
| Oriental things struck her only as perverse, ungentlemanly, a
| |
| deliberate seeking after the squalid and the 'beastly'. He had not
| |
| grasped even now with what eyes she saw the 'natives'. He only
| |
| knew that at each attempt to make her share his life, his thoughts,
| |
| his sense of beauty, she shied away from him like a frightened
| |
| horse.
| |
| | |
| They walked up the road, he to the left of her and a little behind.
| |
| He watched her averted cheek and the tiny gold hairs on her nape
| |
| beneath the brim of her Terai hat. How he loved her, how he loved
| |
| her! It was as though he had never truly loved her till this
| |
| moment, when he walked behind her in disgrace, not even daring to
| |
| show his disfigured face. He made to speak several times, and
| |
| stopped himself. His voice was not quite ready, and he did not
| |
| know what he could say that did not risk offending her somehow. At
| |
| last he said, flatly, with a feeble pretence that nothing was the
| |
| matter:
| |
| | |
| 'It's getting beastly hot, isn't it?'
| |
| | |
| With the temperature at 90 degrees in the shade it was not a
| |
| brilliant remark. To his surprise she seized on it with a kind of
| |
| eagerness. She turned to face him, and she was smiling again.
| |
| | |
| 'Isn't it simply BAKING!'
| |
| | |
| With that they were at peace. The silly, banal remark, bringing
| |
| with it the reassuring atmosphere of Club-chatter, had soothed her
| |
| like a charm. Flo, who had lagged behind, came puffing up to them
| |
| dribbling saliva; in an instant they were talking, quite as usual,
| |
| about dogs. They talked about dogs for the rest of the way home,
| |
| almost without a pause. Dogs are an inexhaustible subject. Dogs,
| |
| dogs! thought Flory as they climbed the hot hillside, with the
| |
| mounting sun scorching their shoulders through their thin clothes,
| |
| like the breath of fire--were they never to talk of anything except
| |
| dogs? Or failing dogs, gramophone records and tennis racquets?
| |
| And yet, when they kept to trash like this, how easily, how
| |
| amicably they could talk!
| |
| | |
| They passed the glittering white wall of the cemetery and came to
| |
| the Lackersteens' gate. Old mohur trees grew round it, and a clump
| |
| of hollyhocks eight feet high, with round red flowers like blowsy
| |
| girls' faces. Flory took off his hat in the shade and fanned his
| |
| face.
| |
| | |
| 'Well, we're back before the worst of the heat comes. I'm afraid
| |
| our trip to the bazaar wasn't altogether a success.'
| |
| | |
| 'Oh, not at all! I enjoyed it, really I did.'
| |
| | |
| 'No--I don't know, something unfortunate always seems to happen.--
| |
| Oh, by the way! You haven't forgotten that we're going out
| |
| shooting the day after tomorrow? I hope that day will be all right
| |
| for you?'
| |
| | |
| 'Yes, and my uncle's going to lend me his gun. Such awful fun!
| |
| You'll have to teach me all about shooting. I AM so looking
| |
| forward to it.'
| |
| | |
| 'So am I. It's a rotten time of year for shooting, but we'll do
| |
| our best. Goodbye for the present, then.'
| |
| | |
| 'Good-bye, Mr Flory.'
| |
| | |
| She still called him Mr Flory though he called her Elizabeth. They
| |
| parted and went their ways, each thinking of the shooting trip,
| |
| which, both of them felt, would in some way put things right
| |
| between them.
| |
| | |
| == 12 ==
| |
| | |
| In the sticky, sleepy heat of the living-room, almost dark because
| |
| of the beaded curtain, U Po Kyin was marching slowly up and down,
| |
| boasting. From time to time he would put a hand under his singlet
| |
| and scratch his sweating breasts, huge as a woman's with fat. Ma
| |
| Kin was sitting on her mat, smoking slender white cigars. Through
| |
| the open door of the bedroom one could see the corner of U Po
| |
| Kyin's huge square bed, with carved teak posts, like a catafalque,
| |
| on which he had committed many and many a rape.
| |
| | |
| Ma Kin was now hearing for the first time of the 'other affair'
| |
| which underlay U Po Kyin's attack on Dr Veraswami. Much as he
| |
| despised her intelligence, U Po Kyin usually let Ma Kin into his
| |
| secrets sooner or later. She was the only person in his immediate
| |
| circle who was not afraid of him, and there was therefore a
| |
| pleasure in impressing her.
| |
| | |
| 'Well, Kin Kin,' he said, 'you see how it has all gone according to
| |
| plan! Eighteen anonymous letters already, and every one of them a
| |
| masterpiece. I would repeat some of them to you if I thought you
| |
| were capable of appreciating them.'
| |
| | |
| 'But supposing the Europeans take no notice of your anonymous
| |
| letters? What then?'
| |
| | |
| 'Take no notice? Aha, no fear of that! I think I know something
| |
| about the European mentality. Let me tell you, Kin Kin, that if
| |
| there is one thing I CAN do, it is to write an anonymous letter.'
| |
| | |
| This was true. U Po Kyin's letters had already taken effect, and
| |
| especially on their chief target, Mr Macgregor.
| |
| | |
| Only two days earlier than this, Mr Macgregor had spent a very
| |
| troubled evening in trying to make up his mind whether Dr Veraswami
| |
| was or was not guilty of disloyalty to the Government. Of course,
| |
| it was not a question of any overt act of disloyalty--that was
| |
| quite irrelevant. The point was, was the doctor the KIND of man
| |
| who would hold seditious opinions? In India you are not judged for
| |
| what you do, but for what you ARE. The merest breath of suspicion
| |
| against his loyalty can ruin an Oriental official. Mr Macgregor
| |
| had too just a nature to condemn even an Oriental out of hand. He
| |
| had puzzled as late as midnight over a whole pile of confidential
| |
| papers, including the five anonymous letters he had received,
| |
| besides two others that had been forwarded to him by Westfield,
| |
| pinned together with a cactus thorn.
| |
| | |
| It was not only the letters. Rumours about the doctor had been
| |
| pouring in from every side. U Po Kyin fully grasped that to call
| |
| the doctor a traitor was not enough in itself; it was necessary to
| |
| attack his reputation from every possible angle. The doctor was
| |
| charged not only with sedition, but also with extortion, rape,
| |
| torture, performing illegal operations, performing operations while
| |
| blind drunk, murder by poison, murder by sympathetic magic, eating
| |
| beef, selling death certificates to murderers, wearing his shoes in
| |
| the precincts of the pagoda and making homosexual attempts on the
| |
| Military Police drummer boy. To hear what was said of him, anyone
| |
| would have imagined the doctor a compound of Machiavelli, Sweeny
| |
| Todd and the Marquis de Sade. Mr Macgregor had not paid much
| |
| attention at first. He was too accustomed to this kind of thing.
| |
| But with the last of the anonymous letters U Po Kyin had brought
| |
| off a stroke that was brilliant even for him.
| |
| | |
| It concerned the escape of Nga Shwe O, the dacoit, from Kyauktada
| |
| jail. Nga Shwe O, who was in the middle of a well-earned seven
| |
| years, had been preparing his escape for several months past, and
| |
| as a start his friends outside had bribed one of the Indian
| |
| warders. The warder received his hundred rupees in advance,
| |
| applied for leave to visit the death-bed of a relative and spent
| |
| several busy days in the Mandalay brothels. Time passed, and the
| |
| day of the escape was postponed several times--the warder,
| |
| meanwhile, growing more and more homesick for the brothels.
| |
| Finally he decided to earn a further reward by betraying the plot
| |
| to U Po Kyin. But U Po Kyin, as usual, saw his chance. He told
| |
| the warder on dire penalties to hold his tongue, and then, on the
| |
| very night of the escape, when it was too late to do anything, sent
| |
| another anonymous letter to Mr Macgregor, warning him that an
| |
| escape was being attempted. The letter added, needless to say,
| |
| that Dr Veraswami, the superintendent of the jail, had been bribed
| |
| for his connivance.
| |
| | |
| In the morning there was a hullabaloo and a rushing to and fro of
| |
| warders and, policemen at the jail, for Nga Shwe O had escaped.
| |
| (He was a long way down the river, in a sampan provided by U Po
| |
| Kyin.) This time Mr Macgregor was taken aback. Whoever had
| |
| written the letter must have been privy to the plot, and was
| |
| probably telling the truth about the doctor's connivance. It was a
| |
| very serious matter. A jail superintendent who will take bribes to
| |
| let a prisoner escape is capable of anything. And therefore--
| |
| perhaps the logical sequence was not quite clear, but it was clear
| |
| enough to Mr Macgregor--therefore the charge of sedition, which was
| |
| the main charge against the doctor, became much more credible.
| |
| | |
| U Po Kyin had attacked the other Europeans at the same time.
| |
| Flory, who was the doctor's friend and his chief source of
| |
| prestige, had been scared easily enough into deserting him. With
| |
| Westfield it was a little harder. Westfield, as a policeman, knew
| |
| a great deal about U Po Kyin and might conceivably upset his plans.
| |
| Policemen and magistrates are natural enemies. But U Po Kyin had
| |
| known how to turn even this fact to advantage. He had accused the
| |
| doctor, anonymously of course, of being in league with the
| |
| notorious scoundrel and bribe-taker U Po Kyin. That settled
| |
| Westfield. As for Ellis, no anonymous letters were needed in his
| |
| case; nothing could possibly make him think worse of the doctor
| |
| than he did already.
| |
| | |
| U Po Kyin had even sent one of his anonymous letters to Mrs
| |
| Lackersteen, for he knew the power of European women. Dr
| |
| Veraswami, the letter said, was inciting the natives to abduct and
| |
| rape the European women--no details were given, nor were they
| |
| needed. U Po Kyin had touched Mrs Lackersteen's weak spot. To her
| |
| mind the words 'sedition', 'Nationalism,', 'rebellion', 'Home
| |
| Rule', conveyed one thing and one only, and that was a picture of
| |
| herself being raped by a procession of jet-black coolies with
| |
| rolling white eyeballs. It was a thought that kept her awake at
| |
| night sometimes. Whatever good regard the Europeans might once
| |
| have had for the doctor was crumbling rapidly.
| |
| | |
| 'So you see,' said U Po Kyin with a pleased air, 'you see how I
| |
| have undermined him. He is like a tree sawn through at the base.
| |
| One tap and down he comes. In three weeks or less I shall deliver
| |
| that tap.'
| |
| | |
| 'How?'
| |
| | |
| 'I am just coming to that. I think it is time for you to hear
| |
| about it. You have no sense in these matters, but you know how to
| |
| hold your tongue. You have heard talk of this rebellion that is
| |
| brewing near Thongwa village?'
| |
| | |
| 'Yes. They are very foolish, those villagers. What can they do
| |
| with their dahs and spears against the Indian soldiers? They will
| |
| be shot down like wild animals.'
| |
| | |
| 'Of course. If there is any fighting it will be a massacre. But
| |
| they are only a pack of superstitious peasants. They have put
| |
| their faith in these absurd bullet-proof jackets that are being
| |
| distributed to them. I despise such ignorance.'
| |
| | |
| 'Poor men! Why do you not stop them, Ko Po Kyin? There is no need
| |
| to arrest anybody. You have only to go to the village and tell
| |
| them that you know their plans, and they will never dare to go on.'
| |
| | |
| 'Ah well, I could stop them if I chose, of course. But then I do
| |
| not choose. I have my reasons. You see, Kin Kin--you will please
| |
| keep silent about this--this is, so to speak, my own rebellion. I
| |
| arranged it myself.'
| |
| | |
| 'What!'
| |
| | |
| Ma Kin dropped her cigar. Her eyes had opened so wide that the
| |
| pale blue white showed all round the pupil. She was horrified.
| |
| She burst out:
| |
| | |
| 'Ko Po Kyin, what are you saying? You do not mean it! You,
| |
| raising a rebellion--it cannot be true!'
| |
| | |
| 'Certainly it is true. And a very good job we are making of it.
| |
| That magician whom I brought from Rangoon is a clever fellow. He
| |
| has toured all over India as a circus conjurer. The bullet-proof
| |
| jackets were bought at Whiteaway & Laidlaw's stores, one rupee
| |
| eight annas each. They are costing me a pretty penny, I can tell
| |
| you.'
| |
| | |
| 'But, Ko Po Kyin! A rebellion! The terrible fighting and shooting,
| |
| and all the poor men who will be killed! Surely you have not
| |
| gone mad? Are you not afraid of being shot yourself?'
| |
| | |
| U Po Kyin halted in his stride. He was astonished. 'Good gracious,
| |
| woman, what idea have you got hold of now? You do not suppose that
| |
| _I_ am rebelling against the Government? I--a Government servant
| |
| of thirty years' standing! Good heavens, no! I said that I had
| |
| STARTED the rebellion, not that I was taking part in it. It is
| |
| these fools of villagers who are going to risk their skins, not I.
| |
| No one dreams that I have anything to do with it, or ever will,
| |
| except Ba Sein and one or two others.'
| |
| | |
| 'But you said it was you who were persuading them to rebel?'
| |
| | |
| 'Of course. I have accused Veraswami of raising a rebellion
| |
| against the Government. Well, I must have a rebellion to show,
| |
| must I not?'
| |
| | |
| 'Ah, I see. And when the rebellion breaks out, you are going to
| |
| say that Dr Veraswami is to blame for it. Is that it?'
| |
| | |
| 'How slow you are! I should have thought even a fool would have
| |
| seen that I am raising the rebellion merely in order to crush it.
| |
| I am--what is that expression Mr Macgregor uses? Agent provocateur--
| |
| Latin, you would not understand. I am agent provocateur. First I
| |
| persuade these fools at Thongwa to rebel, and then I arrest them as
| |
| rebels. At the very moment when it is due to start, I shall pounce
| |
| on the ringleaders and clap every one of them in jail. After that,
| |
| I dare say there may possibly be some fighting. A few men may be
| |
| killed and a few more sent to the Andamans. But, meanwhile, I shall
| |
| be first in the field. U Po Kyin, the man who quelled a most
| |
| dangerous rising in the nick of time! I shall be the hero of the
| |
| district.'
| |
| | |
| U Po Kyin, justly proud of his plan, began to pace up and down the
| |
| room again with his hands behind his back, smiling. Ma Kin
| |
| considered the plan in silence for some time. Finally she said:
| |
| | |
| 'I still do not see why you are doing this, Ko Po Kyin. Where is
| |
| it all leading? And what has it got to do with Dr Veraswami?'
| |
| | |
| 'I shall never teach you wisdom, Kin Kin! Did I not tell you at
| |
| the beginning that Veraswami stands in my way? This rebellion is
| |
| the very thing to get rid of him. Of course we shall never prove
| |
| that he is responsible for it; but what does that matter? All the
| |
| Europeans will take it for granted that he is mixed up in it
| |
| somehow. That is how their minds work. He will be ruined for
| |
| life. And his fall is my rise. The blacker I can paint him, the
| |
| more glorious my own conduct will appear. Now do you understand?'
| |
| | |
| 'Yes, I do understand. And I think it is a base, evil plan. I
| |
| wonder you are not ashamed to tell it me.'
| |
| | |
| 'Now, Kin Kin! Surely you are not going to start that nonsense
| |
| over again?'
| |
| | |
| 'Ko Po Kyin, why is it that you are only happy when you are being
| |
| wicked? Why is it that everything you do must bring evil to
| |
| others? Think of that poor doctor who will be dismissed from his
| |
| post, and those villagers who will be shot or flogged with bamboos
| |
| or imprisoned for life. Is it necessary to do such things? What
| |
| can you want with more money when you are rich already?'
| |
| | |
| 'Money! Who is talking about money? Some day, woman, you will
| |
| realize that there are other things in the world besides money.
| |
| Fame, for example. Greatness. Do you realize that the Governor of
| |
| Burma will very probably pin an Order on my breast for my loyal
| |
| action in this affair? Would not even you be proud of such an
| |
| honour as that?'
| |
| | |
| Ma Kin shook her head, unimpressed. 'When will you remember, Ko Po
| |
| Kyin, that you are not going to live a thousand years? Consider
| |
| what happens to those who have lived wickedly. There is such a
| |
| thing, for instance, as being turned into a rat or a frog. There
| |
| is even hell. I remember what a priest said to me once about hell,
| |
| something that he had translated from the Pali scriptures, and it
| |
| was very terrible. He said, "Once in a thousand centuries two red-
| |
| hot spears will meet in your heart, and you will say to yourself,
| |
| 'Another thousand centuries of my torment are ended, and there is
| |
| as much to come as there has been before.'" Is it not very
| |
| dreadful to think of such things, Ko Po Kyin?'
| |
| | |
| U Po Kyin laughed and gave a careless wave of his hand that meant
| |
| 'pagodas'.
| |
| | |
| 'Well, I hope you may still laugh when it comes to the end. But
| |
| for myself, I should not care to look back upon such a life.'
| |
| | |
| She relighted her cigar with her thin shoulder turned disapprovingly
| |
| on U Po Kyin while he took several more turns up and down the room.
| |
| When he spoke, it was more seriously than before, and even with a
| |
| touch of diffidence.
| |
| | |
| 'You know, Kin Kin, there is another matter behind all this.
| |
| Something that I have not told to you or to anyone else. Even Ba
| |
| Sein does not know. But I believe I will tell it you now.'
| |
| | |
| 'I do not want to hear it, if it is more wickedness.'
| |
| | |
| 'No, no. You were asking just now what is my real object in this
| |
| affair. You think, I suppose, that I am ruining Veraswami merely
| |
| because I dislike him and his ideas about bribes as a nuisance.
| |
| It is not only that. There is something else that is far more
| |
| important, and it concerns you as well as me.'
| |
| | |
| 'What is it?'
| |
| | |
| 'Have you never felt in you, Kin Kin, a desire for higher things?
| |
| Has it never struck you that after all our successes--all my
| |
| successes, I should say--we are almost in the same position as when
| |
| we started? I am worth, I dare say, two lakhs of rupees, and yet
| |
| look at the style in which we live! Look at this room! Positively
| |
| it is no better than that of a peasant. I am tired of eating with
| |
| my fingers and associating only with Burmans--poor, inferior
| |
| people--and living, as you might say, like a miserable Township
| |
| Officer. Money is not enough; I should like to feel that I have
| |
| risen in the world as well. Do you not wish sometimes for a way of
| |
| life that is a little more--how shall I say--elevated?'
| |
| | |
| 'I do not know how we could want more than what we have already.
| |
| When I was a girl in my village I never thought that I should live
| |
| in such a house as this. Look at those English chairs--I have
| |
| never sat in one of them in my life. But I am very proud to look
| |
| at them and think that I own them.'
| |
| | |
| 'Ch! Why did you ever leave that village of yours, Kin Kin? You
| |
| are only fit to stand gossiping by the well with a stone water-pot
| |
| on your head. But I am more ambitious, God be praised. And now I
| |
| will tell you the real reason why I am intriguing against Veraswami.
| |
| It is in my mind to do something that is really magnificent.
| |
| Something noble, glorious! Something that is the very highest
| |
| honour an Oriental can attain to. You know what I mean, of course?'
| |
| | |
| 'No. What do you mean?'
| |
| | |
| 'Come, now! The greatest achievement of my life! Surely you can
| |
| guess?'
| |
| | |
| 'Ah, I know! You are going to buy a motor-car. But oh, Ko Po
| |
| Kyin, please do not expect me to ride in it!'
| |
| | |
| U Po Kyin threw up his hands in disgust. 'A motor-car! You have
| |
| the mind of a bazaar peanut-seller! I could buy twenty motor-cars
| |
| if I wanted them. And what use would a motor-car be in this place?
| |
| No, it is something far grander than that.'
| |
| | |
| 'What, then?'
| |
| | |
| 'It is this. I happen to know that in a month's time the Europeans
| |
| are going to elect one native member to their Club. They do not
| |
| want to do it, but they will have orders from the Commissioner, and
| |
| they will obey. Naturally, they would elect Veraswami, who is the
| |
| highest native official in the district. But I have disgraced
| |
| Veraswami. And so--'
| |
| | |
| 'What?'
| |
| | |
| U Po Kyin did not answer for a moment. He looked at Ma Kin, and
| |
| his vast yellow face, with its broad jaw and numberless teeth, was
| |
| so softened that it was almost child-like. There might even have
| |
| been tears in his tawny eyes. He said in a small, almost awed
| |
| voice, as though the greatness of what he was saying overcame him:
| |
| | |
| 'Do you not see, woman? Do you not see that if Veraswami is
| |
| disgraced I shall be elected to the Club myself?'
| |
| | |
| The effect of it was crushing. There was not another word of
| |
| argument on Ma Kin's part. The magnificence of U Po Kyin's project
| |
| had struck her dumb.
| |
| | |
| And not without reason, for all the achievements of U Po Kyin's
| |
| life were as nothing beside this. It is a real triumph--it would
| |
| be doubly so in Kyauktada--for an official of the lower ranks to
| |
| worm his way into the European Club. The European Club, that
| |
| remote, mysterious temple, that holy of holies far harder of entry
| |
| than Nirvana! Po Kyin, the naked gutter-boy of Mandalay, the
| |
| thieving clerk and obscure official, would enter that sacred place,
| |
| call Europeans 'old chap', drink whisky and soda and knock white
| |
| balls to and fro on the green table! Ma Kin, the village woman,
| |
| who had first seen the light through the chinks of a bamboo hut
| |
| thatched with palm-leaves, would sit on a high chair with her feet
| |
| imprisoned in silk stockings and high-heeled shoes (yes, she would
| |
| actually wear shoes in that place!) talking to English ladies in
| |
| Hindustani about baby-linen! It was a prospect that would have
| |
| dazzled anybody.
| |
| | |
| For a long time Ma Kin remained silent, her lips parted, thinking
| |
| of the European Club and the splendours that it might contain.
| |
| For the first time in her life she surveyed U Po Kyin's intrigues
| |
| without disapproval. Perhaps it was a feat greater even than the
| |
| storming of the Club to have planted a grain of ambition in Ma
| |
| Kin's gentle heart.
| |
| | |
| == 13 ==
| |
| | |
| As Flory came through the gate of the hospital compound four
| |
| ragged sweepers passed him, carrying some dead coolie, wrapped in
| |
| sackcloth, to a foot-deep grave in the jungle. Flory crossed the
| |
| brick-like earth of the yard between the hospital sheds. All down
| |
| the wide verandas, on sheetless charpoys, rows of grey-faced men
| |
| lay silent and moveless. Some filthy-looking curs, which were said
| |
| to devour amputated limbs, dozed or snapped at their fleas among
| |
| the piles of the buildings. The whole place wore a sluttish and
| |
| decaying air. Dr Veraswami struggled hard to keep it clean, but
| |
| there was no coping with the dust and the bad water-supply, and the
| |
| inertia of sweepers and half-trained Assistant Surgeons.
| |
| | |
| Flory was told that the doctor was in the out-patients' department.
| |
| It was a plaster-walled room furnished only with a table and two
| |
| chairs, and a dusty portrait of Queen Victoria, much awry. A
| |
| procession of Burmans, peasants with gnarled muscles beneath their
| |
| faded rags, were filing into the room and queueing up at the table.
| |
| The doctor was in shirt-sleeves and sweating profusely. He sprang
| |
| to his feet with an exclamation of pleasure, and in his usual fussy
| |
| haste thrust Flory into the vacant chair and produced a tin of
| |
| cigarettes from the drawer of the table.
| |
| | |
| 'What a delightful visit, Mr Flory! Please to make yourself
| |
| comfortable--that iss, if one can possibly be comfortable in such a
| |
| place ass this, ha, ha! Afterwards, at my house, we will talk with
| |
| beer and amenities. Kindly excuse me while I attend to the
| |
| populace.'
| |
| | |
| Flory sat down, and the hot sweat immediately burst out and
| |
| drenched his shirt. The heat of the room was stifling. The
| |
| peasants steamed garlic from all their pores. As each man came to
| |
| the table the doctor would bounce from his chair, prod the patient
| |
| in the back, lay a black ear to his chest, fire off several
| |
| questions in villainous Burmese, then bounce back to the table and
| |
| scribble a prescription. The patients took the prescriptions
| |
| across the yard to the Compounder, who gave them bottles filled
| |
| with water and various vegetable dyes. The Compounder supported
| |
| himself largely by the sale of drugs, for the Government paid him
| |
| only twenty-five rupees a month. However, the doctor knew nothing
| |
| of this.
| |
| | |
| On most mornings the doctor had not time to attend to the out-
| |
| patients himself, and left them to one of the Assistant Surgeons.
| |
| The Assistant Surgeon's methods of diagnosis were brief. He would
| |
| simply ask each patient, 'Where is your pain? Head, back or
| |
| belly?' and at the reply hand out a prescription from one of three
| |
| piles that he had prepared beforehand. The patients much preferred
| |
| this method to the doctor's. The doctor had a way of asking them
| |
| whether they had suffered from venereal diseases--an ungentlemanly,
| |
| pointless question--and sometimes he horrified them still more by
| |
| suggesting operations. 'Belly-cutting' was their phrase for it.
| |
| The majority of them would have died a dozen times over rather than
| |
| submit to 'belly-cutting'.
| |
| | |
| As the last patient disappeared the doctor sank into his chair,
| |
| fanning his face with the prescription-pad.
| |
| | |
| 'Ach, this heat! Some mornings I think that never will I get the
| |
| smell of garlic out of my nose! It iss amazing to me how their
| |
| very blood becomes impregnated with it. Are you not suffocated,
| |
| Mr Flory? You English have the sense of smell almost too highly
| |
| developed. What torments you must all suffer in our filthy East!'
| |
| | |
| 'Abandon your noses, all ye who enter here, what? They might write
| |
| that up over the Suez Canal. You seem busy this morning?'
| |
| | |
| 'Ass ever. Ah but, my friend, how discouraging iss the work of a
| |
| doctor in this country! These villagers--dirty, ignorant savages!
| |
| Even to get them to come to hospital iss all we can do, and they
| |
| will die of gangrene or carry a tumour ass large ass a melon for
| |
| ten years rather than face the knife. And such medicines ass their
| |
| own so-called doctors give to them! Herbs gathered under the new
| |
| moon, tigers' whiskers, rhinoceros horn, urine, menstrual blood!
| |
| How men can drink such compounds iss disgusting.'
| |
| | |
| 'Rather picturesque, all the same. You ought to compile a Burmese
| |
| pharmacopoeia, doctor. It would be almost as good as Culpeper.'
| |
| | |
| 'Barbarous cattle, barbarous cattle,' said the doctor, beginning to
| |
| struggle into his white coat. 'Shall we go back to my house?
| |
| There iss beer and I trust a few fragments of ice left. I have an
| |
| operation at ten, strangulated hernia, very urgent. Till then I am
| |
| free.'
| |
| | |
| 'Yes. As a matter of fact there's something I rather wanted to
| |
| talk to you about.'
| |
| | |
| They recrossed the yard and climbed the steps of the doctor's
| |
| veranda. The doctor, having felt in the ice-chest and found that
| |
| the ice was all melted to tepid water, opened a bottle of beer and
| |
| called fussily to the servants to set some more bottles swinging in
| |
| a cradle of wet straw. Flory was standing looking over the veranda
| |
| rail, with his hat still on. The fact was that he had come here to
| |
| utter an apology. He had been avoiding the doctor for nearly a
| |
| fortnight--since the day, in fact, when he had set his name to the
| |
| insulting notice at the Club. But the apology had got to be
| |
| uttered. U Po Kyin was a very good judge of men, but he had erred
| |
| in supposing that two anonymous letters were enough to scare Flory
| |
| permanently away from his friend.
| |
| | |
| 'Look here, doctor, you know what I wanted to say?'
| |
| | |
| 'I? No.'
| |
| | |
| 'Yes, you do. It's about that beastly trick I played on you the
| |
| other week. When Ellis put that notice on the Club board and I
| |
| signed my name to it. You must have heard about it. I want to try
| |
| and explain--'
| |
| | |
| 'No, no, my friend, no, no!' The doctor was so distressed that he
| |
| sprang across the veranda and seized Flory by the arm. 'You shall
| |
| NOT explain! Please never mention it! I understand perfectly--but
| |
| most perfectly.'
| |
| | |
| 'No, you don't understand. You couldn't. You don't realize just
| |
| what KIND of pressure is put on one to make one do things like
| |
| that. There was nothing to make me sign the notice. Nothing could
| |
| have happened if I'd refused. There's no law telling us to be
| |
| beastly to Orientals--quite the contrary. But--it's just that one
| |
| daren't be loyal to an Oriental when it means going against the
| |
| others. It doesn't DO. If I'd stuck out against signing the
| |
| notice I'd have been in disgrace at the Club for a week or two.
| |
| So I funked it, as usual.'
| |
| | |
| 'Please, Mr Flory, please! Possitively you will make me
| |
| uncomfortable if you continue. Ass though I could not make all
| |
| allowances for your position!'
| |
| | |
| 'Our motto, you know is, "In India, do as the English do".'
| |
| | |
| 'Of course, of course. And a most noble motto. "Hanging
| |
| together", ass you call it. It iss the secret of your superiority
| |
| to we Orientals.'
| |
| | |
| 'Well, it's never much use saying one's sorry. But what I did come
| |
| here to say was that it shan't happen again. In fact--'
| |
| | |
| 'Now, now, Mr Flory, you will oblige me by saying no more upon this
| |
| subject. It iss all over and forgotten. Please to drink up your
| |
| beer before it becomes ass hot ass tea. Also, I have a thing to
| |
| tell you. You have not asked for my news yet.'
| |
| | |
| 'Ah, your news. What is your news, by the way? How's everything
| |
| been going all this time? How's Ma Britannia? Still moribund?'
| |
| | |
| 'Aha, very low, very low! But not so low ass I. I am in deep
| |
| waters, my friend.'
| |
| | |
| 'What? U Po Kyin again? Is he still libelling you?'
| |
| | |
| 'If he iss libelling me! This time it iss--well, it iss something
| |
| diabolical. My friend, you have heard of this rebellion that is
| |
| supposed to be on the point of breaking out in the district?'
| |
| | |
| 'I've heard a lot of talk. Westfield's been out bent on slaughter,
| |
| but I hear he can't find any rebels. Only the usual village
| |
| Hampdens who won't pay their taxes.'
| |
| | |
| 'Ah yes. Wretched fools! Do you know how much iss the tax that
| |
| most of them have refused to pay? Five rupees! They will get
| |
| tired of it and pay up presently. We have this trouble every year.
| |
| But ass for the rebellion--the SO-CALLED rebellion, Mr Flory--I
| |
| wish you to know that there iss more in it than meets the eye.'
| |
| | |
| 'Oh? What?'
| |
| | |
| To Flory's surprise the doctor made such a violent gesture of anger
| |
| that he spilled most of his beer. He put his glass down on the
| |
| veranda rail and burst out:
| |
| | |
| 'It iss U Po Kyin again! That unutterable scoundrel! That
| |
| crocodile deprived of natural feeling! That--that--'
| |
| | |
| 'Go on. "That obscene trunk of humors, that swol'n parcel of
| |
| dropsies, that bolting-hutch of beastliness"--go on. What's he
| |
| been up to now?'
| |
| | |
| 'A villainy unparalleled'--and here the doctor outlined the plot
| |
| for a sham rebellion, very much as U Po Kyin had explained it to Ma
| |
| Kin. The only detail not known to him was U Po Kyin's intention of
| |
| getting himself elected to the European Club. The doctor's face
| |
| could not accurately be said to flush, but it grew several shades
| |
| blacker in his anger. Flory was so astonished that he remained
| |
| standing up.
| |
| | |
| 'The cunning old devil! Who'd have thought he had it in him? But
| |
| how did you manage to find all this out?'
| |
| | |
| 'Ah, I have a few friends left. But now do you see, my friend,
| |
| what ruin he iss preparing for me? Already he hass calumniated me
| |
| right and left. When this absurd rebellion breaks out, he will do
| |
| everything in his power to connect my name with it. And I tell you
| |
| that the slightest suspicion of my loyalty could be ruin for me,
| |
| ruin! If it were ever breathed that I were even a sympathizer with
| |
| this rebellion, there iss an end of me.'
| |
| | |
| 'But, damn it, this is ridiculous! Surely you can defend yourself
| |
| somehow?'
| |
| | |
| 'How can I defend myself when I can prove nothing? I know that all
| |
| this iss true, but what use iss that? If I demand a public
| |
| inquiry, for every witness I produce U Po Kyin would produce fifty.
| |
| You do not realize the influence of that man in the district. No
| |
| one dare speak against him.'
| |
| | |
| 'But why need you prove anything? Why not go to old Macgregor and
| |
| tell him about it? He's a very fair-minded old chap in his way.
| |
| He'd hear you out.'
| |
| | |
| 'Useless, useless. You have not the mind of an intriguer, Mr
| |
| Flory. Qui s'excuse, s'accuse, iss it not? It does not pay to cry
| |
| that there iss a conspiracy against one.'
| |
| | |
| 'Well, what are you going to do, then?'
| |
| | |
| 'There iss nothing I can do. Simply I must wait and hope that my
| |
| prestige will carry me through. In affairs like this, where a
| |
| native official's reputation iss at stake, there iss no question
| |
| of proof, of evidence. All depends upon one's standing with the
| |
| Europeans. If my standing iss good, they will not believe it of
| |
| me; if bad, they will believe it. Prestige iss all.'
| |
| | |
| They were silent for a moment. Flory understood well enough that
| |
| 'prestige iss all'. He was used to these nebulous conflicts, in
| |
| which suspicion counts for more than proof, and reputation for more
| |
| than a thousand witnesses. A thought came into his head, an
| |
| uncomfortable, chilling thought which would never have occurred to
| |
| him three weeks earlier. It was one of those moments when one sees
| |
| quite clearly what is one's duty, and, with all the will in the
| |
| world to shirk it, feels certain that one must carry it out. He
| |
| said:
| |
| | |
| 'Suppose, for instance, you were elected to the Club? Would that
| |
| do your prestige any good?'
| |
| | |
| 'If I were elected to the Club! Ah, indeed, yes! The Club! It
| |
| iss a fortress impregnable. Once there, and no one would listen to
| |
| these tales about me any more than if it were about you, or Mr
| |
| Macgregor, or any other European gentleman. But what hope have I
| |
| that they will elect me after their minds have been poisoned
| |
| against me?'
| |
| | |
| 'Well now, look here, doctor, I tell you what. I'll propose your
| |
| name at the next general meeting. I know the question's got to
| |
| come up then, and if someone comes forward with the name of a
| |
| candidate, I dare say no one except Ellis will blackball him.
| |
| And in the meantime--'
| |
| | |
| 'Ah, my friend, my dear friend!' The doctor's emotion caused him
| |
| almost to choke. He seized Flory by the hand. 'Ah, my friend,
| |
| that iss noble! Truly it iss noble! But it iss too much. I fear
| |
| that you will be in trouble with your European friends again. Mr
| |
| Ellis, for example--would he tolerate it that you propose my name?'
| |
| | |
| 'Oh, bother Ellis. But you must understand that I can't promise to
| |
| get you elected. It depends on what Macgregor says and what mood
| |
| the others are in. It may all come to nothing.'
| |
| | |
| The doctor was still holding Flory's hand between his own, which
| |
| were plump and damp. The tears had actually started into his eyes,
| |
| and these, magnified by his spectacles, beamed upon Flory like the
| |
| liquid eyes of a dog.
| |
| | |
| 'Ah, my friend! If I should but be elected! What an end to all my
| |
| troubles! But, my friend, ass I said before, do not be too rash in
| |
| this matter. Beware of U Po Kyin! By now he will have numbered
| |
| you among hiss enemies. And even for you hiss enmity can be a
| |
| danger.'
| |
| | |
| 'Oh, good Lord, he can't touch me. He's done nothing so far--only
| |
| a few silly anonymous letters.'
| |
| | |
| 'I would not be too sure. He hass subtle ways to strike. And for
| |
| sure he will raise heaven and earth to keep me from being elected
| |
| to the Club. If you have a weak spot, guard it, my friend. He
| |
| will find it out. He strikes always at the weakest spot.'
| |
| | |
| 'Like the crocodile,' Flory suggested.
| |
| | |
| 'Like the crocodile,' agreed the doctor gravely. 'Ah but, my
| |
| friend, how gratifying to me if I should become a member of your
| |
| European Club! What an honour, to be the associate of European
| |
| gentlemen! But there iss one other matter, Mr Flory, that I did
| |
| not care to mention before. It iss--I hope this iss clearly
| |
| understood--that I have no intention of USING the Club in any way.
| |
| Membership is all I desire. Even if I were elected, I should not,
| |
| of course, ever presume to COME to the Club.'
| |
| | |
| 'Not come to the Club?'
| |
| | |
| 'No, no! Heaven forbid that I should force my society upon the
| |
| European gentlemen! Simply I should pay my subscriptions. That,
| |
| for me, iss a privilege high enough. You understand that, I
| |
| trust?'
| |
| | |
| 'Perfectly, doctor, perfectly.'
| |
| | |
| Flory could not help laughing as he walked up the hill. He was
| |
| definitely committed now to proposing the doctor's election. And
| |
| there would be such a row when the others heard of it--oh, such a
| |
| devil of a row! But the astonishing thing was that it only made
| |
| him laugh. The prospect that would have appalled him a month back
| |
| now almost exhilarated him.
| |
| | |
| Why? And why had he given his promise at all? It was a small
| |
| thing, a small risk to take--nothing heroic about it--and yet it
| |
| was unlike him. Why, after all these years--the circumspect, pukka
| |
| sahib-like years--break all the rules so suddenly?
| |
| | |
| He knew why. It was because Elizabeth, by coming into his life,
| |
| had so changed it and renewed it that all the dirty, miserable
| |
| years might never have passed. Her presence had changed the whole
| |
| orbit of his mind. She had brought back to him the air of England--
| |
| dear England, where thought is free and one is not condemned
| |
| forever to dance the danse du pukka sahib for the edification of
| |
| the lower races. Where is the life that late I led? he thought.
| |
| Just by existing she had made it possible for him, she had even
| |
| made it natural to him, to act decently.
| |
| | |
| Where is the life that late I led? he thought again as he came
| |
| through the garden gate. He was happy, happy. For he had
| |
| perceived that the pious ones are right when they say that there is
| |
| salvation and life can begin anew. He came up the path, and it
| |
| seemed to him that his house, his flowers, his servants, all the
| |
| life that so short a time ago had been drenched in ennui and
| |
| homesickness, were somehow made new, significant, beautiful
| |
| inexhaustibly. What fun it could all be, if only you had someone
| |
| to share it with you! How you could love this country, if only you
| |
| were not alone! Nero was out on the path, braving the sun for some
| |
| grains of paddy that the mali had dropped, taking food to his
| |
| goats. Flo made a dash at him, panting, and Nero sprang into the
| |
| air with a flurry and lighted on Flory's shoulder. Flory walked
| |
| into the house with the little red cock in his arms, stroking his
| |
| silky ruff and the smooth, diamond-shaped feathers of his back.
| |
| | |
| He had not set foot on the veranda before he knew that Ma Hla May
| |
| was in the house. It did not need Ko S'la to come hurrying from
| |
| within with a face of evil tidings. Flory had smelled her scent of
| |
| sandalwood, garlic, coco-nut oil and the jasmine in her hair. He
| |
| dropped Nero over the veranda rail.
