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| {{TextQuality|75%}}{{header
| | {{header |
| |author=Horace | | |author=Horace |
| |title=[[The Odes]] | | |title=[[The Odes]] |
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| |previous=[[The Odes/Book II|Book II]] | | |previous=[[The Odes/Book II|Book II]] |
| |section= Book III | | |section= Book III |
| |notes=Translated by [[A. S. Kline]] | | |notes= |
| }} | | }} |
| | __NOEDITSECTION__ |
| | __TOC__ |
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| <div class="verse"> | | <div class="verse"> |
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| | === Book III === |
| #[[The Odes/Book III/1|Odi Profanum]] | | #[[The Odes/Book III/1|Odi Profanum]] |
| #[[The Odes/Book III/2|Dulce Et Decorum Est]] | | #[[The Odes/Book III/2|Dulce Et Decorum Est]] |
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| #[[The Odes/Book III/14|Augustus Returns]] | | #[[The Odes/Book III/14|Augustus Returns]] |
| #[[The Odes/Book III/15|Too Old]] | | #[[The Odes/Book III/15|Too Old]] |
| === BkIII:XVI Just Enough ===
| | #[[The Odes/Book III/16|Just Enough]] |
| | #[[The Odes/Book III/17|The Approaching Storm]] |
| | #[[The Odes/Book III/18|To Faunus]] |
| | #[[The Odes/Book III/19|Let’s Drink]] |
| | #[[The Odes/Book III/20|The Conflict]] |
| | #[[The Odes/Book III/21|Praise Of Wine]] |
| | #[[The Odes/Book III/22|To Diana]] |
| | #[[The Odes/Book III/23|Pure Hands]] |
| | #[[The Odes/Book III/24|Destructive Wealth]] |
| | #[[The Odes/Book III/25|Bacchanalian Song]] |
| | #[[The Odes/Book III/26|Enough]] |
| | #[[The Odes/Book III/27|Europa]] |
| | #[[The Odes/Book III/28|For Neptune]] |
| | #[[The Odes/Book III/29|Fortune]] |
| | #[[The Odes/Book III/30|Aere Perennius]] |
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| The towers made of bronze, and the doors made of oak,
| | === Index of First Lines === |
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| and the watch-dogs sombre vigil, would, surely, have
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| been enough, to protect imprisoned Danaë,
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| from adulterers in the night,
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| if Jupiter, and then Venus, hadn’t been laughing
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| at Acrisius, the girl’s anxious guardian:
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| since they knew that the path would be safe and open,
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| with the god as a shower of gold.
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| Gold loves to travel in the midst of fine servants,
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| and break through the rocks, since it’s far more powerful
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| than lightning bolts: didn’t the Greek prophet’s house fall
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| because of his riches, and sink
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| to ruin: and with gifts, the Macedonian
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| burst the gates of the cities, brought rival kingdoms
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| to destruction: and gifts of gold, too, are able
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| to snare fierce naval commanders.
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| Anxiety, and the hunger for more, pursues
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| growing wealth. It’s right, then, that I shrank from raising
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| my head to be seen far and wide, dear Maecenas,
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| glory of the Equestrians.
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| The more that a man denies himself, then the more
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| will flow from the gods: so naked, I seek the camp
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| of those who ask for nothing, I’m a deserter,
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| eager to abandon the rich,
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| a more glorious lord of the wealth that I spurn,
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| than if it were said I conceal, deep in my barns,
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| whatever the busy Apulians harvest:
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| destitute among great riches.
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| A stream of pure water, a few woodland acres,
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| and a confident faith in the crops from my fields,
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| are more blessed than the fate that deceives the shining
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| master of fertile Africa.
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| Though it’s true the Calabrian bees don’t bring me
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| their honey, and no Laestrygonian wine-jar
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| mellows for me, with no glossy fleece thickening
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| for me in the pastures of Gaul:
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| yet there’s still no presence of grinding poverty,
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| nor if I wished for more would you deny it me.
