The Odes/Book III

Book II

The Odes Book III written by Horace

Book IV

Translated by A. S. Kline

1. Odi Profanum
2. Dulce Et Decorum Est
3. Stand Firm
4. Temper Power With Wisdom
5. No Surrender
6. Moral Decadence
7. Be True
8. Celebration
9. A Dialogue
10. Cruel One
11. Remember the Danaids
12. Neobule, to Herself
13. O Fons Bandusiae
14. Augustus Returns
15. Too Old
16. Just Enough
17. The Approaching Storm
18. To Faunus
19. Let’s Drink
20. The Conflict
21. Praise Of Wine
22. To Diana
23. Pure Hands
24. Destructive Wealth
25. Bacchanalian Song
26. Enough
27. Europa

BkIII:XXVIII For Neptune

What better thing is there to do,

on Neptune’s festive day? Lyde, brisk now, bring up

Caecuban wine, from my reserve,

and apply some pressure to wisdom’s defences.

You can see the day is dying,

and yet, as if the flying hours were standing still,

you’re slow to fetch from the cellar

that wine-jar put down in Bibulus’ Consulship.

We’ll sing, one after the other,

I, of Neptune, I, the Nereids’ sea-green hair:

you reply on the curving lyre

with Latona, and Cynthia’s speeding arrows:

we’ll end the song with she who holds

Cnidos, the shining Cyclades, she who visits

Paphos: Venus, drawn by her swans:

and we’ll celebrate night too, with a fitting song.

BkIII:XXIX Fortune

Maecenas, son of Etruscan kings, a jar

of mellow wine, that nobody’s touched, awaits

you, at my house, and with rose-petals,

and balsam, for your hair, squeezed from the press.

Escape from what delays you: don’t always be

thinking of moist Tibur, and of Aefula’s

sloping fields, and of the towering heights

of Telegonus, who killed his father.

Forget the fastidiousness of riches,

and those efforts to climb to the lofty clouds,

stop being so amazed by the smoke,

and the wealth, and the noise, of thriving Rome.

A change usually pleases the rich: a meal

that’s simple beneath a poor man’s humble roof,

without the tapestries and purple,

smooths the furrows on a wrinkled forehead.

Already Cepheus, Andromeda’s bright

father, shows his hidden fires, and now Procyon

rages, and Leo’s furious stars,

as the sun returns with his parching days:

Now the shepherd, with his listless flock, searches

for the shade, and the stream and the thickets

of shaggy Silvanus, the silent banks

lack even the breath of a wandering breeze.

You’re worrying about state politics,

and, anxious about the City, you’re fretting

what the Seres, and Bactra, Cyrus

once ruled, and troublesome Don, are plotting.

The wise god buries the future’s outcome deep

in shadowy night, and smiles at those mortals

who are agitated far beyond

what’s sensible. Remember, with calmness,

reconcile yourself to what is: the rest is

carried along like a river, gliding now,

peacefully, in mid-stream, and down

to the Tuscan Sea, now rolling around

polished stones, uprooted trees, the flocks, and homes

together, with the echoes from the mountains,

and the neighbouring woods, while the wild

deluge stirs the peaceful tributaries.

He’s happy, he’s his own master, who can say

each day: ‘I’ve lived: tomorrow, the Father may

fill the heavens with darkening cloud,

or fill the sky with radiant sunshine:

yet he can’t render whatever is past as

null and void, he can never seek to alter,

or return and undo, whatever

the fleeting moment tosses behind it.

Fortune takes delight in her cruel business,

determined to play her extravagant games,

and she alters her fickle esteem,

now kind to me, and, now, to some other.

I praise her while she’s here: but if she flutters

her swift wings, I resign the gifts she gave, wrap

myself in virtue, and woo honest

Poverty, even though she’s no dowry.

When the masts are groaning in African gales,

it’s not for me to ask in wretched prayer,

that my Cyprian and Tyrian

wares should be saved entire not add new wealth

to the greedy sea: and then the light breezes,

Pollux, and Castor his brother, carry me

safely through the stormy Aegean,

all with the aid of my double-oared skiff.

BkIII:XXX Aere Perennius

I’ve raised a monument, more durable than bronze,

one higher than the Pyramids’ royal towers,

that no devouring rain, or fierce northerly gale,

has power to destroy: nor the immeasurable

succession of years, and the swift passage of time.

I’ll not utterly die, but a rich part of me,

will escape Persephone: and fresh with the praise

of posterity, I’ll rise, beyond. While the High

Priest, and the silent Virgin, climb the Capitol,

I’ll be famous, I, born of humble origin,

(from where wild Aufidus roars, and where Daunus once,

lacking in streams, ruled over a rural people)

as the first to re-create Aeolian song

in Italian verse. Melpomene, take pride,

in what has been earned by your merit, and, Muse,

willingly, crown my hair, with the Delphic laurel.

Index of First Lines

I hate the vulgar crowd, and keep them away:5

Let the boy toughened by military service. 7

The passion of the public, demanding what9

O royal Calliope, come from heaven,12

We believe thunderous Jupiter rules the sky:15

Romans, though you’re guiltless, you’ll still expiate. 17

Why weep, Asterie, for Gyges, whom west winds. 19

You, an expert in prose in either language,21

‘While I was the man, dear to you,22

If you drank the water of furthest Don, Lyce,23

Mercury (since, taught by you, his master,24

Girls are wretched who can’t allow free play to love, or drown their cares. 26

O Bandusian fountain, brighter than crystal,27

O citizens, conquering Caesar is home. 28

O, dear wife of poor Ibycus,29

The towers made of bronze, and the doors made of oak,30

Aelius, noble descendant of ancient32

Faunus, the lover of Nymphs who are fleeing,33

You can tell me the years between. 34

Pyrrhus, you can’t see how dangerous it is. 35

Faithful wine-jar, born, with me, in Manlius’36

Virgin protectress of the mountain and the grove,37

Phidyle, my country girl, if you raise your38

Though you’re richer than the untouched. 39

Where are you taking me, Bacchus,42

I was suited to sweethearts till now, and performed. 43

Let the wicked be led by omens of screeching. 44

What better thing is there to do,47

Maecenas, son of Etruscan kings, a jar48

I’ve raised a monument, more durable than bronze,51

Metres Used in Book III.

The number of syllables most commonly employed in each standard line of the verse is given. This may vary slightly for effect (two beats substituted for three etc.) in a given line.

Alcaic Strophe: 11 (5+6) twice, 9, 10

used in Odes: 1-6,17,21,23,26,29

Sapphic and Adonic: 11(5+6) three times, 5

Odes: 8,11,14,18,20,22,27

First Asclepiadean: 12 (6+6) all lines

Ode: 30

Second Asclepiadean: 8, 12 (6+6), alternating

Odes: 9,15,19,24,25,28

Third Asclepiadean: 12 (6+6) three times, 8

Odes 10,16

Fourth Asclepiadean: 12 (6+6) twice, 7, 8

Odes: 7,13

Fifth Asclepiadean: 16 (6+4+6) all lines

Odes: None in Book III

Alcmanic Strophe: 17 (7+10) or less, 11 or less, alternating

Odes: None in Book III

First Archilochian: 17 (7+10) or less, 7 alternating

Odes: None in Book III

Fourth Archilochian Strophe: 18 (7+11) or less, 11 (5+6) alternating

Odes: None in Book III

Second Sapphic Strophe: 7, 15 (5+10) alternating

Odes: None in Book III

Trochaic Strophe: 7,11 alternating

Odes: None in Book III

Ionic a Minore: 16 twice, 8

Ode: 12