| |
| | |
| 'THE WOMAN has come back,' said Ko S'la.
| |
| | |
| Flory had turned very pale. When he turned pale the birthmark made
| |
| him hideously ugly. A pang like a blade of ice had gone through
| |
| his entrails. Ma Hla May had appeared in the doorway of the
| |
| bedroom. She stood with her face downcast, looking at him from
| |
| beneath lowered brows.
| |
| | |
| 'Thakin,' she said in a low voice, half sullen, half urgent.
| |
| | |
| 'Go away!' said Flory angrily to Ko S'la, venting his fear and
| |
| anger upon him.
| |
| | |
| 'Thakin,' she said, 'come into the bedroom here. I have a thing to
| |
| say to you.'
| |
| | |
| He followed her into the bedroom. In a week--it was only a week--
| |
| her appearance had degenerated extraordinarily. Her hair looked
| |
| greasy. All her lockets were gone, and she was wearing a
| |
| Manchester longyi of flowered cotton, costing two rupees eight
| |
| annas. She had coated her face so thick with powder that it was
| |
| like a clown's mask, and at the roots of her hair, where the powder
| |
| ended, there was a ribbon of natural-coloured brown skin. She
| |
| looked a drab. Flory would not face her, but stood looking
| |
| sullenly through the open doorway to the veranda.
| |
| | |
| 'What do you mean by coming back like this? Why did you not go
| |
| home to your village?'
| |
| | |
| 'I am staying in Kyauktada, at my cousin's house. How can I go
| |
| back to my village after what has happened?'
| |
| | |
| 'And what do you mean by sending men to demand money from me? How
| |
| can you want more money already, when I gave you a hundred rupees
| |
| only a week ago?'
| |
| | |
| 'How can I go back?' she repeated, ignoring what he had said. Her
| |
| voice rose so sharply that he turned round. She was standing very
| |
| upright, sullen, with her black brows drawn together and her lips
| |
| pouted.
| |
| | |
| 'Why cannot you go back?'
| |
| | |
| 'After that! After what you have done to me!'
| |
| | |
| Suddenly she burst into a furious tirade. Her voice had risen to
| |
| the hysterical graceless scream of the bazaar women when they
| |
| quarrel.
| |
| | |
| 'How can I go back, to be jeered at and pointed at by those low,
| |
| stupid peasants whom I despise? I who have been a bo-kadaw, a
| |
| white man's wife, to go home to my father's house, and shake the
| |
| paddy basket with old hags and women who are too ugly to find
| |
| husbands! Ah, what shame, what shame! Two years I was your wife,
| |
| you loved me and cared for me, and then without warning, without
| |
| reason, you drove me from your door like a dog. And I must go back
| |
| to my village, with no money, with all my jewels and silk longyis
| |
| gone, and the people will point and say, "There is Ma Hla May who
| |
| thought herself cleverer than the rest of us. And behold! her
| |
| white man has treated her as they always do." I am ruined, ruined!
| |
| What man will marry me after I have lived two years in your house?
| |
| You have taken my youth from me. Ah, what shame, what shame!'
| |
| | |
| He could not look at her; he stood helpless, pale, hang-dog. Every
| |
| word she said was justified, and how tell her that he could do no
| |
| other than he had done? How tell her that it would have been an
| |
| outrage, a sin, to continue as her lover? He almost cringed from
| |
| her, and the birthmark stood on his yellow face like a splash of
| |
| ink. He said flatly, turning instinctively to money--for money had
| |
| never failed with Ma Hla May:
| |
| | |
| 'I will give you money. You shall have the fifty rupees you asked
| |
| me for--more later. I have no more till next month.'
| |
| | |
| This was true. The hundred rupees he had given her, and what he
| |
| had spent on clothes, had taken most of his ready money. To his
| |
| dismay she burst into a loud wail. Her white mask puckered up and
| |
| the tears sprang quickly out and coursed down her cheeks. Before
| |
| he could stop her she had fallen on her knees in front of him, and
| |
| she was bowing, touching the floor with her forehead in the 'full'
| |
| shiko of utter abasement.
| |
| | |
| 'Get up, get up!' he exclaimed. The shameful, abject shiko, neck
| |
| bent, body doubled up as though inviting a blow, always horrified
| |
| him. 'I can't bear that. Get up this instant.'
| |
| | |
| She wailed again, and made an attempt to clasp his ankles. He
| |
| stepped backwards hurriedly.
| |
| | |
| 'Get up, now, and stop that dreadful noise. I don't know what you
| |
| are crying about.'
| |
| | |
| She did not get up, but only rose to her knees and wailed at him
| |
| anew. 'Why do you offer me money? Do you think it is only for
| |
| money that I have come back? Do you think that when you have
| |
| driven me from your door like a dog it is only because of money
| |
| that I care?'
| |
| | |
| 'Get up,' he repeated. He had moved several paces away, lest she
| |
| should seize him. 'What do you want if it is not money?'
| |
| | |
| 'Why do you hate me?' she wailed. 'What harm have I done you? I
| |
| stole your cigarette-case, but you were not angry at that. You are
| |
| going to marry this white woman, I know it, everyone knows it. But
| |
| what does it matter, why must you turn me away? Why do you hate
| |
| me?'
| |
| | |
| 'I don't hate you. I can't explain. Get up, please get up.'
| |
| | |
| She was weeping quite shamelessly now. After all, she was hardly
| |
| more than a child. She looked at him through her tears, anxiously,
| |
| studying him for a sign of mercy. Then, a dreadful thing, she
| |
| stretched herself at full length, flat on her face.
| |
| | |
| 'Get up, get up!' he cried out in English. 'I can't bear that--
| |
| it's too abominable!'
| |
| | |
| She did not get up, but crept, wormlike, right across the floor to
| |
| his feet. Her body made a broad ribbon on the dusty floor. She
| |
| lay prostrate in front of him, face hidden, arms extended, as
| |
| though before a god's altar.
| |
| | |
| 'Master, master,' she whimpered, 'will you not forgive me? This
| |
| once, only this once! Take Ma Hla May back. I will be your slave,
| |
| lower than your slave. Anything sooner than turn me away.'
| |
| | |
| She had wound her arms round his ankles, actually was kissing his
| |
| toes. He stood looking down at her with his hands in his pockets,
| |
| helpless. Flo came ambling into the room, walked to where Ma Hla
| |
| May lay and sniffed at her longyi. She wagged her tail vaguely,
| |
| recognizing the smell. Flory could not endure it. He bent down
| |
| and took Ma Hla May by the shoulders, lifting her to her knees.
| |
| | |
| 'Stand up, now,' he said. 'It hurts me to see you like this. I
| |
| will do what I can for you. What is the use of crying?'
| |
| | |
| Instantly she cried out in renewed hope: 'Then you will take me
| |
| back? Oh, master, take Ma Hla May back! No one need ever know. I
| |
| will stay here when that white woman comes, she will think I am one
| |
| of the servants' wives. Will you not take me back?'
| |
| | |
| 'I cannot. It's impossible,' he said, turning away again.
| |
| | |
| She heard finality in his tone, and uttered a harsh, ugly cry. She
| |
| bent forward again in a shiko, beating her forehead against the
| |
| floor. It was dreadful. And what was more dreadful than all, what
| |
| hurt in his breast, was the utter gracelessness, the lowness of the
| |
| emotion beneath those entreaties. For in all this there was not a
| |
| spark of love for him. If she wept and grovelled it was only for
| |
| the position she had once had as his mistress, the idle life, the
| |
| rich clothes and dominion over servants. There was something
| |
| pitiful beyond words in that. Had she loved him he could have
| |
| driven her from his door with far less compunction. No sorrows are
| |
| so bitter as those that are without a trace of nobility. He bent
| |
| down and picked her up in his arms.
| |
| | |
| 'Listen, Ma Hla May,' he said; 'I do not hate you, you have done me
| |
| no evil. It is I who have wronged you. But there is no help for
| |
| it now. You must go home, and later I will send you money. If you
| |
| like you shall start a shop in the bazaar. You are young. This
| |
| will not matter to you when you have money and can find yourself a
| |
| husband.'
| |
| | |
| 'I am ruined!' she wailed again. 'I shall kill myself. I shall
| |
| jump off the jetty into the river. How can I live after this
| |
| disgrace?'
| |
| | |
| He was holding her in his arms, almost caressing her. She was
| |
| clinging close to him, her face hidden against his shirt, her body
| |
| shaking with sobs. The scent of sandalwood floated into his
| |
| nostrils. Perhaps even now she thought that with her arms around
| |
| him and her body against his she could renew her power over him.
| |
| He disentangled himself gently, and then, seeing that she did not
| |
| fall on her knees again, stood apart from her.
| |
| | |
| 'That is enough. You must go now. And look, I will give you the
| |
| fifty rupees I promised you.'
| |
| | |
| He dragged his tin uniform case from under the bed and took out
| |
| five ten-rupee notes. She stowed them silently in the bosom of her
| |
| ingyi. Her tears had ceased flowing quite suddenly. Without
| |
| speaking she went into the bathroom for a moment, and came out with
| |
| her face washed to its natural brown, and her hair and dress
| |
| rearranged. She looked sullen, but not hysterical any longer.
| |
| | |
| 'For the last time, thakin: you will not take me back? That is
| |
| your last word?'
| |
| | |
| 'Yes. I cannot help it.'
| |
| | |
| 'Then I am going, thakin.'
| |
| | |
| 'Very well. God go with you.'
| |
| | |
| Leaning against the wooden pillar of the veranda, he watched her
| |
| walk down the path in the strong sunlight. She walked very
| |
| upright, with bitter offence in the carriage of her back and head.
| |
| It was true what she had said, he had robbed her of her youth. His
| |
| knees were trembling uncontrollably. Ko S'la came behind him,
| |
| silent-footed. He gave a little deprecating cough to attract
| |
| Flory's attention.
| |
| | |
| 'What's the matter now?'
| |
| | |
| 'The holy one's breakfast is getting cold.'
| |
| | |
| 'I don't want any breakfast. Get me something to drink--gin.'
| |
| | |
| Where is the life that late I led?
| |
| | |
| == 14 ==
| |
| | |
| Like long curved needles threading through embroidery, the two
| |
| canoes that carried Flory and Elizabeth threaded their way up the
| |
| creek that led inland from the eastern bank of the Irrawaddy. It
| |
| was the day of the shooting trip--a short afternoon trip, for they
| |
| could not stay a night in the jungle together. They were to shoot
| |
| for a couple of hours in the comparative cool of the evening, and
| |
| be back at Kyauktada in time for dinner.
| |
| | |
| The canoes, each hollowed out of a single tree-trunk, glided
| |
| swiftly, hardly rippling the dark brown water. Water hyacinth with
| |
| profuse spongy foliage and blue flowers had choked the stream so
| |
| that the channel was only a winding ribbon four feet wide. The
| |
| light filtered, greenish, through interlacing boughs. Sometimes
| |
| one could hear parrots scream overhead, but no wild creatures
| |
| showed themselves, except once a snake that swam hurriedly away and
| |
| disappeared among the water hyacinth.
| |
| | |
| 'How long before we get to the village?' Elizabeth called back to
| |
| Flory. He was in a larger canoe behind, together with Flo and Ko
| |
| S'la, paddled by a wrinkly old woman dressed in rags.
| |
| | |
| 'How far, grandmama?' Flory asked the canoe-woman.
| |
| | |
| The old woman took her cigar out of her mouth and rested her paddle
| |
| on her knees to think. 'The distance a man can shout,' she said
| |
| after reflection.
| |
| | |
| 'About half a mile,' Flory translated.
| |
| | |
| They had come two miles. Elizabeth's back was aching. The canoes
| |
| were liable to upset at a careless moment, and you had to sit bolt
| |
| upright on the narrow backless seat, keeping your feet as well as
| |
| possible out of the bilge, with dead prawns in it, that sagged to
| |
| and fro at the bottom. The Burman who paddled Elizabeth was sixty
| |
| years old, half naked, leaf-brown, with a body as perfect as that
| |
| of a young man. His face was battered, gentle and humorous. His
| |
| black cloud of hair, finer than that of most Burmans, was knotted
| |
| loosely over one ear, with a wisp or two tumbling across his cheek.
| |
| Elizabeth was nursing her uncle's gun across her knees. Flory had
| |
| offered to take it, but she had refused; in reality, the feel of it
| |
| delighted her so much that she could not bring herself to give it
| |
| up. She had never had a gun in her hand until today. She was
| |
| wearing a rough skirt with brogue shoes and a silk shirt like a
| |
| man's, and she knew that with her Terai hat they looked well on
| |
| her. She was very happy, in spite of her aching back and the hot
| |
| sweat that tickled her face, and the large, speckled mosquitoes
| |
| that hummed round her ankles.
| |
| | |
| The stream narrowed and the beds of water hyacinth gave place to
| |
| steep banks of glistening mud, like chocolate. Rickety thatched
| |
| huts leaned far out over the stream, their piles driven into its
| |
| bed. A naked boy was standing between two of the huts, flying a
| |
| green beetle on a piece of thread like a kite. He yelled at the
| |
| sight of the Europeans, whereat more children appeared from
| |
| nowhere. The old Burman guided the canoe to a jetty made of a
| |
| single palm-trunk laid in the mud--it was covered with barnacles
| |
| and so gave foothold--and sprang out and helped Elizabeth ashore.
| |
| The others followed with the bags and cartridges, and Flo, as she
| |
| always did on these occasions, fell into the mud and sank as deep
| |
| as the shoulder. A skinny old gentleman wearing a magenta paso,
| |
| with a mole on his cheek from which four yard-long grey hairs
| |
| sprouted, came forward shikoing and cuffing the heads of the
| |
| children who had gathered round the jetty.
| |
| | |
| 'The village headman,' Flory said.
| |
| | |
| The old man led the way to his house, walking ahead with an
| |
| extraordinary crouching gait, like a letter L upside down--the
| |
| result of rheumatism combined with the constant shikoing needed in
| |
| a minor Government official. A mob of children marched rapidly
| |
| after the Europeans, and more and more dogs, all yapping and
| |
| causing Flo to shrink against Flory's heels. In the doorway of
| |
| every hut clusters of moonlike, rustic faces gaped at the
| |
| 'Ingaleikma'. The village was darkish under the shade of broad
| |
| leaves. In the rains the creek would flood, turning the lower
| |
| parts of the village into a squalid wooden Venice where the
| |
| villagers stepped from their front doors into their canoes.
| |
| | |
| The headman's house was a little bigger than the others, and it had
| |
| a corrugated iron roof, which, in spite of the intolerable din it
| |
| made during the rains, was the pride of the headman's life. He had
| |
| foregone the building of a pagoda, and appreciably lessened his
| |
| chances of Nirvana, to pay for it. He hastened up the steps and
| |
| gently kicked in the ribs a youth who was lying asleep on the
| |
| veranda. Then he turned and shikoed again to the Europeans, asking
| |
| them to come inside.
| |
| | |
| 'Shall we go in?' Flory said. 'I expect we shall have to wait half
| |
| an hour.'
| |
| | |
| 'Couldn't you tell him to bring some chairs out on the veranda?'
| |
| Elizabeth said. After her experience in Li Yeik's house she had
| |
| privately decided that she would never go inside a native house
| |
| again, if she could help it.
| |
| | |
| There was a fuss inside the house, and the headman, the youth and
| |
| some women dragged forth two chairs decorated in an extraordinary
| |
| manner with red hibiscus flowers, and also some begonias growing in
| |
| kerosene tins. It was evident that a sort of double throne had
| |
| been prepared within for the Europeans. When Elizabeth had sat
| |
| down the headman reappeared with a teapot, a bunch of very long,
| |
| bright green bananas, and six coal-black cheroots. But when he had
| |
| poured her out a cup of tea Elizabeth shook her head, for the tea
| |
| looked, if possible, worse even than Li Yeik's.
| |
| | |
| The headman looked abashed and rubbed his nose. He turned to Flory
| |
| and asked him whether the young thakin-ma would like some milk in
| |
| her tea. He had heard that Europeans drank milk in their tea. The
| |
| villages should, if it were desired, catch a cow and milk it.
| |
| However, Elizabeth still refused the tea; but she was thirsty, and
| |
| she asked Flory to send for one of the bottles of soda-water that
| |
| Ko S'la had brought in his bag. Seeing this, the headman retired,
| |
| feeling guiltily that his preparations had been insufficient, and
| |
| left the veranda to the Europeans.
| |
| | |
| Elizabeth was still nursing her gun on her knees, while Flory
| |
| leaned against the veranda rail pretending to smoke one of the
| |
| headman's cheroots. Elizabeth was pining for the shooting to
| |
| begin. She plied Flory with innumerable questions.
| |
| | |
| 'How soon can we start out? Do you think we've got enough
| |
| cartridges? How many beaters shall we take? Oh, I do so hope we
| |
| have some luck! You do think we'll get something, don't you?'
| |
| | |
| 'Nothing wonderful, probably. We're bound to get a few pigeons,
| |
| and perhaps jungle fowl. They're out of season, but it doesn't
| |
| matter shooting the cocks. They say there's a leopard round here,
| |
| that killed a bullock almost in the village last week.'
| |
| | |
| 'Oh, a leopard! How lovely if we could shoot it!'
| |
| | |
| 'It's very unlikely, I'm afraid. The only rule with this shooting
| |
| in Burma is to hope for nothing. It's invariably disappointing.
| |
| The jungles teem with game, but as often as not you don't even get
| |
| a chance to fire your gun.'
| |
| | |
| 'Why is that?'
| |
| | |
| 'The jungle is so thick. An animal may be five yards away and
| |
| quite invisible, and half the time they manage to dodge back past
| |
| the beaters. Even when you see them it's only for a flash of a
| |
| second. And again, there's water everywhere, so that no animal is
| |
| tied down to one particular spot. A tiger, for instance, will roam
| |
| hundreds of miles if it suits him. And with all the game there is,
| |
| they need never come back to a kill if there's anything suspicious
| |
| about it. Night after night, when I was a boy, I've sat up over
| |
| horrible stinking dead cows, waiting for tigers that never came.'
| |
| | |
| Elizabeth wriggled her shoulder-blades against the chair. It was a
| |
| movement that she made sometimes when she was deeply pleased. She
| |
| loved Flory, really loved him, when he talked like this. The most
| |
| trivial scrap of information about shooting thrilled her. If only
| |
| he would always talk about shooting, instead of about books and Art
| |
| and that mucky poetry! In a sudden burst of admiration she decided
| |
| that Flory was really quite a handsome man, in his way. He looked
| |
| so splendidly manly, with his pagri-cloth shirt open at the throat,
| |
| and his shorts and puttees and shooting boots! And his face,
| |
| lined, sunburned, like a soldier's face. He was standing with his
| |
| birthmarked cheek away from her. She pressed him to go on talking.
| |
| | |
| 'DO tell me some more about tiger-shooting. It's so awfully
| |
| interesting!'
| |
| | |
| He described the shooting, years ago, of a mangy old man-eater who
| |
| had killed one of his coolies. The wait in the mosquito-ridden
| |
| machan; the tiger's eyes approaching through the dark jungle, like
| |
| great green lanterns; the panting, slobbering noise as he devoured
| |
| the coolie's body, tied to a stake below. Flory told it all
| |
| perfunctorily enough--did not the proverbial Anglo Indian bore
| |
| always talk about tiger-shooting?--but Elizabeth wriggled her
| |
| shoulders delightedly once more. He did not realize how such talk
| |
| as this reassured her and made up for all the times when he had
| |
| bored her and disquieted her. Six shock-headed youths came down
| |
| the path, carrying dahs over their shoulders, and headed by a
| |
| stringy but active old man with grey hair. They halted in front of
| |
| the headman's house, and one of them uttered a hoarse whoop,
| |
| whereat the headman appeared and explained that these were the
| |
| beaters. They were ready to start now, if the young thakin-ma did
| |
| not find it too hot.
| |
| | |
| They set out. The side of the village away from the creek was
| |
| protected by a hedge of cactus six feet high and twelve thick.
| |
| One went up a narrow lane of cactus, then along a rutted, dusty
| |
| bullock-cart track, with bamboos as tall as flagstaffs growing
| |
| densely on either side. The beaters marched rapidly ahead in
| |
| single file, each with his broad dah laid along his forearm. The
| |
| old hunter was marching just in front of Elizabeth. His longyi was
| |
| hitched up like a loin-cloth, and his meagre thighs were tattooed
| |
| with dark blue patterns, so intricate that he might have been
| |
| wearing drawers of blue lace. A bamboo the thickness of a man's
| |
| wrist had fallen and hung across the path. The leading beater
| |
| severed it with an upward flick of his dah; the prisoned water
| |
| gushed out of it with a diamond-flash. After half a mile they
| |
| reached the open fields, and everyone was sweating, for they had
| |
| walked fast and the sun was savage.
| |
| | |
| 'That's where we're going to shoot, over there,' Flory said.
| |
| | |
| He pointed across the stubble, a wide dust-coloured plain, cut up
| |
| into patches of an acre or two by mud boundaries. It was horribly
| |
| flat, and lifeless save for the snowy egrets. At the far edge a
| |
| jungle of great trees rose abruptly, like a dark green cliff. The
| |
| beaters had gone across to a small tree like a hawthorn twenty
| |
| yards away. One of them was on his knees, shikoing to the tree and
| |
| gabbling, while the old hunter poured a bottle of some cloudy
| |
| liquid on to the ground. The others stood looking on with serious,
| |
| bored faces, like men in church.
| |
| | |
| 'What ARE those men doing?' Elizabeth said.
| |
| | |
| 'Only sacrificing to the local gods. Nats, they call them--a kind
| |
| of dryad. They're praying to him to bring us good luck.'
| |
| | |
| The hunter came back and in a cracked voice explained that they
| |
| were to beat a small patch of scrub over to the right before
| |
| proceeding to the main jungle. Apparently the Nat had counselled
| |
| this. The hunter directed Flory and Elizabeth where to stand,
| |
| pointing with his dah. The six beaters, plunged into the scrub;
| |
| they would make a detour and beat back towards the paddy-fields.
| |
| There were some bushes of the wild rose thirty yards from the
| |
| jungle's edge, and Flory and Elizabeth took cover behind one of
| |
| these, while Ko S'la squatted down behind another bush a little
| |
| distance away, holding Flo's collar and stroking her to keep her
| |
| quiet. Flory always sent Ko S'la to a distance when he was
| |
| shooting, for he had an irritating trick of clicking his tongue if
| |
| a shot was missed. Presently there was a far-off echoing sound--a
| |
| sound of tapping and strange hollow cries; the beat had started.
| |
| Elizabeth at once began trembling so uncontrollably that she could
| |
| not keep her gun-barrel still. A wonderful bird, a little bigger
| |
| than a thrush, with grey wings and body of blazing scarlet, broke
| |
| from the trees and came towards them with a dipping flight. The
| |
| tapping and the cries came nearer. One of the bushes at the
| |
| jungle's edge waved violently--some large animal was emerging.
| |
| Elizabeth raised her gun and tried to steady it. But it was only a
| |
| naked yellow beater, dah in hand. He saw that he had emerged and
| |
| shouted to the others to join him.
| |
| | |
| Elizabeth lowered her gun. 'What's happened?'
| |
| | |
| 'Nothing. The beat's over.'
| |
| | |
| 'So there was nothing there!' she cried in bitter disappointment.
| |
| | |
| 'Never mind, one never gets anything the first beat. We'll have
| |
| better luck next time.'
| |
| | |
| They crossed the lumpy stubble, climbing over the mud boundaries
| |
| that divided the fields, and took up their position opposite the
| |
| high green wall of the jungle. Elizabeth had already learned how
| |
| to load her gun. This time the beat had hardly started when Ko
| |
| S'la whistled sharply.
| |
| | |
| 'Look out!' Flory cried. 'Quick, here they come!'
| |
| | |
| A flight of green pigeons were dashing towards them at incredible
| |
| speed, forty yards up. They were like a handful of catapulted
| |
| stones whirling through the sky. Elizabeth was helpless with
| |
| excitement. For a moment she could not move, then she flung her
| |
| barrel into the air, somewhere in the direction of the birds, and
| |
| tugged violently at the trigger. Nothing happened--she was pulling
| |
| at the trigger-guard. Just as the birds passed overhead she found
| |
| the triggers and pulled both of them simultaneously. There was a
| |
| deafening roar and she was thrown backwards a pace with her collar-
| |
| bone almost broken. She had fired thirty yards behind the birds.
| |
| At the same moment she saw Flory turn and level his gun. Two of
| |
| the pigeons, suddenly checked in their flight, swirled over and
| |
| dropped to the ground like arrows. Ko S'la yelled, and he and Flo
| |
| raced after them.
| |
| | |
| 'Look out!' said Flory, 'here's an imperial pigeon. Let's have
| |
| him!'
| |
| | |
| A large heavy bird, with flight much slower than the others, was
| |
| flapping overhead. Elizabeth did not care to fire after her
| |
| previous failure. She watched Flory thrust a cartridge into the
| |
| breech and raise his gun, and the white plume of smoke leapt up
| |
| from the muzzle. The bird planed heavily down, his wing broken.
| |
| Flo and Ko S'la came running excitedly up, Flo with the big
| |
| imperial pigeon in her mouth, and Ko S'la grinning and producing
| |
| two green pigeons from his Kachin bag.
| |
| | |
| Flory took one of the little green corpses to show to Elizabeth.
| |
| 'Look at it. Aren't they lovely things? The most beautiful bird
| |
| in Asia.'
| |
| | |
| Elizabeth touched its smooth feathers with her finger-tip. It
| |
| filled her with bitter envy, because she had not shot it. And yet
| |
| it was curious, but she felt almost an adoration for Flory now that
| |
| she had seen how he could shoot.
| |
| | |
| 'Just look at its breast-feathers; like a jewel. It's murder to
| |
| shoot them. The Burmese say that when you kill one of these birds
| |
| they vomit, meaning to say, "Look, here is all I possess, and I've
| |
| taken nothing of yours. Why do you kill me?" I've never seen one
| |
| do it, I must admit.'
| |
| | |
| 'Are they good to eat?'
| |
| | |
| 'Very. Even so, I always feel it's a shame to kill them.'
| |
| | |
| 'I wish I could do it like you do!' she said enviously.
| |
| | |
| 'It's only a knack, you'll soon pick it up. You know how to hold
| |
| your gun, and that's more than most people do when they start.'
| |
| | |
| However, at the next two beats, Elizabeth could hit nothing. She
| |
| had learned not to fire both barrels at once, but she was too
| |
| paralysed with excitement ever to take aim. Flory shot several
| |
| more pigeons, and a small bronze-wing dove with back as green as
| |
| verdigris. The jungle fowl were too cunning to show themselves,
| |
| though one could hear them cluck-clucking all round, and once or
| |
| twice the sharp trumpet-call of a cock. They were getting deeper
| |
| into the jungle now. The light was greyish, with dazzling patches
| |
| of sunlight. Whichever way one looked one's view was shut in by
| |
| the multitudinous ranks of trees, and the tangled bushes and
| |
| creepers that struggled round their bases like the sea round the
| |
| piles of a pier. It was so dense, like a bramble bush extending
| |
| mile after mile, that one's eyes were oppressed by it. Some of the
| |
| creepers were huge, like serpents. Flory and Elizabeth struggled
| |
| along narrow game-tracks, up slippery banks, thorns tearing at
| |
| their clothes. Both their shirts were drenched with sweat. It was
| |
| stifling hot, with a scent of crushed leaves. Sometimes for
| |
| minutes together invisible cidadas would keep up a shrill, metallic
| |
| pinging like the twanging of a steel guitar, and then, by stopping,
| |
| make a silence that startled one.
| |
| | |
| As they were walking to the fifth beat they came to a great peepul
| |
| tree in which, high up, one could hear imperial pigeons cooing. It
| |
| was a sound like the far-off lowing of cows. One bird fluttered
| |
| out and perched alone on the topmost bough, a small greyish shape.
| |
| | |
| 'Try a sitting shot,' Flory said to Elizabeth. 'Get your sight on
| |
| him and pull off without waiting. Don't shut your left eye.'
| |
| | |
| Elizabeth raised her gun, which had begun trembling as usual. The
| |
| beaters halted in a group to watch, and some of them could not
| |
| refrain from clicking their tongues; they thought it queer and
| |
| rather shocking to see a woman handle a gun. With a violent effort
| |
| of will Elizabeth kept her gun still for a second, and pulled the
| |
| trigger. She did not hear the shot; one never does when it has
| |
| gone home. The bird seemed to jump upwards from the bough, then
| |
| down it came, tumbling over and over, and stuck in a fork ten yards
| |
| up. One of the beaters laid down his dah and glanced appraisingly
| |
| at the tree; then he walked to a great creeper, thick as a man's
| |
| thigh and twisted like a stick of barley sugar, that hung far out
| |
| from a bough. He ran up the creeper as easily as though it had
| |
| been a ladder, walked upright along the broad bough, and brought
| |
| the pigeon to the ground. He put it limp and warm into Elizabeth's
| |
| hand.
| |
| | |
| She could hardly give it up, the feel of it so ravished her. She
| |
| could have kissed it, hugged it to her breast. All the men, Flory
| |
| and Ko S'la and the beaters, smiled at one another to see her
| |
| fondling the dead bird. Reluctantly, she gave it to Ko S'la to put
| |
| in the bag. She was conscious of an extraordinary desire to fling
| |
| her arms round Flory's neck and kiss him; and in some way it was
| |
| the killing of the pigeon that made her feel this.
| |
| | |
| After the fifth beat the hunter explained to Flory that they must
| |
| cross a clearing that was used for growing pineapples, and would
| |
| beat another patch of jungle beyond. They came out into sunlight,
| |
| dazzling after the jungle gloom. The clearing was an oblong of an
| |
| acre or two hacked out of the jungle like a patch mown in long
| |
| grass, with the pineapples, prickly cactus-like plants, growing in
| |
| rows, almost smothered by weeds. A low hedge of thorns divided the
| |
| field in the middle. They had nearly crossed the field when there
| |
| was a sharp cock-a-doodle-doo from beyond the hedge.
| |
| | |
| 'Oh, listen!' said Elizabeth, stopping. 'Was that a jungle cock?'
| |
| | |
| 'Yes. They come out to feed about this time.'
| |
| | |
| 'Couldn't we go and shoot him?'
| |
| | |
| 'We'll have a try if you like. They're cunning beggars. Look,
| |
| we'll stalk up the hedge until we get opposite where he is. We'll
| |
| have to go without making a sound.'
| |
| | |
| He sent Ko S'la and the beaters on, and the two of them skirted the
| |
| field and crept along the hedge. They had to bend double to keep
| |
| themselves out of sight. Elizabeth was in front. The hot sweat
| |
| trickled down her face, tickling her upper lip, and her heart was
| |
| knocking violently. She felt Flory touch her heel from behind.
| |
| Both of them stood upright and looked over the hedge together.
| |
| | |
| Ten yards away a little cock the size of a bantam, was pecking
| |
| vigorously at the ground. He was beautiful, with his long silky
| |
| neck-feathers, bunched comb and arching, laurel-green tail. There
| |
| were six hens with him, smaller brown birds, with diamond-shaped
| |
| feathers like snake-scales on their backs. All this Elizabeth and
| |
| Flory saw in the space of a second, then with a squawk and a whirr
| |
| the birds were up and flying like bullets for the jungle. Instantly,
| |
| automatically as it seemed, Elizabeth raised her gun and fired. It
| |
| was one of those shots where there is no aiming, no consciousness of
| |
| the gun in one's hand, when one's mind seems to fly behind the
| |
| charge and drive it to the mark. She knew the bird was doomed even
| |
| before she pulled the trigger. He tumbled, showered feathers thirty
| |
| yards away. 'Good shot, good shot!' cried Flory. In their
| |
| excitement both of them dropped their guns, broke through the thorn
| |
| hedge and raced side by side to where the bird lay.
| |
| | |
| 'Good shot!' Flory repeated, as excited as she. 'By Jove, I've
| |
| never seen anyone kill a flying bird their first day, never! You
| |
| got your gun off like lightning. It's marvellous!'
| |
| | |
| They were kneeling face to face with the dead bird between them.
| |
| With a shock they discovered that their hands, his right and her
| |
| left, were clasped tightly together. They had run to the place
| |
| hand-in-hand without noticing it.
| |
| | |
| A sudden stillness came on them both, a sense of something
| |
| momentous that must happen. Flory reached across and took her
| |
| other hand. It came yieldingly, willingly. For a moment they
| |
| knelt with their hands clasped together. The sun blazed upon them
| |
| and the warmth breathed out of their bodies; they seemed to be
| |
| floating upon clouds of heat and joy. He took her by the upper
| |
| arms to draw her towards him.
| |
| | |
| Then suddenly he turned his head away and stood up, pulling
| |
| Elizabeth to her feet. He let go of her arms. He had remembered
| |
| his birthmark. He dared not do it. Not here, not in daylight!
| |
| The snub it invited was too terrible. To cover the awkwardness of
| |
| the moment he bent down and picked up the jungle cock.
| |
| | |
| 'It was splendid,' he said. 'You don't need any teaching. You can
| |
| shoot already. We'd better get on to the next beat.'
| |
| | |
| They had just crossed the hedge and picked up their guns when there
| |
| was a series of shouts from the edge of the jungle. Two of the
| |
| beaters were running towards them with enormous leaps, waving their
| |
| arms wildly in the air.
| |
| | |
| 'What is it?' Elizabeth said.
| |
| | |
| 'I don't know. They've seen some animal or other. Something good,
| |
| by the look of them.'
| |
| | |
| 'Oh, hurrah! Come on!'
| |
| | |
| They broke into a run and hurried across the field, breaking
| |
| through the pineapples and the stiff prickly weeds. Ko S'la and
| |
| five of the beaters were standing in a knot all talking at once,
| |
| and the other two were beckoning excitedly to Flory and Elizabeth.
| |
| As they came up they saw in the middle of the group an old woman
| |
| who was holding up her ragged longyi with one hand and gesticulating
| |
| with a big cigar in the other. Elizabeth could hear some word
| |
| that sounded like 'Char' repeated over and over again.
| |
| | |
| 'What is it they're saying?' she said.
| |
| | |
| The beaters came crowding round Flory, all talking eagerly and
| |
| pointing into the jungle. After a few questions he waved his hand
| |
| to silence them and turned to Elizabeth:
| |
| | |
| 'I say, here's a bit of luck! This old girl was coming through the
| |
| jungle, and she says that at the sound of the shot you fired just
| |
| now, she saw a leopard run across the path. These fellows know
| |
| where he's likely to hide. If we're quick they may be able to
| |
| surround him before he sneaks away, and drive him out. Shall we
| |
| try it?'
| |
| | |
| 'Oh, do let's! Oh, what awful fun! How lovely, how lovely if we
| |
| could get that leopard!'
| |
| | |
| 'You understand it's dangerous? We'll keep close together and
| |
| it'll probably be all right, but it's never absolutely safe on
| |
| foot. Are you ready for that?'
| |
| | |
| 'Oh, of course, of course! I'm not frightened. Oh, do let's be
| |
| quick and start!'
| |
| | |
| 'One of you come with us, and show us the way,' he said to the
| |
| beaters. 'Ko S'la, put Flo on the leash and go with the others.
| |
| She'll never keep quiet with us. We'll have to hurry,' he added to
| |
| Elizabeth.
| |
| | |
| Ko S'la and the beaters hurried off along the edge of the jungle.
| |
| They would strike in and begin beating farther up. The other
| |
| beater, the same youth who had climbed the tree after the pigeon,
| |
| dived into the jungle, Flory and Elizabeth following. With short
| |
| rapid steps, almost running, he led them through a labyrinth of
| |
| game-tracks. The bushes trailed so low that sometimes one had
| |
| almost to crawl, and creepers hung across the path like trip-wires.
| |
| The ground was dusty and silent underfoot. At some landmark in the
| |
| jungle the beater halted, pointed to the ground as a sign that this
| |
| spot would do, and put his finger on his lips to enjoin silence.
| |
| Flory took four SG cartridges from his pockets and took Elizabeth's
| |
| gun to load it silently.
| |
| | |
| There was a faint rustling behind them, and they all started. A
| |
| nearly naked youth with a pellet-bow, come goodness knows whence,
| |
| had parted the bushes. He looked at the beater, shook his head and
| |
| pointed up the path. There was a dialogue of signs between the two
| |
| youths, then the beater seemed to agree. Without speaking all four
| |
| stole forty yards along the path, round a bend, and halted again.
| |
| At the same moment a frightful pandemonium of yells, punctuated by
| |
| barks from Flo, broke out a few hundred yards away.
| |
| | |
| Elizabeth felt the beater's hand on her shoulder, pushing her
| |
| downwards. They all four squatted down under cover of a prickly
| |
| bush, the Europeans in front, the Burmans behind. In the distance
| |
| there was such a tumult of yells and the rattle of dahs against
| |
| tree-trunks that one could hardly believe six men could make so
| |
| much noise. The beaters were taking good care that the leopard
| |
| should not turn back upon them. Elizabeth watched some large, pale
| |
| yellow ants marching like soldiers over the thorns of the bush.
| |
| One fell on to her hand and crawled up her forearm. She dared not
| |
| move to brush it away. She was praying silently, 'Please God, let
| |
| the leopard come! Oh please, God, let the leopard come!'
| |
| | |
| There was a sudden loud pattering on the leaves. Elizabeth raised
| |
| her gun, but Flory shook his head sharply and pushed the barrel
| |
| down again. A jungle fowl scuttled across the path with long noisy
| |
| strides.
| |
| | |
| The yells of the beaters seemed hardly to come any closer, and
| |
| this end of the jungle the silence was like a pall. The ant on
| |
| Elizabeth's arm bit her painfully and dropped to the ground. A
| |
| dreadful despair had begun to form in her heart; the leopard was
| |
| not coming, he had slipped away somewhere, they had lost him. She
| |
| almost wished they had never heard of the leopard, the disappointment
| |
| was so agonizing. Then she felt the beater pinch her elbow. He was
| |
| craning his face forward, his smooth, dull yellow cheek only a few
| |
| inches from her own; she could smell the coco-nut oil in his hair.
| |
| His coarse lips were puckered as in a whistle; he had heard
| |
| something. Then Flory and Elizabeth heard it too, the faintest
| |
| whisper, as though some creature of air were gliding through the
| |
| jungle, just brushing the ground with its foot. At the same moment
| |
| the leopard's head and shoulders emerged from the undergrowth,
| |
| fifteen yards down the path.
| |
| | |
| He stopped with his forepaws on the path. They could see his low,
| |
| flat-eared head, his bare eye-tooth and his thick, terrible
| |
| forearm. In the shadow he did not look yellow but grey. He was
| |
| listening intently. Elizabeth saw Flory spring to his feet, raise
| |
| his gun and pull the trigger instantly. The shot roared, and
| |
| almost simultaneously there was a heavy crash as the brute dropped
| |
| flat in the weeds. 'Look out!' Flory cried, 'he's not done for!'
| |
| He fired again, and there was a fresh thump as the shot went home.
| |
| The leopard gasped. Flory threw open his gun and felt in his
| |
| pocket for a cartridge, then flung all his cartridges on to the
| |
| path and fell on his knees, searching rapidly among them.