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| I can eke out my income more effectively
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| by constraining what I desire,
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| than if I were to join the Mygdonian plains
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| to the Lydian kingdom. To those who want much,
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| much is lacking: he’s happy to whom the god grants
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| just enough, from a careful hand.
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| === BkIII:XVII The Approaching Storm ===
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| Aelius, noble descendant of ancient
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| Lamus (and they say the Lamiae of old
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| were named from him, the ancestral line,
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| through all of our recorded history):
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| you come from him, the original founder,
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| who, it’s said, first held the walls of Formiae
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| and Latium’s River Liris where
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| it floods the shores of the nymph, Marica,
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| he the lord, far and wide. Tomorrow a storm
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| sent from the East, will fill all the woodland grove
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| with leaves, and the sands with useless weed,
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| unless the raven, old prophet of rain,
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| is wrong. Pile up the dry firewood while you can:
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| tomorrow, with your servants, released from their
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| labours, cheer your spirit with neat wine,
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| and a little pig, only two months old.
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| === BkIII:XVIII To Faunus ===
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| Faunus, the lover of Nymphs who are fleeing,
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| may you pass gently over my boundaries,
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| my sunny fields, and, as you go by, be kind
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| to all my new-born,
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| if at the end of the year a tender kid
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| is sacrificed to you: if the full bowls of wine,
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| aren’t lacking, friend of Venus: the old altar
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| smoking with incense.
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| All the flock gambols over the grassy plain,
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| when the fifth of December returns for you:
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| the festive village empties into the fields,
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| and the idle herd:
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| the wolf wanders among the audacious lambs:
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| for you the woods, wildly, scatter their leaves:
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| the ditcher delights in striking the soil he
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| hates, in triple time.
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| === BkIII:XIX Let’s Drink ===
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| You can tell me the years between
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| Inachus and Codrus, who wasn’t afraid to
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| die for his country, Aeacus’
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| line, and the fights by the walls at sacred Troy:
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| but you can’t say what price we’ll pay
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| for a jar of Chian wine, who’ll heat the water,
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| or under whose roof, at what time,
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| I can escape at last from Paelignian cold.
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| Don’t wait: drink to the new moon, boy,
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| to the midnight hour, to the augur, Murena:
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| the wine is mixed in three measures,
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| or nine, depending which of the two is fitting.
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| The poet, inspired, who’s in love
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| with the odd-numbered Muses, will ask for three times
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| three: fearing our quarrels, the Grace,
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| who’s hand in hand with her naked sisters, forbids
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| more than triple. I like to rave:
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| why have the blasts of the Berecyntian flute
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| fallen silent? Why is the pipe
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| hanging there speechless, next door to the speechless lyre?
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| I dislike those hands that refrain:
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| scatter rose petals: and let envious Lycus
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| hear our demented noise-making,
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| and the girl who’s next door, who won’t suit old Lycus.
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| Ripe Rhode is searching for you,
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| Telephus, you with the glistening hair, oh you,
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| who are like the pure evening star:
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| while a slow love, for Glycera, has me on fire.
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| === BkIII:XX The Conflict ===
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| Pyrrhus, you can’t see how dangerous it is
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| to touch the Gaetulian lioness’ cub?
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| Soon you’ll be running from all that hard fighting,
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| a spiritless thief,
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| while she goes searching for lovely Nearchus,
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| through obstructive crowds of young men: ah, surely
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| the fight will be great, whether the prize is yours,
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| or, more likely, hers.
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| Meanwhile, as you produce your swift arrows, as
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| she is sharpening her fearsome teeth, the battle’s
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| fine judge is said to have trampled the palm leaf,
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| beneath his bare foot,
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| and he’s cooling his shoulders, draped in perfumed
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| hair, in the gentle breeze, just like Nireus,
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| or like Ganymede, who was snatched away from
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| Ida rich in streams.
