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|title= [[The Flowers of Evil]]
|title= [[The Flowers of Evil]]
|author= Charles Baudelaire
|author= Charles Baudelaire
|translator= A. S. Kline
|translator= Roy Campbell
|section= The Swan
|section= The Swan
|previous=
|previous=
|next=
|next=
|notes= [[fr.ws:Le Cygne|Le Cygne]].
|notes= [[fr.ws:Le Cygne|Le Cygne]]. from ''Poems of Baudelaire'' (New York: Pantheon Books, 1952), as presented at http://fleursdumal.org
}}
}}


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<poem>
<poem>


<center>I</center>
To Victor Hugo
Andromache, I think of you! That false Simois
that narrow stream, meagre and sad, flowing there
where the immense majesty of your widowed grief,
shone out, growing from your tears,


stirred my fertile memory, suddenly,
I
as I was crossing the new Carrousel.
The old Paris is gone (the shape of a city
changes faster than the human heart can tell)


I can only see those frail booths in the mind’s eye,
Andromache! — This shallow stream, the brief
those piles of rough-cut pillars, and capitals,
Mirror you once so grandly overcharged
the weeds, the massive greening blocks, that used to lie
With your vast majesty of widowed grief,
water-stained: the bric-a-brac piled in shop windows.
This lying Simois your tears enlarged,


There, there used to be a menagerie:
Evoked your name, and made me think of you,
One dawn, at the hour when labour wakes, there,
As I was crossing the new Carrousel.
under the cold, clear sky, or, when the road-menders set free
— Old Paris is no more (cities renew,
a dull hammering, into the silent air,
Quicker than human hearts, their changing spell).


I saw a swan, that had escaped its cage,
In mind I see that camp of huts, the muddle
striking the dry stones with webbed feet;
Of rough-hewn roofs and leaning shafts for miles,
trailing, on hard earth, its white plumage;
The grass, green logs stagnating in the puddle,
in the waterless gutter, opening its beak;
Where bric-a-brac lay glittering in piles.


bathing its wings frantically, in the dust,
Once a menagerie parked there.
and crying, its heart full of its native streams:
And there it chanced one morning, when from slumber freed,
‘Lightning, when will you strike? Rain when will you gust?’
Labour stands up, and Transport through still air
Unfortunate, strange, fatal symbol, it seems
Rumbles its sombre hurricane of speed, —


I see you, still: sometimes, like Ovid’s true
A swan escaped its cage: and as its feet
man transformed, his head, on a convulsive neck, strained
With finny palms on the harsh pavement scraped,
towards the sky’s cruel and ironic blue,
Trailing white plumage on the stony street,
addressing the gods with his complaint.
In the dry gutter for fresh water gaped.


<center>II</center>
Nervously bathing in the dust, in wonder
Paris changes! But nothing, in my melancholy,
It asked, remembering its native stream,
moves. New hotels, scaffolding, stone blocks,
"When will the rain come down? When roll the thunder?"
old suburbs, everything, becomes allegory,
I see it now, strange myth and fatal theme!
to me: my memories are heavier than rocks.


So, in front of the Louvre, an image oppresses me.
Sometimes, like Ovid's wretch, towards the sky
I think of my great swan, with its mad movements,
(Ironically blue with cruel smile)
ridiculous, sublime, as exiles seem,
Its neck, convulsive, reared its head on high
gnawed by endless longing! And then,
As though it were its Maker to revile.


of you, Andromache, fallen from the embrace
II
of the great hero, vile chattel in the hands of proud Pyrrhus,
in front of an open tomb, in grief’s ecstatic grace,
Hector’s widow, alas, and wife of Helenus!


I think of the negress, consumptive, starved,
Paris has changed, but in my grief no change.
dragging through the mire, and searching, eyes fixed,
New palaces and scaffoldings and blocks,
for the absent palm-trees of Africa, carved
To me, are allegories, nothing strange.
behind the immense walls of mist:
My memories are heavier than rocks.