| |
| | |
| 'Damn and blast it!' he cried. 'There isn't a single SG among
| |
| them. Where in hell did I put them?'
| |
| | |
| The leopard had disappeared as he fell. He was thrashing about in
| |
| the undergrowth like a great, wounded snake, and crying out with a
| |
| snarling, sobbing noise, savage and pitiful. The noise seemed to
| |
| be coming nearer. Every cartridge Flory turned up had 6 or 8
| |
| marked on the end. The rest of the large-shot cartridges had, in
| |
| fact, been left with Ko S'la. The crashing and snarling were now
| |
| hardly five yards away, but they could see nothing, the jungle was
| |
| so thick.
| |
| | |
| The two Burmans were crying out 'Shoot! Shoot! Shoot!' The sound
| |
| of 'Shoot! Shoot!' got farther away--they were skipping for the
| |
| nearest climbable trees. There was a crash in the undergrowth so
| |
| close that it shook the bush by which Elizabeth was standing.
| |
| | |
| 'By God, he's almost on us!' Flory said. 'We must turn him
| |
| somehow. Let fly at the sound.'
| |
| | |
| Elizabeth raised her gun. Her knees were knocking like castanets,
| |
| but her hand was as steady as stone. She fired rapidly, once,
| |
| twice. The crashing noise receded. The leopard was crawling away,
| |
| crippled but swift, and still invisible.
| |
| | |
| 'Well done! You've scared him,' Flory said.
| |
| | |
| 'But he's getting away! He's getting away!' Elizabeth cried,
| |
| dancing about in agitation. She made to follow him. Flory jumped
| |
| to his feet and pulled her back.
| |
| | |
| 'No fear! You stay here. Wait!'
| |
| | |
| He slipped two of the small-shot cartridges into his gun and ran
| |
| after the sound of the leopard. For a moment Elizabeth could not
| |
| see either beast or man, then they reappeared in a bare patch
| |
| thirty yards away. The leopard was writhing along on his belly,
| |
| sobbing as he went. Flory levelled his gun and fired at four
| |
| yards' distance. The leopard jumped like a cushion when one hits
| |
| it, then rolled over, curled up and lay still. Flory poked the
| |
| body with his gun-barrel. It did not stir.
| |
| | |
| 'It's all right, he's done for,' he called. 'Come and have a look
| |
| at him.'
| |
| | |
| The two Burmans jumped down from their tree, and they and Elizabeth
| |
| went across to where Flory was standing. The leopard--it was a
| |
| male--was lying curled up with his head between his forepaws. He
| |
| looked much smaller than he had looked alive; he looked rather
| |
| pathetic, like a dead kitten. Elizabeth's knees were still
| |
| quivering. She and Flory stood looking down at the leopard, close
| |
| together, but not clasping hands this time.
| |
| | |
| It was only a moment before Ko S'la and the others came up,
| |
| shouting with glee. Flo gave one sniff at the dead leopard, then
| |
| down went her tail and she bolted fifty yards, whimpering. She
| |
| could not be induced to come near him again. Everyone squatted
| |
| down round the leopard and gazed at him. They stroked his
| |
| beautiful white belly, soft as a hare's, and squeezed his broad
| |
| pugs to bring out the claws, and pulled back his black lips to
| |
| examine the fangs. Presently two of the beaters cut down a tall
| |
| bamboo and slung the leopard upon it by his paws, with his long
| |
| tail trailing down, and then they marched back to the village in
| |
| triumph. There was no talk of further shooting, though the light
| |
| still held. They were all, including the Europeans, too anxious to
| |
| get home and boast of what they had done.
| |
| | |
| Flory and Elizabeth walked side by side across the stubble field.
| |
| The others were thirty yards ahead with the guns and the leopard,
| |
| and Flo was slinking after them a long way in the rear. The sun
| |
| was going down beyond the Irrawaddy. The light shone level across
| |
| the field, gilding the stubble stalks, and striking into their
| |
| faces with a yellow, gentle beam. Elizabeth's shoulder was almost
| |
| touching Flory's as they walked. The sweat that had drenched their
| |
| shirts had dried again. They did not talk much. They were happy
| |
| with that inordinate happiness that comes of exhaustion and
| |
| achievement, and with which nothing else in life--no joy of either
| |
| the body or the mind--is even able to be compared.
| |
| | |
| 'The leopard skin is yours,' Flory said as they approached the
| |
| village.
| |
| | |
| 'Oh, but you shot him!'
| |
| | |
| 'Never mind, you stick to the skin. By Jove, I wonder how many of
| |
| the women in this country would have kept their heads like you did!
| |
| I can just see them screaming and fainting. I'll get the skin
| |
| cured for you in Kyauktada jail. There's a convict there who can
| |
| cure skins as soft as velvet. He's doing a seven-year sentence, so
| |
| he's had time to learn the job.'
| |
| | |
| 'Oh well, thanks awfully.'
| |
| | |
| No more was said for the present. Later, when they had washed off
| |
| the sweat and dirt, and were fed and rested, they would meet again
| |
| at the Club. They made no rendezvous, but it was understood
| |
| between them that they would meet. Also, it was understood that
| |
| Flory would ask Elizabeth to marry him, though nothing was said
| |
| about this either.
| |
| | |
| At the village Flory paid the beaters eight annas each, superintended
| |
| the skinning of the leopard, and gave the headman a bottle of beer
| |
| and two of the imperial pigeons. The skin and skull were packed
| |
| into one of the canoes. All the whiskers had been stolen, in spite
| |
| of Ko S'la's efforts to guard them. Some young men of the village
| |
| carried off the carcass in order to eat the heart and various other
| |
| organs, the eating of which they believed would make them strong and
| |
| swift like the leopard.
| |
| | |
| == 15 ==
| |
| | |
| When Flory arrived at the Club he found the Lackersteens in an
| |
| unusually morose mood. Mrs Lackersteen was sitting, as usual, in
| |
| the best place under the punkah, and was reading the Civil List,
| |
| the Debrett of Burma. She was in a bad temper with her husband,
| |
| who had defied her by ordering a 'large peg' as soon as he reached
| |
| the Club, and was further defying her by reading the Pink'un.
| |
| Elizabeth was alone in the stuffy little library, turning over the
| |
| pages of an old copy of Blackwood's.
| |
| | |
| Since parting with Flory, Elizabeth had had a very disagreeable
| |
| adventure. She had come out of her bath and was half-way through
| |
| dressing for dinner when her uncle had suddenly appeared in her
| |
| room--pretext, to hear some more about the day's shooting--and
| |
| begun pinching her leg in a way that simply could not be
| |
| misunderstood. Elizabeth was horrified. This was her first
| |
| introduction to the fact that some men are capable of making love
| |
| to their nieces. We live and learn. Mr Lackersteen had tried to
| |
| carry the thing off as a joke, but he was too clumsy and too nearly
| |
| drunk to succeed. It was fortunate that his wife was out of
| |
| hearing, or there might have been a first-rate scandal.
| |
| | |
| After this, dinner was an uncomfortable meal. Mr Lackersteen was
| |
| sulking. What rot it was, the way these women put on airs and
| |
| prevented you from having a good time! The girl was pretty enough
| |
| to remind him of the Illustrations in La Vie Parisienne, and damn
| |
| it! wasn't he paying for her keep? It was a shame. But for
| |
| Elizabeth the position was very serious. She was penniless and had
| |
| no home except her uncle's house. She had come eight thousand
| |
| miles to stay here. It would be terrible if after only a fortnight
| |
| her uncle's house were to be made uninhabitable for her.
| |
| | |
| Consequently, one thing was much surer in her mind than it had
| |
| been: that if Flory asked her to marry him (and he would, there was
| |
| little doubt of it), she would say yes. At another time it was
| |
| just possible that she would have decided differently. This
| |
| afternoon, under the spell of that glorious, exciting, altogether
| |
| 'lovely' adventure, she had come near to loving Flory; as near as,
| |
| in his particular case, she was able to come. Yet even after that,
| |
| perhaps, her doubts would have returned. For there had always been
| |
| something dubious about Flory; his age, his birthmark, his queer,
| |
| perverse way of talking--that 'highbrow' talk that was at once
| |
| unintelligible and disquieting. There had been days when she had
| |
| even disliked him. But now her uncle's behaviour had turned the
| |
| scale. Whatever happened she had got to escape from her uncle's
| |
| house, and that soon. Yes, undoubtedly she would marry Flory when
| |
| he asked her!
| |
| | |
| He could see her answer in her face as he came into the library.
| |
| Her air was gentler, more yielding than he had known it. She was
| |
| wearing the same lilac-coloured frock that she had worn that first
| |
| morning when he met her, and the sight of the familiar frock gave
| |
| him courage. It seemed to bring her nearer to him, taking away the
| |
| strangeness and the elegance that had sometimes unnerved him.
| |
| | |
| He picked up the magazine she had been reading and made some
| |
| remark; for a moment they chattered in the banal way they so seldom
| |
| managed to avoid. It is strange how the drivelling habits of
| |
| conversation will persist into almost all moments. Yet even as
| |
| they chattered they found themselves drifting to the door and then
| |
| outside, and presently to the big frangipani tree by the tennis
| |
| court. It was the night of the full moon. Flaring like a white-
| |
| hot coin, so brilliant that it hurt one's eyes, the moon swam
| |
| rapidly upwards in a sky of smoky blue, across which drifted a few
| |
| wisps of yellowish cloud. The stars were all invisible. The
| |
| croton bushes, by day hideous things like jaundiced laurels, were
| |
| changed by the moon into jagged black and white designs like
| |
| fantastic wood-cuts. By the compound fence two Dravidian coolies
| |
| were walking down the road, transfigured, their white rags
| |
| gleaming. Through the tepid air the scent streamed from the
| |
| frangipani trees like some intolerable compound out of a penny-in-
| |
| the-slot machine.
| |
| | |
| 'Look at the moon, just look at it!' Flory said. 'It's like a
| |
| white sun. It's brighter than an English winter day.'
| |
| | |
| Elizabeth looked up into the branches of the frangipani tree, which
| |
| the moon seemed to have changed into rods of silver. The light lay
| |
| thick, as though palpable, on everything, crusting the earth and
| |
| the rough bark of trees like some dazzling salt, and every leaf
| |
| seemed to bear a freight of solid light, like snow. Even
| |
| Elizabeth, indifferent to such things, was astonished.
| |
| | |
| 'It's wonderful! You never see moonlight like that at Home. It's
| |
| so--so--' No adjective except 'bright' presenting itself, she was
| |
| silent. She had a habit of leaving her sentences unfinished, like
| |
| Rosa Dartle, though for a different reason.
| |
| | |
| 'Yes, the old moon does her best in this country. How that tree
| |
| does stink, doesn't it? Beastly, tropical thing! I hate a tree
| |
| that blooms all the year round, don't you?'
| |
| | |
| He was talking half abstractedly, to cover the time till the
| |
| coolies should be out of sight. As they disappeared he put his arm
| |
| round Elizabeth's shoulder, and then, when she did not start or
| |
| speak, turned her round and drew her against him. Her head came
| |
| against his breast, and her short hair grazed his lips. He put his
| |
| hand under her chin and lifted her face up to meet his. She was
| |
| not wearing her spectacles.
| |
| | |
| 'You don't mind?'
| |
| | |
| 'No.'
| |
| | |
| 'I mean, you don't mind my--this thing of mine?' he shook his head
| |
| slightly to indicate the birthmark. He could not kiss her without
| |
| first asking this question.
| |
| | |
| 'No, no. Of course not.'
| |
| | |
| A moment after their mouths met he felt her bare arms settle
| |
| lightly round his neck. They stood pressed together, against the
| |
| smooth trunk of the frangipani tree, body to body, mouth to mouth,
| |
| for a minute or more. The sickly scent of the tree came mingling
| |
| with the scent of Elizabeth's hair. And the scent gave him a
| |
| feeling of stultification, of remoteness from Elizabeth, even
| |
| though she was in his arms. All that that alien tree symbolized
| |
| for him, his exile, the secret, wasted years--it was like an
| |
| unbridgeable gulf between them. How should he ever make her
| |
| understand what it was that he wanted of her? He disengaged
| |
| himself and pressed her shoulders gently against the tree, looking
| |
| down at her face, which he could see very clearly though the moon
| |
| was behind her.
| |
| | |
| 'It's useless trying to tell you what you mean to me,' he said.
| |
| '"What you mean to me!" These blunted phrases! You don't know,
| |
| you can't know, how much I love you. But I've got to try and tell
| |
| you. There's so much I must tell you. Had we better go back to
| |
| the Club? They may come looking for us. We can talk on the
| |
| veranda.'
| |
| | |
| 'Is my hair very untidy?' she said.
| |
| | |
| 'It's beautiful.'
| |
| | |
| 'But has it got untidy? Smooth it for me, would you, please?'
| |
| | |
| She bent her head towards him, and he smoothed the short, cool
| |
| locks with his hand. The way she bent her head to him gave him a
| |
| curious feeling of intimacy, far more intimate than the kiss, as
| |
| though he had already been her husband. Ah, he must have her, that
| |
| was certain! Only by marrying her could his life be salvaged. In
| |
| a moment he would ask her. They walked slowly through the cotton
| |
| bushes and back to the Club, his arm still round her shoulder.
| |
| | |
| 'We can talk on the veranda,' he repeated. 'Somehow, we've never
| |
| really talked, you and I. My God, how I've longed all these years
| |
| for somebody to talk to! How I could talk to you, interminably,
| |
| interminably! That sounds boring. I'm afraid it will be boring.
| |
| I must ask you to put up with it for a little while.'
| |
| | |
| She made a sound of remonstrance at the word 'boring'.
| |
| | |
| 'No, it is boring, I know that. We Anglo-Indians are always looked
| |
| on as bores. And we ARE bores. But we can't help it. You see,
| |
| there's--how shall I say?--a demon inside us driving us to talk.
| |
| We walk about under a load of memories which we long to share and
| |
| somehow never can. It's the price we pay for coming to this
| |
| country.'
| |
| | |
| They were fairly safe from interruption on the side veranda, for
| |
| there was no door opening directly upon it. Elizabeth had sat down
| |
| with her arms on the little wicker table, but Flory remained
| |
| strolling back and forth, with his hands in his coatpockets,
| |
| stepping into the moonlight that streamed beneath the eastern eaves
| |
| of the veranda, and back into the shadows.
| |
| | |
| 'I said just now that I loved you. Love! The word's been used
| |
| till it's meaningless. But let me try to explain. This afternoon
| |
| when you were there shooting with me, I thought, my God! here at
| |
| last is somebody who can share my life with me, but really share
| |
| it, really LIVE it with me--do you see--'
| |
| | |
| He was going to ask her to marry him--indeed, he had intended to
| |
| ask her without more delay. But the words were not spoken yet;
| |
| instead, he found himself talking egoistically on and on. He could
| |
| not help it. It was so important that she should understand
| |
| something of what his life in this country had been; that she
| |
| should grasp the nature of the loneliness that he wanted her to
| |
| nullify. And it was so devilishly difficult to explain. It is
| |
| devilish to suffer from a pain that is all but nameless. Blessed
| |
| are they who are stricken only with classifiable diseases! Blessed
| |
| are the poor, the sick, the crossed in love, for at least other
| |
| people know what is the matter with them and will listen to their
| |
| belly-achings with sympathy. But who that has not suffered it
| |
| understands the pain of exile? Elizabeth watched him as he moved
| |
| to and fro, in and out of the pool of moonlight that turned his
| |
| silk coat to silver. Her heart was still knocking from the kiss,
| |
| and yet her thoughts wandered as he talked. Was he going to ask
| |
| her to marry him? He was being so slow about it! She was dimly
| |
| aware that he was saying something about loneliness. Ah, of
| |
| course! He was telling her about the loneliness she would have to
| |
| put up with in the jungle, when they were married. He needn't have
| |
| troubled. Perhaps you did get rather lonely in the jungle
| |
| sometimes? Miles from anywhere, no cinemas, no dances, no one but
| |
| each other to talk to, nothing to do in the evenings except read--
| |
| rather a bore, that. Still, you could have a gramophone. What a
| |
| difference it would make when those new portable radio sets got out
| |
| to Burma! She was about to say this when he added:
| |
| | |
| 'Have I made myself at all clear to you? Have you got some picture
| |
| of the life we live here? The foreignness, the solitude, the
| |
| melancholy! Foreign trees, foreign flowers, foreign landscapes,
| |
| foreign faces. It's all as alien as a different planet. But do
| |
| you see--and it's this that I so want you to understand--do you
| |
| see, it mightn't be so bad living on a different planet, it might
| |
| even be the most interesting thing imaginable, if you had even one
| |
| person to share it with. One person who could see it with eyes
| |
| something like your own. This country's been a kind of solitary
| |
| hell to me--it's so to most of us--and yet I tell you it could
| |
| be a paradise if one weren't alone. Does all this seem quite
| |
| meaningless?'
| |
| | |
| He had stopped beside the table, and he picked up her hand. In the
| |
| half-darkness he could see her face only as a pale oval, like a
| |
| flower, but by the feeling of her hand he knew instantly that she
| |
| had not understood a word of what he was saying. How should she,
| |
| indeed? It was so futile, this meandering talk! He would say to
| |
| her at once, Will you marry me? Was there not a lifetime to talk
| |
| in? He took her other hand and drew her gently to her feet.
| |
| | |
| 'Forgive me all this rot I've been talking.'
| |
| | |
| 'It's all right,' she murmured indistinctly, expecting that he was
| |
| about to kiss her.
| |
| | |
| 'No, it's rot talking like that. Some things will go into words,
| |
| some won't. Besides, it was an impertinence to go belly-aching on
| |
| and on about myself. But I was trying to lead up to something.
| |
| Look, this is what I wanted to say. Will--'
| |
| | |
| 'Eliz-a-beth!'
| |
| | |
| It was Mrs Lackersteen's high-pitched, plaintive voice, calling
| |
| from within the Club.
| |
| | |
| 'Elizabeth? Where are you, Elizabeth?'
| |
| | |
| Evidently she was near the front door--would be on the veranda in a
| |
| moment. Flory pulled Elizabeth against him. They kissed hurriedly.
| |
| He released her, only holding her hands.
| |
| | |
| 'Quickly, there's just time. Answer me this. Will you--'
| |
| | |
| But that sentence never got any further. At the same moment
| |
| something extraordinary happened under his feet--the floor was
| |
| surging and rolling like a sea--he was staggering, then dizzily
| |
| falling, hitting his upper arm a thump as the floor rushed towards
| |
| him. As he lay there he found himself jerked violently backwards
| |
| and forwards as though some enormous beast below were rocking the
| |
| whole building on its back.
| |
| | |
| The drunken floor righted itself very suddenly, and Flory sat up,
| |
| dazed but not much hurt. He dimly noticed Elizabeth sprawling
| |
| beside him, and screams coming from within the Club. Beyond the
| |
| gate two Burmans were racing through the moonlight with their long
| |
| hair streaming behind them. They were yelling at the top of their
| |
| voices:
| |
| | |
| 'Nga Yin is shaking himself! Nga Yin is shaking himself!'
| |
| | |
| Flory watched them unintelligently. Who was Nga Yin? Nga is the
| |
| prefix given to criminals. Nga Yin must be a dacoit. Why was he
| |
| shaking himself? Then he remembered. Nga Yin was a giant supposed
| |
| by the Burmese to be buried, like Typhaeus, beneath the crust of
| |
| the earth. Of course! It was an earthquake.
| |
| | |
| 'An earthquake!' he exclaimed, and he remembered Elizabeth and
| |
| moved to pick her up. But she was already sitting up, unhurt, and
| |
| rubbing the back of her head.
| |
| | |
| 'Was that an earthquake?' she said in a rather awed voice.
| |
| | |
| Mrs Lackersteen's tall form came creeping round the corner of the
| |
| veranda, clinging to the wall like some elongated lizard. She was
| |
| exclaiming hysterically:
| |
| | |
| 'Oh dear, an earthquake! Oh, what a dreadful shock! I can't bear
| |
| it--my heart won't stand it! Oh dear, oh dear! An earthquake!'
| |
| | |
| Mr Lackersteen tottered after her, with a strange ataxic step
| |
| caused partly by earth-tremors and partly by gin.
| |
| | |
| 'An earthquake, dammit!' he said.
| |
| | |
| Flory and Elizabeth slowly picked themselves up. They all went
| |
| inside, with that queer feeling in the soles of the feet that one
| |
| has when one steps from a rocking boat on to the shore. The old
| |
| butler was hurrying from the servants' quarters, thrusting his
| |
| pagri on his head as he came, and a troop of twittering chokras
| |
| after him.
| |
| | |
| 'Earthquake, sir, earthquake!' he bubbled eagerly.
| |
| | |
| 'I should damn well think it was an earthquake,' said Mr Lackersteen
| |
| as he lowered himself cautiously into a chair. 'Here, get some
| |
| drinks, butler. By God, I could do with a nip of something after
| |
| that.'
| |
| | |
| They all had a nip of something. The butler, shy yet beaming,
| |
| stood on one leg beside the table, with the tray in his hand.
| |
| 'Earthquake, sir, BIG earthquake!' he repeated enthusiastically.
| |
| He was bursting with eagerness to talk; so, for that matter, was
| |
| everyone else. An extraordinary joie de vivre had come over them
| |
| all as soon as the shaky feeling departed from their legs. An
| |
| earthquake is such fun when it is over. It is so exhilarating to
| |
| reflect that you are not, as you well might be, lying dead under a
| |
| heap of ruins. With one accord they all burst out talking: 'My
| |
| dear, I've never HAD such a shock--I fell absolutely FLAT on my
| |
| back--I thought it was a dam' pariah dog scratching itself under
| |
| the floor--I thought it must be an explosion somewhere--' and so on
| |
| and so forth; the usual earthquake-chatter. Even the butler was
| |
| included in the conversation.
| |
| | |
| 'I expect you can remember ever so many earthquakes can't you
| |
| butler?' said Mrs Lackersteen, quite graciously, for her.
| |
| | |
| 'Oh yes, madam, many earthquakes! 1887, 1899, 1906, 1912--many,
| |
| many I can remember, madam!'
| |
| | |
| 'The 1912 one was a biggish one,' Flory said.
| |
| | |
| 'Oh, sir, but 1906 was bigger! Very bad shock, sir! And big
| |
| heathen idol in the temple fall down on top of the thathanabaing,
| |
| that is Buddhist bishop, madam, which the Burmese say mean bad omen
| |
| for failure of paddy crop and foot-and-mouth disease. Also in 1887
| |
| my first earthquake I remember, when I was a little chokra, and
| |
| Major Maclagan sahib was lying under the table and promising he
| |
| sign the teetotal pledge tomorrow morning. He not know it was an
| |
| earthquake. Also two cows was killed by falling roofs,' etc., etc.
| |
| | |
| The Europeans stayed in the Club till midnight, and the butler
| |
| popped into the room as many as half a dozen times, to relate a new
| |
| anecdote. So far from snubbing him, the Europeans even encouraged
| |
| him to talk. There is nothing like an earthquake for drawing
| |
| people together. One more tremor, or perhaps two, and they would
| |
| have asked the butler to sit down at table with them.
| |
| | |
| Meanwhile, Flory's proposal went no further. One cannot propose
| |
| marriage immediately after an earthquake. In any case, he did not
| |
| see Elizabeth alone for the rest of that evening. But it did not
| |
| matter, he knew that she was his now. In the morning there would
| |
| be time enough. On this thought, at peace in his mind, and dog-
| |
| tired after the long day, he went to bed.
| |
| | |
| == 16 ==
| |
| | |
| The vultures in the big pyinkado trees by the cemetery flapped from
| |
| their dung-whitened branches, steadied themselves on the wing, and
| |
| climbed by vast spirals into the upper air. It was early, but
| |
| Flory was out already. He was going down to the Club, to wait
| |
| until Elizabeth came and then ask her formally to marry him. Some
| |
| instinct, which he did not understand, prompted him to do it before
| |
| the other Europeans returned from the jungle.
| |
| | |
| As he came out of the compound gate he saw that there was a new
| |
| arrival at Kyauktada. A youth with a long spear like a needle in
| |
| his hand was cantering across the maidan on a white pony. Some
| |
| Sikhs, looking like sepoys, ran after him, leading two other
| |
| ponies, a bay and a chestnut, by the bridle. When he came level
| |
| with him Flory halted on the road and shouted good morning. He had
| |
| not recognized the youth, but it is usual in small stations to make
| |
| strangers welcome. The other saw that he was hailed, wheeled his
| |
| pony negligently round and brought it to the side of the road. He
| |
| was a youth of about twenty-live, lank but very straight, and
| |
| manifestly a cavalry officer. He had one of those rabbit-like
| |
| faces common among English soldiers, with pale blue eyes and a
| |
| little triangle of fore-teeth visible between the lips; yet hard,
| |
| fearless and even brutal in a careless fashion--a rabbit, perhaps,
| |
| but a tough and martial rabbit. He sat his horse as though he were
| |
| part of it, and he looked offensively young and fit. His fresh
| |
| face was tanned to the exact shade that went with his light-
| |
| coloured eyes, and he was as elegant as a picture with his white
| |
| buckskin topi and his polo-boots that gleamed like an old
| |
| meerschaum pipe. Flory felt uncomfortable in his presence from
| |
| the start.
| |
| | |
| 'How d'you do?' said Flory. 'Have you just arrived?'
| |
| | |
| 'Last night, got in by the late train.' He had a surly, boyish
| |
| voice. 'I've been sent up here with a company of men to stand by
| |
| in case your local bad-mashes start any trouble. My name's
| |
| Verrall--Military Police,' he added, not, however, inquiring
| |
| Flory's name in return.
| |
| | |
| 'Oh yes. We heard they were sending somebody. Where are you
| |
| putting up?'
| |
| | |
| 'Dak bungalow, for the time being. There was some black beggar
| |
| staying there when I got in last night--Excise Officer or
| |
| something. I booted him out. This is a filthy hole, isn't it?' he
| |
| said with a backward movement of his head, indicating the whole of
| |
| Kyauktada.
| |
| | |
| 'I suppose it's like the rest of these small stations. Are you
| |
| staying long?'
| |
| | |
| 'Only a month or so, thank God. Till the rains break. What a
| |
| rotten maidan you've got here, haven't you? Pity they can't keep
| |
| this stuff cut,' he added, swishing the dried-up grass with the
| |
| point of his spear. 'Makes it so hopeless for polo or anything.'
| |
| | |
| 'I'm afraid you won't get any polo here,' Flory said. 'Tennis is
| |
| the best we can manage. There are only eight of us all told, and
| |
| most of us spend three-quarters of our time in the jungle.'
| |
| | |
| 'Christ! What a hole!'
| |
| | |
| After this there was a silence. The tall, bearded Sikhs stood in a
| |
| group round their horses' heads, eyeing Flory without much favour.
| |
| It was perfectly clear that Verral was bored with the conversation
| |
| and wanted to escape. Flory had never in his life felt so
| |
| completely de trop, or so old and shabby. He noticed that
| |
| Verrall's pony was a beautiful Arab, a mare, with proud neck and
| |
| arching, plume-like tail; a lovely milk-white thing, worth several
| |
| thousands of rupees. Verrall had already twitched the bridle to
| |
| turn away, evidently feeling that he had talked enough for one
| |
| morning.
| |
| | |
| 'That's a wonderful pony of yours,' Flory said.
| |
| | |
| 'She's not bad, better than these Burma scrubs. I've come out to
| |
| do a bit of tent-pegging. It's hopeless trying to knock a polo
| |
| ball about in this muck. Hey, Hira Singh!' he called, and turned
| |
| his pony away.
| |
| | |
| The sepoy holding the bay pony handed his bridle to a companion,
| |
| ran to a spot forty yards away, and fixed a narrow boxwood peg in
| |
| the ground. Verral took no further notice of Flory. He raised his
| |
| spear and poised himself as though taking aim at the peg, while the
| |
| Indians backed their horses out of the way and stood watching
| |
| critically. With a just perceptible movement Verrall dug his knees
| |
| into the pony's sides. She bounded forward like a bullet from a
| |
| catapult. As easily as a centaur the lank, straight youth leaned
| |
| over in the saddle, lowered his spear and plunged it clean through
| |
| the peg. One of the Indians muttered gruffly 'Shabash!' Verrall
| |
| raised his spear behind him in the orthodox fashion, and then,
| |
| pulling his horse to a canter, wheeled round and handed the
| |
| transfixed peg to the sepoy.
| |
| | |
| Verrall rode twice more at the peg, and hit it each time. It was
| |
| done with matchless grace and with extraordinary solemnity. The
| |
| whole group of men, Englishman and Indians, were concentrated upon
| |
| the business of hitting the peg as though it had been a religious
| |
| ritual. Flory still stood watching, disregarded--Verrall's face
| |
| was one of those that are specially constructed for ignoring
| |
| unwelcome strangers--but from the very fact that he had been
| |
| snubbed unable to tear himself away. Somehow, Verrall had filled
| |
| him with a horrible sense of inferiority. He was trying to think
| |
| of some pretext for renewing the conversation, when he looked up
| |
| the hillside and saw Elizabeth, in pale blue, coming out of her
| |
| uncle's gate. She must have seen the third transfixing of the peg.
| |
| His heart stirred painfully. A thought occurred to him, one of
| |
| those rash thoughts that usually lead to trouble. He called to
| |
| Verrall, who was a few yards away from him, and pointed with his
| |
| stick.
| |
| | |
| 'Do these other two know how to do it?'
| |
| | |
| Verrall looked over his shoulder with a surly air. He had expected
| |
| Flory to go away after being ignored.
| |
| | |
| 'What?'
| |
| | |
| 'Can these other two do it?' Flory repeated.
| |
| | |
| 'The chestnut's not bad. Bolts if you let him, though.'
| |
| | |
| 'Let me have a shot at the peg, would you?'
| |
| | |
| 'All right,' said Verrall ungraciously. 'Don't go and cut his
| |
| mouth to bits.'
| |
| | |
| A sepoy brought the pony, and Flory pretended to examine the curb-
| |
| chain. In reality he was temporizing until Elizabeth should be
| |
| thirty or forty yards away. He made up his mind that he would
| |
| stick the peg exactly at the moment when she passed (it is easy
| |
| enough on the small Burma ponies, provided that they will gallop
| |
| straight), and then ride up to her with it on his point. That was
| |
| obviously the right move. He did not want her to think that that
| |
| pink-faced young whelp was the only person who could ride. He was
| |
| wearing shorts, which are uncomfortable to ride in, but he knew
| |
| that, like nearly everyone, he looked his best on horseback.
| |
| | |
| Elizabeth was approaching. Flory stepped into the saddle, took the
| |
| spear from the Indian and waved it in greeting to Elizabeth. She
| |
| made no response, however. Probably she was shy in front of
| |
| Verrall. She was looking away, towards the cemetery, and her
| |
| cheeks were pink.
| |
| | |
| 'Chalo,' said Flory to the Indian, and then dug his knees into the
| |
| horse's sides.
| |
| | |
| The very next instant, before the horse had taken to bounds, Flory
| |
| found himself hurtling through the air, hitting the ground with a
| |
| crack that wrenched his shoulder almost out of joint, and rolling
| |
| over and over. Mercifully the spear fell clear of him. He lay
| |
| supine, with a blurred vision of blue sky and floating vultures.
| |
| Then his eyes focused on the khaki pagri and dark face of a Sikh,
| |
| bearded to the eyes, bending over him.
| |
| | |
| 'What's happened?' he said in English, and he raised himself
| |
| painfully on his elbow. The Sikh made some gruff answer and
| |
| pointed. Flory saw the chestnut pony careering away over the
| |
| maidan, with the saddle under its belly. The girth had not been
| |
| tightened, and had slipped round; hence his fall.
| |
| | |
| When Flory sat up he found that he was in extreme pain. The right
| |
| shoulder of his shirt was torn open and already soaking with blood,
| |
| and he could feel more blood oozing from his cheek. The hard earth
| |
| had grazed him. His hat, too, was gone. With a deadly pang he
| |
| remembered Elizabeth, and he saw her coming towards him, barely ten
| |
| yards away, looking straight at him as he sprawled there so
| |
| ignominiously. My God, my God! he thought, O my God, what a fool I
| |
| must look! The thought of it even drove away the pain of the fall.
| |
| He clapped a hand over his birth-mark, though the other cheek was
| |
| the damaged one.
| |
| | |
| 'Elizabeth! Hullo, Elizabeth! Good morning!'
| |
| | |
| He had called out eagerly, appealingly, as one does when one is
| |
| conscious of looking a fool. She did not answer, and what was
| |
| almost incredible, she walked on without pausing even for an
| |
| instant, as though she had neither seen nor heard him.
| |
| | |
| 'Elizabeth!' he called again, taken aback; 'did you see my fall?
| |
| The saddle slipped. The fool of a sepoy hadn't--'
| |
| | |
| There was no question that she had heard him now. She turned her
| |
| face full upon him for a moment, and looked at him and through him
| |
| as though he had not existed. Then she gazed away into the
| |
| distance beyond the cemetery. It was terrible. He called after
| |
| her in dismay--
| |
| | |
| 'Elizabeth! I say, Elizabeth!'
| |
| | |
| She passed on without a word, without a sign, without a look. She
| |
| was walking sharply down the road, with a click of heels, her back
| |
| turned upon him.
| |
| | |
| The sepoys had come round him now, and Verrall, too, had ridden
| |
| across to where Flory lay. Some of the sepoys had saluted
| |
| Elizabeth; Verrall had ignored her, perhaps not seeing her. Flory
| |
| rose stiffly to his feet. He was badly bruised, but no bones were
| |
| broken. The Indians brought him his hat and stick, but they did
| |
| not apologize for their carelessness. They looked faintly
| |
| contemptuous, as though thinking that he had only got what he
| |
| deserved. It was conceivable that they had loosened the girth on
| |
| purpose.
| |
| | |
| 'The saddle slipped,' said Flory in the weak, stupid way that one
| |
| does at such moments.
| |
| | |
| 'Why the devil couldn't you look at it before you got up?' said
| |
| Verrall briefly. 'You ought to know these beggars aren't to be
| |
| trusted.'
| |
| | |
| Having said which he twitched his bridle and rode away, feeling the
| |
| incident closed. The sepoys followed him without saluting Flory.
| |
| When Flory reached his gate he looked back and saw that the
| |
| chestnut pony had already been caught and re-saddled, and Verrall
| |
| was tent-pegging upon it.
| |
| | |
| The fall had so shaken him that even now he could hardly collect
| |
| his thoughts. What could have made her behave like that? She had
| |
| seen him lying bloody and in pain, and she had walked past him as
| |
| though he had been a dead dog. How could it have happened? HAD it
| |
| happened? It was incredible. Could she be angry with him? Could
| |
| he have offended her in any way? All the servants were waiting at
| |
| the compound fence. They had come out to watch the tent-pegging,
| |
| and every one of them had seen his bitter humiliation. Ko S'la ran
| |
| part of the way down the hill to meet him, with concerned face.
| |
| | |
| 'The god has hurt himself? Shall I carry the god back to the
| |
| house?'
| |
| | |
| 'No,' said the god. 'Go and get me some whisky and a clean shirt.'
| |
| | |
| When they got back to the house Ko S'la made Flory sit down on the
| |
| bed and peeled off his torn shirt which the blood had stuck to his
| |
| body. Ko S'la clicked his tongue.
| |
| | |
| 'Ah ma lay? These cuts are full of dirt. You ought not to play
| |
| these children's games on strange ponies, thakin. Not at your age.
| |
| It is too dangerous.'
| |
| | |
| 'The saddle slipped,' Flory said.
| |
| | |
| 'Such games,' pursued Ko S'la, 'are all very well for the young
| |
| police officer. But you are no longer young, thakin. A fall hurts
| |
| at your age. You should take more care of yourself.'
| |
| | |
| 'Do you take me for an old man?' said Flory angrily. His shoulder
| |
| was smarting abominably.
| |
| | |
| 'You are thirty-five, thakin,' said Ko S'la politely but firmly.
| |
| | |
| It was all very humiliating. Ma Pu and Ma Yi, temporarily at
| |
| peace, had brought a pot of some dreadful mess which they declared
| |
| was good for cuts. Flory told Ko S'la privately to throw it out of
| |
| the window and substitute boracic ointment. Then, while he sat in
| |
| a tepid bath and Ko S'la sponged the dirt out of his grazes, he
| |
| puzzled helplessly, and, as his head grew clearer, with a deeper
| |
| and deeper dismay, over what had happened. He had offended her
| |
| bitterly, that was clear. But, when he had not even seen her since
| |
| last night, how COULD he have offended her? And there was no even
| |
| plausible answer.
| |
| | |
| He explained to Ko S'la several times over that his fall was due to
| |
| the saddle slipping. But Ko S'la, though sympathetic, clearly did
| |
| not believe him. To the end of his days, Flory perceived, the fall
| |
| would be attributed to his own bad horsemanship. On the other
| |
| hand, a fortnight ago, he had won undeserved renown by putting to
| |
| flight the harmless buffalo. Fate is even-handed, after a fashion.
| |
| | |
| == 17 ==
| |
| | |
| Flory did not see Elizabeth again until he went down to the Club
| |
| after dinner. He had not, as he might have done, sought her out
| |
| and demanded an explanation. His face unnerved him when he looked
| |
| at it in the glass. With the birthmark on one side and the graze
| |
| on the other it was so woebegone, so hideous, that he dared not
| |
| show himself by daylight. As he entered the Club lounge he put his
| |
| hand over his birthmark--pretext, a mosquito bite on the forehead.
| |
| It would have been more than his nerve was equal to, not to cover
| |
| his birthmark at such a moment. However, Elizabeth was not there.
| |
| | |
| Instead, he tumbled into an unexpected quarrel. Ellis and
| |
| Westfield had just got back from the jungle, and they were sitting
| |
| drinking, in a sour mood. News had come from Rangoon that the
| |
| editor of the Burmese Patriot had been given only four months'
| |
| imprisonment for his libel against Mr Macregor, and Ellis was
| |
| working himself up into a rage over this light sentence. As soon
| |
| as Flory came in Ellis began baiting him with remarks about 'that
| |
| little nigger Very-slimy'. At the moment the very thought of
| |
| quarrelling made Flory yawn, but he answered incautiously, and
| |
| there was an argument. It grew heated, and after Ellis had called
| |
| Flory a nigger's Nancy Boy and Flory had replied in kind, Westfield
| |
| too lost his temper. He was a good-natured man, but Flory's
| |
| Bolshie ideas sometimes annoyed him. He could never understand
| |
| why, when there was so clearly a right and a wrong opinion about
| |
| everything, Flory always seemed to delight in choosing the wrong
| |
| one. He told Flory 'not to start talking like a damned Hyde Park
| |
| agitator', and then read him a snappish little sermon, taking as
| |
| his text the five chief beatitudes of the pukka sahib, namely:
| |
| | |
| Keeping up our prestige,
| |
| The firm hand (without the velvet glove),
| |
| We white men must hang together,
| |
| Give them an inch and they'll take an ell, and
| |
| Esprit de Corps.
| |
| | |
| All the while his anxiety to see Elizabeth was so gnawing at
| |
| Flory's heart that he could hardly hear what was said to him.