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| ===BkIII:XXI Praise Of Wine ===
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| Faithful wine-jar, born, with me, in Manlius’
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| Consulship, whether you bring moans or laughter,
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| whether you bring mad love, and quarrels,
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| or whether you bring us gentle slumber,
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| whatever the end of the vintage Massic
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| you guard, that’s worthy of some auspicious day,
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| be emptied, Corvinus orders us
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| to bring out a much less powerful wine.
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| You apply gentle torture to wits that are
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| mostly dull: you reveal the cares of the wise,
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| and you uncover their secret thoughts,
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| by means of Bacchus’ happy pleasantries:
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| you bring fresh hope to those minds that are distressed,
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| and grant the poor man strength and courage, through you
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| he no longer trembles at the crowns
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| of angry kings, nor at soldiers’ weapons.
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| You, Bacchus, and delightful Venus, if she
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| would come, the Graces, reluctant to dissolve
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| their knot, and the bright lamps, will be here,
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| till Phoebus puts the stars to flight again.
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| === BkIII:XXII To Diana ===
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| Virgin protectress of the mountain and the grove,
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| who, called on three times, hears young girls, labouring
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| through childbirth, and rescues them from dying, O
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| triple formed goddess,
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| may it be yours, this pine-tree above my farm,
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| so that I may, happily, through passing years,
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| offer it the blood of a boar, that’s trying
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| its first sidelong thrusts.
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| === BkIII:XXIII Pure Hands ===
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| Phidyle, my country girl, if you raise your
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| upturned palms to heaven, at the new-born moon,
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| if you placate the Lares with corn
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| from this year’s harvest, with a greedy pig:
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| your fruiting vines won’t suffer the destructive
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| southerlies, nor your crops the killing mildew,
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| nor will the young of the flock be born
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| in that sickly season, heavy with fruit.
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| Since the destined victim, grazing, on snowy
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| Algidus, amongst the oak and ilex trees,
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| or fattening in the Alban meadows,
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| will stain the axes of the priest with blood:
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| there’s no need for you to try and influence
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| the gods, with repeated sacrifice of sheep
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| while you crown their tiny images
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| with rosemary, and the brittle myrtle.
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| If pure hands have touched the altar, even though
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| they’ve not gratified with lavish sacrifice,
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| they’ll mollify hostile Penates,
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| with the sacred corn, and the dancing grain.
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| === BkIII:XXIV Destructive Wealth ===
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| Though you’re richer than the untouched
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| riches of Araby, than wealthy India,
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| and you fill the land, and inshore
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| waters, with your deposits of builders’ rubble:
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| if dread Necessity fixes
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| her adamantine nails in your highest rooftops,
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| you’ll not free your spirit from fear,
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| nor free your very being from the noose of death.
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| Better to live like Scythians
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| in the Steppes, whose wagons haul their movable homes,
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| that’s custom, or the fierce Getae,
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| whose unallocated acres produce their fruits,
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| their harvests of rye, in common,
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| where cultivation’s not decided for more than
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| a year, and when one turn is done,
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| it’s carried on by other hands, as a duty.
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| There, as their own, the unselfish
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| women raise those children who have lost their mothers:
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| and the richly dowered wife never
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| rules her husband, or believes in shining lovers.
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| Their greatest dowry’s their parents’
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| virtue, and their own chastity, which is careful
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| of another’s husband, in pure
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| loyalty, sin is wrong and death’s its penalty.
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| O whoever would end impious
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| killing, and civil disorder, and would desire
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| to have ‘City Father’ inscribed
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| on their statues, let them be braver, and rein in
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| unbridled licence, and win fame
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| among posterity: since we, alas, for shame,
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| filled with envy, hate chaste virtue,
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| and only seek it when it’s hidden from our eyes.
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| What use are sad lamentations,
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| if crime is never suppressed by its punishment?
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| What use are all these empty laws
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| without the behaviour that should accompany them?