Of those who have lost what they cannot recover,
Passing the Louvre, one image makes me sad:
ever! Ever! Those who drink tears like ours,
That swan, like other exiles that we knew,
and suck on sorrow’s breasts, their wolf-mother!
Grandly absurd, with gestures of the mad,
Of the skinny orphans, withering like flowers!
Gnawed by one craving! — Then I think of you,
 
Who fell from your great husband's arms, to be
A beast of freight for Pyrrhus, and for life,
Bowed by an empty tomb in ecstasy —
Great Hector's widow! Helenus's wife!
 
I think, too, of the starved and phthisic negress
Tramping the mud, who seeks, with haggard eye,
The palms of Africa, and for some egress
Out of this great black wall of foggy sky:
 
Of those who've lost what they cannot recover:
Of those who slake with tears their lonely hours
And milk the she-wolf, Sorrow, for their mother:
And skinny orphans withering like flowers.
 
So in the forest of my soul's exile,
Remembrance winds his horn as on he rides.
I think of sailors stranded on an isle,
Captives, and slaves — and many more besides.


So in the forest of my heart’s exile,
an old memory sounds its clear encore!
I think of sailors forgotten on some isle,
prisoners, the defeated! ....and of many more!
</poem>
</poem>
</div>
</div>

Revision as of 20:12, 20 May 2012

The Flowers of Evil ~ The Swan
written by Charles Baudelaire
translated by Roy Campbell
Le Cygne. from Poems of Baudelaire (New York: Pantheon Books, 1952), as presented at http://fleursdumal.org Link to further information




To Victor Hugo

I

Andromache! — This shallow stream, the brief
Mirror you once so grandly overcharged
With your vast majesty of widowed grief,
This lying Simois your tears enlarged,

Evoked your name, and made me think of you,
As I was crossing the new Carrousel.
— Old Paris is no more (cities renew,
Quicker than human hearts, their changing spell).

In mind I see that camp of huts, the muddle
Of rough-hewn roofs and leaning shafts for miles,
The grass, green logs stagnating in the puddle,
Where bric-a-brac lay glittering in piles.

Once a menagerie parked there.
And there it chanced one morning, when from slumber freed,
Labour stands up, and Transport through still air
Rumbles its sombre hurricane of speed, —

A swan escaped its cage: and as its feet
With finny palms on the harsh pavement scraped,
Trailing white plumage on the stony street,
In the dry gutter for fresh water gaped.

Nervously bathing in the dust, in wonder
It asked, remembering its native stream,
"When will the rain come down? When roll the thunder?"
I see it now, strange myth and fatal theme!

Sometimes, like Ovid's wretch, towards the sky
(Ironically blue with cruel smile)
Its neck, convulsive, reared its head on high
As though it were its Maker to revile.

II

Paris has changed, but in my grief no change.
New palaces and scaffoldings and blocks,
To me, are allegories, nothing strange.
My memories are heavier than rocks.

Passing the Louvre, one image makes me sad:
That swan, like other exiles that we knew,
Grandly absurd, with gestures of the mad,
Gnawed by one craving! — Then I think of you,

Who fell from your great husband's arms, to be
A beast of freight for Pyrrhus, and for life,
Bowed by an empty tomb in ecstasy —
Great Hector's widow! Helenus's wife!

I think, too, of the starved and phthisic negress
Tramping the mud, who seeks, with haggard eye,
The palms of Africa, and for some egress
Out of this great black wall of foggy sky:

Of those who've lost what they cannot recover:
Of those who slake with tears their lonely hours
And milk the she-wolf, Sorrow, for their mother:
And skinny orphans withering like flowers.

So in the forest of my soul's exile,
Remembrance winds his horn as on he rides.
I think of sailors stranded on an isle,
Captives, and slaves — and many more besides.


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