| |
| Besides, he had heard it all so often, so very often--a hundred
| |
| times, a thousand times it might be, since his first week in
| |
| Rangoon, when his burra sahib (an old Scotch gin-soaker and great
| |
| breeder of racing ponies, afterwards warned off the turf for some
| |
| dirty business of running the same horse under two different names)
| |
| saw him take off his topi to pass a native funeral and said to him
| |
| reprovingly: 'Remember laddie, always remember, we are sahiblog
| |
| and they are dirrt!' It sickened him, now, to have to listen to
| |
| such trash. So he cut Westfield short by saying blasphemously:
| |
| | |
| 'Oh, shut up! I'm sick of the subject. Veraswami's a damned good
| |
| fellow--a damned sight better than some white men I can think of.
| |
| Anyway, I'm going to propose his name for the Club when the general
| |
| meeting comes. Perhaps he'll liven this bloody place up a bit.'
| |
| | |
| Whereat the row would have become serious if it had not ended as
| |
| most rows ended at the Club--with the appearance of the butler, who
| |
| had heard the raised voices.
| |
| | |
| 'Did master call, sir?'
| |
| | |
| 'No. Go to hell,' said Ellis morosely.
| |
| | |
| The butler retired, but that was the end of the dispute for the
| |
| time being. At this moment there were footsteps and voices
| |
| outside; the Lackersteens were arriving at the Club.
| |
| | |
| When they entered the lounge, Flory could not even nerve himself to
| |
| look directly at Elizabeth; but he noticed that all three of them
| |
| were much more smartly dressed than usual. Mr Lackersteen was even
| |
| wearing a dinner-jacket--white, because of the season--and was
| |
| completely sober. The boiled shirt and pique waistcoat seemed to
| |
| hold him upright and stiffen his moral fibre like a breastplate.
| |
| Mrs Lackersteen looked handsome and serpentine in a red dress. In
| |
| some indefinable way all three gave the impression that they were
| |
| waiting to receive some distinguished guest.
| |
| | |
| When drinks had been called for, and Mrs Lackersteen had usurped
| |
| the place under the punkah, Flory took a chair on the outside of
| |
| the group. He dared not accost Elizabeth yet. Mrs Lackersteen had
| |
| begun talking in an extraordinary, silly manner about the dear
| |
| Prince of Wales, and putting on an accent like a temporarily
| |
| promoted chorus-girl playing the part of a duchess in a musical
| |
| comedy. The others wondered privately what the devil was the
| |
| matter with her. Flory had stationed himself almost behind
| |
| Elizabeth. She was wearing a yellow frock, cut very short as the
| |
| fashion then was, with champagne-coloured stockings and slippers to
| |
| match, and she carried a big ostrich-feather fan. She looked so
| |
| modish, so adult, that he feared her more than he had ever done.
| |
| It was unbelievable that he had ever kissed her. She was talking
| |
| easily to all the others at once, and now and again he dared to put
| |
| a word into the general conversation; but she never answered him
| |
| directly, and whether or not she meant to ignore him, he could not
| |
| tell.
| |
| | |
| 'Well,' said Mrs Lackersteen presently, 'and who's for a rubbah?'
| |
| | |
| She said quite distinctly a 'rubbah'. Her accent was growing more
| |
| aristocratic with every word she uttered. It was unaccountable.
| |
| It appeared that Ellis, Westfield and Mr Lackersteen were for a
| |
| 'rubbah'. Flory refused as soon as he saw that Elizabeth was not
| |
| playing. Now or never was his chance to get her alone. When they
| |
| all moved for the card-room, he saw with a mixture of fear and
| |
| relief that Elizabeth came last. He stopped in the doorway,
| |
| barring her path. He had turned dreadly pale. She shrank from him
| |
| a little.
| |
| | |
| 'Excuse me,' they both said simultaneously.
| |
| | |
| 'One moment,' he said, and do what he would his voice trembled.
| |
| 'May I speak to you? You don't mind--there's something I must
| |
| say.'
| |
| | |
| 'Will you please let me pass, Mr Flory?'
| |
| | |
| 'Please! Please! We're alone now. You won't refuse just to let
| |
| me speak?'
| |
| | |
| 'What is it, then?'
| |
| | |
| 'It's only this. Whatever I've done to offend you--please tell me
| |
| what it is. Tell me and let me put it right. I'd sooner cut my
| |
| hand off than offend you. Just tell me, don't let me go on not
| |
| even knowing what it is.'
| |
| | |
| 'I really don't know what you're talking about. "Tell you how
| |
| you've offended me?" Why should you have OFFENDED me?'
| |
| | |
| 'But I must have! After the way you behaved!'
| |
| | |
| '"After the way I behaved?" I don't know what you mean. I don't
| |
| know why you're talking in this extraordinary way at all.'
| |
| | |
| 'But you won't even speak to me! This morning you cut me
| |
| absolutely dead.'
| |
| | |
| 'Surely I can do as I like without being questioned?'
| |
| | |
| 'But please, please! Don't you see, you must see, what it's like
| |
| for me to be snubbed all of a sudden. After all, only last night
| |
| you--'
| |
| | |
| She turned pink. 'I think it's absolutely--absolutely caddish of
| |
| you to mention such things!'
| |
| | |
| 'I know, I know. I know all that. But what else can I do? You
| |
| walked past me this morning as though I'd been a stone. I know
| |
| that I've offended you in some way. Can you blame me if I want to
| |
| know what it is that I've done?'
| |
| | |
| He was, as usual, making it worse with every word he said. He
| |
| perceived that whatever he had done, to be made to speak of it
| |
| seemed to her worse than the thing itself. She was not going to
| |
| explain. She was going to leave him in the dark--snub him and then
| |
| pretend that nothing had happened; the natural feminine move.
| |
| Nevertheless he urged her again:
| |
| | |
| 'Please tell me. I can't let everything end between us like this.'
| |
| | |
| '"End between us"? There was nothing to end,' she said coldly.
| |
| | |
| The vulgarity of this remark wounded him, and he said quickly:
| |
| | |
| 'That wasn't like you, Elizabeth! It's not generous to cut a man
| |
| dead after you've been kind to him, and then refuse even to tell
| |
| him the reason. You might be straightforward with me. Please tell
| |
| me what it is that I've done.'
| |
| | |
| She gave him an oblique, bitter look, bitter not because of what he
| |
| had done, but because he had made her speak of it. But perhaps she
| |
| was anxious to end the scene, and she said:
| |
| | |
| 'Well then, if you absolutely force me to speak of it--'
| |
| | |
| 'Yes?'
| |
| | |
| 'I'm told that at the very same time as you were pretending to--
| |
| well, when you were . . . with me--oh, it's too beastly! I can't
| |
| speak of it.'
| |
| | |
| 'Go on.'
| |
| | |
| 'I'm told that you're keeping a Burmese woman. And now, will you
| |
| please let me pass?'
| |
| | |
| With that she sailed--there was no other possible word for it--she
| |
| sailed past him with a swish of her short skirts, and vanished into
| |
| the card-room. And he remained looking after her, too appalled to
| |
| speak, and looking unutterably ridiculous.
| |
| | |
| It was dreadful. He could not face her after that. He turned to
| |
| hurry out of the Club, and then dared not even pass the door of the
| |
| card-room, lest she should see him. He went into the lounge,
| |
| wondering how to escape, and finally climbed over the veranda rail
| |
| and dropped on to the small square of lawn that ran down to the
| |
| Irrawaddy. The sweat was running from his forehead. He could have
| |
| shouted with anger and distress. The accursed luck of it! To be
| |
| caught out over a thing like that. 'Keeping a Burmese woman'--and
| |
| it was not even true! But much use it would ever be to deny it.
| |
| Ah, what damned, evil chance could have brought it to her ears?
| |
| | |
| But as a matter of fact, it was no chance. It had a perfectly
| |
| sound cause, which was also the cause of Mrs Lackersteen's curious
| |
| behaviour at the Club this evening. On the previous night, just
| |
| before the earthquake, Mrs Lackersteen had been reading the Civil
| |
| List. The Civil List (which tells you the exact income of every
| |
| official in Burma) was a source of inexhaustible interest to her.
| |
| She was in the middle of adding up the pay and allowances of a
| |
| Conservator of Forests whom she had once met in Mandalay, when it
| |
| occurred to her to look up the name of Lieutenant Verrall, who, she
| |
| had heard from Mr Macregor, was arriving at Kyauktada tomorrow with
| |
| a hundred Military Policemen. When she found the name, she saw in
| |
| front of it two words that startled her almost out of her wits.
| |
| | |
| The words were 'The Honourable'!
| |
| | |
| The HONOURABLE! Lieutenants the Honourable are rare anywhere, rare
| |
| as diamonds in the Indian Army, rare as dodos in Burma. And when
| |
| you are the aunt of the only marriageable young woman within fifty
| |
| miles, and you hear that a lieutenant the Honourable is arriving no
| |
| later than tomorrow--well! With dismay Mrs Lackersteen remembered
| |
| that Elizabeth was out in the garden with Flory--that drunken
| |
| wretch Flory, whose pay was barely seven hundred rupees a month,
| |
| and who, it was only too probable, was already proposing to her!
| |
| She hastened immediately to call Elizabeth inside, but at this
| |
| moment the earthquake intervened. However, on the way home there
| |
| was an opportunity to speak. Mrs Lackersteen laid her hand
| |
| affectionately on Elizabeth's arm and said in the tenderest voice
| |
| she had ever succeeded in producing:
| |
| | |
| 'Of course you know, Elizabeth dear, that Flory is keeping a
| |
| Burmese woman?'
| |
| | |
| For a moment this deadly charge actually failed to explode.
| |
| Elizabeth was so new to the ways of the country that the remark
| |
| made no impression on her. It sounded hardly more significant than
| |
| 'keeping a parrot'.
| |
| | |
| 'Keeping a Burmese woman? What for?'
| |
| | |
| 'What FOR? My dear! what DOES a man keep a woman for?'
| |
| | |
| And, of course, that was that.
| |
| | |
| For a long time Flory remained standing by the river bank. The
| |
| moon was up, mirrored in the water like a broad shield of electron.
| |
| The coolness of the outer air had changed Flory's mood. He had not
| |
| even the heart to be angry any longer. For he had perceived, with
| |
| the deadly self-knowledge and self-loathing that come to one at
| |
| such a time, that what had happened served him perfectly right.
| |
| For a moment it seemed to him that an endless procession of Burmese
| |
| women, a regiment of ghosts, were marching past him in the
| |
| moonlight. Heavens, what numbers of them! A thousand--no, but a
| |
| full hundred at the least. 'Eyes right!' he thought despondently.
| |
| Their heads turned towards him, but they had no faces, only
| |
| featureless discs. He remembered a blue longyi here, a pair of
| |
| ruby ear-rings there, but hardly a face or a name. The gods are
| |
| just and of our pleasant vices (pleasant, indeed!) make instruments
| |
| to plague us. He had dirtied himself beyond redemption, and this
| |
| was his just punishment.
| |
| | |
| He made his way slowly through the croton bushes and round the
| |
| clubhouse. He was too saddened to feel the full pain of the
| |
| disaster yet. It would begin hurting, as all deep wounds do, long
| |
| afterwards. As he passed through the gate something stirred the
| |
| leaves behind him. He started. There was a whisper of harsh
| |
| Burmese syllables.
| |
| | |
| 'Pike-san pay-like! Pike-san pay-like!'
| |
| | |
| He turned sharply. The 'pike-san pay-like' ('Give me the money')
| |
| was repeated. He saw a woman standing under the shadow of the gold
| |
| mohur tree. It was Ma Hla May. She stepped out into the moonlight
| |
| warily, with a hostile air, keeping her distance as though afraid
| |
| that he would strike her. Her face was coated with powder, sickly
| |
| white in the moon, and it looked as ugly as a skull, and defiant.
| |
| | |
| She had given him a shock. 'What the devil are you doing here?' he
| |
| said angrily in English.
| |
| | |
| 'Pike-san pay-like!'
| |
| | |
| 'What money? What do you mean? Why are you following me about
| |
| like this?'
| |
| | |
| 'Pike-san pay-like!' she repeated almost in a scream. 'The money
| |
| you promised me, thakin. You said you would give me more money. I
| |
| want it now, this instant!'
| |
| | |
| 'How can I give it you now? You shall have it next month. I have
| |
| given you a hundred and fifty rupees already.'
| |
| | |
| To his alarm she began shrieking 'Pike-san pay-like!' and a number
| |
| of similar phrases almost at the top of her voice. She seemed on
| |
| the verge of hysterics. The volume of noise that she produced was
| |
| startling.
| |
| | |
| 'Be quiet! They'll hear you in the Club!' he exclaimed, and was
| |
| instantly sorry for putting the idea into her head.
| |
| | |
| 'Aha! NOW I know what will frighten you! Give me the money this
| |
| instant, or I will scream for help and bring them all out here.
| |
| Quick, now, or I begin screaming!'
| |
| | |
| 'You bitch!' he said, and took a step towards her. She sprang
| |
| nimbly out of reach, whipped off her slipper, and stood defying
| |
| him.
| |
| | |
| 'Be quick! Fifty rupees now and the rest tomorrow. Out with it!
| |
| Or I give a scream they can hear as far as the bazaar!'
| |
| | |
| Flory swore. This was not the time for such a scene. Finally he
| |
| took out his pocket-book, found twenty-five rupees in it, and threw
| |
| them on to the ground. Ma Hla May pounced on the notes and counted
| |
| them.
| |
| | |
| 'I said fifty rupees, thakin!'
| |
| | |
| 'How can I give it you if I haven't got it? Do you think I carry
| |
| hundreds of rupees about with me?'
| |
| | |
| 'I said fifty rupees!'
| |
| | |
| 'Oh, get out of my way!' he said in English, and pushed past her.
| |
| | |
| But the wretched woman would not leave him alone. She began to
| |
| follow him up the road like a disobedient dog, screaming out 'Pike-
| |
| san pay-like! Pike-san pay-like!' as though mere noise could bring
| |
| the money into existence. He hurried, partly to draw her away from
| |
| the Club, partly in hopes of shaking her off, but she seemed ready
| |
| to follow him as far as the house if necessary. After a while he
| |
| could not stand it any longer, and he turned to drive her back.
| |
| | |
| 'Go away this instant! If you follow me any farther you shall
| |
| never have another anna.'
| |
| | |
| 'Pike-san pay-like!'
| |
| | |
| 'You fool,' he said, 'what good is this doing? How can I give you
| |
| the money when I have not another pice on me?'
| |
| | |
| 'That is a likely story!'
| |
| | |
| He felt helplessly in his pockets. He was so wearied that he would
| |
| have given her anything to be rid of her. His fingers encountered
| |
| his cigarette-case, which was of gold. He took it out.
| |
| | |
| 'Here, if I give you this will you go away? You can pawn it for
| |
| thirty rupees.'
| |
| | |
| Ma Hla May seemed to consider, then said sulkily, 'Give it me.'
| |
| | |
| He threw the cigarette-case on to the grass beside the road. She
| |
| grabbed it and immediately sprang back clutching it to her ingyi,
| |
| as though afraid that he would take it away again. He turned and
| |
| made for the house, thanking God to be out of the sound of her
| |
| voice. The cigarette-case was the same one that she had stolen ten
| |
| days ago.
| |
| | |
| At the gate he looked back. Ma Hla May was still standing at the
| |
| bottom of the hill, a greyish figurine in the moonlight. She must
| |
| have watched him up the hill like a dog watching a suspicious
| |
| stranger out of sight. It was queer. The thought crossed his mind,
| |
| as it had a few days earlier when she sent him the blackmailing
| |
| letter, that her behaviour had been curious and unlike herself. She
| |
| was showing a tenacity of which he would never have thought her
| |
| capable--almost, indeed, as though someone else were egging her on.
| |
| | |
| == 18 ==
| |
| | |
| After the row overnight Ellis was looking forward to a week of
| |
| baiting Flory. He had nicknamed him Nancy--short for nigger's
| |
| Nancy Boy, but the women did not know that--and was already
| |
| inventing wild scandals about him. Ellis always invented scandals
| |
| about anyone with whom he had quarrelled--scandals which grew, by
| |
| repeated embroideries, into a species of saga. Flory's incautious
| |
| remark that Dr Veraswami was a 'damned good fellow' had swelled
| |
| before long into a whole Daily Worker-ful of blasphemy and
| |
| sedition.
| |
| | |
| 'On my honour, Mrs Lackersteen,' said Ellis--Mrs Lackersteen had
| |
| taken a sudden dislike to Flory after discovering the great secret
| |
| about Verrall, and she was quite ready to listen to Ellis's tales--
| |
| 'on my honour, if you'd been there last night and heard the things
| |
| that man Flory was saying--well, it'd have made you shiver in your
| |
| shoes!'
| |
| | |
| 'Really! You know, I always thought he had such CURIOUS ideas.
| |
| What has he been talking about now? Not SOCIALISM, I hope?'
| |
| | |
| 'Worse.'
| |
| | |
| There were long recitals. However, to Ellis's disappointment,
| |
| Flory had not stayed in Kyauktada to be baited. He had gone back
| |
| to camp the day after his dismissal by Elizabeth. Elizabeth heard
| |
| most of the scandalous tales about him. She understood his
| |
| character perfectly now. She understood why it was that he had so
| |
| often bored her and irritated her. He was a highbrow--her
| |
| deadliest word--a highbrow, to be classed with Lenin, A. J. Cook
| |
| and the dirty little poets in the Montparnasse cafes. She could
| |
| have forgiven him even his Burmese mistress more easily than that.
| |
| Flory wrote to her three days later; a weak, stilted letter, which
| |
| he sent by hand--his camp was a day's march from Kyauktada.
| |
| Elizabeth did not answer.
| |
| | |
| It was lucky for Flory that at present he was too busy to have time
| |
| to think. The whole camp was at sixes and sevens since his long
| |
| absence. Nearly thirty coolies were missing, the sick elephant was
| |
| worse than ever, and a vast pile of teak logs which should have
| |
| been sent off ten days earlier were still waiting because the
| |
| engine would not work. Flory, a fool about machinery, struggled
| |
| with the bowels of the engine until he was black with grease and Ko
| |
| S'la told him sharply that white men ought not to do 'coolie-work'.
| |
| The engine was finally persuaded to run, or at least to totter.
| |
| The sick elephant was discovered to be suffering from tapeworms.
| |
| As for the coolies, they had deserted because their supply of opium
| |
| had been cut off--they would not stay in the jungle without opium,
| |
| which they took as a prophylactic against fever. U Po Kyin,
| |
| willing to do Flory a bad turn, had caused the Excise Officers to
| |
| make a raid and seize the opium. Flory wrote to Dr Veraswami,
| |
| asking for his help. The doctor sent back a quantity of opium,
| |
| illegally procured, medicine for the elephant and a careful letter
| |
| of instructions. A tapeworm measuring twenty-one feet was
| |
| extracted. Flory was busy twelve hours a day. In the evening if
| |
| there was no more to do he would plunge into the jungle and walk
| |
| and walk until the sweat stung his eyes and his knees were bleeding
| |
| from the briers. The nights were his bad time. The bitterness of
| |
| what had happened was sinking into him, as it usually does, by slow
| |
| degrees.
| |
| | |
| Meanwhile, several days had passed and Elizabeth had not yet seen
| |
| Verrall at less than a hundred yards' distance. It had been a
| |
| great disappointment when he had not appeared at the Club on the
| |
| evening of his arrival. Mr Lackersteen was really quite angry when
| |
| he discovered that he had been hounded into his dinner-jacket for
| |
| nothing. Next morning Mrs Lackersteen made her husband send an
| |
| officious note to the dakbungalow, inviting Verrall to the Club;
| |
| there was no answer, however. More days passed, and Verrall made
| |
| no move to join in the local society. He had even neglected his
| |
| official calls, not even bothering to present himself at Mr
| |
| Macgregor's office. The dakbungalow was at the other end of the
| |
| town, near the station, and he had made himself quite comfortable
| |
| there. There is a rule that one must vacate a dakbungalow after a
| |
| stated number of days, but Verrall peaceably ignored it. The
| |
| Europeans only saw him at morning and evening on the maidan. On
| |
| the second day after his arrival fifty of his men turned out with
| |
| sickles and cleared a large patch of the maidan, after which
| |
| Verrall was to be seen galloping to and fro, practising polo
| |
| strokes. He took not the smallest notice of any Europeans who
| |
| passed down the road. Westfield and Ellis were furious, and even
| |
| Mr Macgregor said that Verrall's behaviour was 'ungracious'. They
| |
| would all have fallen at the feet of a lieutenant the Honourable if
| |
| he had shown the smallest courtesy; as it was, everyone except the
| |
| two women detested him from the start. It is always so with titled
| |
| people, they are either adored or hated. If they accept one it is
| |
| charming simplicity, if they ignore one it is loathsome
| |
| snobbishness; there are no half-measures.
| |
| | |
| Verrall was the youngest son of a peer, and not at all rich, but by
| |
| the method of seldom paying a bill until a writ was issued against
| |
| him, he managed to keep himself in the only things he seriously
| |
| cared about: clothes and horses. He had come out to India in a
| |
| British cavalry regiment, and exchanged into the Indian Army
| |
| because it was cheaper and left him greater freedom for polo.
| |
| After two years his debts were so enormous that he entered the
| |
| Burma Military Police, in which it was notoriously possible to save
| |
| money; however, he detested Burma--it is no country for a horseman--
| |
| and he had already applied to go back to his regiment. He was the
| |
| kind of soldier who can get exchanges when he wants them. Meanwhile,
| |
| he was only to be in Kyauktada for a month, and he had no intention
| |
| of mixing himself up with all the petty sahiblog of the district.
| |
| He knew the society of those small Burma stations--a nasty,
| |
| poodle-faking, horseless riffraff. He despised them.
| |
| | |
| They were not the only people whom Verrall despised, however. His
| |
| various contempts would take a long time to catalogue in detail.
| |
| He despised the entire non-military population of India, a few
| |
| famous polo players excepted. He despised the entire Army as well,
| |
| except the cavalry. He despised all Indian regiments, infantry and
| |
| cavalry alike. It was true that he himself belonged to a native
| |
| regiment, but that was only for his own convenience. He took no
| |
| interest in Indians, and his Urdu consisted mainly of swear-words,
| |
| with all the verbs in the third person singular. His Military
| |
| Policemen he looked on as no better than coolies. 'Christ, what
| |
| God-forsaken swine!' he was often heard to mutter as he moved down
| |
| the ranks inspecting, with the old subahdar carrying his sword
| |
| behind him. Verrall had even been in trouble once for his
| |
| outspoken opinions on native troops. It was at a review, and
| |
| Verrall was among the group of officers standing behind the
| |
| general. An Indian infantry regiment approached for the march-
| |
| past.
| |
| | |
| 'The ---- Rifles,' somebody said.
| |
| | |
| 'AND look at it,' said Verrall in his surly boy's voice.
| |
| | |
| The white-haired colonel of the ---- Rifles was standing near. He
| |
| flushed to the neck, and reported Verrall to the general. Verrall
| |
| was reprimanded, but the general, a British Army officer himself,
| |
| did not rub it in very hard. Somehow, nothing very serious ever
| |
| did happen to Verrall, however offensive he made himself. Up and
| |
| down India, wherever he was stationed, he left behind him a trail
| |
| of insulted people, neglected duties and unpaid bills. Yet the
| |
| disgraces that ought to have fallen on him never did. He bore a
| |
| charmed life, and it was not only the handle to his name that saved
| |
| him. There was something in his eye before which duns, burra
| |
| memsahibs and even colonels quailed.
| |
| | |
| It was a disconcerting eye, pale blue and a little protuberant, but
| |
| exceedingly clear. It looked you over, weighed you in the balance
| |
| and found you wanting, in a single cold scrutiny of perhaps five
| |
| seconds. If you were the right kind of man--that is, if you were a
| |
| cavalry officer and a polo player--Verrall took you for granted and
| |
| even treated you with a surly respect; if you were any other type
| |
| of man whatever, he despised you so utterly that he could not have
| |
| hidden it even if he would. It did not even make any difference
| |
| whether you were rich or poor, for in the social sense he was not
| |
| more than normally a snob. Of course, like all sons of rich
| |
| families, he thought poverty disgusting and that poor people are
| |
| poor because they prefer disgusting habits. But he despised soft
| |
| living. Spending, or rather owing, fabulous sums on clothes, he
| |
| yet lived almost as ascetically as a monk. He exercised himself
| |
| ceaselessly and brutally, rationed his drink and his cigarettes,
| |
| slept on a camp bed (in silk pyjamas) and bathed in cold water in
| |
| the bitterest winter. Horsemanship and physical fitness were the
| |
| only gods he knew. The stamp of hoofs on the maidan, the strong,
| |
| poised feeling of his body, wedded centaurlike to the saddle, the
| |
| polo-stick springy in his hand--these were his religion, the breath
| |
| of his life. The Europeans in Burma--boozing, womanizing, yellow-
| |
| faced loafers--made him physically sick when he thought of their
| |
| habits. As for social duties of all descriptions, he called them
| |
| poodle-faking and ignored them. Women he abhorred. In his view
| |
| they were a kind of siren whose one aim was to lure men away from
| |
| polo and enmesh them in tea-fights and tennis-parties. He was not,
| |
| however, quite proof against women. He was young, and women of
| |
| nearly all kinds threw themselves at his head; now and again he
| |
| succumbed. But his lapses soon disgusted him, and he was too
| |
| callous when the pinch came to have any difficulty about escaping.
| |
| He had had perhaps a dozen such escapes during his two years in
| |
| India.
| |
| | |
| A whole week went by. Elizabeth had not even succeeded in making
| |
| Verrall's acquaintance. It was so tantalizing! Every day, morning
| |
| and evening, she and her aunt walked down to the Club and back
| |
| again, past the maidan; and there was Verrall, hitting the polo-
| |
| balls the sepoys threw for him, ignoring the two women utterly.
| |
| So near and yet so far! What made it even worse was that neither
| |
| woman would have considered it decent to speak of the matter
| |
| directly. One evening the polo-ball, struck too hard, came
| |
| swishing through the grass and rolled across the road in front of
| |
| them. Elizabeth and her aunt stopped involuntarily. But it was
| |
| only a sepoy who ran to fetch the ball. Verrall had seen the women
| |
| and kept his distance.
| |
| | |
| Next morning Mrs Lackersteen paused as they came out of the gate.
| |
| She had given up riding in her rickshaw lately. At the bottom of
| |
| the maidan the Military Policemen were drawn up, a dust-coloured
| |
| rank with bayonets glittering. Verrall was facing them, but not in
| |
| uniform--he seldom put on his uniform for morning parade, not
| |
| thinking it necessary with mere Military Policemen. The two women
| |
| were looking at everything except Verrall, and at the same time, in
| |
| some manner, were contriving to look at him.
| |
| | |
| 'The wretched thing is,' said Mrs Lackersteen--this was a propos de
| |
| bottes, but the subject needed no introduction--'the wretched thing
| |
| is that I'm afraid your uncle simply MUST go back to camp before
| |
| long.'
| |
| | |
| 'Must he really?'
| |
| | |
| 'I'm afraid so. It is so HATEFUL in camp at this time of year!
| |
| Oh, those mosquitoes!'
| |
| | |
| 'Couldn't he stay a bit longer? A week, perhaps?'
| |
| | |
| 'I don't see how he can. He's been nearly a month in headquarters
| |
| now. The firm would be furious if they heard of it. And of course
| |
| both of us will have to go with him. SUCH a bore! The mosquitoes--
| |
| simply terrible!'
| |
| | |
| Terrible indeed! To have to go away before Elizabeth had so much
| |
| as said how-do-you-do to Verrall! But they would certainly have to
| |
| go if Mr Lackersteen went. It would never do to leave him to
| |
| himself. Satan finds some mischief still, even in the jungle. A
| |
| ripple like fire ran down the line of sepoys; they were unfixing
| |
| bayonets before marching away. The dusty rank turned left,
| |
| saluted, and marched off in columns of fours. The orderlies were
| |
| coming from the police lines with the ponies and polo-sticks. Mrs
| |
| Lackersteen took a heroic decision.
| |
| | |
| 'I think,' she said, 'we'll take a short-cut across the maidan.
| |
| It's SO much quicker than going right round by the road.'
| |
| | |
| It WAS quicker by about fifty yards, but no one ever went that way
| |
| on foot, because of the grass-seeds that got into one's stockings.
| |
| Mrs Lackersteen plunged boldly into the grass, and then, dropping
| |
| even the pretence of making for the Club, took a bee-line for
| |
| Verrall, Elizabeth following. Either woman would have died on the
| |
| rack rather than admit that she was doing anything but take a
| |
| short-cut. Verrall saw them coming, swore, and reined in his pony.
| |
| He could not very well cut them dead now that they were coming
| |
| openly to accost him. The damned cheek of these women! He rode
| |
| slowly towards them with a sulky expression on his face, chivvying
| |
| the polo-ball with small strokes.
| |
| | |
| 'Good morning, Mr Verrall!' Mrs Lackersteen called out in a voice
| |
| of saccharine, twenty yards away.
| |
| | |
| 'Morning!' he returned surlily, having seen her face and set her
| |
| down as one of the usual scraggy old boiling-fowls of an Indian
| |
| station.
| |
| | |
| The next moment Elizabeth came level with her aunt. She had taken
| |
| off her spectacles and was swinging her Terai hat on her hand.
| |
| What did she care for sunstroke? She was perfectly aware of the
| |
| prettiness of her cropped hair. A puff of wind--oh, those blessed
| |
| breaths of wind, coming from nowhere in the stifling hot-weather
| |
| days!--had caught her cotton frock and blown it against her,
| |
| showing the outline of her body, slender and strong like a tree.
| |
| Her sudden appearance beside the older, sun-scorched woman was a
| |
| revelation to Verrall. He started so that the Arab mare felt it
| |
| and would have reared on her hind legs, and he had to tighten the
| |
| rein. He had not known until this moment, not having bothered to
| |
| inquire, that there were any YOUNG women in Kyauktada.
| |
| | |
| 'My niece,' Mrs Lackersteen said.
| |
| | |
| He did not answer, but he had thrown away the polo-stick, and he
| |
| took off his topi. For a moment he and Elizabeth remained gazing
| |
| at one another. Their fresh faces were unmarred in the pitiless
| |
| light. The grass-seeds were tickling Elizabeth's shins so that it
| |
| was agony, and without her spectacles she could only see Verrall
| |
| and his horse as a whitish blur. But she was happy, happy! Her
| |
| heart bounded and the blood flowed into her face, dyeing it like a
| |
| thin wash of aquarelle. The thought, 'A peach, by Christ!' moved
| |
| almost fiercely through Verrall's mind. The sullen Indians,
| |
| holding the ponies' heads, gazed curiously at the scene, as though
| |
| the beauty of the two young people had made its impression even on
| |
| them.
| |
| | |
| Mrs Lackersteen broke the silence, which had lasted half a minute.
| |
| | |
| 'You know, Mr Verrall,' she said somewhat archly, 'we think it
| |
| RATHER unkind of you to have neglected us poor people all this
| |
| time. When we're so PINING for a new face at the Club.'
| |
| | |
| He was still looking at Elizabeth when he answered, but the change
| |
| in his voice was remarkable.
| |
| | |
| 'I've been meaning to come for some days. Been so fearfully busy--
| |
| getting my men into their quarters and all that. I'm sorry,' he
| |
| added--he was not in the habit of apologizing, but really, he had
| |
| decided, this girl was rather an exceptional bit of stuff--'I'm
| |
| sorry about not answering your note.'
| |
| | |
| 'Oh, not at all! We QUITE understood. But we do hope we shall see
| |
| you at the Club this evening! Because, you know,' she concluded
| |
| even more archly, 'if you disappoint us any longer, we shall begin
| |
| to think you rather a NAUGHTY young man!'
| |
| | |
| 'I'm sorry,' he repeated. 'I'll be there this evening.'
| |
| | |
| There was not much more to be said, and the two women walked on to
| |
| the Club. But they stayed barely five minutes. The grass-seeds
| |
| were causing their shins such torment that they were obliged to
| |
| hurry home and change their stockings at once.
| |
| | |
| Verrall kept his promise and was at the Club that evening. He
| |
| arrived a little earlier than the others, and he had made his
| |
| presence thoroughly felt before being in the place five minutes.
| |
| As Ellis entered the Club the old butler darted out of the card-
| |
| room and waylaid him. He was in great distress, the tears rolling
| |
| down his cheeks.
| |
| | |
| 'Sir! Sir!'
| |
| | |
| 'What the devil's the matter now!' said Ellis.
| |
| | |
| 'Sir! Sir! New master been beating me, sir!'
| |
| | |
| 'What?'
| |
| | |
| 'BEATING me sir!' His voice rose on the 'beating' with a long
| |
| tearful wail--'be-e-e-eating!'
| |
| | |
| 'Beating you? Do you good. Who's been beating you?'
| |
| | |
| 'New master, sir. Military Police sahib. Beating me with his
| |
| foot, sir--HERE!' He rubbed himself behind.
| |
| | |
| 'Hell!' said Ellis.
| |
| | |
| He went into the lounge. Verrall was reading the Field, and
| |
| invisible except for Palm Beach trouser-ends and two lustrous
| |
| sooty-brown shoes. He did not trouble to stir at hearing someone
| |
| else come into the room. Ellis halted.
| |
| | |
| 'Here, you--what's your name--Verrall!'
| |
| | |
| 'What?'
| |
| | |
| 'Have you been kicking our butler?'
| |
| | |
| Verrall's sulky blue eye appeared round the corner of the Field,
| |
| like the eye of a crustacean peering round a rock.
| |
| | |
| 'What?' he repeated shortly.
| |
| | |
| 'I said, have you been kicking our bloody butler?'
| |
| | |
| 'Yes.'
| |
| | |
| 'Then what the hell do you mean by it?'
| |
| | |
| 'Beggar gave me his lip. I sent him for a whisky and soda, and he
| |
| brought it warm. I told him to put ice in it, and he wouldn't--
| |
| talked some bloody rot about saving the last pieces of ice. So I
| |
| kicked his bottom. Serve him right.'
| |
| | |
| Ellis turned quite grey. He was furious. The butler was a piece
| |
| of Club property and not to be kicked by strangers. But what most
| |
| angered Ellis was the thought that Verrall quite possibly suspected
| |
| him of being SORRY for the butler--in fact, of disapproving of
| |
| kicking AS SUCH.
| |
| | |
| 'Serve him right? I dare say it bloody well did serve him right.
| |
| But what in hell's that got to do with it? Who are YOU to come
| |
| kicking our servants?'
| |
| | |
| 'Bosh, my good chap. Needed kicking. You've let your servants get
| |
| out of hand here.'
| |
| | |
| 'You damned, insolent young tick, what's it got to do with YOU if
| |
| he needed kicking? You're not even a member of this Club. It's
| |
| our job to kick the servants, not yours.'
| |
| | |
| Verrall lowered the Field and brought his other eye into play. His
| |
| surly voice did not change its tone. He never lost his temper with
| |
| a European; it was never necessary.
| |
| | |
| 'My good chap, if anyone gives me lip I kick his bottom. Do you
| |
| want me to kick yours?'
| |
| | |
| All the fire went out of Ellis suddenly. He was not afraid, he had
| |
| never been afraid in his life; only, Verrall's eye was too much for
| |
| him. That eye could make you feel as though you were under
| |
| Niagara! The oaths wilted on Ellis's lips; his voice almost
| |
| deserted him. He said querulously and even plaintively:
| |
| | |
| 'But damn it, he was quite right not to give you the last bit of
| |
| ice. Do you think we only buy ice for you? We can only get the
| |
| stuff twice a week in this place.'
| |
| | |
| 'Rotten bad management on your part, then,' said Verrall, and
| |
| retired behind the Field, content to let the matter drop.
| |
| | |
| Ellis was helpless. The calm way in which Verrall went back to his
| |
| paper, quite genuinely forgetting Ellis's existence, was maddening.
| |
| Should he not give the young swab a good, rousing kick?
| |
| | |
| But somehow, the kick was never given. Verrall had earned many
| |
| kicks in his life, but he had never received one and probably never
| |
| would. Ellis seeped helplessly back to the card-room, to work off
| |
| his feelings on the butler, leaving Verrall in possession of the
| |
| lounge.
| |
| | |
| As Mr Macgregor entered the Club gate he heard the sound of music.
| |
| Yellow chinks of lantern-light showed through the creeper that
| |
| covered the tennis-screen. Mr Macgregor was in a happy mood this
| |
| evening. He had promised himself a good, long talk with Miss
| |
| Lackersteen--such an exceptionally intelligent girl, that!--and he
| |
| had a most interesting anecdote to tell her (as a matter of fact,
| |
| it had already seen the light in one of those little articles of
| |
| his in Blackwood's) about a dacoity that had happened in Sagaing in
| |
| 1913. She would love to hear it, he knew. He rounded the tennis-
| |
| screen expectantly. On the court, in the mingled light of the
| |
| waning moon and of lanterns slung among the trees, Verrall and
| |
| Elizabeth were dancing. The chokras had brought out chairs and a
| |
| table for the gramophone, and round these the other Europeans were
| |
| sitting or standing. As Mr Macgregor halted at the corner of the
| |
| court, Verrall and Elizabeth circled round and glided past him,
| |
| barely a yard away. They were dancing very close together, her
| |
| body bent backwards under his. Neither noticed Mr Macgregor.
| |
| | |
| Mr Macgregor made his way round the court. A chilly, desolate
| |
| feeling had taken possession of his entrails. Good-bye, then, to
| |
| his talk with Miss Lackersteen! It was an effort to screw his face
| |
| into its usual facetious good-humour as he came up to the table.
| |
| | |
| 'A Terpsichorean evening!' he remarked in a voice that was doleful
| |
| in spite of himself.
| |
| | |
| No one answered. They were all watching the pair on the tennis
| |
| court. Utterly oblivious of the others, Elizabeth and Verrall
| |
| glided round and round, round and round, their shoes sliding easily
| |
| on the slippery concrete. Verrall danced as he rode, with
| |
| matchless grace. The gramophone was playing 'Show Me the Way to Go
| |
| Home,' which was then going round the world like a pestilence and
| |
| had got as far as Burma:
| |
| | |
| 'Show me the way to go home,
| |
| I'm tired an' I wanna go to bed;
| |
| I had a little drink 'bout an hour ago,
| |
| An' it's gone right TO my head!' etc.
| |
| | |
| The dreary, depressing trash floated out among the shadowy trees
| |
| and the streaming scents of flowers, over and over again, for Mrs
| |
| Lackersteen was putting the gramophone needle back to the start
| |
| when it neared the centre. The moon climbed higher, very yellow,
| |
| looking, as she rose from the murk of dark clouds at the horizon,
| |
| like a sick woman creeping out of bed. Verrall and Elizabeth
| |
| danced on and on, indefatigably, a pale voluptuous shape in the
| |
| gloom. They moved in perfect unison like some single animal. Mr
| |
| Macgregor, Ellis, Westfield and Mr Lackersteen stood watching them,
| |
| their hands in their pockets, finding nothing to say. The
| |
| mosquitoes came nibbling at their ankles. Someone called for
| |
| drinks, but the whisky was like ashes in their mouths. The bowels
| |
| of all four older men were twisted with bitter envy.