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| if neither those parts of the Earth
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| enclosed by heat, nor those far confines of the North,
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| snow frozen solid on the ground,
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| deter the trader, if cunning sailors conquer
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| the stormy seas, if poverty,
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| is considered a great disgrace, and directs us
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| to do and to bear everything,
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| and abandon the arduous paths of virtue?
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| Let’s send our jewels, our precious
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| stones, our destructive gold, to the Capitol, while
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| the crowd applauds, and raises its strident clamour,
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| or ship them to the nearest sea,
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| as causes of our deepest ills,
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| if we truly repent of all our wickedness.
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| Let the source of our perverted
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| greed be lost, and then let our inadequate minds
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| be trained in more serious things.
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| The inexperienced noble youth is unskilled
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| at staying in the saddle, he
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| fears to hunt, and he’s much better at playing games,
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| whether you order him to fool
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| with a Greek hoop, or you prefer forbidden dice,
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| while his father’s perjured trust cheats
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| his partner and his friends, hurrying to amass
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| money for his unworthy heir.
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| While it’s true that in this way his ill-gotten gains
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| increase, yet there’s always something
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| lacking in a fortune forever incomplete.
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| ===BkIII:XXV Bacchanalian Song ===
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| Where are you taking me, Bacchus,
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| now I’m full of you? To what caves or groves, driven,
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| swiftly, by new inspiration?
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| In what caverns will I be heard planning to set
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| illustrious Caesar’s lasting
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| glory among the stars, in the councils of Jove?
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| I’ll sing a recent achievement,
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| not yet sung by other lips. So does the sleepless
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| Bacchante, stand in amazement
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| on a mountain-ridge, gazing at Hebrus, at Thrace,
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| shining with snow, at Rhodope,
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| trodden by barbarous feet, even as I like
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| to wander gazing, at river
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| banks, and echoing groves. O master of Naiads,
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| of Bacchae owning the power
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| to uproot the tallest ash-trees, with their bare hands,
| |
|
| |
|
| |
|
| |
| I’ll sing nothing trivial, no
| |
|
| |
| humble measure, nothing that dies. O, Lenaeus,
| |
|
| |
| the danger of following a god
| |
|
| |
| is sweet, wreathing my brow with green leaves of the vine.
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| === BkIII:XXVI Enough ===
| |
|
| |
|
| |
|
| |
| I was suited to sweethearts till now, and performed
| |
|
| |
| my service, not without glory: but now this wall
| |
|
| |
| that protects the left flank of Venus,
| |
|
| |
| the girl from the sea, shall have my weapons,
| |
|
| |
|
| |
|
| |
| and hold up the lyre that has finished with warfare.
| |
|
| |
| Here, O here, place the shining torches, and set up
| |
|
| |
| the crowbars, and set up the axes,
| |
|
| |
| so that they menace opposite doorways.
| |
|
| |
|
| |
|
| |
| O goddess, you who possess rich Cyprus, O queen,
| |
|
| |
| who holds Memphis, that’s free of Sithonian snows,
| |
|
| |
| touch, just for once, arrogant Chloë,
| |
|
| |
| touch her, just once, with your whip, lifted high.
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| === BkIII:XXVII Europa ===
| |
|
| |
|
| |
|
| |
| Let the wicked be led by omens of screeching
| |
|
| |
| from owls, by pregnant dogs, or a grey-she wolf,
| |
|
| |
| hurrying down from Lanuvian meadows,
| |
|
| |
| or a fox with young:
| |
|
| |
|
| |
|
| |
| May a snake disturb the journey they’ve started,
| |
|
| |
| terrifying the ponies like an arrow
| |
|
| |
| flashing across the road: but I far-seeing
| |
|
| |
| augur, with prayer
| |
|
| |
|
| |
|
| |
| for him whom I’m fearful for, out of the east
| |
|
| |
| I’ll call up the ominous raven, before
| |
|
| |
| the bird that divines the imminent showers
| |
|
| |
| seeks standing water.
| |
|
| |
|
| |
|
| |
| Galatea, wherever you choose to live
| |
|
| |
| may you be happy, and live in thought of me:
| |
|
| |
| no woodpecker on your left, or errant crow
| |
|
| |
| to bar your going.
| |
|
| |
|
| |
|
| |
| But see, with what storms flickering Orion
| |
|
| |
| is setting. I know how the Adriatic’s
| |
|
| |
| black gulf can be, and how the bright westerly
| |
|
| |
| wind commits its sins.
| |
|
| |
|
| |
|
| |
| Let the wives and children of our enemy
| |
|
| |
| feel the blind force of the rising southerly,
| |
|
| |
| and the thunder of the dark waters, the shores
| |
|
| |
| trembling at the blow.
| |
|
| |
|
| |
|
| |
| So, Europa entrusted her snow-white form
| |
|
| |
| to the bull’s deceit, and the brave girl grew pale,
| |
|
| |
| at the sea alive with monsters, the dangers
| |
|
| |
| of the deep ocean.
| |
|
| |
|
| |
|
| |
| Leaving the meadow, where, lost among flowers,
| |
|
| |
| she was weaving a garland owed to the Nymphs,
| |
|
| |
| now, in the luminous night, she saw nothing
| |
|
| |
| but water and stars.
| |
|
| |
|
| | === Metres Used in Book III. === |
| | | |
|
| |
|
| As soon as she reached the shores of Crete, mighty
| |
|
| |
| with its hundred cities, she cried: ‘O father,
| |
|
| |
| I’ve lost the name of daughter, my piety
| |
|
| |
| conquered by fury.
| |
|
| |
|
| |
|
| |
| Where have I come from, where am I going? One
| |
|
| |
| death is too few for a virgin’s sin. Am I
| |
|
| |
| awake, weeping a vile act, or free from guilt,
| |
|
| |
| mocked by a phantom,
| |
|
| |
|
| |
|
| |
| that fleeing, false, from the ivory gate brings
| |
|
| |
| only a dream? Is it not better to pick
| |
|
| |
| fresh flowers than to go travelling over
| |
|
| |
| the breadths of the sea?
| |
|
| |
|
| |
|
| |
| If anyone now could deliver that foul
| |
|
| |
| beast to my anger, I’d attempt to wound it
| |
|
| |
| with steel, and shatter the horns of that monster,
| |
|
| |
| the one I once loved.
| |
|
| |
|
| |
|
| |
| I’m shameless, I’ve abandoned my country’s gods,
| |
|
| |
| I’m shameless, I keep Orcus waiting. O if
| |
|
| |
| one of the gods can hear, I wish I might walk
| |
|
| |
| naked with lions!
| |
|
| |
|
| |
|
| |
| Before vile leanness hollows my lovely cheeks,
| |
|
| |
| and the juices ebb in this tender victim,
| |
|
| |
| while I am still beautiful, I’ll seek to be
| |
|
| |
| food for the tigers.
| |
|
| |
|
| |
|
| |
| My absent father urges me on: ‘Why wait
| |
|
| |
| to die, worthless Europa? Happily you
| |
|
| |
| can hang by the neck from this ash-tree: use
| |
|
| |
| the sash that’s with you.
| |
|
| |
|
| |
|
| |
| Or if cliffs and the sharpened rocks attract you,
| |
|
| |
| as a means of death, put your trust in the speed
| |
|
| |
| of the wind, unless you’d rather be carding
| |
|
| |
| some mistress’s wool,
| |
|
| |
|
| |
|
| |
| you, of royal blood, be handed over, as
| |
|
| |
| concubine to a barbarous queen.’ She moaned:
| |
|
| |
| Venus was laughing, treacherously, with her
| |
|
| |
| son, his bow unstrung.
| |
|
| |
|
| |
|
| |
| When she’d toyed enough with her, she said: ‘Refrain
| |
|
| |
| from anger and burning passion, when the bull,
| |
|
| |
| you hate, yields you his horns again, so that you
| |
|
| |
| can start to wound them.
| |
|
| |
|
| |
|
| |
| Don’t you know you’re invincible Jupiter’s
| |
|
| |
| wife. Stop your sobbing, and learn to carry your
| |
|
| |
| good fortune well: a continent of the Earth
| |
|
| |
| will be named for you.