| |
| | |
| Verrall did not ask Mrs Lackersteen for a dance, nor, when he and
| |
| Elizabeth finally sat down, did he take any notice of the other
| |
| Europeans. He merely monopolized Elizabeth for half an hour more,
| |
| and then, with a brief good night to the Lackersteens and not a
| |
| word to anyone else, left the Club. The long dance with Verrall
| |
| had left Elizabeth in a kind of dream. He had asked her to come
| |
| out riding with him! He was going to lend her one of his ponies!
| |
| She never even noticed that Ellis, angered by her behaviour, was
| |
| doing his best to be openly rude. It was late when the Lackersteens
| |
| got home, but there was no sleep yet for Elizabeth or her aunt.
| |
| They were feverishly at work till midnight, shortening a pair of Mrs
| |
| Lackersteen's jodhpurs, and letting out the calves, to fit
| |
| Elizabeth.
| |
| | |
| 'I hope, dear, you CAN ride a horse?' said Mrs Lackersteen.
| |
| | |
| 'Oh, of course! I've ridden ever such a lot, at home.'
| |
| | |
| She had ridden perhaps a dozen times in all, when she was sixteen.
| |
| No matter, she would manage somehow! She would have ridden a
| |
| tiger, if Verrall were to accompany her.
| |
| | |
| When at last the jodhpurs were finished and Elizabeth had tried
| |
| them on, Mrs Lackersteen sighed to see her. She looked ravishing
| |
| in jodhpurs, simply ravishing! And to think that in only a day or
| |
| two they had got to go back to camp, for weeks, months perhaps,
| |
| leaving Kyauktada and this most DESIRABLE young man! The pity of
| |
| it! As they moved to go upstairs Mrs Lackersteen paused at the
| |
| door. It had come into her head to make a great and painful
| |
| sacrifice. She took Elizabeth by the shoulders and kissed her with
| |
| a more real affection than she had ever shown.
| |
| | |
| 'My dear, it would be such a SHAME for you to go away from
| |
| Kyauktada just now!'
| |
| | |
| 'It would, rather.'
| |
| | |
| 'Then I'll tell you what, dear. We WON'T go back to that horrid
| |
| jungle! Your uncle shall go alone. You and I shall stay in
| |
| Kyauktada.'
| |
| | |
| == 19 ==
| |
| | |
| The heat was growing worse and worse. April was nearly over, but
| |
| there was no hope of rain for another three weeks, five weeks it
| |
| might be. Even the lovely transient dawns were spoiled by the
| |
| thought of the long, blinding hours to come, when one's head would
| |
| ache and the glare would penetrate through every covering and glue
| |
| up one's eyelids with restless sleep. No one, Oriental or
| |
| European, could keep awake in the heat of the day without a
| |
| struggle; at night, on the other hand, with the howling dogs and
| |
| the pools of sweat that collected and tormented one's prickly heat,
| |
| no one could sleep. The mosquitoes at the Club were so bad that
| |
| sticks of incense had to be kept burning in all the corners, and
| |
| the women sat with their legs in pillowslips. Only Verrall and
| |
| Elizabeth were indifferent to the heat. They were young and their
| |
| blood was fresh, and Verrall was too stoical and Elizabeth too
| |
| happy to pay any attention to the climate.
| |
| | |
| There was much bickering and scandal-mongering at the Club these
| |
| days. Verrall had put everyone's nose out of joint. He had taken
| |
| to coming to the Club for an hour or two in the evenings, but he
| |
| ignored the other members, refused the drinks they offered him, and
| |
| answered attempts at conversation with surly monosyllables. He
| |
| would sit under the punkah in the chair that had once been sacred
| |
| to Mrs Lackersteen, reading such of the papers as interested him,
| |
| until Elizabeth came, when he would dance and talk with her for an
| |
| hour or two and then make off without so much as a good-night to
| |
| anybody. Meanwhile Mr Lackersteen was alone in his camp, and,
| |
| according to the rumours which drifted back to Kyauktada, consoling
| |
| loneliness with quite a miscellany of Burmese women.
| |
| | |
| Elizabeth and Verrall went out riding together almost every evening
| |
| now. Verrall's mornings, after parade, were sacred to polo
| |
| practice, but he had decided that it was worth while giving up the
| |
| evenings to Elizabeth. She took naturally to riding, just as she
| |
| had to shooting; she even had the assurance to tell Verrall that
| |
| she had 'hunted quite a lot' at home. He saw at a glance that she
| |
| was lying, but at least she did not ride so badly as to be a
| |
| nuisance to him.
| |
| | |
| They used to ride up the red road into the jungle, ford the stream
| |
| by the big pyinkado tree covered with orchids, and then follow the
| |
| narrow cart-track, where the dust was soft and the horses could
| |
| gallop. It was stifling hot in the dusty jungle, and there were
| |
| always mutterings of faraway, rainless thunder. Small martins
| |
| flitted round the horses, keeping pace with them, to hawk for the
| |
| flies their hooves turned up. Elizabeth rode the bay pony, Verrall
| |
| the white. On the way home they would walk their sweat-dark horses
| |
| abreast, so close sometimes his knee brushed against hers, and
| |
| talk. Verrall could drop his offensive manner and talk amicably
| |
| enough when he chose, and he did choose with Elizabeth.
| |
| | |
| Ah, the joy of those rides together! The joy of being on horseback
| |
| and in the world of horses--the world of hunting and racing, polo
| |
| and pigsticking! If Elizabeth had loved Verrall for nothing else,
| |
| she would have loved him for bringing horses into her life. She
| |
| tormented him to talk about horses as once she had tormented Flory
| |
| to talk about shooting. Verrall was no talker, it was true. A few
| |
| gruff, jerky sentences about polo and pigsticking, and a catalogue
| |
| of Indian stations and the names of regiments, were the best he
| |
| could do. And yet somehow the little he said could thrill
| |
| Elizabeth as all Flory's talk had never done. The mere sight of
| |
| him on horseback was more evocative than any words. An aura of
| |
| horsemanship and soldiering surrounded him. In his tanned face and
| |
| his hard, straight body Elizabeth saw all the romance, the splendid
| |
| panache of a cavalryman's life. She saw the North-West Frontier
| |
| and the Cavalry Club--she saw the polo grounds and the parched
| |
| barrack yards, and the brown squadrons of horsemen galloping with
| |
| their long lances poised and the trains of their pagris streaming;
| |
| she heard the bugle-calls and the jingle of spurs, and the
| |
| regimental bands playing outside the messrooms while the officers
| |
| sat at dinner in their stiff, gorgeous uniforms. How splendid it
| |
| was, that equestrian world, how splendid! And it was HER world,
| |
| she belonged to it, she had been born of it. These days, she
| |
| lived, thought, dreamed horses, almost like Verrall himself. The
| |
| time came when she not only TOLD her taradiddle about having
| |
| 'hunted quite a lot', she even came near believing it.
| |
| | |
| In every possible way they got on so well together. He never bored
| |
| her and fretted her as Flory had done. (As a matter of fact, she
| |
| had almost forgotten Flory, these days; when she thought of him, it
| |
| was for some reason always his birthmark that she remembered.) It
| |
| was a bond between them that Verrall detested anything 'highbrow'
| |
| even more than she did. He told her once that he had not read a
| |
| book since he was eighteen, and that indeed he 'loathed' books;
| |
| 'except, of course, Jorrocks and all that'. On the evening of
| |
| their third or fourth ride they were parting at the Lackersteens'
| |
| gate. Verrall had successfully resisted all Mrs Lackersteen's
| |
| invitations to meals; he had not yet set foot inside the
| |
| Lackersteens' house, and he did not intend to do so. As the syce
| |
| was taking Elizabeth's pony, Verrall said:
| |
| | |
| 'I tell you what. Next time we come out you shall ride Belinda.
| |
| I'll ride the chestnut. I think you've got on well enough not to
| |
| go and cut Belinda's mouth up.'
| |
| | |
| Belinda was the Arab mare. Verrall had owned her two years, and
| |
| till this moment he had never once allowed anyone else to mount
| |
| her, not even the syce. It was the greatest favour that he could
| |
| imagine. And so perfectly did Elizabeth appreciate Verrall's point
| |
| of view that she understood the greatness of the favour, and was
| |
| thankful.
| |
| | |
| The next evening, as they rode home side by side, Verrall put his
| |
| arm round Elizabeth's shoulder, lifted her out of the saddle and
| |
| pulled her against him. He was very strong. He dropped the
| |
| bridle, and with his free hand, lifted her face up to meet his;
| |
| their mouths met. For a moment he held her so, then lowered her to
| |
| the ground and slipped from his horse. They stood embraced, their
| |
| thin, drenched shirts pressed together, the two bridles held in the
| |
| crook of his arm.
| |
| | |
| It was about the same time that Flory, twenty miles away, decided
| |
| to come back to Kyauktada. He was standing at the jungle's edge by
| |
| the bank of a dried-up stream, where he had walked to tire himself,
| |
| watching some tiny, nameless finches eating the seeds of the tall
| |
| grasses. The cocks were chrome-yellow, the hens like hen sparrows.
| |
| Too tiny to bend the stalks, they came whirring towards them,
| |
| seized them in midflight and bore them to the ground by their own
| |
| weight. Flory watched the birds incuriously, and almost hated them
| |
| because they could light no spark of interest in him. In his
| |
| idleness he flung his dah at them, scaring them away. If she were
| |
| here, if she were here! Everything--birds, trees, flowers,
| |
| everything--was deadly and meaningless because she was not here.
| |
| As the days passed the knowledge that he had lost her had grown
| |
| surer and more actual until it poisoned every moment.
| |
| | |
| He loitered a little way into the jungle, flicking at creepers with
| |
| his dah. His limbs felt slack and leaden. He noticed a wild
| |
| vanilla plant trailing over a bush, and bent down to sniff at its
| |
| slender, fragrant pods. The scent brought him a feeling of
| |
| staleness and deadly ennui. Alone, alone, in the sea of life
| |
| enisled! The pain was so great that he struck his fist against a
| |
| tree, jarring his arm and splitting two knuckles. He must go back
| |
| to Kyauktada. It was folly, for barely a fortnight had passed
| |
| since the scene between them, and his only chance was to give her
| |
| time to forget it. Still, he must go back. He could not stay any
| |
| longer in this deadly place, alone with his thoughts among the
| |
| endless, mindless leaves.
| |
| | |
| A happy thought occurred to him. He could take Elizabeth the
| |
| leopard-skin that was being cured for her in the jail. It would be
| |
| a pretext for seeing her, and when one comes bearing gifts one is
| |
| generally listened to. This time he would not let her cut him
| |
| short without a word. He would explain, extenuate--make her
| |
| realize that she had been unjust to him. It was not right that she
| |
| should condemn him because of Ma Hla May, whom he had turned out of
| |
| doors for Elizabeth's own sake. Surely she must forgive him when
| |
| she heard the truth of the story? And this time she SHOULD hear
| |
| it; he would force her to listen to him if he had to hold her by
| |
| the arms while he did it.
| |
| | |
| He went back the same evening. It was a twenty-mile journey, by
| |
| rutted cart-tracks, but Flory decided to march by night, giving the
| |
| reason that it was cooler. The servants almost mutinied at the
| |
| idea of a night-march, and at the very last moment old Sammy
| |
| collapsed in a semi-genuine fit and had to be plied with gin before
| |
| he could start. It was a moonless night. They made their way by
| |
| the light of lanterns, in which Flo's eyes gleamed like emeralds
| |
| and the bullocks' eyes like moonstones. When the sun was up the
| |
| servants halted to gather sticks and cook breakfast, but Flory was
| |
| in a fever to be at Kyauktada, and he hurried ahead. He had no
| |
| feeling of tiredness. The thought of the leopard-skin had filled
| |
| him with extravagant hopes. He crossed the glittering river by
| |
| sampan and went straight to Dr Veraswami's bungalow, getting there
| |
| about ten.
| |
| | |
| The doctor invited him to breakfast, and--having shooed the women
| |
| into some suitable hiding-place--took him into his own bath-room so
| |
| that he could wash and shave. At breakfast the doctor was very
| |
| excited and full of denunciations of 'the crocodile'; for it
| |
| appeared that the pseudo-rebellion was now on the point of breaking
| |
| out. It was not till after breakfast that Flory had an opportunity
| |
| to mention the leopard-skin.
| |
| | |
| 'Oh, by the way, doctor. What about that skin I sent to the jail
| |
| to be cured? Is it done yet?'
| |
| | |
| 'Ah--' said the doctor in a slightly disconcerted manner, rubbing
| |
| his nose. He went inside the house--they were breakfasting on the
| |
| veranda, for the doctor's wife had protested violently against
| |
| Flory being brought indoors--and came back in a moment with the
| |
| skin rolled up in a bundle.
| |
| | |
| 'Ass a matter of fact--' he began, unrolling it.
| |
| | |
| 'Oh, doctor!'
| |
| | |
| The skin had been utterly ruined. It was as stiff as cardboard,
| |
| with the leather cracked and the fur discoloured and even rubbed
| |
| off in patches. It also stank abominably. Instead of being cured,
| |
| it had been converted into a piece of rubbish.
| |
| | |
| 'Oh, doctor! What a mess they've made of it! How the devil did it
| |
| happen?'
| |
| | |
| 'I am so sorry, my friend! I wass about to apologize. It wass the
| |
| best we could do. There iss no one at the jail who knows how to
| |
| cure skins now.'
| |
| | |
| 'But, damn it, that convict used to cure them so beautifully!'
| |
| | |
| 'Ah, yes. But he iss gone from us these three weeks, alas.'
| |
| | |
| 'Gone? I thought he was doing seven years?'
| |
| | |
| 'What? Did you not hear, my friend? I thought you knew who it
| |
| wass that used to cure the skins. It was Nga Shwe O.'
| |
| | |
| 'Nga Shwe O?'
| |
| | |
| 'The dacoit who escaped with U Po Kyin's assistance.'
| |
| | |
| 'Oh, hell!'
| |
| | |
| The mishap had daunted him dreadfully. Nevertheless, in the
| |
| afternoon, having bathed and put on a clean suit, he went up to the
| |
| Lackersteens' house, at about four. It was very early to call, but
| |
| he wanted to make sure of catching Elizabeth before she went down
| |
| to the Club. Mrs Lackersteen, who had been asleep and was not
| |
| prepared for visitors, received him with an ill grace, not even
| |
| asking him to sit down.
| |
| | |
| 'I'm afraid Elizabeth isn't down yet. She's dressing to go out
| |
| riding. Wouldn't it be better if you left a message?'
| |
| | |
| 'I'd like to see her, if you don't mind. I've brought her the skin
| |
| of that leopard we shot together.'
| |
| | |
| Mrs Lackersteen left him standing up in the drawing-room, feeling
| |
| lumpish and abnormally large as one does at such times. However,
| |
| she fetched Elizabeth, taking the opportunity of whispering to her
| |
| outside the door: 'Get rid of that dreadful man as soon as you
| |
| can, dear. I can't bear him about the house at this time of day.'
| |
| | |
| As Elizabeth entered the room Flory's heart pounded so violently
| |
| that a reddish mist passed behind his eyes. She was wearing a silk
| |
| shirt and jodhpurs, and she was a little sunburned. Even in his
| |
| memory she had never been so beautiful. He quailed; on the instant
| |
| he was lost--every scrap of his screwed-up courage had fled.
| |
| Instead of stepping forward to meet her he actually backed away.
| |
| There was a fearful crash behind him; he had upset an occasional
| |
| table and sent a bowl of zinnias hurtling across the floor.
| |
| | |
| 'I'm so sorry!' he exclaimed in horror.
| |
| | |
| 'Oh, not at ALL! PLEASE don't worry about it!'
| |
| | |
| She helped him to pick up the table, chattering all the while as
| |
| gaily and easily as though nothing had happened: 'You HAVE been
| |
| away a long time, Mr Flory! You're quite a STRANGER! We've SO
| |
| missed you at the Club!' etc., etc. She was italicizing every
| |
| other word, with that deadly, glittering brightness that a woman
| |
| puts on when she is dodging a moral obligation. He was terrified
| |
| of her. He could not even look her in the face. She took up a box
| |
| of cigarettes and offered him one, but he refused it. His hand was
| |
| shaking too much to take it.
| |
| | |
| 'I've brought you that skin,' he said flatly.
| |
| | |
| He unrolled it on the table they had just picked up. It looked so
| |
| shabby and miserable that he wished he had never brought it. She
| |
| came close to him to examine the skin, so close that her flower-
| |
| like cheek was not a foot from his own, and he could feel the
| |
| warmth of her body. So great was his fear of her that he stepped
| |
| hurriedly away. And in the same moment she too stepped back with a
| |
| wince of disgust, having caught the foul odour of the skin. It
| |
| shamed him terribly. It was almost as though it had been himself
| |
| and not the skin that stank.
| |
| | |
| 'Thank you EVER so much, Mr Flory!' She had put another yard
| |
| between herself and the skin. 'Such a LOVELY big skin, isn't it?'
| |
| | |
| 'It was, but they've spoiled it, I'm afraid.'
| |
| | |
| 'Oh no! I shall love having it!--Are you back in Kyauktada for
| |
| long? How dreadfully hot it must have been in camp!'
| |
| | |
| 'Yes, it's been very hot.'
| |
| | |
| For three minutes they actually talked of the weather. He was
| |
| helpless. All that he had promised himself to say, all his
| |
| arguments and pleadings, had withered in his throat. 'You fool,
| |
| you fool,' he thought, 'what are you doing? Did you come twenty
| |
| miles for this? Go on, say what you came to say! Seize her in
| |
| your arms; make her listen, kick her, beat her--anything sooner
| |
| than let her choke you with this drivel!' But it was hopeless,
| |
| hopeless. Not a word could his tongue utter except futile
| |
| trivialities. How could he plead or argue, when that bright easy
| |
| air of hers, that dragged every word to the level of Club-chatter
| |
| silenced him before he spoke? Where do they learn it, that
| |
| dreadful tee-heeing brightness? In these brisk modern girls'
| |
| schools, no doubt. The piece of carrion on the table made him more
| |
| ashamed every moment. He stood there almost voiceless, lumpishly
| |
| ugly with his face yellow and creased after the sleepless night,
| |
| and his birthmark like a smear of dirt.
| |
| | |
| She got rid of him after a very few minutes. 'And now, Mr Flory,
| |
| if you DON'T mind, I ought really--'
| |
| | |
| He mumbled rather than said, 'Won't you come out with me again some
| |
| time? Walking, shooting--something?'
| |
| | |
| 'I have so LITTLE time nowadays! ALL my evenings seem to be full.
| |
| This evening I'm going out riding. With Mr Verrall,' she added.
| |
| | |
| It was possible that she added that in order to wound him. This
| |
| was the first that he had heard of her friendship with Verrall. He
| |
| could not keep the dread, flat tone of envy out of his voice as he
| |
| said:
| |
| | |
| 'Do you go out riding much with Verrall?'
| |
| | |
| 'Almost every evening. He's such a wonderful horseman! And he has
| |
| absolute STRINGS of polo ponies!'
| |
| | |
| 'Ah. And of course I have no polo ponies.'
| |
| | |
| It was the first thing he had said that even approached seriousness,
| |
| and it did no more than offend her. However, she answered him with
| |
| the same gay easy air as before, and then showed him out. Mrs
| |
| Lackersteen came back to the drawing-room, sniffed the air, and
| |
| immediately ordered the servants to take the reeking leopard-skin
| |
| outside and burn it.
| |
| | |
| Flory lounged at his garden gate, pretending to feed the pigeons.
| |
| He could not deny himself the pain of seeing Elizabeth and Verrall
| |
| start on their ride. How vulgarly, how cruelly she had behaved to
| |
| him! It is dreadful when people will not even have the decency to
| |
| quarrel. Presently Verrall rode up to the Lackersteens' house on
| |
| the white pony, with a syce riding the chestnut, then there was a
| |
| pause, then they emerged together, Verrall on the chestnut pony,
| |
| Elizabeth on the white, and trotted quickly up the hill. They were
| |
| chattering and laughing, her silk-shirted shoulder very close to
| |
| his. Neither looked towards Flory.
| |
| | |
| When they had disappeared into the jungle, Flory still loafed in
| |
| the garden. The glare was waning to yellow. The mali was at work
| |
| grubbing up the English flowers, most of which had died, slain by
| |
| too much sunshine, and planting balsams, cockscombs, and more
| |
| zinnias. An hour passed, and a melancholy, earth-coloured Indian
| |
| loitered up the drive, dressed in a loin-cloth and a salmon-pink
| |
| pagri on which a washing-basket was balanced. He laid down his
| |
| basket and salaamed to Flory.
| |
| | |
| 'Who are you?'
| |
| | |
| 'Book-wallah, sahib.'
| |
| | |
| The book-wallah was an itinerant peddler of books who wandered from
| |
| station to station throughout Upper Burma. His system of exchange
| |
| was that for any book in his bundle you gave him four annas, and
| |
| any other book. Not quite ANY book, however, for the book-wallah,
| |
| though analphabetic, had learned to recognize and refuse a Bible.
| |
| | |
| 'No, sahib,' he would say plaintively, 'no. This book (he would
| |
| turn it over disapprovingly in his flat brown hands) this book with
| |
| a black cover and gold letters--this one I cannot take. I know not
| |
| how it is, but all sahibs are offering me this book, and none are
| |
| taking it. What can it be that is in this black book? Some evil,
| |
| undoubtedly.'
| |
| | |
| 'Turn out your trash,' Flory said.
| |
| | |
| He hunted among them for a good thriller--Edgar Wallace or Agatha
| |
| Christie or something; anything to still the deadly restlessness
| |
| that was at his heart. As he bent over the books he saw that both
| |
| Indians were exclaiming and pointing towards the edge of the
| |
| jungle.
| |
| | |
| 'Dekko!' said the mali in his plum-in-the-mouth voice.
| |
| | |
| The two ponies were emerging from the jungle. But they were
| |
| riderless. They came trotting down the hill with the silly guilty
| |
| air of a horse that has escaped from its master, with the stirrups
| |
| swinging and clashing under their bellies.
| |
| | |
| Flory remained unconsciously clasping one of the books against his
| |
| chest. Verrall and Elizabeth had dismounted. It was not an
| |
| accident; by no effort of the mind could one imagine Verrall
| |
| falling off his horse. They had dismounted, and the ponies had
| |
| escaped.
| |
| | |
| They had dismounted--for what? Ah, but he knew for what! It was
| |
| not a question of suspecting; he KNEW. He could see the whole
| |
| thing happening, in one of those hallucinations that are so perfect
| |
| in detail, so vilely obscene, that they are past bearing. He threw
| |
| the book violently down and made for the house, leaving the book-
| |
| wallah disappointed. The servants heard him moving about indoors,
| |
| and presently he called for a bottle of whisky. He had a drink and
| |
| it did him no good. Then he filled a tumbler two-thirds full,
| |
| added enough water to make it drinkable, and swallowed it. The
| |
| filthy, nauseous dose was no sooner down his throat than he
| |
| repeated it. He had done the same thing in camp once, years ago,
| |
| when he was tortured by toothache and three hundred miles from a
| |
| dentist. At seven Ko S'la came in as usual to say that the bath-
| |
| water was hot. Flory was lying in one of the long chairs, with his
| |
| coat off and his shirt torn open at the throat.
| |
| | |
| 'Your bath, thakin,' said Ko S'la.
| |
| | |
| Flory did not answer, and Ko S'la touched his arm, thinking him
| |
| asleep. Flory was much too drunk to move. The empty bottle had
| |
| rolled across the floor, leaving a trail of whisky-drops behind it.
| |
| Ko S'la called for Ba Pe and picked up the bottle, clicking his
| |
| tongue.
| |
| | |
| 'Just look at this! He has drunk more than three-quarters of a
| |
| bottle!'
| |
| | |
| 'What, again? I thought he had given up drinking?'
| |
| | |
| 'It is that accursed woman, I suppose. Now we must carry him
| |
| carefully. You take his heels, I'll take his head. That's right.
| |
| Hoist him up!'
| |
| | |
| They carried Flory into the other room and laid him gently on the
| |
| bed.
| |
| | |
| 'Is he really going to marry this "Ingaleikma"?' said Ba Pe.
| |
| | |
| 'Heaven knows. She is the mistress of the young police officer at
| |
| present, so I was told. Their ways are not our ways. I think I
| |
| know what he will be wanting tonight,' he added as he undid Flory's
| |
| braces--for Ko S'la had the art, so necessary in a bachelor's
| |
| servant, of undressing his master without waking him.
| |
| | |
| The servants were rather more pleased than not to see this return
| |
| to bachelor habits. Flory woke about midnight, naked in a pool of
| |
| sweat. His head felt as though some large, sharp-cornered metal
| |
| object were bumping about inside it. The mosquito net was up, and
| |
| a young woman was sitting beside the bed fanning him with a wicker
| |
| fan. She had an agreeable negroid face, bronze-gold in the
| |
| candlelight. She explained that she was a prostitute, and that Ko
| |
| S'la had engaged her on his own responsibility for a fee of ten
| |
| rupees.
| |
| | |
| Flory's head was splitting. 'For God's sake get me something to
| |
| drink,' he said feebly to the woman. She brought him some soda-
| |
| water which Ko S'la had cooled in readiness and soaked a towel and
| |
| put a wet compress round his forehead. She was a fat, good-
| |
| tempered creature. She told him that her name was Ma Sein Galay,
| |
| and that besides plying her other trade she sold paddy baskets in
| |
| the bazaar near Li Yeik's shop. Flory's head felt better
| |
| presently, and he asked for a cigarette; whereupon Ma Sein Galay,
| |
| having fetched the cigarette, said naively, 'Shall I take my
| |
| clothes off now, thakin?'
| |
| | |
| Why not? he thought dimly. He made room for her in the bed. But
| |
| when he smelled the familiar scent of garlic and coco-nut oil,
| |
| something painful happened within him, and with his head pillowed
| |
| on Ma Sein Galay's fat shoulder he actually wept, a thing he had
| |
| not done since he was fifteen years old.
| |
| | |
| == 20 ==
| |
| | |
| Next morning there was great excitement in Kyauktada, for the long-
| |
| rumoured rebellion had at last broken out. Flory heard only a
| |
| vague report of it at the time. He had gone back to camp as soon
| |
| as he felt fit to march after the drunken night, and it was not
| |
| until several days later that he learned the true history of the
| |
| rebellion, in a long, indignant letter from Dr Veraswami.
| |
| | |
| The doctor's epistolary style was queer. His syntax was shaky and
| |
| he was as free with capital letters as a seventeenth-century
| |
| divine, while in the use of italics he rivalled Queen Victoria.
| |
| There were eight pages of his small but sprawling handwriting.
| |
| | |
| MY DEAR FRIEND [the letter ran],--You will much regret to hear that
| |
| the WILES OF THE CROCODILE have matured. The rebellion--the SO-
| |
| CALLED rebellion--is all over and finished. And it has been, alas!
| |
| a more Bloody affair than I had hoped should have been the case.
| |
| | |
| All has fallen out as I have prophesied to you it would be. On the
| |
| day when you came back to Kyauktada U Po Kyin's SPIES have informed
| |
| him that the poor unfortunate men whom he have Deluded are
| |
| assembling in the jungle near Thongwa. The same night he sets out
| |
| secretly with U Lugale, the Police Inspector, who is as great a
| |
| Rogue as he, if that could be, and twelve constables. They make a
| |
| swift raid upon Thongwa and surprise the rebels, of whom they are
| |
| only Seven!! in a ruined field hut in the jungle. Also Mr Maxwell,
| |
| who have heard rumours of the rebellion, came across from his camp
| |
| bringing his Rifle and was in time to join U Po Kyin and the police
| |
| in their attack on the hut. The next morning the clerk Ba Sein,
| |
| who is U Po Kyin's JACKALL and DIRTY WORKER, have orders to raise
| |
| the cry of rebellion as Sensationally as possible, which was done,
| |
| and Mr Macgregor, Mr Westfield and Lieutenant Verrall all rush out
| |
| to Thongwa carrying fifty sepoys armed with rifles besides Civil
| |
| Police. But they arrive to find it is all over and U Po Kyin was
| |
| sitting under a big teak tree in the middle of the village and
| |
| PUTTING ON AIRS and lecturing the villages, whereat they are all
| |
| bowing very frightened and touching the ground with their foreheads
| |
| and swearing they will be forever loyal to the Government, and the
| |
| rebellion is already at an end. The SO-CALLED weiksa, who is no
| |
| other than a circus conjurer and the MINION of U Po Kyin, have
| |
| vanished for parts unknown, but six rebels have been Caught. So
| |
| there is an end.
| |
| | |
| Also I should inform you that there was most regrettably a Death.
| |
| Mr Maxwell was I think TOO ANXIOUS to use his Rifle and when one of
| |
| the rebels try to run away he fired and shoot him in the abdomen,
| |
| at which he died. I think the villagers have some BAD FEELING
| |
| towards Mr Maxwell because of it. But from the point of view legal
| |
| all is well for Mr Maxwell, because the men were undoubtedly
| |
| conspiring against the Government.
| |
| | |
| Ah, but, my Friend, I trust that you understand how disastrous may
| |
| all this be for me! You will realise, I think, what is its bearing
| |
| upon the Contest between U Po Kyin and myself, and the supreme LEG-
| |
| UP it must give to him. It is the TRIUMPH OF THE CROCODILE. U Po
| |
| Kyin is now the Hero of the district. He is the PET of the
| |
| Europeans. I am told that even Mr Ellis has praised his conduct.
| |
| If you could witness the abominable Conceitedness and the LIES he
| |
| is now telling as to how there were not seven rebels but Two
| |
| Hundred!! and how he crushed upon them revolver in hand--he who
| |
| only directing operations from a SAFE DISTANCE while the police and
| |
| Mr Maxwell creep up upon the hut--you would find is veritably
| |
| Nauseous I assure you. He has had the effrontery to send in an
| |
| official report of the matter which started, 'By my loyal
| |
| promptitude and reckless daring', and I hear that positively he had
| |
| had this Conglomeration of lies written out in readiness days
| |
| BEFORE THE OCCURRENCE. It is Disgusting. And to think that now
| |
| when he is at the Height of his triumph he will again begin to
| |
| calumniate me with all the venom at his disposal etc. etc.
| |
| | |
| The rebels' entire stock of weapons had been captured. The armoury
| |
| with which, when their followers were assembled, they had proposed
| |
| to march upon Kyauktada, consisted of the following:
| |
| | |
| Item, one shotgun with a damaged left barrel, stolen from a Forest
| |
| Officer three years earlier.
| |
| | |
| Item, six home-made guns with barrels of zinc piping stolen from
| |
| the railway. These could be fired, after a fashion, by thrusting a
| |
| nail through the touch-hole and striking it with a stone.
| |
| | |
| Item, thirty-nine twelve-bore cartridges.
| |
| | |
| Item, eleven dummy guns carved out of teakwood.
| |
| | |
| Item, some large Chinese crackers which were to have been fired in
| |
| terrorem.
| |
| | |
| Later, two of the rebels were sentenced to fifteen years'
| |
| transportation, three to three years' imprisonment and twenty-five
| |
| lashes, and one to two years' imprisonment.
| |
| | |
| The whole miserable rebellion was so obviously at an end that the
| |
| Europeans were not considered to be in any danger, and Maxwell had
| |
| gone back to his camp unguarded. Flory intended to stay in camp
| |
| until the rains broke, or at least until the general meeting at the
| |
| Club. He had promised to be in for that, to propose the doctor's
| |
| election; though now, with his own trouble to think of, the whole
| |
| business of the intrigue between U Po Kyin and the doctor sickened
| |
| him.
| |
| | |
| More weeks crawled by. The heat was dreadful now. The overdue
| |
| rain seemed to have bred a fever in the air. Flory was out of
| |
| health, and worked incessantly, worrying over petty jobs that
| |
| should have been left to the overseer, and making the coolies and
| |
| even the servants hate him. He drank gin at all hours, but not
| |
| even drinking could distract him now. The vision of Elizabeth in
| |
| Verrall's arms haunted him like a neuralgia or an earache. At any
| |
| moment it would come upon him, vivid and disgusting, scattering his
| |
| thoughts, wrenching him back from the brink of sleep, turning his
| |
| food to dust in his mouth. At times he flew into savage rages, and
| |
| once even struck Ko S'la. What was worse than all was the DETAIL--
| |
| the always filthy detail--in which the imagined scene appeared.
| |
| The very perfection of the detail seemed to prove that it was true.
| |
| | |
| Is there anything in the world more graceless, more dishonouring,
| |
| than to desire a woman whom you will never have? Throughout all
| |
| these weeks Flory's mind held hardly a thought which was not
| |
| murderous or obscene. It is the common effect of jealousy. Once
| |
| he had loved Elizabeth spiritually, sentimentally indeed, desiring
| |
| her sympathy more than her caresses; now, when he had lost her, he
| |
| was tormented by the basest physical longing. He did not even
| |
| idealize her any longer. He saw her now almost as she was--silly,
| |
| snobbish, heartless--and it made no difference to his longing for
| |
| her. Does it ever make any difference? At nights when he lay
| |
| awake, his bed dragged outside the tent for coolness, looking at
| |
| the velvet dark from which the barking of a gyi sometimes sounded,
| |
| he hated himself for the images that inhabited his mind. It was so
| |
| base, this envying of the better man who had beaten him. For it
| |
| was only envy--even jealousy was too good a name for it. What
| |
| right had he to be jealous? He had offered himself to a girl who
| |
| was too young and pretty for him, and she had turned him down--
| |
| rightly. He had got the snub he deserved. Nor was there any
| |
| appeal from that decision; nothing would ever make him young again,
| |
| or take away his birthmark and his decade of lonely debaucheries.
| |
| He could only stand and look on while the better man took her, and
| |
| envy him, like--but the simile was not even mentionable. Envy is a
| |
| horrible thing. It is unlike all other kinds of suffering in that
| |
| there is no disguising it, no elevating it into tragedy. It is
| |
| more than merely painful, it is disgusting.
| |
| | |
| But meanwhile, was it true, what he suspected? Had Verrall really
| |
| become Elizabeth's lover? There is no knowing, but on the whole
| |
| the chances were against it, for, had it been so, there would have
| |
| been no concealing it in such a place as Kyauktada. Mrs Lackersteen
| |
| would probably have guessed it, even if the others had not. One
| |
| thing was certain, however, and that was that Verrall had as yet
| |
| made no proposal of marriage. A week went by, two weeks, three
| |
| weeks; three weeks is a very long time in a small Indian station.
| |
| Verrall and Elizabeth rode together every evening, danced together
| |
| every night; yet Verrall had never so much as entered the
| |
| Lackersteens' house. There was endless scandal about Elizabeth, of
| |
| course. All the Orientals of the town had taken it for granted that
| |
| she was Verrall's mistress. U Po Kyin's version (he had a way of
| |
| being essentially right even when he was wrong in detail) was that
| |
| Elizabeth had been Flory's concubine and had deserted him for
| |
| Verrall because Verrall paid her more. Ellis, too, was inventing
| |
| tales about Elizabeth that made Mr Macgregor squirm. Mrs
| |
| Lackersteen, as a relative, did not hear these scandals, but she was
| |
| growing nervous. Every evening when Elizabeth came home from her
| |
| ride she would meet her hopefully, expecting the 'Oh, aunt! What DO
| |
| you think!'--and then the glorious news. But the news never came,
| |
| and however carefully she studied Elizabeth's face, she could divine
| |
| nothing.
| |
| | |
| When three weeks had passed Mrs Lackersteen became fretful and
| |
| finally half angry. The thought of her husband, alone--or rather,
| |
| not alone--in his camp, was troubling her. After all, she had sent
| |
| him back to camp in order to give Elizabeth her chance with Verrall
| |
| (not that Mrs Lackersteen would have put it so vulgarly as that).
| |
| One evening she began lecturing and threatening Elizabeth in her
| |
| oblique way. The conversation consisted of a sighing monologue
| |
| with very long pauses--for Elizabeth made no answer whatever.
| |
| | |
| Mrs Lackersteen began with some general remarks, apropos of a
| |
| photograph in the Tatler, about these fast MODERN girls who went
| |
| about in beach pyjamas and all that and made themselves so
| |
| dreadfully CHEAP with men. A girl, Mrs Lackersteen said, should
| |
| NEVER make herself too cheap with a man; she should make herself--
| |
| but the opposite of 'cheap' seemed to be 'expensive', and that did
| |
| not sound at all right, so Mrs Lackersteen changed her tack. She
| |
| went on to tell Elizabeth about a letter she had had from home with
| |
| further news of that poor, POOR dear girl who was out in Burma for
| |
| a while and had so foolishly neglected to get married. Her
| |
| sufferings had been quite heartrending, and it just showed how glad
| |
| a girl ought to be to marry anyone, literally ANYONE. It appeared
| |
| that the poor, poor dear girl had lost her job and been practically
| |
| STARVING for a long time, and now she had actually had to take a
| |
| job as a common kitchen maid under a horrid, vulgar cook who
| |
| bullied her most shockingly. And it seemed that the black beetles
| |
| in the kitchen were simply beyond belief! Didn't Elizabeth think
| |
| it too absolutely dreadful? BLACK BEETLES!
| |
| | |
| Mrs Lackersteen remained silent for some time, to allow the black
| |
| beetles to sink in, before adding:
| |
| | |
| 'SUCH a pity that Mr Verrall will be leaving us when the rains
| |
| break. Kyauktada will seem quite EMPTY without him!'
| |
| | |
| 'When do the rains break, usually?' said Elizabeth as indifferently
| |
| as she could manage.
| |
| | |
| 'About the beginning of June, up here. Only a week or two now. . . .
| |
| My dear, it seems absurd to mention it again, but I cannot get out
| |
| of my head the thought of that poor, poor dear girl in the kitchen
| |
| among the BLACK BEETLES!'
| |
| | |
| Black beetles recurred more than once in Mrs Lackersteen's
| |
| conversation during the rest of the evening. It was not until the
| |
| following day that she remarked in the tone of someone dropping an
| |
| unimportant piece of gossip:
| |
| | |
| 'By the way, I believe Flory is coming back to Kyauktada at the
| |
| beginning of June. He said he was going to be in for the general
| |
| meeting at the Club. Perhaps we might invite him to dinner some
| |
| time.'
| |
| | |
| It was the first time that either of them had mentioned Flory since
| |
| the day when he had brought Elizabeth the leopard-skin. After
| |
| being virtually forgotten for several weeks, he had returned to
| |
| each woman's mind, a depressing pis aller.
| |
| | |
| Three days later Mrs Lackersteen sent word to her husband to come
| |
| back to Kyauktada. He had been in camp long enough to earn a short
| |
| spell in headquarters. He came back, more florid than ever--
| |
| sunburn, he explained--and having acquired such a trembling of the
| |
| hands that he could barely light a cigarette. Nevertheless, that
| |
| evening he celebrated his return by manoeuvring Mrs Lackersteen out
| |
| of the house, coming into Elizabeth's bedroom and making a spirited
| |
| attempt to rape her.