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| === BkIII:XXVIII For Neptune ===
| |
|
| |
|
| |
|
| |
| What better thing is there to do,
| |
|
| |
| on Neptune’s festive day? Lyde, brisk now, bring up
| |
|
| |
| Caecuban wine, from my reserve,
| |
|
| |
| and apply some pressure to wisdom’s defences.
| |
|
| |
|
| |
|
| |
| You can see the day is dying,
| |
|
| |
| and yet, as if the flying hours were standing still,
| |
|
| |
| you’re slow to fetch from the cellar
| |
|
| |
| that wine-jar put down in Bibulus’ Consulship.
| |
|
| |
|
| |
|
| |
| We’ll sing, one after the other,
| |
|
| |
| I, of Neptune, I, the Nereids’ sea-green hair:
| |
|
| |
| you reply on the curving lyre
| |
|
| |
| with Latona, and Cynthia’s speeding arrows:
| |
|
| |
|
| |
|
| |
| we’ll end the song with she who holds
| |
|
| |
| Cnidos, the shining Cyclades, she who visits
| |
|
| |
| Paphos: Venus, drawn by her swans:
| |
|
| |
| and we’ll celebrate night too, with a fitting song.
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| === BkIII:XXIX Fortune ===
| |
|
| |
|
| |
|
| |
| Maecenas, son of Etruscan kings, a jar
| |
|
| |
| of mellow wine, that nobody’s touched, awaits
| |
|
| |
| you, at my house, and with rose-petals,
| |
|
| |
| and balsam, for your hair, squeezed from the press.
| |
|
| |
|
| |
|
| |
| Escape from what delays you: don’t always be
| |
|
| |
| thinking of moist Tibur, and of Aefula’s
| |
|
| |
| sloping fields, and of the towering heights
| |
|
| |
| of Telegonus, who killed his father.
| |
|
| |
|
| |
|
| |
| Forget the fastidiousness of riches,
| |
|
| |
| and those efforts to climb to the lofty clouds,
| |
|
| |
| stop being so amazed by the smoke,
| |
|
| |
| and the wealth, and the noise, of thriving Rome.
| |
|
| |
|
| |
|
| |
| A change usually pleases the rich: a meal
| |
|
| |
| that’s simple beneath a poor man’s humble roof,
| |
|
| |
| without the tapestries and purple,
| |
|
| |
| smooths the furrows on a wrinkled forehead.
| |
|
| |
|
| |
|
| |
| Already Cepheus, Andromeda’s bright
| |
|
| |
| father, shows his hidden fires, and now Procyon
| |
|
| |
| rages, and Leo’s furious stars,
| |
|
| |
| as the sun returns with his parching days:
| |
|
| |
|
| |
|
| |
| Now the shepherd, with his listless flock, searches
| |
|
| |
| for the shade, and the stream and the thickets
| |
|
| |
| of shaggy Silvanus, the silent banks
| |
|
| |
| lack even the breath of a wandering breeze.
| |
|
| |
|
| |
|
| |
| You’re worrying about state politics,
| |
|
| |
| and, anxious about the City, you’re fretting
| |
|
| |
| what the Seres, and Bactra, Cyrus
| |
|
| |
| once ruled, and troublesome Don, are plotting.
| |
|
| |
|
| |
|
| |
| The wise god buries the future’s outcome deep
| |
|
| |
| in shadowy night, and smiles at those mortals
| |
|
| |
| who are agitated far beyond
| |
|
| |
| what’s sensible. Remember, with calmness,
| |
|
| |
|
| |
|
| |
| reconcile yourself to what is: the rest is
| |
|
| |
| carried along like a river, gliding now,
| |
|
| |
| peacefully, in mid-stream, and down
| |
|
| |
| to the Tuscan Sea, now rolling around
| |
|
| |
|
| |
|
| |
| polished stones, uprooted trees, the flocks, and homes
| |
|
| |
| together, with the echoes from the mountains,
| |
|
| |
| and the neighbouring woods, while the wild
| |
|
| |
| deluge stirs the peaceful tributaries.
| |
|
| |
|
| |
|
| |
| He’s happy, he’s his own master, who can say
| |
|
| |
| each day: ‘I’ve lived: tomorrow, the Father may
| |
|
| |
| fill the heavens with darkening cloud,
| |
|
| |
| or fill the sky with radiant sunshine:
| |
|
| |
|
| |
|
| |
| yet he can’t render whatever is past as
| |
|
| |
| null and void, he can never seek to alter,
| |
|
| |
| or return and undo, whatever
| |
|
| |
| the fleeting moment tosses behind it.
| |
|
| |
|
| |
|
| |
| Fortune takes delight in her cruel business,
| |
|
| |
| determined to play her extravagant games,
| |
|
| |
| and she alters her fickle esteem,
| |
|
| |
| now kind to me, and, now, to some other.
| |
|
| |
|
| |
|
| |
| I praise her while she’s here: but if she flutters
| |
|
| |
| her swift wings, I resign the gifts she gave, wrap
| |
|
| |
| myself in virtue, and woo honest
| |
|
| |
| Poverty, even though she’s no dowry.
| |
|
| |
|
| |
|
| |
| When the masts are groaning in African gales,
| |
|
| |
| it’s not for me to ask in wretched prayer,
| |
|
| |
| that my Cyprian and Tyrian
| |
|
| |
| wares should be saved entire not add new wealth
| |
|
| |
|
| |
|
| |
| to the greedy sea: and then the light breezes,
| |
|
| |
| Pollux, and Castor his brother, carry me
| |
|
| |
| safely through the stormy Aegean,
| |
|
| |
| all with the aid of my double-oared skiff.
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| === BkIII:XXX Aere Perennius ===
| |
|
| |
|
| |
|
| |
| I’ve raised a monument, more durable than bronze,
| |
|
| |
| one higher than the Pyramids’ royal towers,
| |
|
| |
| that no devouring rain, or fierce northerly gale,
| |
|
| |
| has power to destroy: nor the immeasurable
| |
|
| |
| succession of years, and the swift passage of time.
| |
|
| |
| I’ll not utterly die, but a rich part of me,
| |
|
| |
| will escape Persephone: and fresh with the praise
| |
|
| |
| of posterity, I’ll rise, beyond. While the High
| |
|
| |
| Priest, and the silent Virgin, climb the Capitol,
| |
|
| |
| I’ll be famous, I, born of humble origin,
| |
|
| |
| (from where wild Aufidus roars, and where Daunus once,
| |
|
| |
| lacking in streams, ruled over a rural people)
| |
|
| |
| as the first to re-create Aeolian song
| |
|
| |
| in Italian verse. Melpomene, take pride,
| |
|
| |
| in what has been earned by your merit, and, Muse,
| |
|
| |
| willingly, crown my hair, with the Delphic laurel.