| |
| | |
| During all this time, unknown to anyone of importance, further
| |
| sedition was afoot. The 'weiksa' (now far away, peddling the
| |
| philosopher's stone to innocent villagers in Martaban) had perhaps
| |
| done his job a little better than he intended. At any rate, there
| |
| was a possibility of fresh trouble--some isolated, futile outrage,
| |
| probably. Even U Po Kyin knew nothing of this yet. But as usual
| |
| the gods were fighting on his side, for any further rebellion would
| |
| make the first seem more serious than it had been, and so add to
| |
| his glory.
| |
| | |
| == 21 ==
| |
| | |
| O western wind, when wilt thou blow, that the small rain down can
| |
| rain? It was the first of June, the day of the general meeting,
| |
| and there had not been a drop of rain yet. As Flory came up the
| |
| Club path the sun of afternoon, slanting beneath his hat-brim, was
| |
| still savage enough to scorch his neck uncomfortably. The mali
| |
| staggered along the path, his breast-muscles slippery with sweat,
| |
| carrying two kerosene-tins of water on a yoke. He dumped them
| |
| down, slopping a little water over his lank brown feet, and
| |
| salaamed to Flory.
| |
| | |
| 'Well, mali, is the rain coming?'
| |
| | |
| The man gestured vaguely towards the west. 'The hills have
| |
| captured it, sahib.'
| |
| | |
| Kyauktada was ringed almost round by hills, and these caught the
| |
| earlier showers, so that sometimes no rain fell till almost the end
| |
| of June. The earth of the flower-beds, hoed into large untidy
| |
| lumps, looked grey and hard as concrete. Flory went into the
| |
| lounge and found Westfield loafing by the veranda, looking out over
| |
| the river, for the chicks had been rolled up. At the foot of the
| |
| veranda a chokra lay on his back in the sun, pulling the punkah
| |
| rope with his heel and shading his face with a broad strip of
| |
| banana leaf.
| |
| | |
| 'Hullo, Flory! You've got thin as a rake.'
| |
| | |
| 'So've you.'
| |
| | |
| 'H'm, yes. Bloody weather. No appetite except for booze. Christ,
| |
| won't I be glad when I hear the frogs start croaking. Let's have a
| |
| spot before the others come. Butler!'
| |
| | |
| 'Do you know who's coming to the meeting?' Flory said, when the
| |
| butler had brought whisky and tepid soda.
| |
| | |
| 'Whole crowd, I believe. Lackersteen got back from camp three days
| |
| ago. By God, that man's been having the time of his life away from
| |
| his missus! My inspector was telling me about the goings-on at his
| |
| camp. Tarts by the score. Must have imported 'em specially from
| |
| Kyauktada. He'll catch it all right when the old woman sees his
| |
| Club bill. Eleven bottles of whisky sent out to his camp in a
| |
| fortnight.'
| |
| | |
| 'Is young Verrall coming?'
| |
| | |
| 'No, he's only a temporary member. Not that he'd trouble to come
| |
| anyway, young tick. Maxwell won't be here either. Can't leave
| |
| camp just yet, he says. He sent word Ellis was to speak for him if
| |
| there's any voting to be done. Don't suppose there'll be anything
| |
| to vote about, though eh?' he added, looking at Flory obliquely,
| |
| for both of them remembered their previous quarrel on this subject.
| |
| | |
| 'I suppose it lies with Macgregor.'
| |
| | |
| 'What I mean is, Macgregor'll have dropped that bloody rot about
| |
| electing a native member, eh? Not the moment for it just now.
| |
| After the rebellion and all that.'
| |
| | |
| 'What about the rebellion, by the way?' said Flory. He did not
| |
| want to start wrangling about the doctor's election yet. There was
| |
| going to be trouble and to spare in a few minutes. 'Any more news--
| |
| are they going to have another try, do you think?'
| |
| | |
| 'No. All over, I'm afraid. They caved in like the funks they are.
| |
| The whole district's as quiet as a bloody girls' school. Most
| |
| disappointing.'
| |
| | |
| Flory's heart missed a beat. He had heard Elizabeth's voice in the
| |
| next room. Mr Macgregor came in at this moment, Ellis and Mr
| |
| Lackersteen following. This made up the full quota, for the women
| |
| members of the Club had no votes. Mr Macgregor was already dressed
| |
| in a silk suit, and was carrying the Club account books under his
| |
| arm. He managed to bring a sub-official air even into such petty
| |
| business as a Club meeting.
| |
| | |
| 'As we seem to be all here,' he said after the usual greetings,
| |
| 'shall we--ah--proceed with our labours?'
| |
| | |
| 'Lead on, Macduff,' said Westfield, sitting down.
| |
| | |
| 'Call the butler, someone, for Christ's sake,' said Mr Lackersteen.
| |
| 'I daren't let my missus hear me calling him.'
| |
| | |
| 'Before we apply ourselves to the agenda,' said Mr Macgregor when
| |
| he had refused a drink and the others had taken one, 'I expect you
| |
| will want me to run through the accounts for the half-year?'
| |
| | |
| They did not want it particularly, but Mr Macgregor, who enjoyed
| |
| this kind of thing, ran through the accounts with great thoroughness.
| |
| Flory's thoughts were wandering. There was going to be such a row
| |
| in a moment--oh, such a devil of a row! They would be furious when
| |
| they found that he was proposing the doctor after all. And
| |
| Elizabeth was in the next room. God send she didn't hear the noise
| |
| of the row when it came. It would make her despise him all the more
| |
| to see the others baiting him. Would he see her this evening?
| |
| Would she speak to him? He gazed across the quarter-mile of
| |
| gleaming river. By the far bank a knot of men, one of them wearing
| |
| a green gaungbaung, were waiting beside a sampan. In the channel,
| |
| by the nearer bank, a huge, clumsy Indian barge struggled with
| |
| desperate slowness against the racing current. At each stroke the
| |
| ten rowers, Dravidian starvelings, ran forward and plunged their
| |
| long primitive oars, with heart-shaped blades, into the water. They
| |
| braced their meagre bodies, then tugged, writhed, strained backwards
| |
| like agonized creatures of black rubber, and the ponderous hull
| |
| crept onwards a yard or two. Then the rowers sprang forward,
| |
| panting, to plunge their oars again before the current should check
| |
| her.
| |
| | |
| 'And now,' said Mr Macgregor more gravely, 'we come to the main
| |
| point of the agenda. That, of course, is this--ah--distasteful
| |
| question, which I am afraid must be faced, of electing a native
| |
| member to this Club. When we discussed the matter before--'
| |
| | |
| 'What the hell!'
| |
| | |
| It was Ellis who had interrupted. He was so excited that he had
| |
| sprung to his feet.
| |
| | |
| 'What the hell! Surely we aren't starting THAT over again? Talk
| |
| about electing a damned nigger so this Club, after everything
| |
| that's happened! Good God, I thought even Flory had dropped it by
| |
| this time!'
| |
| | |
| 'Our friend Ellis appears surprised. The matter has been discussed
| |
| before, I believe.'
| |
| | |
| 'I should think it damned well was discussed before! And we all
| |
| said what we thought of it. By God--'
| |
| | |
| 'If our friend Ellis will sit down for a few moments--' said Mr
| |
| Macgregor tolerantly.
| |
| | |
| Ellis threw himself into his chair again, exclaiming, 'Bloody
| |
| rubbish!' Beyond the river Flory could see the group of Burmans
| |
| embarking. They were lifting a long, awkward-shaped bundle into
| |
| the sampan. Mr Macregor had produced a letter from his file of
| |
| papers.
| |
| | |
| 'Perhaps I had better explain how this question arose in the first
| |
| place. The Commissioner tells me that a circular has been sent
| |
| round by the Government, suggesting that in those Clubs where there
| |
| are no native members, one at least shall be co-opted; that is,
| |
| admitted automatically. The circular says--ah yes! here it is:
| |
| "It is mistaken policy to offer social affronts to native officials
| |
| of high standing." I may say that I disagree most emphatically.
| |
| No doubt we all do. We who have to do the actual work of
| |
| government see things very differently from these--ah--Paget M.P.s
| |
| who interfere with us from above. The Commissioner quite agrees
| |
| with me. However--'
| |
| | |
| 'But it's all bloody rot!' broke in Ellis. 'What's it got to do
| |
| with the Commissioner or anyone else? Surely we can do as we like
| |
| in our own bloody Club? They've no right to dictate to us when
| |
| we're off duty.'
| |
| | |
| 'Quite,' said Westfield.
| |
| | |
| 'You anticipate me. I told the Commissioner that I should have to
| |
| put the matter before the other members. And the course he
| |
| suggests is this. If the idea finds any support in the Club, he
| |
| thinks it would be better if we co-opted our native member. On the
| |
| other hand, if the entire Club is against it, it can be dropped.
| |
| That is, if opinion is quite unanimous.'
| |
| | |
| 'Well, it damned well is unanimous,' said Ellis.
| |
| | |
| 'D'you mean,' said Westfield, 'that it depends on ourselves whether
| |
| we have 'em in here or no?'
| |
| | |
| 'I fancy we can take it as meaning that.'
| |
| | |
| 'Well, then, let's say we're against it to a man.'
| |
| | |
| 'And say it bloody firmly, by God. We want to put our foot down on
| |
| this idea once and for all.'
| |
| | |
| 'Hear, hear!' said Mr Lackersteen gruffly. 'Keep the black swabs
| |
| out of it. Esprit de corps and all that.'
| |
| | |
| Mr Lackersteen could always be relied upon for sound sentiments in
| |
| a case like this. In his heart he did not care and never had cared
| |
| a damn for the British Raj, and he was as happy drinking with an
| |
| Oriental as with a white man; but he was always ready with a loud
| |
| 'Hear, hear!' when anyone suggested the bamboo for disrespectful
| |
| servants or boiling oil for Nationalists. He prided himself that
| |
| though he might booze a bit and all that, dammit, he WAS loyal. It
| |
| was his form of respectability. Mr Macgregor was secretly rather
| |
| relieved by the general agreement. If any Oriental member were co-
| |
| opted, that member would have to be Dr Veraswami, and he had had
| |
| the deepest distrust of the doctor ever since Nga Shwe O's
| |
| suspicious escape from the jail.
| |
| | |
| 'Then I take it that you are all agreed?' he said. 'If so, I will
| |
| inform the Commissioner. Otherwise, we must begin discussing the
| |
| candidate for election.'
| |
| | |
| Flory stood up. He had got to say his say. His heart seemed to
| |
| have risen into his throat and to be choking him. From what Mr
| |
| Macgregor had said, it was clear that it was in his power to secure
| |
| the doctor's election by speaking the word. But oh, what a bore,
| |
| what a nuisance it was! What an infernal uproar there would be!
| |
| How he wished he had never given the doctor that promise! No
| |
| matter, he had given it, and he could not break it. So short a
| |
| time ago he would have broken it, en bon pukka sahib, how easily!
| |
| But not now. He had got to see this thing through. He turned
| |
| himself sidelong so that his birthmark was away from the others.
| |
| Already he could feel his voice going flat and guilty.
| |
| | |
| 'Our friend Flory has something to suggest?'
| |
| | |
| 'Yes. I propose Dr Veraswami as a member of this Club.'
| |
| | |
| There was such a yell of dismay from three of the others that Mr
| |
| Macgregor had to rap sharply on the table and remind them that the
| |
| ladies were in the next room. Ellis took not the smallest notice.
| |
| He had sprung to his feet again, and the skin round his nose had
| |
| gone quite grey. He and Flory remained facing one another, as
| |
| though on the point of blows.
| |
| | |
| 'Now, you damned swab, will you take that back?'
| |
| | |
| 'No, I will not.'
| |
| | |
| 'You oily swine! You nigger's Nancy Boy! You crawling, sneaking,--
| |
| bloody bastard!'
| |
| | |
| 'Order!' exclaimed Mr Macgregor.
| |
| | |
| 'But look at him, look at him!' cried Ellis almost tearfully.
| |
| 'Letting us all down for the sake of a pot-bellied nigger! After
| |
| all we've said to him! When we've only got to hang together and we
| |
| can keep the stink of garlic out of this Club for ever. My God,
| |
| wouldn't it make you spew your guts up to see anyone behaving like
| |
| such a--?'
| |
| | |
| 'Take it back, Flory, old man!' said Westfield. 'Don't be a bloody
| |
| fool!'
| |
| | |
| 'Downright Bolshevism, dammit!' said Mr Lackersteen.
| |
| | |
| 'Do you think I care what you say? What business is it of yours?
| |
| It's for Macgregor to decide.'
| |
| | |
| 'Then do you--ah--adhere to your decision?' said Mr Macgregor
| |
| gloomily.
| |
| | |
| 'Yes.'
| |
| | |
| Mr Macgregor sighed. 'A pity! Well, in that case I suppose I have
| |
| no choice--'
| |
| | |
| 'No, no, no!' cried Ellis, dancing about in his rage. 'Don't give
| |
| in to him! Put it to the vote. And if that son of a bitch doesn't
| |
| put in a black ball like the rest of us, we'll first turf him out
| |
| of the Club himself, and then--well! Butler!'
| |
| | |
| 'Sahib!' said the butler, appearing.
| |
| | |
| 'Bring the ballot box and the balls. Now clear out!' he added
| |
| roughly when the butler had obeyed.
| |
| | |
| The air had gone very stagnant; for some reason the punkah had
| |
| stopped working. Mr Macgregor stood up with a disapproving but
| |
| judicial mien, taking the two drawers of black and white balls out
| |
| of the ballot box.
| |
| | |
| 'We must proceed in order. Mr Flory proposes Dr Veraswami, the
| |
| Civil Surgeon, as a member of this Club. Mistaken, in my opinion,
| |
| greatly mistaken; however--! Before putting the matter to the
| |
| vote--'
| |
| | |
| 'Oh, why make a song and dance about it?' said Ellis. 'Here's my
| |
| contribution! And another for Maxwell.' He plumped two black
| |
| balls into the box. Then one of his sudden spasms of rage seized
| |
| him, and he took the drawer of white balls and pitched them across
| |
| the floor. They went flying in all directions. 'There! Now pick
| |
| one up if you want to use it!'
| |
| | |
| 'You damned fool! What good do you think that does?'
| |
| | |
| 'Sahib!'
| |
| | |
| They all started and looked round. The chokra was goggling at them
| |
| over the veranda rail, having climbed up from below. With one
| |
| skinny arm he clung to the rail and with the other gesticulated
| |
| towards the river.
| |
| | |
| 'Sahib! Sahib!'
| |
| | |
| 'What's up?' said Westfield.
| |
| | |
| They all moved for the window. The sampan that Flory had seen
| |
| across the river was lying under the bank at the foot of the lawn,
| |
| one of the men clinging to a bush to steady it. The Burman in the
| |
| green gaungbaung was climbing out.
| |
| | |
| 'That's one of Maxwell's Forest Rangers!' said Ellis in quite a
| |
| different voice. 'By God! something's happened!'
| |
| | |
| The Forest Ranger saw Mr Macgregor, shikoed in a hurried,
| |
| preoccupied way and turned back to the sampan. Four other men,
| |
| peasants, climbed out after him, and with difficulty lifted ashore
| |
| the strange bundle that Flory had seen in the distance. It was six
| |
| feet long, swathed in cloths, like a mummy. Something happened in
| |
| everybody's entrails. The Forest Ranger glanced at the veranda,
| |
| saw that there was no way up, and led the peasants round the path
| |
| to the front of the Club. They had hoisted the bundle on to their
| |
| shoulders as funeral bearers hoist a coffin. The butler had
| |
| flitted into the lounge again, and even his face was pale after its
| |
| fashion--that is, grey.
| |
| | |
| 'Butler!' said Mr Macgregor sharply.
| |
| | |
| 'Sir!'
| |
| | |
| 'Go quickly and shut the door of the card-room. Keep it shut.
| |
| Don't let the memsahibs see.'
| |
| | |
| 'Yes, sir!'
| |
| | |
| The Burmans, with their burden, came heavily down the passage. As
| |
| they entered the leading man staggered and almost fell; he had
| |
| trodden on one of the white balls that were scattered about the
| |
| floor. The Burmans knelt down, lowered their burden to the floor
| |
| and stood over it with a strange reverent air, slightly bowing,
| |
| their hands together in a shiko. Westfield had fallen on his
| |
| knees, and he pulled back the cloth.
| |
| | |
| 'Christ! Just look at him!' he said, but without much surprise.
| |
| 'Just look at the poor little b--!'
| |
| | |
| Mr Lackersteen had retreated to the other end of the room, with a
| |
| bleating noise. From the moment when the bundle was lifted ashore
| |
| they had all known what it contained. It was the body of Maxwell,
| |
| cut almost to pieces with dahs by two relatives of the man whom he
| |
| had shot.
| |
| | |
| == 22 ==
| |
| | |
| Maxwell's death had caused a profound shock in Kyauktada. It would
| |
| cause a shock throughout the whole of Burma, and the case--'the
| |
| Kyauktada case, do you remember?'--would still be talked of years
| |
| after the wretched youth's name was forgotten. But in a purely
| |
| personal way no one was much distressed. Maxwell had been almost a
| |
| nonentity--just a 'good fellow' like any other of the ten thousand
| |
| ex colore good fellows of Burma--and with no close friends. No one
| |
| among the Europeans genuinely mourned for him. But that is not to
| |
| say that they were not angry. On the contrary, for the moment they
| |
| were almost mad with rage. For the unforgivable had happened--A
| |
| WHITE MAN had been killed. When that happens, a sort of shudder
| |
| runs through the English of the East. Eight hundred people,
| |
| possibly, are murdered every year in Burma; they matter nothing;
| |
| but the murder of A WHITE MAN is a monstrosity, a sacrilege. Poor
| |
| Maxwell would be avenged, that was certain. But only a servant or
| |
| two, and the Forest Ranger who had brought in his body and who had
| |
| been fond of him, shed any tears for his death.
| |
| | |
| On the other hand, no one was actually pleased, except U Po Kyin.
| |
| | |
| 'This is a positive gift from heaven!' he told Ma Kin. 'I could
| |
| not have arranged it better myself. The one thing I needed to make
| |
| them take my rebellion seriously was a little bloodshed. And here
| |
| it is! I tell you, Ma Kin, every day I grow more certain that some
| |
| higher power is working on my behalf.'
| |
| | |
| 'Ko Po Kyin, truly you are without shame! I do not know how you
| |
| dare to say such things. Do you not shudder to have murder upon
| |
| your soul?'
| |
| | |
| 'What! I? Murder upon my soul? What are you talking about? I
| |
| have never killed so much as a chicken in my life.'
| |
| | |
| 'But you are profiting by this poor boy's death.'
| |
| | |
| 'Profiting by it! Of course I am profiting by it! And why not,
| |
| indeed? Am I to blame if somebody else choose to commit murder?
| |
| The fisherman catches fish, and he is damned for it. But are we
| |
| damned for eating the fish? Certainly not. Why NOT eat the fish,
| |
| once it is dead? You should study the Scriptures more carefully,
| |
| my dear Kin Kin.'
| |
| | |
| The funeral took place next morning, before breakfast. All the
| |
| Europeans were present, except Verrall, who was careering about the
| |
| maidan quite as usual, almost opposite the cemetery. Mr Macgregor
| |
| read the burial service. The little group of Englishmen stood
| |
| round the grave, their topis in their hands, sweating into the dark
| |
| suits that they had dug out from the bottom of their boxes. The
| |
| harsh morning light beat without mercy upon their faces, yellower
| |
| than ever against the ugly, shabby clothes. Every face except
| |
| Elizabeth's looked lined and old. Dr Veraswami and half a dozen
| |
| other Orientals were present, but they kept themselves decently in
| |
| the background. There were sixteen gravestones in the little
| |
| cemetery; assistants of timber firms, officials, soldiers killed in
| |
| forgotten skirmishes.
| |
| | |
| 'Sacred to the memory of John Henry Spagnall, late of the Indian
| |
| Imperial Police, who was cut down by cholera while in the unremitting
| |
| exercise of' etc., etc., etc.
| |
| | |
| Flory remembered Spagnall dimly. He had died very suddenly in camp
| |
| after his second go of delirium tremens. In a corner there were
| |
| some graves of Eurasians, with wooden crosses. The creeping
| |
| jasmine, with tiny orange-hearted flowers, had overgrown
| |
| everything. Among the jasmine, large rat-holes led down into the
| |
| graves.
| |
| | |
| Mr Macgregor concluded the burial service in a ripe, reverent
| |
| voice, and led the way out of the cemetery, holding his grey topi--
| |
| the Eastern equivalent of a top hat--against his stomach. Flory
| |
| lingered by the gate, hoping that Elizabeth would speak to him, but
| |
| she passed him without a glance. Everyone had shunned him this
| |
| morning. He was in disgrace; the murder had made his disloyalty of
| |
| last night seem somehow horrible. Ellis had caught Westfield by
| |
| the arm, and they halted at the grave-side, taking out their
| |
| cigarette-cases. Flory could hear their slangy voices coming
| |
| across the open grave.
| |
| | |
| 'My God, Westfield, my God, when I think of that poor little b--
| |
| lying down there--oh, my God, how my blood does boil! I couldn't
| |
| sleep all night, I was so furious.'
| |
| | |
| 'Pretty bloody, I grant. Never mind, promise you a couple of chaps
| |
| shall swing for it. Two corpses against their one--best we can
| |
| do.'
| |
| | |
| 'Two! It ought to be fifty! We've got to raise heaven and hell to
| |
| get these fellows hanged. Have you got their names yet?'
| |
| | |
| 'Yes, rather!! Whole blooming district knows who did it. We
| |
| always do know who's done it in these cases. Getting the bloody
| |
| villagers to talk--that's the only trouble.'
| |
| | |
| 'Well, for God's sake get them to talk this time. Never mind the
| |
| bloody law. Whack it out of them. Torture them--anything. If you
| |
| want to bribe any witnesses, I'm good for a couple of hundred
| |
| chips.'
| |
| | |
| Westfield sighed. 'Can't do that sort of thing, I'm afraid. Wish
| |
| we could. My chaps'd know how to put the screw on a witness if you
| |
| gave 'em the word. Tie 'em down on an ant-hill. Red peppers. But
| |
| that won't do nowadays. Got to keep our own bloody silly laws.
| |
| But never mind, those fellows'll swing all right. We've got all
| |
| the evidence we want.'
| |
| | |
| 'Good! And when you've arrested them, if you aren't sure of
| |
| getting a conviction, shoot them, jolly well shoot them! Fake up
| |
| an escape or something. Anything sooner than let those b--s go
| |
| free.'
| |
| | |
| 'They won't go free, don't you fear. We'll get 'em. Get SOMEBODY,
| |
| anyhow. Much better hang wrong fellow than no fellow,' he added,
| |
| unconsciously quoting.
| |
| | |
| 'That's the stuff! I'll never sleep easy again till I've seen them
| |
| swinging,' said Ellis as they moved away from the grave. 'Christ!
| |
| Let's get out of this sun! I'm about perishing with thirst.'
| |
| | |
| Everyone was perishing, more or less, but it seemed hardly decent
| |
| to go down to the Club for drinks immediately after the funeral.
| |
| The Europeans scattered for their houses, while four sweepers with
| |
| mamooties flung the grey, cement-like earth back into the grave,
| |
| and shaped it into a rough mound.
| |
| | |
| After breakfast, Ellis was walking down to his office, cane in
| |
| hand. It was blinding hot. Ellis had bathed and changed back into
| |
| shirt and shorts, but wearing a thick suit even for an hour had
| |
| brought on his prickly heat abominably. Westfield had gone out
| |
| already, in his motor launch, with an inspector and half a dozen
| |
| men, to arrest the murderers. He had ordered Verrall to accompany
| |
| him--not that Verrall was needed, but, as Westfield said, it would
| |
| do the young swab good to have a spot of work.
| |
| | |
| Ellis wriggled his shoulders--his prickly heat was almost beyond
| |
| bearing. The rage was stewing in his body like a bitter juice. He
| |
| had brooded all night over what had happened. They had killed a
| |
| white man, killed A WHITE MAN, the bloody sods, the sneaking,
| |
| cowardly hounds! Oh, the swine, the swine, how they ought to be
| |
| made to suffer for it! Why did we make these cursed kid-glove laws?
| |
| Why did we take everything lying down? Just suppose this had
| |
| happened in a German colony, before the War! The good old Germans!
| |
| They knew how to treat the niggers. Reprisals! Rhinoceros hide
| |
| whips! Raid their villages, kill their cattle, burn their crops,
| |
| decimate them, blow them from the guns.
| |
| | |
| Ellis gazed into the horrible cascades of light that poured through
| |
| the gaps in the trees. His greenish eyes were large and mournful.
| |
| A mild, middle-aged Burman came by, balancing a huge bamboo, which
| |
| he shifted from one shoulder to the other with a grunt as he passed
| |
| Ellis. Ellis's grip tightened on his stick. If that swine, now,
| |
| would only attack you! Or even insult you--anything, so that you
| |
| had the right to smash him! If only these gutless curs would ever
| |
| show fight in any conceivable way! Instead of just sneaking past
| |
| you, keeping within the law so that you never had a chance to get
| |
| back at them. Ah, for a real rebellion--martial law proclaimed and
| |
| no quarter given! Lovely, sanguinary images moved through his
| |
| mind. Shrieking mounds of natives, soldiers slaughtering them.
| |
| Shoot them, ride them down, horses' hooves trample their guts out,
| |
| whips cut their faces in slices!
| |
| | |
| Five High School boys came down the road abreast. Ellis saw them
| |
| coming, a row of yellow, malicious faces--epicene faces, horribly
| |
| smooth and young, grinning at him with deliberate insolence. It
| |
| was in their minds to bait him, as a white man. Probably they had
| |
| heard of the murder, and--being Nationalists, like all schoolboys--
| |
| regarded it as a victory. They grinned full in Ellis's face as
| |
| they passed him. They were trying openly to provoke him, and they
| |
| knew that the law was on their side. Ellis felt his breast swell.
| |
| The look of their faces, jeering at him like a row of yellow
| |
| images, was maddening. He stopped short.
| |
| | |
| 'Here! What are you laughing at, you young ticks?'
| |
| | |
| The boys turned.
| |
| | |
| 'I said what the bloody hell are you laughing at?'
| |
| | |
| One of the boys answered, insolently--but perhaps his bad English
| |
| made him seem more insolent than he intended.
| |
| | |
| 'Not your business.'
| |
| | |
| There was about a second during which Ellis did not know what he
| |
| was doing. In that second he had hit out with all his strength,
| |
| and the cane landed, crack! right across the boy's eyes. The boy
| |
| recoiled with a shriek, and in the same instant the other four had
| |
| thrown themselves upon Ellis. But he was too strong for them. He
| |
| flung them aside and sprang back, lashing out with his stick so
| |
| furiously that none of them dared come near.
| |
| | |
| 'Keep your distance, you --s! Keep off, or by God I'll smash
| |
| another of you!' Though they were four to one he was so formidable
| |
| that they surged back in fright. The boy who was hurt had fallen
| |
| on his knees with his arms across his face, and was screaming 'I am
| |
| blinded! I am blinded!' Suddenly the other four turned and darted
| |
| for a pile of laterite, used for road-mending, which was twenty
| |
| yards away. One of Ellis's clerks had appeared on the veranda of
| |
| the office and was leaping up and down in agitation.
| |
| | |
| 'Come up, sir come up at once. They will murder you!'
| |
| | |
| Ellis disdained to run, but he moved for the veranda steps. A lump
| |
| of laterite came sailing through the air and shattered itself
| |
| against a pillar, whereat the clerk scooted indoors. But Ellis
| |
| turned on the veranda to face the boys, who were below, each
| |
| carrying an armful of laterite. He was cackling with delight.
| |
| | |
| 'You damned, dirty little niggers!' he shouted down at them. 'You
| |
| got a surprise that time, didn't you? Come up on this veranda and
| |
| fight me, all four of you! You daren't. Four to one and you
| |
| daren't face me! Do you call yourselves men? You sneaking, mangy
| |
| little rats!'
| |
| | |
| He broke into Burmese, calling them the incestuous children of
| |
| pigs. All the while they were pelting him with lumps of laterite,
| |
| but their arms were feeble and they threw ineptly. He dodged the
| |
| stones, and as each one missed him he cackled in triumph.
| |
| Presently there was a sound of shouts up the road, for the noise
| |
| had been heard at the police station, and some constables were
| |
| emerging to see what was the matter. The boys took fright and
| |
| bolted, leaving Ellis a complete victor.
| |
| | |
| Ellis had heartily enjoyed the affray, but he was furiously angry
| |
| as soon as it was over. He wrote a violent note to Mr Macgregor,
| |
| telling him that he had been wantonly assaulted and demanding
| |
| vengeance. Two clerks who had witnessed the scene, and a chaprassi,
| |
| were sent along to Mr Macgregor's office to corroborate the story.
| |
| They lied in perfect unison. 'The boys had attacked Mr Ellis
| |
| without any provocation whatever, he had defended himself,' etc.,
| |
| etc. Ellis, to do him justice, probably believed this to be a
| |
| truthful version of the story. Mr Macgregor was somewhat disturbed,
| |
| and ordered the police to find the four schoolboys and interrogate
| |
| them. The boys, however, had been expecting something of the kind,
| |
| and were lying very low; the police searched the bazaar all day
| |
| without finding them. In the evening the wounded boy was taken to
| |
| a Burmese doctor, who, by applying some poisonous concoction of
| |
| crushed leaves to his left eye, succeeded in blinding him.
| |
| | |
| The Europeans met at the Club as usual that evening, except for
| |
| Westfield and Verrall, who had not yet returned. Everyone was in a
| |
| bad mood. Coming on top of the murder, the unprovoked attack on
| |
| Ellis (for that was the accepted description of it) had scared them
| |
| as well as angered them. Mrs Lackersteen was twittering to the
| |
| tune of 'We shall all be murdered in our beds'. Mr Macgregor, to
| |
| reassure her, told her in cases of riot the European ladies were
| |
| always locked inside the jail until everything was over; but she
| |
| did not seem much comforted. Ellis was offensive to Flory, and
| |
| Elizabeth cut him almost dead. He had come down to the Club in the
| |
| insane hope of making up their quarrel, and her demeanour made him
| |
| so miserable that for the greater part of the evening he skulked in
| |
| the library. It was not till eight o'clock when everyone had
| |
| swallowed a number of drinks, that the atmosphere grew a little
| |
| more friendly, and Ellis said:
| |
| | |
| 'What about sending a couple of chokras up to our houses and
| |
| getting our dinners sent down here? We might as well have a few
| |
| rubbers of bridge. Better than mooning about at home.'
| |
| | |
| Mrs Lackersteen, who was in dread of going home, jumped at the
| |
| suggestion. The Europeans occasionally dined at the Club when they
| |
| wanted to stay late. Two of the chokras were sent for, and on
| |
| being told what was wanted of them, immediately burst into tears.
| |
| It appeared that if they went up the hill they were certain of
| |
| encountering Maxwell's ghost. The mali was sent instead. As the
| |
| man set out Flory noticed that it was again the night of the full
| |
| moon--four weeks to a day since that evening, now unutterably
| |
| remote, when he had kissed Elizabeth under the frangipani tree.
| |
| | |
| They had just sat down at the bridge table, and Mrs Lackersteen had
| |
| just revoked out of pure nervousness, when there was a heavy thump
| |
| on the roof. Everyone started and look up.
| |
| | |
| 'A coco-nut falling!' said Mr Macgregor.
| |
| | |
| 'There aren't any coco-nut trees here,' said Ellis.
| |
| | |
| The next moment a number of things happened all together. There
| |
| was another and much louder bang, one of the petrol lamps broke
| |
| from its hook and crashed to the ground, narrowly missing Mr
| |
| Lackersteen, who jumped aside with a yelp, Mrs Lackersteen began
| |
| screaming, and the butler rushed into the room, bareheaded, his
| |
| face the colour of bad coffee.
| |
| | |
| 'Sir, sir! Bad men come! Going to murder us all, sir!'
| |
| | |
| 'What? Bad men? What do you mean?'
| |
| | |
| 'Sir, all the villagers are outside! Big stick and dah in their
| |
| hands, and all dancing about! Going to cut master's throat, sir!'
| |
| | |
| Mrs Lackersteen threw herself backwards in her chair. She was
| |
| setting up such a din of screams as to drown the butler's voice.
| |
| | |
| 'Oh, be quiet!' said Ellis sharply, turning on her. 'Listen, all
| |
| of you! Listen to that!'
| |
| | |
| There was a deep, murmurous, dangerous sound outside, like the
| |
| humming of an angry giant. Mr Macgregor, who had stood up,
| |
| stiffened as he heard it, and settled his spectacles pugnaciously
| |
| on his nose.
| |
| | |
| 'This is some kind of disturbance! Butler, pick that lamp up.
| |
| Miss Lackersteen, look to your aunt. See if she is hurt. The rest
| |
| of you come with me!'
| |
| | |
| They all made for the front door, which someone, presumably the
| |
| butler, had closed. A fusillade of small pebbles was rattling
| |
| against it like hail. Mr Lackersteen wavered at the sound and
| |
| retreated behind the others.
| |
| | |
| 'I say, dammit, bolt that bloody door, someone!' he said.
| |
| | |
| 'No, no!' said Mr Macgregor. 'We must go outside. It's fatal not
| |
| to face them!'
| |
| | |
| He opened the door and presented himself boldly at the top of the
| |
| steps. There were about twenty Burmans on the path, with dahs or
| |
| sticks in their hands. Outside the fence, stretching up the road
| |
| in either direction and far out on to the maidan, was an enormous
| |
| crowd of people. It was like a sea of people, two thousand at the
| |
| least, black and white in the moon, with here and there a curved
| |
| dah glittering. Ellis had coolly placed himself beside Mr
| |
| Macgregor, with his hands in his pockets. Mr Lackersteen had
| |
| disappeared.
| |
| | |
| Mr Macgregor raised his hand for silence. 'What is the meaning of
| |
| this?' he shouted sternly.
| |
| | |
| There were yells, and some lumps of laterite the size of cricket
| |
| balls came sailing from the road, but fortunately hit no one. One
| |
| of the men on the path turned and waved his arms to the others,
| |
| shouting that they were not to begin throwing yet. Then he stepped
| |
| forward to address the Europeans. He was a strong debonair fellow
| |
| of about thirty, with down-curving moustaches, wearing a singlet,
| |
| with his longyi kilted to the knee.
| |
| | |
| 'What is the meaning of this?' Mr Macgregor repeated.
| |
| | |
| The man spoke up with a cheerful grin, and not very insolently.
| |
| | |
| 'We have no quarrel with you, min gyi. We have come for the timber
| |
| merchant, Ellis.' (He pronounced it Ellit.) 'The boy whom he
| |
| struck this morning has gone blind. You must send Ellit out to us
| |
| here, so that we can punish him. The rest of you will not be
| |
| hurt.'
| |
| | |
| 'Just remember that fellow's face,' said Ellis over his shoulder to
| |
| Flory. 'We'll get him seven years for this afterwards.'
| |
| | |
| Mr Macgregor had turned temporarily quite purple. His rage was so
| |
| great that it almost choked him. For several moments he could not
| |
| speak, and when he did so it was in English.
| |
| | |
| 'Whom do you think you are speaking to? In twenty years I have
| |
| never heard such insolence! Go away this instant, or I shall call
| |
| out the Military Police!'
| |
| | |
| 'You'd better be quick, min gyi. We know that there is no justice
| |
| for us in your courts, so we must punish Ellit ourselves. Send him
| |
| out to us here. Otherwise, all of you will weep for it.'
| |
| | |
| Mr Macgregor made a furious motion with his fist, as though
| |
| hammering in a nail, 'Go away, son of a dog!' he cried, using his
| |
| first oath in many years.
| |
| | |
| There was a thunderous roar from the road, and such a shower of
| |
| stones, that everyone was hit, including the Burmans on the path.
| |
| One stone took Mr Macgregor full in the face, almost knocking him
| |
| down. The Europeans bolted hastily inside and barred the door. Mr
| |
| Macgregor's spectacles were smashed and his nose streaming blood.
| |
| They got back to the lounge to find Mrs Lackersteen looping about
| |
| in one of the long chairs like a hysterical snake, Mr Lackersteen
| |
| standing irresolutely in the middle of the room, holding an empty
| |
| bottle, the butler on his knees in the corner, crossing himself (he
| |
| was a Roman Catholic), the chokras crying, and only Elizabeth calm,
| |
| though she was very pale.
| |
| | |
| 'What's happened?' she exclaimed.
| |
| | |
| 'We're in the soup, that's what's happened!' said Ellis angrily,
| |
| feeling at the back of his neck where a stone had hit him. 'The
| |
| Burmans are all round, shying rocks. But keep calm! They haven't
| |
| the guts to break the doors in.'
| |
| | |
| 'Call out the police at once!' said Mr Macgregor indistinctly, for
| |
| he was stanching his nose with his handkerchief.
| |
| | |
| 'Can't!' said Ellis. 'I was looking round while you were talking
| |
| to them. They've cut us off, rot their damned souls! No one could
| |
| possibly get to the police lines. Veraswami's compound is full of
| |
| men.'
| |
| | |
| 'Then we must wait. We can trust them to turn out of their own
| |
| accord. Calm yourself, my dear Mrs Lackersteen, PLEASE calm
| |
| yourself! The danger is very small.'
| |
| | |
| It did not sound small. There were no gaps in the noise now, and
| |
| the Burmans seemed to be pouring into the compounds by hundreds.
| |
| The din swelled suddenly to such a volume that no one could make
| |
| himself heard except by shouting. All the windows in the lounge
| |
| had been shut, and some perforated zinc shutters within, which were
| |
| sometimes used for keeping out insects, pulled to and bolted.
| |
| There was a series of crashes as the windows were broken, and then
| |
| a ceaseless thudding of stones from all sides, that shook the thin
| |
| wooden walls and seemed likely to split them. Ellis opened a
| |
| shutter and flung a bottle viciously among the crowd, but a dozen
| |
| stones came hurtling in and he had to close the shutter hurriedly.
| |
| The Burmans seemed to have no plan beyond flinging stones, yelling
| |
| and hammering at the walls, but the mere volume of noise was
| |
| unnerving. The Europeans were half dazed by it at first. None of
| |
| them thought to blame Ellis, the sole cause of this affair; their
| |
| common peril seemed, indeed, to draw them closer together for the
| |
| while. Mr Macgregor, half-blind without his spectacles, stood
| |
| distractedly in the middle of the room, yielding his right hand to
| |
| Mrs Lackersteen, who was caressing it, while a weeping chokra clung
| |
| to his left leg. Mr Lackersteen had vanished again. Ellis was
| |
| stamping furiously up and down, shaking his fist in the direction
| |
| of the police lines.
| |
| | |
| 'Where are the police, the f-- cowardly sods?' he yelled, heedless
| |
| of the women. 'Why don't they turn out? My God, we won't get
| |
| another chance like this in a hundred years! If we'd only ten
| |
| rifles here, how we could slosh these b--s!'
| |
| | |
| 'They'll be here presently!' Mr Macgregor shouted back. 'It will
| |
| take them some minutes to penetrate that crowd.'
| |
| | |
| 'But why don't they use their rifles, the miserable sons of
| |
| bitches? They could slaughter them in bloody heaps if they'd only
| |
| open fire. Oh, God, to think of missing a chance like this!'