| |
|
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| == Index of First Lines ==
| |
|
| |
|
| |
|
| |
|
| |
| I hate the vulgar crowd, and keep them away:5
| |
|
| |
| Let the boy toughened by military service. 7
| |
|
| |
| The passion of the public, demanding what9
| |
|
| |
| O royal Calliope, come from heaven,12
| |
|
| |
| We believe thunderous Jupiter rules the sky:15
| |
|
| |
| Romans, though you’re guiltless, you’ll still expiate. 17
| |
|
| |
| Why weep, Asterie, for Gyges, whom west winds. 19
| |
|
| |
| You, an expert in prose in either language,21
| |
|
| |
| ‘While I was the man, dear to you,22
| |
|
| |
| If you drank the water of furthest Don, Lyce,23
| |
|
| |
| Mercury (since, taught by you, his master,24
| |
|
| |
| Girls are wretched who can’t allow free play to love, or drown their cares. 26
| |
|
| |
| O Bandusian fountain, brighter than crystal,27
| |
|
| |
| O citizens, conquering Caesar is home. 28
| |
|
| |
| O, dear wife of poor Ibycus,29
| |
|
| |
| The towers made of bronze, and the doors made of oak,30
| |
|
| |
| Aelius, noble descendant of ancient32
| |
|
| |
| Faunus, the lover of Nymphs who are fleeing,33
| |
|
| |
| You can tell me the years between. 34
| |
|
| |
| Pyrrhus, you can’t see how dangerous it is. 35
| |
|
| |
| Faithful wine-jar, born, with me, in Manlius’36
| |
|
| |
| Virgin protectress of the mountain and the grove,37
| |
|
| |
| Phidyle, my country girl, if you raise your38
| |
|
| |
| Though you’re richer than the untouched. 39
| |
|
| |
| Where are you taking me, Bacchus,42
| |
|
| |
| I was suited to sweethearts till now, and performed. 43
| |
|
| |
| Let the wicked be led by omens of screeching. 44
| |
|
| |
| What better thing is there to do,47
| |
|
| |
| Maecenas, son of Etruscan kings, a jar48
| |
|
| |
| I’ve raised a monument, more durable than bronze,51
| |
|
| |
|
| |
|
| |
|
| |
|
| |
| == Metres Used in Book III. ==
| |
|
| |
|
| |
|
| |
|
| |
| The number of syllables most commonly employed in each standard line of the verse is given. This may vary slightly for effect (two beats substituted for three etc.) in a given line.
| |
|
| |
|
| |
|
| |
| Alcaic Strophe: 11 (5+6) twice, 9, 10
| |
|
| |
| used in Odes: 1-6,17,21,23,26,29
| |
|
| |
|
| |
|
| |
| Sapphic and Adonic: 11(5+6) three times, 5
| |
|
| |
| Odes: 8,11,14,18,20,22,27
| |
|
| |
|
| |
|
| |
| First Asclepiadean: 12 (6+6) all lines
| |
|
| |
| Ode: 30
| |
|
| |
|
| |
|
| |
| Second Asclepiadean: 8, 12 (6+6), alternating
| |
|
| |
| Odes: 9,15,19,24,25,28
| |
|
| |
|
| |
|
| |
| Third Asclepiadean: 12 (6+6) three times, 8
| |
|
| |
| Odes 10,16
| |
|
| |
|
| |
|
| |
| Fourth Asclepiadean: 12 (6+6) twice, 7, 8
| |
|
| |
| Odes: 7,13
| |
|
| |
|
| |
|
| |
| Fifth Asclepiadean: 16 (6+4+6) all lines
| |
|
| |
| Odes: None in Book III
| |
|
| |
|
| |
|
| |
| Alcmanic Strophe: 17 (7+10) or less, 11 or less, alternating
| |
|
| |
| Odes: None in Book III
| |
|
| |
|
| |
|
| |
| First Archilochian: 17 (7+10) or less, 7 alternating
| |
|
| |
| Odes: None in Book III
| |
|
| |
|
| |
|
| |
| Fourth Archilochian Strophe: 18 (7+11) or less, 11 (5+6) alternating
| |
|
| |
| Odes: None in Book III
| |
|
| |
|
| |
|
| |
| Second Sapphic Strophe: 7, 15 (5+10) alternating
| |
|
| |
| Odes: None in Book III
| |
|
| |
|
| |
|
| |
| Trochaic Strophe: 7,11 alternating
| |
|
| |
| Odes: None in Book III
| |
|
| |
|
| |
|
| |
| Ionic a Minore: 16 twice, 8
| |
|
| |
| Ode: 12
| |
| </div> | | </div> |
|
| |
|
| [[Category:Poetry]] | | [[Category:Poetry]] |