| |
| | |
| A lump of rock burst one of the zinc shutters. Another followed
| |
| through the hole it had made, stove in a 'Bonzo' picture, bounced
| |
| off, cut Elizabeth's elbow, and finally landed on the table. There
| |
| was a roar of triumph from outside, and then a succession of
| |
| tremendous thumps on the roof. Some children had climbed into the
| |
| trees and were having the time of their lives sliding down the roof
| |
| on their bottoms. Mrs Lackersteen outdid all previous efforts with
| |
| a shriek that rose easily above the din outside.
| |
| | |
| 'Choke that bloody hag, somebody!' cried Ellis. 'Anyone'd think a
| |
| pig was being killed. We've got to do something. Flory, Macgregor,
| |
| come here! Think of a way out of this mess, someone!'
| |
| | |
| Elizabeth had suddenly lost her nerve and begun crying. The blow
| |
| from the stone had hurt her. To Flory's astonishment, he found her
| |
| clinging tightly to his arm. Even in that moment it made his heart
| |
| turn over. He had been watching the scene almost with detachment--
| |
| dazed by the noise, indeed, but not much frightened. He always
| |
| found it difficult to believe Orientals could be really dangerous.
| |
| Only when he felt Elizabeth's hand on his arm did he grasp the
| |
| seriousness of the situation.
| |
| | |
| 'Oh, Mr Flory, please, please think of something! You can, you
| |
| can! Anything sooner than let those dreadful men get in here!'
| |
| | |
| 'If only one of us could get to the police lines!' groaned Mr
| |
| Macgregor. 'A British officer to lead them! At the worst I must
| |
| try and go myself.'
| |
| | |
| 'Don't be a fool! Only get your throat cut!' yelled Ellis. '_I_'ll
| |
| go if they really look like breaking in. But, oh, to be killed by
| |
| swine like that! How furious it'd make me! And to think we could
| |
| murder the whole bloody crowd if only we could get the police
| |
| here!'
| |
| | |
| 'Couldn't someone get along the river bank?' Flory shouted
| |
| despairingly.
| |
| | |
| 'Hopeless! Hundreds of them prowling up and down. We're cut off--
| |
| Burmans on three sides and the river on the other!'
| |
| | |
| 'The river!'
| |
| | |
| One of those startling ideas that are overlooked simply because
| |
| they are so obvious had sprung into Flory's mind.
| |
| | |
| 'The river! Of course! We can get to the police lines as easy as
| |
| winking. Don't you see?'
| |
| | |
| 'How?'
| |
| | |
| 'Why, down the river--in the water! Swim!'
| |
| | |
| 'Oh, good man!' cried Ellis, and smacked Flory on the shoulder.
| |
| Elizabeth squeezed his arm and actually danced a step or two in
| |
| glee. 'I'll go if you like!' Ellis shouted, but Flory shook his
| |
| head. He had already begun slipping his shoes off. There was
| |
| obviously no time to be lost. The Burmans had behaved like fools
| |
| hitherto, but there was no saying what might happen if they
| |
| succeeded in breaking in. The butler, who had got over his first
| |
| fright, prepared to open the window that gave on the lawn, and
| |
| glanced obliquely out. There were barely a score of Burmans on the
| |
| lawn. They had left the back of the Club unguarded, supposing that
| |
| the river cut off retreat.
| |
| | |
| 'Rush down the lawn like hell!' Ellis shouted in Flory's ear.
| |
| 'They'll scatter all right when they see you.'
| |
| | |
| 'Order the police to open fire at once!' shouted Mr Macgregor from
| |
| the other side. 'You have my authority.'
| |
| | |
| 'And tell them to aim low! No firing over their heads. Shoot to
| |
| kill. In the guts for choice!'
| |
| | |
| Flory leapt down from the veranda, hurting his feet on the hard
| |
| earth, and was at the river bank in six paces. As Ellis had said,
| |
| the Burmans recoiled for a moment when they saw him leaping down.
| |
| A few stones followed him, but no one pursued--they thought, no
| |
| doubt, that he was only attempting to escape, and in the clear
| |
| moonlight they could see that it was not Ellis. In another moment
| |
| he had pushed his way through the bushes and was in the water.
| |
| | |
| He sank deep down, and the horrible river ooze received him,
| |
| sucking him knee-deep so that it was several seconds before he
| |
| could free himself. When he came to the surface a tepid froth,
| |
| like the froth on stout, was lapping round his lips, and some
| |
| spongy thing had floated into his throat and was choking him. It
| |
| was a sprig of water hyacinth. He managed to spit it out, and
| |
| found that the swift current had floated him twenty yards already.
| |
| Burmans were rushing rather aimlessly up and down the bank,
| |
| yelling. With his eye at the level of the water, Flory could not
| |
| see the crowd besieging the Club; but he could hear their deep,
| |
| devilish roaring, which sounded even louder than it had sounded on
| |
| shore. By the time he was opposite the Military Police lines the
| |
| bank seemed almost bare of men. He managed to struggle out of the
| |
| current and flounder through the mud, which sucked off his left
| |
| sock. A little way down the bank two old men were sitting beside a
| |
| fence, sharpening fence-posts, as though there had not been a riot
| |
| within a hundred miles of them. Flory crawled ashore, clambered
| |
| over the fence and ran heavily across the moonwhite parade-ground,
| |
| his wet trousers sagging. As far as he could tell in the noise,
| |
| the lines were quite empty. In some stalls over to the right
| |
| Verrall's horses were plunging about in a panic. Flory ran out on
| |
| to the road, and saw what had happened.
| |
| | |
| The whole body of policemen, military and civil, about a hundred
| |
| and fifty men in all, had attacked the crowd from the rear, armed
| |
| only with sticks. They had been utterly engulfed. The crowd was
| |
| so dense that it was like an enormous swarm of bees seething and
| |
| rotating. Everywhere one could see policemen wedged helplessly
| |
| among the hordes of Burmans, struggling furiously but uselessly,
| |
| and too cramped even to use their sticks. Whole knots of men were
| |
| tangled Laocoon-like in the folds of unrolled pagris. There was a
| |
| terrific bellowing of oaths in three or four languages, clouds of
| |
| dust, and a suffocating stench of sweat and marigolds--but no one
| |
| seemed to have been seriously hurt. Probably the Burmans had not
| |
| used their daks for fear of provoking rifle-fire. Flory pushed his
| |
| way into the crowd and was immediately swallowed up like the
| |
| others. A sea of bodies closed in upon him and flung him from side
| |
| to side, bumping his ribs and choking him with their animal heat.
| |
| He struggled onwards with an almost dreamlike feeling, so absurd
| |
| and unreal was the situation. The whole riot had been ludicrous
| |
| from the start, and what was most ludicrous of all was that the
| |
| Burmans, who might have killed him, did not know what to do with
| |
| him now he was among them. Some yelled insults in his face, some
| |
| jostled him and stamped on his feet, some even tried to make way
| |
| for him, as a white man. He was not certain whether he was
| |
| fighting for his life, or merely pushing his way through the crowd.
| |
| For quite a long time he was jammed, helpless, with his arms pinned
| |
| against his sides, then he found himself wrestling with a stumpy
| |
| Burman much stronger than himself, then a dozen men rolled against
| |
| him like a wave and drove him deeper into the heart of the crowd.
| |
| Suddenly he felt an agonizing pain in his right big toe--someone in
| |
| boots had trodden on it. It was the Military Police subahdar, a
| |
| Rajput, very fat, moustachioed, with his pagri gone. He was
| |
| grasping a Burman by the throat and trying to hammer his face,
| |
| while the sweat rolled off his bare, bald crown. Flory threw his
| |
| arm round the subahdar's neck and managed to tear him away from his
| |
| adversary and shout in his ear. His Urdu deserted him, and he
| |
| bellowed in Burmese:
| |
| | |
| 'Why did you not open fire?'
| |
| | |
| For a long time he could not hear the man's answer. Then he caught
| |
| it:
| |
| | |
| 'Hukm ne aya'--'I have had no order!'
| |
| | |
| 'Idiot!'
| |
| | |
| At this moment another bunch of men drove against them, and for a
| |
| minute or two they were pinned and quite unable to move. Flory
| |
| realized that the subabdar had a whistle in his pocket and was
| |
| trying to get at it. Finally he got it loose and blew piercing
| |
| blasts, but there was no hope of rallying any men until they could
| |
| get into a clear space. It was a fearful labour to struggle our of
| |
| the crowd--it was like wading neck-deep through a viscous sea. At
| |
| times the exhaustion of Flory's limbs was so complete that he stood
| |
| passive, letting the crowd hold him and even drive him backwards.
| |
| At last, more from the natural eddying of the crowd than by his own
| |
| effort, he found himself flung out into the open. The subahdar had
| |
| also emerged, ten or fifteen sepoys, and a Burmese Inspector of
| |
| Police. Most of the sepoys collapsed on their haunches almost
| |
| falling with fatigue, and limping, their feet having been trampled
| |
| on.
| |
| | |
| 'Come on, get up! Run like hell for the lines! Get some rifles
| |
| and a clip of ammunition each.'
| |
| | |
| He was too overcome even to speak in Burmese, but the men understood
| |
| him and lopped heavily towards the police lines. Flory followed
| |
| them, to get away from the crowd before they turned on him again.
| |
| When he reached the gate the sepoys were returning with their rifles
| |
| and already preparing to fire.
| |
| | |
| 'The sahib will give the order!' the subahdar panted.
| |
| | |
| 'Here you!' cried Flory to the Inspector. 'Can you speak
| |
| Hindustani?'
| |
| | |
| 'Yes, sir.'
| |
| | |
| 'Then tell them to fire high, right over the people's heads. And
| |
| above all, to fire all together. Make them understand that.'
| |
| | |
| The fat Inspector, whose Hindustani was even worse than Flory's,
| |
| explained what was wanted, chiefly by leaping up and down and
| |
| gesticulating. The sepoys raised their rifles, there was a roar,
| |
| and a rolling echo from the hillside. For a moment Flory thought
| |
| that his order had been disregarded, for almost the entire section
| |
| of the crowd nearest them had fallen like a swath of hay. However,
| |
| they had only flung themselves down in panic. The sepoys fired a
| |
| second volley, but it was not needed. The crowd had immediately
| |
| begun to surge outwards from the Club like a river changing its
| |
| course. They came pouring down the road, saw the armed men barring
| |
| their way, and tried to recoil, whereupon there was a fresh battle
| |
| between those in front and those behind; finally the whole crowd
| |
| bulged outwards and began to roll slowly up the maidan. Flory and
| |
| the sepoys moved slowly towards the Club on the heels of the
| |
| retreating crowd. The policemen who had been engulfed were
| |
| straggling back by ones and twos. Their pagris were gone and their
| |
| puttees trailing yards behind them, but they had no damage worse
| |
| than bruises. The Civil Policemen were dragging a very few
| |
| prisoners among them. When they reached the Club compound the
| |
| Burmans were still pouring out, an endless line of young men
| |
| leaping gracefully through a gap in the hedge like a procession of
| |
| gazelles. It seemed to Flory that it was getting very dark. A
| |
| small white-clad figure extricated itself from the last of the
| |
| crowd and tumbled limply into Flory's arms. It was Dr Veraswami,
| |
| with his tie torn off but his spectacles miraculously unbroken.
| |
| | |
| 'Doctor!'
| |
| | |
| 'Ach, my friend! Ach, how I am exhausted!'
| |
| | |
| 'What are you doing here? Were you right in the middle of that
| |
| crowd?'
| |
| | |
| 'I was trying to restrain them, my friend. It was hopeless until
| |
| you came. But there is at least one man who bears the mark of
| |
| this, I think!'
| |
| | |
| He held out a small fist for Flory to see the damaged knuckles.
| |
| But it was certainly quite dark now. At the same moment Flory
| |
| heard a nasal voice behind him.
| |
| | |
| 'Well, Mr Flory, so it's all over already! A mere flash in the pan
| |
| as usual. You and I together were a little too much for them--
| |
| ha, ha!'
| |
| | |
| It was U Po Kyin. He came towards them with a martial air,
| |
| carrying a huge stick, and with a revolver thrust into his belt.
| |
| His dress was a studious negligee--singlet and Shan trousers--to
| |
| give the impression that he had rushed out of his house post-haste.
| |
| He had been lying low until the danger should be over, and was now
| |
| hurrying forth to grab a share of any credit that might be going.
| |
| | |
| 'A smart piece of work, sir!' he said enthusiastically. 'Look how
| |
| they are flying up the hillside! We have routed them most
| |
| satisfactory.'
| |
| | |
| 'WE!' panted the doctor indignantly.
| |
| | |
| 'Ah, my dear doctor! I did not perceive that you were there. It
| |
| is possible that YOU also have been in the fighting? YOU--risking
| |
| your most valuable life! Who would have believed such a thing?'
| |
| | |
| 'You've taken your time getting here yourself!' said Flory angrily.
| |
| | |
| 'Well, well sir, it is enough that we have dispersed them.
| |
| Although,' he added with a touch of satisfaction, for he had
| |
| noticed Flory's tone, 'they are going in the direction of the
| |
| European houses, you will observe. I fancy that it will occur to
| |
| them to do a little plundering on their way.'
| |
| | |
| One had to admire the man's impudence. He tucked his great stick
| |
| under his arm and strolled beside Flory in an almost patronizing
| |
| manner, while the doctor dropped behind, abashed in spite of
| |
| himself. At the Club gate all three men halted. It was now
| |
| extraordinarily dark, and the moon had vanished. Low overhead,
| |
| just visible, black clouds were streaming eastward like a pack of
| |
| hounds. A wind, almost cold, blew down the hillside and swept a
| |
| cloud of dust and fine water-vapour before it. There was a sudden
| |
| intensely rich scent of damp. The wind quickened, the trees
| |
| rustled, then began beating themselves furiously together, the big
| |
| frangipani tree by the tennis court flinging out a nebula of dimly
| |
| seen blossom. All three men turned and hurried for shelter, the
| |
| Orientals to their houses, Flory to the Club. It had begun
| |
| raining.
| |
| | |
| == 23 ==
| |
| | |
| Next day the town was quieter than a cathedral city on Monday
| |
| morning. It is usually the case after a riot. Except for the
| |
| handful of prisoners, everyone who could possibly have been
| |
| concerned in the attack on the Club had a watertight alibi. The
| |
| Club garden looked as though a herd of bison had stampeded across
| |
| it, but the houses had not been plundered, and there were no new
| |
| casualties among the Europeans, except that after everything was
| |
| over Mr Lackersteen had been found very drunk under the billiard-
| |
| table, where he had retired with a bottle of whisky. Westfield and
| |
| Verrall came back early in the morning, bringing Maxwell's
| |
| murderers under arrest; or at any rate, bringing two people who
| |
| would presently be hanged for Maxwell's murder. Westfield, when he
| |
| heard the news of the riot, was gloomy but resigned. AGAIN it
| |
| happened--a veritable riot, and he not there to quell it! It
| |
| seemed fated that he should never kill a man. Depressing,
| |
| depressing. Verrall's only comment was that it had been 'damned
| |
| lip' on the part of Flory (a civilian) to give orders to the
| |
| Military Police.
| |
| | |
| Meanwhile, it was raining almost without cease. As soon as he woke
| |
| up and heard the rain hammering on the roof Flory dressed and
| |
| hurried out, Flo following. Out of sight of the houses he took off
| |
| his clothes and let the rain sluice down on his bare body. To his
| |
| surprise, he found that he was covered with bruises from last
| |
| night; but the rain had washed away every trace of his prickly heat
| |
| within three minutes. It is wonderful, the healing power of
| |
| rainwater. Flory walked down to Dr Veraswami's house, with his
| |
| shoes squelching and periodical jets of water flowing down his neck
| |
| from the brim of his Terai hat. The sky was leaden, and
| |
| innumerable whirling storms chased one another across the maidan
| |
| like squadrons of cavalry. Burmans passed, under vast wooden hats
| |
| in spite of which their bodies streamed water like the bronze gods
| |
| in the fountains. A network of rivulets was already washing the
| |
| stones of the road bare. The doctor had just got home when Flory
| |
| arrived, and was shaking a wet umbrella over the veranda rail. He
| |
| hailed Flory excitedly.
| |
| | |
| 'Come up, Mr Flory, come up at once! You are just apropos. I was
| |
| on the point of opening a bottle of Old Tommy Gin. Come up and let
| |
| me drink to your health, ass the saviour of Kyauktada!'
| |
| | |
| They had a long talk together. The doctor was in a triumphant
| |
| mood. It appeared that what had happened last night had righted
| |
| his troubles almost miraculously. U Po Kyin's schemes were undone.
| |
| The doctor was no longer at his mercy--in fact, it was the other
| |
| way about. The doctor explained to Flory:
| |
| | |
| 'You see, my friend, this riot--or rather, your most noble
| |
| behaviour in it--wass quite outside U Po Kyin's programme. He had
| |
| started the SO-CALLED rebellion and had the glory of crushing it,
| |
| and he calculated that any further outbreak would simply mean more
| |
| glory still. I am told that when he heard of Mr Maxwell's death,
| |
| hiss joy was positively'--the doctor nipped his thumb and forefinger
| |
| together--'what iss the word I want?'
| |
| | |
| 'Obscene?'
| |
| | |
| 'Ah yes. Obscene. It iss said that actually he attempted to
| |
| dance--can you imagine such a disgusting spectacle?--and exclaimed,
| |
| "Now at least they will take my rebellion seriously!" Such iss his
| |
| regard for human life. But now hiss triumph iss at an end. The
| |
| riot hass tripped up in mid-career.'
| |
| | |
| 'How?'
| |
| | |
| 'Because, do you not see, the honours of the riot are not hiss, but
| |
| yours! And I am known to be your friend. I stand, so to speak, in
| |
| the reflection of your glory. Are you not the hero of the hour?
| |
| Did not your European friends receive you with open arms when you
| |
| returned to the Club last night?'
| |
| | |
| 'They did, I must admit. It was quite a new experience for me.
| |
| Mrs Lackersteen was all over me. "DEAR Mr Flory", she calls me now.
| |
| And she's got her knife properly in Ellis. She hasn't forgotten
| |
| that he called her a bloody hag and told her to stop squealing like
| |
| a pig.'
| |
| | |
| 'Ah, Mr Ellis iss sometimes over-emphatic in hiss expressions. I
| |
| have noticed it.'
| |
| | |
| 'The only fly in the ointment is that I told the police to fire
| |
| over the crowd's heads instead of straight at them. It seems
| |
| that's against all the Government regulations. Ellis was a little
| |
| vexed about it. "Why didn't you plug some of the b--s when you had
| |
| the chance?" he said. I pointed out that it would have meant
| |
| hitting the police who were in the middle of the crowd; but as he
| |
| said, they were only niggers anyway. However, all my sins are
| |
| forgiven me. And Macgregor quoted something in Latin--Horace, I
| |
| believe.'
| |
| | |
| It was half an hour later when Flory walked along to the Club. He
| |
| had promised to see Mr Macgregor and settle the business of the
| |
| doctor's election. But there would be no difficulty about it now.
| |
| The others would eat out of his hand until the absurd riot was
| |
| forgotten; he could have gone into the Club and made a speech in
| |
| favour of Lenin, and they would have put up with it. The lovely
| |
| rain streamed down, drenching him from head to foot, and filling
| |
| his nostrils with the scent of earth, forgotten during the bitter
| |
| months of drought. He walked up the wrecked garden, where the
| |
| mali, bending down with the rain splashing on his bare back, was
| |
| trowelling holes for zinnias. Nearly all the flowers had been
| |
| trampled out of existence. Elizabeth was there, on the side
| |
| veranda, almost as though she were waiting for him. He took off
| |
| his hat, spilling a pool of water from the brim, and went round to
| |
| join her.
| |
| | |
| 'Good morning!' he said, raising his voice because of the rain that
| |
| beat noisily on the low roof.
| |
| | |
| 'Good morning! ISN'T it coming down? Simply PELTING!'
| |
| | |
| 'Oh, this isn't real rain. You wait till July. The whole Bay of
| |
| Bengal is going to pour itself on us, by instalments.'
| |
| | |
| It seemed that they must never meet without talking of the weather.
| |
| Nevertheless, her face said something very different from the banal
| |
| words. Her demeanour had changed utterly since last night. He
| |
| took courage.
| |
| | |
| 'How is the place where that stone hit you?'
| |
| | |
| She held her arm out to him and let him take it. Her air was
| |
| gentle, even submissive. He realized that his exploit of last
| |
| night had made him almost a hero in her eyes. She could not know
| |
| how small the danger had really been, and she forgave him
| |
| everything, even Ma Hla May, because he had shown courage at the
| |
| right moment. It was the buffalo and the leopard over again. His
| |
| heart thumped in his breast. He slipped his hand down her arm and
| |
| clasped her fingers in his own.
| |
| | |
| 'Elizabeth--'
| |
| | |
| 'Someone will see us!' she said, and she withdrew her hand, but not
| |
| angrily.
| |
| | |
| 'Elizabeth, I've something I want to say to you. Do you remember a
| |
| letter I wrote you from the jungle, after our--some weeks ago?'
| |
| | |
| 'Yes.'
| |
| | |
| 'You remember what I said in it?'
| |
| | |
| 'Yes. I'm sorry I didn't answer it. Only--'
| |
| | |
| 'I couldn't expect you to answer it, then. But I just wanted to
| |
| remind you of what I said.'
| |
| | |
| In the letter, of course, he had only said, and feebly enough, that
| |
| he loved her--would always love her, no matter what happened. They
| |
| were standing face to face, very close together. On an impulse--
| |
| and it was so swiftly done that afterwards he had difficulty in
| |
| believing that it had ever happened--he took her in his arms and
| |
| drew her towards him. For a moment she yielded and let him lift up
| |
| her face and kiss her; then suddenly she recoiled and shook her
| |
| head. Perhaps she was frightened that someone would see them,
| |
| perhaps it was only because his moustache was so wet from the rain.
| |
| Without saying anything more she broke from him and hurried away
| |
| into the Club. There was a look of distress or compunction in her
| |
| face; but she did not seem angry.
| |
| | |
| He followed her more slowly into the Club, and ran into Mr
| |
| Macgregor, who was in a very good humour. As soon as he saw Flory
| |
| he boomed genially, 'Aha! The conquering hero comes!' and then, in
| |
| a more serious vein, offered him fresh congratulations. Flory
| |
| improved the occasion by saying a few words on behalf of the
| |
| doctor. He painted quite a lively picture of the doctor's heroism
| |
| in the riot. 'He was right in the middle of the crowd, fighting
| |
| like a tiger,' etc., etc. It was not too much exaggerated--for the
| |
| doctor had certainly risked his life. Mr Macgregor was impressed,
| |
| and so were the others when they heard of it. At all times the
| |
| testimony of one European can do an Oriental more good than that of
| |
| a thousand of his fellow countrymen; and at this moment Flory's
| |
| opinion carried weight. Practically, the doctor's good name was
| |
| restored. His election to the Club could be taken as assured.
| |
| | |
| However, it was not finally agreed upon yet, because Flory was
| |
| returning to camp. He set out the same evening, marching by night,
| |
| and he did not see Elizabeth again before leaving. It was quite
| |
| safe to travel in the jungle now, for the futile rebellion was
| |
| obviously finished. There is seldom any talk of rebellion after
| |
| the rains have started--the Burmans are too busy ploughing, and in
| |
| any case the waterlogged fields are impassable for large bodies of
| |
| men. Flory was to return to Kyauktada in ten days, when the
| |
| padre's six-weekly visit fell due. The truth was that he did not
| |
| care to be in Kyauktada while both Elizabeth and Verrall were
| |
| there. And yet, it was strange, but all the bitterness--all the
| |
| obscene, crawling envy that had tormented him before--was gone now
| |
| that he knew she had forgiven him. It was only Verrall who stood
| |
| between them now. And even the thought of her in Verrall's arms
| |
| could hardly move him, because he knew that at the worst the affair
| |
| must have an end. Verrall, it was quite certain, would never marry
| |
| Elizabeth; young men of Verrall's stamp do not marry penniless
| |
| girls met casually at obscure Indian stations. He was only amusing
| |
| himself with Elizabeth. Presently he would desert her, and she
| |
| would return to him--to Flory. It was enough--it was far better
| |
| than he had hoped. There is a humility about genuine love that is
| |
| rather horrible in some ways.
| |
| | |
| U Po Kyin was furiously angry. The miserable riot had taken him
| |
| unawares, so far as anything ever took him unawares, and it was
| |
| like a handful of grit thrown into the machinery of his plans. The
| |
| business of disgracing the doctor had got to be begun all over
| |
| again. Begun it was, sure enough, with such a spate of anonymous
| |
| letters that Hla Pe had to absent himself from office for two whole
| |
| days--it was bronchitis this time--to get them written. The doctor
| |
| was accused of every crime from pederasty to stealing Government
| |
| postage stamps. The prison warder who had let Nga Shwe O escape
| |
| had now come up for trial. He was triumphantly acquitted, U Po
| |
| Kyin having spent as much as two hundred rupees in bribing the
| |
| witnesses. More letters showered up on Mr Macgregor, proving in
| |
| detail that Dr Veraswami, the real author of the escape, had tried
| |
| to shift the blame on to a helpless subordinate. Nevertheless, the
| |
| results were disappointing. The confidential letter which Mr
| |
| Macgregor wrote to the Commissioner, reporting on the riot, was
| |
| steamed open, and its tone was so alarming--Mr Macgregor had spoken
| |
| of the doctor as 'behaving most creditably' on the night of the
| |
| riot--that U Po Kyin called a council of war.
| |
| | |
| 'The time has come for a vigorous move,' he said to the others--
| |
| they were in conclave on the front veranda, before breakfast. Ma
| |
| Kin was there, and Ba Sein and Hla Pe--the latter a bright-faced,
| |
| promising boy of eighteen, with the manner of one who will
| |
| certainly succeed in life.
| |
| | |
| 'We are hammering against a brick wall,' U Po Kyin continued; 'and
| |
| that wall is Flory. Who could have foreseen that that miserable
| |
| coward would stand by his friend? However, there it is. So long
| |
| as Veraswami has his backing, we are helpless.'
| |
| | |
| 'I have been talking to the Club butler, sir,' said Ba Sein. 'He
| |
| tells me that Mr Ellis and Mr Westfield still do not want the
| |
| doctor to be elected to the Club. Do you not think they will
| |
| quarrel with Flory again as soon as this business of the riot is
| |
| forgotten?'
| |
| | |
| 'Of course they will quarrel, they always quarrel. But in the
| |
| meantime the harm is done. Just suppose that man WERE elected! I
| |
| believe I should die of rage if it happened. No, there is only one
| |
| move left. We must strike at Flory himself!'
| |
| | |
| 'At Flory, sir! But he is a white man!'
| |
| | |
| 'What do I care? I have ruined white men before now. Once let
| |
| Flory be disgraced, and there is an end of the doctor. And he
| |
| shall be disgraced! I will shame him so that he will never dare
| |
| show his face in that Club again!'
| |
| | |
| 'But, sir! A white man! What are we to accuse him of? Who would
| |
| believe anything against a white man?'
| |
| | |
| 'You have no strategy, Ko Ba Sein. One does not ACCUSE a white
| |
| man; one has got to catch him in the act. Public disgrace, in
| |
| flagrante delicto. I shall know how to set about it. Now be
| |
| silent while I think.'
| |
| | |
| There was a pause. U Po Kyin stood gazing out into the rain with
| |
| his small hands clasped behind him and resting on the natural
| |
| plateau of his posterior. The other three watched him from the end
| |
| of the veranda, almost frightened by this talk of attacking a white
| |
| man, and waiting for some masterstroke to cope with a situation
| |
| that was beyond them. It was a little like the familiar picture
| |
| (is it Meissonier's?) of Napoleon at Moscow, poring over his maps
| |
| while his marshals wait in silence, with their cocked hats in their
| |
| hands. But of course U Po Kyin was more equal to the situation
| |
| than Napoleon. His plan was ready within two minutes. When he
| |
| turned round his vast face was suffused with excessive joy. The
| |
| doctor had been mistaken when he described U Po Kyin as attempting
| |
| to dance; U Po Kyin's figure was not designed for dancing; but, had
| |
| it been so designed, he would have danced at this moment. He
| |
| beckoned to Ba Sein and whispered in his ear for a few seconds.
| |
| | |
| 'That is the correct move, I think?' he concluded.
| |
| | |
| A broad, unwilling, incredulous grin stole slowly across Ba Sein's
| |
| face.
| |
| | |
| 'Fifty rupees ought to cover all the expenses,' added U Po Kyin,
| |
| beaming.
| |
| | |
| The plan was unfolded in detail. And when the others had taken it
| |
| in, all of them, even Ba Sein, who seldom laughed, even Ma Kin, who
| |
| disapproved from the bottom of her soul, burst into irrepressible
| |
| peals of laughter. The plan was really too good to be resisted.
| |
| It was genius.
| |
| | |
| All the while it was raining, raining. The day after Flory went
| |
| back to camp it rained for thirty-eight hours at a stretch,
| |
| sometimes slowing to the pace of English rain, sometimes pouring
| |
| down in such cataracts that one thought the whole ocean must by now
| |
| have been sucked up into the clouds. The rattling on the roof
| |
| became maddening after a few hours. In the intervals between the
| |
| rain the sun glared as fiercely as ever, the mud began to crack and
| |
| steam, and patches of prickly heat sprang out all over one's body.
| |
| Hordes of flying beetles had emerged from their cocoons as soon as
| |
| the rain started; there was a plague of loathly creatures known as
| |
| stink-bugs, which invaded the houses in incredible numbers,
| |
| littered themselves over the dining-table and made one's food
| |
| uneatable. Verrall and Elizabeth still went out riding in the
| |
| evenings, when the rain was not too fierce. To Verrall, all
| |
| climates were alike, but he did not like to see his ponies
| |
| plastered with mud. Nearly a week went by. Nothing was changed
| |
| between them--they were neither less nor more intimate than they
| |
| had been before. The proposal of marriage, still confidently
| |
| expected, was still unuttered. Then an alarming thing happened.
| |
| The news filtered to the Club, through Mr Macgregor, that Verrall
| |
| was leaving Kyauktada; the Military Police were to be kept at
| |
| Kyauktada, but another officer was coming in Verrall's place, no
| |
| one was certain when. Elizabeth was in horrible suspense. Surely,
| |
| if he was going away, he must say something definite soon? She
| |
| could not question him--dared not even ask him whether he was
| |
| really going; she could only wait for him to speak. He said
| |
| nothing. Then one evening, without warning, he failed to turn up
| |
| at the Club. And two whole days passed during which Elizabeth did
| |
| not see him at all.
| |
| | |
| It was dreadful, but there was nothing that could be done. Verrall
| |
| and Elizabeth had been inseparable for weeks, and yet in a way they
| |
| were almost strangers. He had kept himself so aloof from them all--
| |
| had never even seen the inside of the Lackersteens' house. They
| |
| did not know him well enough to seek him out at the dakbungalow, or
| |
| write to him; nor did he reappear at morning parade on the maidan.
| |
| There was nothing to do except wait until he chose to present
| |
| himself again. And when he did, would he ask her to marry him?
| |
| Surely, surely he must! Both Elizabeth and her aunt (but neither
| |
| of them had even spoken of it openly) held it as an article of
| |
| faith that he must ask her. Elizabeth looked forward to their next
| |
| meeting with a hope that was almost painful. Please God it would
| |
| be a week at least before he went! If she rode with him four times
| |
| more, or three times--even if it were only twice, all might yet be
| |
| well. Please God he would come back to her soon! It was
| |
| unthinkable that when he came, it would only be to say good-bye!
| |
| The two women went down to the Club each evening and sat there
| |
| until quite late, listening for Verrall's footsteps outside while
| |
| seeming not to listen; but he never appeared. Ellis, who
| |
| understood the situation perfectly, watched Elizabeth with spiteful
| |
| amusement. What made it worst of all was that Mr Lackersteen was
| |
| now pestering Elizabeth unceasingly. He had become quite reckless.
| |
| Almost under the eyes of the servants he would waylay her, catch
| |
| hold of her and begin pinching and fondling her in the most
| |
| revolting way. Her sole defence was to threaten that she would
| |
| tell her aunt; happily he was too stupid to realize that she would
| |
| never dare do it.
| |
| | |
| On the third morning Elizabeth and her aunt arrived at the Club
| |
| just in time to escape a violent storm of rain. They had been
| |
| sitting in the lounge for a few minutes when they heard the sound
| |
| of someone stamping the water off his shoes in the passage. Each
| |
| woman's heart stirred, for this might be Verrall. Then a young man
| |
| entered the lounge, unbuttoning a long raincoat as he came. He was
| |
| a stout, rollicking, chuckle-headed youth of about twenty-five,
| |
| with fat fresh cheeks, butter-coloured hair, no forehead, and, as
| |
| it turned out afterwards, a deafening laugh.
| |
| | |
| Mrs Lackersteen made some inarticulate sound--it was jerked out of
| |
| her by her disappointment. The youth, however, hailed them with
| |
| immediate bonhomie, being one of those who are on terms of slangy
| |
| intimacy with everyone from the moment of meeting them.
| |
| | |
| 'Hullo, hullo!' he said 'Enter the fairy prince! Hope I don't sort
| |
| of intrude and all that? Not shoving in on any family gatherings
| |
| or anything?'
| |
| | |
| 'Not at all!' said Mrs Lackersteen in surprise.
| |
| | |
| 'What I mean to say--thought I'd just pop in at the Club and have
| |
| a glance round, don't you know. Just to get acclimatized to the
| |
| local brand of whisky. I only got here last night.'
| |
| | |
| 'Are you STATIONED here?' said Mrs Lackersteen, mystified--for they
| |
| had not been expecting any newcomers.
| |
| | |
| 'Yes, rather. Pleasure's mine, entirely.'
| |
| | |
| 'But we hadn't heard. . . . Oh, of course! I suppose you're from
| |
| the Forest Department? In place of poor Mr Maxwell?'
| |
| | |
| 'What? Forest Department? No fear! I'm the new Military Police
| |
| bloke, you know.'
| |
| | |
| 'The--what?'
| |
| | |
| 'New Military Police bloke. Taking over from dear ole Verrall.
| |
| The dear ole chap got orders to go back to his regiment. Going off
| |
| in a fearful hurry. And a nice mess he's left everything in for
| |
| yours truly, too.'
| |
| | |
| The Military Policeman was a crass youth, but even he noticed that
| |
| Elizabeth's face turned suddenly sickly. She found herself quite
| |
| unable to speak. It was several seconds before Mrs Lackersteen
| |
| managed to exclaim:
| |
| | |
| 'Mr Verrall--going? Surely he isn't going away YET?'
| |
| | |
| 'Going? He's gone!'
| |
| | |
| 'GONE?'
| |
| | |
| 'Well, what I mean to say--train's due to start in about half an
| |
| hour. He'll be along at the station now. I sent a fatigue party
| |
| to look after him. Got to get his ponies aboard and all that.'
| |
| | |
| There were probably further explanations, but neither Elizabeth nor
| |
| her aunt heard a word of them. In any case, without even a good-
| |
| bye to the Military Policeman, they were out on the front steps
| |
| within fifteen seconds. Mrs Lackersteen called sharply for the
| |
| butler.
| |
| | |
| 'Butler! Send my rickshaw round to the front at once! To the
| |
| station, jaldi!' she added as the rickshaw-man appeared, and,
| |
| having settled herself in the rickshaw, poked him in the back with
| |
| the ferrule of her umbrella to start him.
| |
| | |
| Elizabeth had put on her raincoat and Mrs Lackersteen was cowering
| |
| in the rickshaw behind her umbrella, but neither was much use
| |
| against the rain. It came driving towards them in such sheets that
| |
| Elizabeth's frock was soaked before they had reached the gate, and
| |
| the rickshaw almost overturned in the wind. The rickshaw-wallah
| |
| put his head down and struggled into it, groaning. Elizabeth was
| |
| in agony. It was a mistake, SURELY it was a mistake. He had
| |
| written to her and the letter had gone astray. That was it, that
| |
| MUST be it! It could not be that he had meant to leave her without
| |
| even saying good-bye! And if it were so--no, not even then would
| |
| she give up hope! When he saw her on the platform, for the last
| |
| time, he could not be so brutal as to forsake her! As they neared
| |
| the station she fell behind the rickshaw and pinched her cheeks to
| |
| bring the blood into them. A squad of Military Police sepoys
| |
| shuffled hurriedly by, their thin uniforms sodden into rags,
| |
| pushing a handcart among them. Those would be Verrall's fatigue
| |
| party. Thank God, there was a quarter of an hour yet. The train
| |
| was not due to leave for another quarter of an hour. Thank God, at
| |
| least, for this last chance of seeing him!
| |
| | |
| They arrived on the platform just in time to see the train draw out
| |
| of the station and gather speed with a series of deafening snorts.
| |
| The stationmaster, a little round, black man, was standing on the
| |
| line looking ruefully after the train, and holding his waterproof-
| |
| covered topi on to his head with one hand, while with the other he
| |
| fended off two clamorous Indians who were bobbing at him and trying
| |
| to thrust something upon his attention. Mrs Lackersteen leaned out
| |
| of the rickshaw and called agitatedly through the rain.
| |
| | |
| 'Stationmaster!'
| |
| | |
| 'Madam!'
| |
| | |
| 'What train is that?'
| |
| | |
| 'That is the Mandalay train, madam.'
| |
| | |
| 'The Mandalay train! It can't be!'
| |
| | |
| 'But I assure you, madam! It is precisely the Mandalay train.' He
| |
| came towards them, removing his topi.
| |
| | |
| 'But Mr Verrall--the Police officer? Surely he's not on it?'
| |
| | |
| 'Yes, madam, he have departed.' He waved his hand towards the
| |
| train, now receding rapidly in a cloud of rain and steam.
| |
| | |
| 'But the train wasn't due to start yet!'
| |
| | |
| 'No, madam. Not due to start for another ten minutes.'
| |
| | |
| 'Then why has it gone?'
| |
| | |
| The stationmaster waved his topi apologetically from side to side.
| |
| His dark, squabby face looked quite distressed.
| |
| | |
| 'I know, madam, I know! MOST unprecedented! But the young Military
| |
| Police officer have positively COMMANDED me to start the train! He
| |
| declare that all is ready and he do not wish to be kept waiting.
| |
| I point out the irregularity. He say he do not care about
| |
| irregularity. I expostulate. He insist. And in short--'
| |
| | |
| He made another gesture. It meant that Verrall was the kind of man
| |
| who would have his way, even when it came to starting a train ten
| |
| minutes early. There was a pause. The two Indians, imagining that
| |
| they saw their chance, suddenly rushed forward, wailing, and
| |
| offered some grubby notebooks for Mrs Lackersteen's inspection.
| |
| | |
| 'What DO these men want?' cried Mrs Lackersteen distractedly.
| |
| | |
| 'They are grass-wallahs, madam. They say that Lieutenant Verrall
| |
| have departed owing them large sums of money. One for hay, the
| |
| other for corn. Of mine it is no affair.'
| |
| | |
| There was a hoot from the distant train. It rolled round the bend,
| |
| like a black-behinded caterpillar that looks over its shoulder as
| |
| it goes, and vanished. The stationmaster's wet white trousers
| |
| flapped forlornly about his legs. Whether Verrall had started the
| |
| train early to escape Elizabeth, or to escape the grass-wallahs,
| |
| was an interesting question that was never cleared up.
| |
| | |
| They made their way back along the road, and then struggled up the
| |
| hill in such a wind that sometimes they were driven several paces
| |
| backwards. When they gained the veranda they were quite out of
| |
| breath. The servants took their streaming raincoats, and Elizabeth
| |
| shook some of the water from her hair. Mrs Lackersteen broke her
| |
| silence for the first time since they had left the station:
| |
| | |
| 'WELL! Of all the unmannerly--of the simply ABOMINABLE. . . !'
| |
| | |
| Elizabeth looked pale and sickly, in spite of the rain and wind
| |
| that had beaten into her face. But she would betray nothing.
| |
| | |
| 'I think he might have waited to say good-bye to us,' she said
| |
| coldly.
| |
| | |
| 'Take my word for it, dear, you are thoroughly well rid of him! . . .
| |
| As I said from the start, a most ODIOUS young man!'
| |
| | |
| Some time later, when they were sitting down to breakfast, having
| |
| bathed and got into dry clothes, and feeling better, she remarked:
| |
| | |
| 'Let me see, what day is this?'
| |
| | |
| 'Saturday, Aunt.'
| |
| | |
| 'Ah, Saturday. Then the dear padre will be arriving this evening.
| |
| How many shall we be for the service tomorrow? Why, I think we
| |
| shall ALL be here! How very nice! Mr Flory will be here too. I
| |
| think he said he was coming back from the jungle tomorrow.' She
| |
| added almost lovingly, 'DEAR Mr Flory!'
| |
| | |
| == 24 ==
| |
| | |
| It was nearly six o'clock in the evening, and the absurd bell in
| |
| the six-foot tin steeple of the church went clank-clank, clank-
| |
| clank! as old Mattu pulled the rope within. The rays of the
| |
| setting sun, refracted by distant rainstorms, flooded the maidan
| |
| with a beautiful, lurid light. It had been raining earlier in the
| |
| day, and would rain again. The Christian community of Kyauktada,
| |
| fifteen in number, were gathering at the church door for the
| |
| evening service.
| |
| | |
| Flory was already there, and Mr Macgregor, grey topi and all, and
| |
| Mr Francis and Mr Samuel, frisking about in freshly laundered drill
| |
| suits--for the six-weekly church service was the great social event
| |
| of their lives. The padre, a tall man with grey hair and a
| |
| refined, discoloured face, wearing pince-nez, was standing on the
| |
| church steps in his cassock and surplice, which he had put on in Mr
| |
| Macgregor's house. He was smiling in an amiable but rather
| |
| helpless way at four pink-cheeked Karen Christians who had come to
| |
| make their bows to him; for he did not speak a word of their
| |
| language nor they of his. There was one other Oriental Christian,
| |
| a mournful, dark Indian of uncertain race, who stood humbly in the
| |
| background. He was always present at the church services, but no
| |
| one knew who he was or why he was a Christian. Doubtless he had
| |
| been captured and baptized in infancy by the missionaries, for
| |
| Indians who are converted when adults almost invariably lapse.
| |
| | |
| Flory could see Elizabeth coming down the hill, dressed in lilac-
| |
| colour, with her aunt and uncle. He had seen her that morning at
| |
| the Club--they had had just a minute alone together before the
| |
| others came in. He had only asked her one question.
| |
| | |
| 'Has Verrall gone--for good?'
| |
| | |
| 'Yes.'
| |
| | |
| There had been no need to say any more. He had simply taken her by
| |
| the arms and drawn her towards him. She came willingly, even
| |
| gladly--there in the clear daylight, merciless to his disfigured
| |
| face. For a moment she had clung to him almost like a child. It
| |
| was a though he had saved her or protected her from something. He
| |
| raised her face to kiss her, and found with surprise that she was
| |
| crying. There had been no time to talk then, not even to say,
| |
| 'Will you marry me?' No matter, after the service there would be
| |
| time enough. Perhaps at his next visit, only six weeks hence, the
| |
| padre would marry them.
| |
| | |
| Ellis and Westfield and the new Military Policeman were approaching
| |
| from the Club, where they had been having a couple of quick ones to
| |
| last them through the service. The Forest Officer who had been
| |
| sent to take Maxwell's place, a sallow, tall man, completely bald
| |
| except for two whisker-like tufts in front of his ears, was
| |
| following them. Flory had not time to say more than 'Good evening'
| |
| to Elizabeth when she arrived. Mattu, seeing that everyone was
| |
| present, stopped ringing the bell, and the clergyman led the way
| |
| inside, followed by Mr Macgregor, with his topi against his
| |
| stomach, and the Lackersteens and the native Christians. Ellis
| |
| pinched Flory's elbow and whispered boozily in his ear:
| |
| | |
| 'Come on, line up. Time for the snivel-parade. Quick march!'
| |
| | |
| He and the Military Policeman went in behind the others, arm-in-
| |
| arm, with a dancing step--the policeman, till they got inside,
| |
| wagging his fat behind in imitation of a pwe-dancer. Flory sat
| |
| down in the same pew as these two, opposite Elizabeth, on her
| |
| right. It was the first time that he had ever risked sitting with
| |
| his birthmark towards her. 'Shut your eyes and count twenty-five',
| |
| whispered Ellis as they sat down, drawing a snigger from the
| |
| policeman. Mrs Lackersteen had already taken her place at the
| |
| harmonium, which was no bigger than a writing-desk. Mattu
| |
| stationed himself by the door and began to pull the punkah--it was
| |
| so arranged that it only flapped over the front pews, where the
| |
| Europeans sat. Flo came nosing up the aisle, found Flory's pew and
| |
| settled down underneath it. The service began.
| |
| | |
| Flory was only attending intermittently. He was dimly aware of
| |
| standing and kneeling and muttering 'Amen' to interminable prayers,
| |
| and of Ellis nudging him and whispering blasphemies behind his hymn
| |
| book. But he was too happy to collect his thoughts. Hell was
| |
| yielding up Eurydice. The yellow light flooded in through the open
| |
| door, gilding the broad back of Mr Macgregor's silk coat like
| |
| cloth-of-gold. Elizabeth, across the narrow aisle, was so close to
| |
| Flory that he could hear every rustle of her dress and feel, as it
| |
| seemed to him, the warmth of her body; yet he would not look at her
| |
| even once, lest the others should notice it. The harmonium
| |
| quavered bronchitically as Mrs Lackersteen struggled to pump
| |
| sufficient air into it with the sole pedal that worked. The
| |
| singing was a queer, ragged noise--an earnest booming from Mr
| |
| Macgregor, a kind of shamefaced muttering from the other Europeans,
| |
| and from the back a loud, wordless lowing, for the Karen Christians
| |
| knew the tunes of the hymns but not the words.
| |
| | |
| They were kneeling down again. 'More bloody knee-drill,' Ellis
| |
| whispered. The air darkened, and there was a light patter of rain
| |
| on the roof; the trees outside rustled, and a cloud of yellow
| |
| leaves whirled past the window. Flory watched them through the
| |
| chinks of his fingers. Twenty years ago, on winter Sundays in his
| |
| pew in the parish church at home, he used to watch the yellow
| |
| leaves, as at this moment, drifting and fluttering against leaden
| |
| skies. Was it not possible, now, to begin over again as though
| |
| those grimy years had never touched him? Through his fingers he
| |
| glanced sidelong at Elizabeth, kneeling with her head bent and her
| |
| face hidden in her youthful, mottled hands. When they were
| |
| married, when they were married! What fun they would have together
| |
| in this alien yet kindly land! He saw Elizabeth in his camp,
| |
| greeting him as he came home tired from work and Ko S'la hurried
| |
| from the tent with a bottle of beer; he saw her walking in the
| |
| forest with him, watching the hornbills in the peepul trees and
| |
| picking nameless flowers, and in the marshy grazing-grounds,
| |
| tramping through the cold-weather mist after snipe and teal. He
| |
| saw his home as she would remake it. He saw his drawing-room,
| |
| sluttish and bachelor-like no longer, with new furniture from
| |
| Rangoon, and a bowl of pink balsams like rosebuds on the table, and
| |
| books and water-colours and a black piano. Above all the piano!
| |
| His mind lingered upon the piano--symbol, perhaps because he was
| |
| unmusical, of civilized and settled life. He was delivered for
| |
| ever from the sub-life of the past decade--the debaucheries, the
| |
| lies, the pain of exile and solitude, the dealings with whores and
| |
| moneylenders and pukka sahibs.
| |
| | |
| The clergyman stepped to the small wooden lectern that also served
| |
| as a pulpit, slipped the band from a roll of sermon paper, coughed,
| |
| and announced a text. 'In the name of the Father, the Son and the
| |
| Holy Ghost. Amen.'
| |
| | |
| 'Cut it short, for Christ's sake,' murmured Ellis.
| |
| | |
| Flory did not notice how many minutes passed. The words of the
| |
| sermon flowed peacefully through his head, an indistinct burbling
| |
| sound, almost unheard. When they were married, he was still
| |
| thinking, when they were married--
| |
| | |
| Hullo! What was happening?
| |
| | |
| The clergyman had stopped short in the middle of a word. He had
| |
| taken off his pince-nez and was shaking them with a distressed air
| |
| at someone in the doorway. There was a fearful, raucous scream.
| |
| | |
| 'Pike-san pay-like! Pike-san pay-like!'
| |
| | |
| Everyone jumped in their seats and turned round. It was Ma Hla
| |
| May. As they turned she stepped inside the church and shoved old
| |
| Mattu violently aside. She shook her fist at Flory.
| |
| | |
| 'Pike-san pay-like! Pike-san pay-like! Yes, THAT'S the one I
| |
| mean--Flory, Flory! (She pronounced it Porley.) That one sitting
| |
| in front there, with the black hair! Turn round and face me, you
| |
| coward! Where is the money you promised me?'
| |
| | |
| She was shrieking like a maniac. The people gaped at her, too
| |
| astounded to move or speak. Her face was grey with powder, her
| |
| greasy hair was tumbling down, her longyi was ragged at the bottom.
| |
| She looked like a screaming hag of the bazaar. Flory's bowels
| |
| seemed to have turned to ice. Oh God, God! Must they know--must
| |
| Elizabeth know--that THAT was the woman who had been his mistress?
| |
| But there was not a hope, not the vestige of a hope, of any
| |
| mistake. She had screamed his name over and over again. Flo,
| |
| hearing the familiar voice, wriggled from under the pew, walked
| |
| down the aisle and wagged her tail at Ma Hla May. The wretched
| |
| woman was yelling out a detailed account of what Flory had done to
| |
| her.
| |
| | |
| 'Look at me, you white men, and you women, too, look at me! Look
| |
| how he has ruined me! Look at these rags I am wearing! And he is
| |
| sitting there, the liar, the coward, pretending not to see me! He
| |
| would let me starve at his gate like a pariah dog. Ah, but I will
| |
| shame you! Turn round and look at me! Look at this body that you
| |
| have kissed a thousand times--look--look--'
| |
| | |
| She began actually to tear her clothes open--the last insult of a
| |
| base-born Burmese woman. The harmonium squeaked as Mrs Lackersteen
| |
| made a convulsive movement. People had at last found their wits
| |
| and began to stir. The clergyman, who had been bleating
| |
| ineffectually, recovered his voice, 'Take that woman outside!' he
| |
| said sharply.
| |
| | |
| Flory's face was ghastly. After the first moment he had turned his
| |
| head away from the door and set his teeth in a desperate effort to
| |
| look unconcerned. But it was useless, quite useless. His face was
| |
| as yellow as bone, and the sweat glistened on his forehead.
| |
| Francis and Samuel, doing perhaps the first useful deed of their
| |
| lives, suddenly sprang from their pew, grabbed Ma Hla May by the
| |
| arms and hauled her outside, still screaming.
| |
| | |
| It seemed very silent in the church when they had finally dragged
| |
| her out of hearing. The scene had been so violent, so squalid,
| |
| that everyone was upset by it. Even Ellis looked disgusted. Flory
| |
| could neither speak nor stir. He sat staring fixedly at the altar,
| |
| his face rigid and so bloodless that the birth-mark seemed to glow
| |
| upon it like a streak of blue paint. Elizabeth glanced across the
| |
| aisle at him, and her revulsion made her almost physically sick.
| |
| She had not understood a word of what Ma Hla May was saying, but
| |
| the meaning of the scene was perfectly clear. The thought that he
| |
| had been the lover of that grey-faced, maniacal creature made her
| |
| shudder in her bones. But worse than that, worse than anything,
| |
| was his ugliness at this moment. His face appalled her, it was so
| |
| ghastly, rigid and old. It was like a skull. Only the birthmark
| |
| seemed alive in it. She hated him now for his birthmark. She had
| |
| never known till this moment how dishonouring, how unforgivable a
| |
| thing it was.
| |
| | |
| Like the crocodile, U Po Kyin had struck at the weakest spot. For,
| |
| needless to say, this scene was U Po Kyin's doing. He had seen his
| |
| chance, as usual, and tutored Ma Hla May for her part with
| |
| considerable care. The clergyman brought his sermon to an end
| |
| almost at once. As soon as it was over Flory hurried outside, not
| |
| looking at any of the others. It was getting dark, thank God. At
| |
| fifty yards from the church he halted, and watched the others
| |
| making in couples for the Club. It seemed to him that they were
| |
| hurrying. Ah, they would, of course! There would be something to
| |
| talk about at the Club tonight! Flo rolled belly-upwards against
| |
| his ankles, asking for a game. 'Get out, you bloody brute!' he
| |
| said, and kicked her. Elizabeth had stopped at the church door.
| |
| Mr Macgregor, happy chance, seemed to be introducing her to the
| |
| clergyman. In a moment the two men went on in the direction of Mr
| |
| Macgregor's house, where the clergyman was to stay for the night,
| |
| and Elizabeth followed the others, thirty yards behind them. Flory
| |
| ran after her and caught up with her almost at the Club gate.
| |
| | |
| 'Elizabeth!'
| |
| | |
| She looked round, saw him, turned white, and would have hurried on
| |
| without a word. But his anxiety was too great, and he caught her
| |
| by the wrist.
| |
| | |
| 'Elizabeth! I must--I've got to speak to you!'
| |
| | |
| 'Let me go, will you!'
| |
| | |
| They began to struggle, and then stopped abruptly. Two of the
| |
| Karens who had come out of the church were standing fifty yards
| |
| away, gazing at them through the half-darkness with deep interest.
| |
| Flory began again in a lower tone:
| |
| | |
| 'Elizabeth, I know I've no right to stop you like this. But I must
| |
| speak to you, I must! Please hear what I've got to say. Please
| |
| don't run away from me!'
| |
| | |
| 'What are you doing? Why are you holding on to my arm? Let me go
| |
| this instant!'
| |
| | |
| 'I'll let you go--there, look! But do listen to me, please!
| |
| Answer me this one thing. After what's happened, can you ever
| |
| forgive me?'
| |
| | |
| 'Forgive you? What do you mean, FORGIVE you?'
| |
| | |
| 'I know I'm disgraced. It was the vilest thing to happen! Only,
| |
| in a sense it wasn't my fault. You'll see that when you're calmer.
| |
| Do you think--not now, it was too bad, but later--do you think you
| |
| can forget it?'
| |
| | |
| 'I really don't know what you're talking about. Forget it? What
| |
| has it got to do with ME? I thought it was very disgusting, but
| |
| it's not MY business. I can't think why you're questioning me like
| |
| this at all.'
| |
| | |
| He almost despaired at that. Her tone and even her words were the
| |
| very ones she had used in that earlier quarrel of theirs. It was
| |
| the same move over again. Instead of hearing him out she was going
| |
| to evade him and put him off--snub him by pretending that he had no
| |
| claim upon her.
| |
| | |
| 'Elizabeth! Please answer me. Please be fair to me! It's serious
| |
| this time. I don't expect you to take me back all at once. You
| |
| couldn't, when I'm publicly disgraced like this. But, after all,
| |
| you virtually promised to marry me--'
| |
| | |
| 'What! Promised to marry you? WHEN did I promise to marry you?'
| |
| | |
| 'Not in words, I know. But it was understood between us.'
| |
| | |
| 'Nothing of the kind was understood between us! I think you are
| |
| behaving in the most horrible way. I'm going along to the Club at
| |
| once. Good evening!'
| |
| | |
| 'Elizabeth! Elizabeth! Listen. It's not fair to condemn me
| |
| unheard. You knew before what I'd done, and you knew that I'd
| |
| lived a different life since I met you. What happened this evening
| |
| was only an accident. That wretched woman, who, I admit, was once
| |
| my--well--'
| |
| | |
| 'I won't listen, I won't listen to such things! I'm going!'
| |
| | |
| He caught her by the wrists again, and this time held her. The
| |
| Karens had disappeared, fortunately.
| |
| | |
| 'No, no, you shall hear me! I'd rather offend you to the heart
| |
| than have this uncertainty. It's gone on week after week, month
| |
| after month, and I've never once been able to speak straight out to
| |
| you. You don't seem to know or care how much you make me suffer.
| |
| But this time you've got to answer me.'
| |
| | |
| She struggled in his grip, and she was surprisingly strong. Her
| |
| face was more bitterly angry than he had ever seen or imagined it.
| |
| She hated him so that she would have struck him if her hands were
| |
| free.
| |
| | |
| 'Let me go! Oh, you beast, you beast, let me go!'
| |
| | |
| 'My God, my God, that we should fight like this! But what else can
| |
| I do? I can't let you go without even hearing me. Elizabeth, you
| |
| MUST listen to me!'
| |
| | |
| 'I will not! I will not discuss it! What right have you to
| |
| question me? Let me go!'
| |
| | |
| 'Forgive me, forgive me! This one question. Will you--not now,
| |
| but later, when this vile business is forgotten--will you marry
| |
| me?'
| |
| | |
| 'No, never, never!'
| |
| | |
| 'Don't say it like that! Don't make it final. Say no for the
| |
| present if you like--but in a month, a year, five years--'
| |
| | |
| 'Haven't I said no? Why must you keep on and on?'
| |
| | |
| 'Elizabeth, listen to me. I've tried again and again to tell you
| |
| what you mean to me--oh, it's so useless talking about it! But do
| |
| try and understand. Haven't I told you something of the life we
| |
| live here? The sort of horrible death-in-life! The decay, the
| |
| loneliness, the self-pity? Try and realize what it means, and that
| |
| you're the sole person on earth who could save me from it.'
| |
| | |
| 'Will you let me go? Why do you have to make this dreadful scene?'
| |
| | |
| 'Does it mean nothing to you when I say that I love you? I don't
| |
| believe you've ever realized what it is that I want from you. If
| |
| you like, I'd marry you and promise never even touch you with my
| |
| finger. I wouldn't mind even that, so long as you were with me.
| |
| But I can't go on with my life alone, always alone. Can't you
| |
| bring yourself ever to forgive me?'
| |
| | |
| 'Never, never! I wouldn't marry you if you were the last man on
| |
| earth. I'd as soon marry the--the sweeper!'
| |
| | |
| She had begun crying now. He saw that she meant what she said.
| |
| The tears came into his own eyes. He said again:
| |
| | |
| 'For the last time. Remember that it's something to have one
| |
| person in the world who loves you. Remember that though you'll
| |
| find men who are richer, and younger, and better in every way than
| |
| I, you'll never find one who cares for you so much. And though I'm
| |
| not rich, at least I could make you a home. There's a way of
| |
| living--civilized, decent--'
| |
| | |
| 'Haven't we said enough?' she said more calmly. 'Will you let me
| |
| go before somebody comes?'
| |
| | |
| He relaxed his grip on her wrists. He had lost her, that was
| |
| certain. Like a hallucination, painfully clear, he saw again their
| |
| home as he had imagined it; he saw their garden, and Elizabeth
| |
| feeding Nero and the pigeons on the drive by the sulphur-yellow
| |
| phloxes that grew as high as her shoulder; and the drawing-room,
| |
| with the water-colours on the walls, and the balsams in the china
| |
| bowl mirrored by the table, and the book-shelves, and the black
| |
| piano. The impossible, mythical piano--symbol of everything that
| |
| that futile accident had wrecked!
| |
| | |
| 'You should have a piano,' he said despairingly.
| |
| | |
| 'I don't play the piano.'
| |
| | |
| He let her go. It was no use continuing. She was no sooner free
| |
| of him than she took to her heels and actually ran into the Club
| |
| garden, so hateful was his presence to her. Among the trees she
| |
| stopped to take off her spectacles and remove the signs of tears
| |
| from her face. Oh, the beast, the beast! He had hurt her wrists
| |
| abominably. Oh, what an unspeakable beast he was! When she
| |
| thought of his face as it had looked in church, yellow and
| |
| glistening with the hideous birthmark upon it, she could have
| |
| wished him dead. It was not what he had done that horrified her.
| |
| He might have committed a thousand abominations and she could have
| |
| forgiven him. But not after that shameful, squalid scene, and the
| |
| devilish ugliness of his disfigured face in that moment. It was,
| |
| finally, the birthmark that had damned him.
| |
| | |
| Her aunt would be furious when she heard that she had refused
| |
| Flory. And there was her uncle and his leg-pinching--between the
| |
| two of them, life here would become impossible. Perhaps she would
| |
| have to go Home unmarried after all. Black beetles! No matter.
| |
| Anything--spinsterhood, drudgery, anything--sooner than the
| |
| alternative. Never, never, would she yield to a man who had been
| |
| so disgraced! Death sooner, far sooner. If there had been
| |
| mercenary thoughts in her mind an hour ago, she had forgotten them.
| |
| She did not even remember that Verrall had jilted her and that to
| |
| have married Flory would have saved her face. She knew only that
| |
| he was dishonoured and less than a man, and that she hated him as
| |
| she would have hated a leper or a lunatic. The instinct was deeper
| |
| than reason or even self-interest, and she could no more have
| |
| disobeyed it than she could have stopped breathing.
| |
| | |
| Flory, as he turned up the hill, did not run, but he walked as fast
| |
| as he could. What he had to do must be done quickly. It was
| |
| getting very dark. The wretched Flo, who even now had not grasped
| |
| that anything serious was the matter, trotted close to his heels,
| |
| whimpering in a self-pitying manner to reproach him for the kick he
| |
| had given her. As he came up the path a wind blew through the
| |
| plaintain trees, rattling the tattered leaves and bringing a scent
| |
| of damp. It was going to rain again. Ko S'la had laid the dinner-
| |
| table and was removing some flying beetles that had committed
| |
| suicide against the petrol-lamp. Evidently he had not heard about
| |
| the scene in church yet.
| |
| | |
| 'The holy one's dinner is ready. Will the holy one dine now?'
| |
| | |
| 'No, not yet. Give me that lamp.'
| |
| | |
| He took the lamp, went into the bedroom and shut the door, The
| |
| stale scent of dust and cigarette-smoke met him, and in the white,
| |
| unsteady glare of the lamp he could see the mildewed books and the
| |
| lizards on the wall. So he was back again to this--to the old,
| |
| secret life--after everything, back where he had been before.
| |
| | |
| Was it not possible to endure it! He had endured it before. There
| |
| were palliatives--books, his garden, drink, work, whoring, shooting,
| |
| conversations with the doctor.
| |
| | |
| No, it was not endurable any longer. Since Elizabeth's coming the
| |
| power to suffer and above all to hope, which he had thought dead in
| |
| him, had sprung to new life. The half-comfortable lethargy in
| |
| which he had lived was broken. And if he suffered now, there was
| |
| far worse to come. In a little while someone else would marry her.
| |
| How he could picture it--the moment when he heard the news!--'Did
| |
| you hear the Lackersteen kid's got off at last? Poor old So-and-
| |
| so--booked for the altar, God help him,' etc., etc. And the casual
| |
| question--'Oh, really? When is it to be?'--stiffening one's face,
| |
| pretending to be uninterested. And then her wedding day approaching,
| |
| her bridal night--ah, not that! Obscene, obscene. Keep your eyes
| |
| fixed on that. Obscene. He dragged his tin uniform-case from under
| |
| the bed, took out his automatic pistol, slid a clip of cartridges
| |
| into the magazine, and pulled one into the breech.
| |
| | |
| Ko S'la was remembered in his will. There remained Flo. He laid
| |
| his pistol on the table and went outside. Flo was playing with Ba
| |
| Shin, Ko S'la's youngest son, under the lee of the cookhouse, where
| |
| the servants had left the remains of a woodfire. She was dancing
| |
| round him with her small teeth bared, pretending to bite him, while
| |
| the tiny boy, his belly red in the glow of the embers, smacked
| |
| weakly at her, laughing, and yet half frightened.
| |
| | |
| 'Flo! Come here, Flo!'
| |
| | |
| She heard him and came obediently, and then stopped short at the
| |
| bedroom door. She seemed to have grasped now that there was
| |
| something wrong. She backed a little and stood looking timorously
| |
| up at him, unwilling to enter the bedroom.
| |
| | |
| 'Come in here!'
| |
| | |
| She wagged her tail, but did not move.
| |
| | |
| 'Come on, Flo! Good old Flo! Come on!'
| |
| | |
| Flo was suddenly stricken with terror. She whined, her tail went
| |
| down, and she shrank back. 'Come here, blast you!' he cried, and
| |
| he took her by the collar and flung her into the room, shutting the
| |
| door behind her. He went to the table for the pistol.
| |
| | |
| 'No come here! Do as you're told!'
| |
| | |
| She crouched down and whined for forgiveness. It hurt him to hear
| |
| it. 'Come on, old girl! Dear old Flo! Master wouldn't hurt you.
| |
| Come here!' She crawled very slowly towards his feet, flat on her
| |
| belly, whining, her head down as though afraid to look at him.
| |
| When she was a yard away he fired, blowing her skull to fragments.
| |
| | |
| Her shattered brain looked like red velvet. Was that what he would
| |
| look like? The heart, then, not the head. He could hear the
| |
| servants running out of their quarters and shouting--they must have
| |
| heard the sound of the shot. He hurriedly tore open his coat and
| |
| pressed the muzzle of the pistol against his shirt. A tiny lizard,
| |
| translucent like a creature of gelatine, was stalking a white moth
| |
| along the edge of the table. Flory pulled the trigger with his
| |
| thumb.
| |
| | |
| As Ko S'la burst into the room, for a moment he saw nothing but the
| |
| dead body of the dog. Then he saw his master's feet, heels
| |
| upwards, projecting from beyond the bed. He yelled to the others
| |
| to keep the children out of the room, and all of them surged back
| |
| from the doorway with screams. Ko S'la fell on his knees behind
| |
| Flory's body, at the same moment as Ba Pe came running through the
| |
| veranda.
| |
| | |
| 'Has he shot himself?'
| |
| | |
| 'I think so. Turn him over on his back. Ah, look at that! Run
| |
| for the Indian doctor! Run for your life!'
| |
| | |
| There was a neat hole, no bigger than that made by a pencil passing
| |
| through a sheet of blotting-paper, in Flory's shirt. He was
| |
| obviously quite dead. With great difficulty Ko S'la managed to
| |
| drag him on to the bed, for the other servants refused to touch the
| |
| body. It was only twenty minutes before the doctor arrived. He
| |
| had heard only a vague report that Flory was hurt, and had bicycled
| |
| up the hill at top speed through a storm of rain. He threw his
| |
| bicycle down in the flower-bed and hurried in through the veranda.
| |
| He was out of breath, and could not see through his spectacles. He
| |
| took them off, peering myopically at the bed. 'What iss it, my
| |
| friend?' he said anxiously. 'Where are you hurt?' Then, coming
| |
| closer, he saw what was on the bed, and uttered a harsh sound.
| |
| | |
| 'Ach, what is this? What has happened to him?'
| |
| | |
| The doctor fell on his knees, tore Flory's shirt open and put his
| |
| ear to his chest. An expression of agony came into his face, and
| |
| he seized the dead man by the shoulders and shook him as though
| |
| mere violence could bring him to life. One arm fell limply over
| |
| the edge of the bed. The doctor lifted it back again, and then,
| |
| with the dead hand between his own, suddenly burst into tears. Ko
| |
| S'la was standing at the foot of the bed, his brown face full of
| |
| lines. The doctor stood up, and then losing control of himself for
| |
| a moment, leaned against the bedpost and wept noisily and
| |
| grotesquely his back turned on Ko S'la. His fat shoulders were
| |
| quivering. Presently he recovered himself and turned round again.
| |
| | |
| 'How did this happen?'
| |
| | |
| 'We heard two shots. He did it himself, that is certain. I do not
| |
| know why.'
| |
| | |
| 'How did you know that he did it on purpose? How do you know that
| |
| it was not an accident?'
| |
| | |
| For answer, Ko S'la pointed silently to Flo's corpse. The doctor
| |
| thought for a moment, and then, with gentle, practised hands,
| |
| swathed the dead man in the sheet and knotted it at foot and head.
| |
| With death, the birthmark had faded immediately, so that it was no
| |
| more than a faint grey stain.
| |
| | |
| 'Bury the dog at once. I will tell Mr Macgregor that this happened
| |
| accidentally while he was cleaning his revolver. Be sure that you
| |
| bury the dog. Your master was my friend. It shall not be written
| |
| on his tombstone that he committed suicide.'
| |
| | |
| == 25 ==
| |
| | |
| It was lucky that the padre should have been at Kyauktada, for he
| |
| was able, before catching the train on the following evening, to
| |
| read the burial service in due form and even to deliver a short
| |
| address on the virtues of the dead man. All Englishmen are
| |
| virtuous when they are dead. 'Accidental death' was the official
| |
| verdict (Dr Veraswami had proved with all his medico-legal skill
| |
| that the circumstances pointed to accident) and it was duly
| |
| inscribed upon the tombstone. Not that anyone believed it, of
| |
| course. Flory's real epitaph was the remark, very occasionally
| |
| uttered--for an Englishman who dies in Burma is so soon forgotten--
| |
| 'Flory? Oh yes, he was a dark chap, with a birthmark. He shot
| |
| himself in Kyauktada in 1926. Over a girl, people said. Bloody
| |
| fool.' Probably no one, except Elizabeth, was much surprised at
| |
| what had happened. There is a rather large number of suicides
| |
| among the Europeans in Burma, and they occasion very little
| |
| surprise.
| |
| | |
| Flory's death had several results. The first and most important of
| |
| them was that Dr Veraswami was ruined, even as he had foreseen.
| |
| The glory of being a white man's friend--the one thing that had
| |
| saved him before--had vanished. Flory's standing with the other
| |
| Europeans had never been good, it is true; but he was after all a
| |
| white man, and his friendship conferred a certain prestige. Once
| |
| he was dead, the doctor's ruin was assured. U Po Kyin waited the
| |
| necessary time, and then struck again, harder than ever. It was
| |
| barely three months before he had fixed it in the head of every
| |
| European in Kyauktada that the doctor was an unmitigated scoundrel.
| |
| No public accusation was ever made against him--U Po Kyin was most
| |
| careful of that. Even Ellis would have been puzzled to say just
| |
| what scoundrelism the doctor had been guilty of; but still, it was
| |
| agreed that he was a scoundrel. By degrees, the general suspicion
| |
| of him crystallized in a single Burmese phrase--'shok de'.
| |
| Veraswami, it was said, was quite a clever little chap in his way--
| |
| quite a good doctor for a native--but he was THOROUGHLY shok de.
| |
| Shok de means, approximately, untrustworthy, and when a 'native'
| |
| official comes to be known as shok de, there is an end of him.
| |
| | |
| The dreaded nod and wink passed somewhere in high places, and
| |
| the doctor was reverted to the rank of Assistant Surgeon and
| |
| transferred to Mandalay General Hospital. He is still there, and
| |
| is likely to remain. Mandalay is rather a disagreeable town--it
| |
| is dusty and intolerably hot, and it is said to have five main
| |
| products all beginning with P, namely, pagodas, pariahs, pigs,
| |
| priests and prostitutes--and the routine-work of the hospital is a
| |
| dreary business. The doctor lives just outside the hospital
| |
| grounds in a little bake-house of a bungalow with a corrugated iron
| |
| fence round its tiny compound, and in the evenings he runs a
| |
| private clinic to supplement his reduced pay. He has joined a
| |
| second-rate club frequented by Indian pleaders. Its chief glory is
| |
| a single European member--a Glasgow electrician named Macdougall,
| |
| sacked from the Irrawaddy Flotilla Company for drunkenness, and now
| |
| making a precarious living out of a garage. Macdougall is a dull
| |
| lout, only interested in whisky and magnetos. The doctor, who will
| |
| never believe that a white man can be a fool, tries almost every
| |
| night to engage him in what he still calls 'cultured conversation';
| |
| but the results are very unsatisfying.
| |
| | |
| Ko S'la inherited four hundred rupees under Flory's will, and with
| |
| his family he set up a tea-shop in the bazaar. But the shop
| |
| failed, as it was bound to do with the two women fighting in it at
| |
| all hours, and Ko S'la and Ba Pe were obliged to go back to
| |
| service. Ko S'la was an accomplished servant. Besides the useful
| |
| arts of pimping, dealing with money-lenders, carrying master to bed
| |
| when drunk and making pick-me-ups known as prairie oysters on the
| |
| following morning, he could sew, darn, refill cartridges, attend to
| |
| a horse, press a suit, and decorate a dinner-table with wonderful,
| |
| intricate patterns of chopped leaves and dyed rice-grains. He was
| |
| worth fifty rupees a month. But he and Ba Pe had fallen into lazy
| |
| ways in Flory's service, and, they were sacked from one job after
| |
| another. They had a bad year of poverty, and little Ba Shin
| |
| developed a cough, and finally coughed himself to death one
| |
| stifling hot-weather night. Ko S'la is now a second boy to a
| |
| Rangoon rice-broker with a neurotic wife who makes unending kit-
| |
| kit, and Ba Pe is pani-wallah in the same house at sixteen rupees a
| |
| month. Ma Hla May is in a brothel in Mandalay. Her good looks are
| |
| all but gone, and her clients pay her only four annas and sometimes
| |
| kick her and beat her. Perhaps more bitterly than any of the
| |
| others, she regrets the good time when Flory was alive, and when
| |
| she had not the wisdom to put aside any of the money she extracted
| |
| from him.
| |
| | |
| U Po Kyin realized all his dreams except one. After the doctor's
| |
| disgrace, it was inevitable that U Po Kyin should be elected to the
| |
| Club, and elected he was, in spite of bitter protests from Ellis.
| |
| In the end the other Europeans came to be rather glad that they had
| |
| elected him, for he was a bearable addition to the Club. He did
| |
| not come too often, was ingratiating in his manner, stood drinks
| |
| freely, and developed almost at once into a brilliant bridge-
| |
| player. A few months later he was transferred from Kyauktada and
| |
| promoted. For a whole year, before his retirement, he officiated
| |
| as Deputy Commissioner, and during that year alone he made twenty
| |
| thousand rupees in bribes. A month after his retirement he was
| |
| summoned to a durbar in Rangoon, to receive the decoration that had
| |
| been awarded to him by the Indian Government.
| |
| | |
| It was an impressive scene, that durbar. On the platform, hung
| |
| with flags and flowers, sat the Governor, frock-coated, upon a
| |
| species of throne, with a bevy of aides-de-camp and secretaries
| |
| behind him. All round the hall, like glittering waxworks, stood
| |
| the tall, bearded sowars of the Governor's bodyguard, with pennoned
| |
| lances in their hands. Outside, a band was blaring at intervals.
| |
| The gallery was gay with the white ingyis and pink scarves of
| |
| Burmese ladies, and in the body of the hall a hundred men or more
| |
| were waiting to receive their decorations. There were Burmese
| |
| officials in blazing Mandalay pasos, and Indians in cloth-of-gold
| |
| pagris, and British officers in full-dress uniform with clanking
| |
| sword-scabbards, and old thugyis with their grey hair knotted
| |
| behind their heads and silver-hilted dahs slung from their
| |
| shoulders. In a high, clear voice a secretary was reading out the
| |
| list of awards, which varied from the C.I.E. to certificates of
| |
| honour in embossed silver cases. Presently U Po Kyin's turn came
| |
| and the secretary read from his scroll:
| |
| | |
| 'To U Po Kyin, Deputy Assistant Commissioner, retired, for long and
| |
| loyal service and especially for his timely aid in crushing a most
| |
| dangerous rebellion in Kyauktada district'--and so on and so on.
| |
| | |
| Then two henchmen, placed there for the purpose hoisted U Po Kyin
| |
| upright, and he waddled to the platform, bowed as low as his belly
| |
| would permit, and was duly decorated and felicitated, while Ma Kin
| |
| and other supporters clapped wildly and fluttered their scarves
| |
| from the gallery.
| |
| | |
| U Po Kyin had done all that mortal man could do. It was time now
| |
| to be making ready for the next world--in short, to begin building
| |
| pagodas. But unfortunately, this was the very point at which his
| |
| plans went wrong. Only three days after the Governor's durbar,
| |
| before so much as a brick of those atoning pagodas had been laid, U
| |
| Po Kyin was stricken with apoplexy and died without speaking again.
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| There is no armour against fate. Ma Kin was heartbroken at the
| |
| disaster. Even if she had built the pagodas herself, it would have
| |
| availed U Po Kyin nothing; no merit can be acquired save by one's
| |
| own act. She suffers greatly to think of U Po Kyin where he must
| |
| be now--wandering in God knows what dreadful subterranean hell of
| |
| fire, and darkness, and serpents, and genii. Or even if he has
| |
| escaped the worst, his other fear has been realized, and he has
| |
| returned to the earth in the shape of a rat or a frog. Perhaps at
| |
| this very moment a snake is devouring him.
| |
| | |
| As to Elizabeth, things fell out better than she had expected.
| |
| After Flory's death Mrs Lackersteen, dropping all pretences for
| |
| once, said openly that there were no men in this dreadful place and
| |
| the only hope was to go and stay several months in Rangoon or
| |
| Maymyo. But she could not very well send Elizabeth to Rangoon or
| |
| Maymyo alone, and to go with her practically meant condemning Mr
| |
| Lackersteen to death from delirium tremens. Months passed, and the
| |
| rains reached their climax, and Elizabeth had just made up her mind
| |
| that she must go home after all, penniless and unmarried, when--Mr
| |
| Macgregor proposed to her. He had had it in his mind for a long
| |
| time; indeed, he had only been waiting for a decent interval to
| |
| elapse after Flory's death.
| |
| | |
| Elizabeth accepted him gladly. He was rather old, perhaps, but a
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| Deputy Commissioner is not to be despised--certainly he was a far
| |
| better match than Flory. They are very happy. Mr Macgregor was
| |
| always a good-hearted man, but he has grown more human and likeable
| |
| since his marriage. His voice booms less, and he has given up his
| |
| morning exercises. Elizabeth has grown mature surprisingly
| |
| quickly, and a certain hardness of manner that always belonged to
| |
| her has become accentuated. Her servants live in terror of her,
| |
| though she speaks no Burmese. She has an exhaustive knowledge of
| |
| the Civil List, gives charming little dinner-parties and knows how
| |
| to put the wives of subordinate officials in their places--in
| |
| short, she fills with complete success the position for which
| |
| Nature had designed her from the first, that of a burra memsahib.
| |
| | |
| THE END
| |