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Satires/Book II/7: Difference between revisions
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{{poem | {{TextQuality|75%}}{{poem | ||
|title=[[Satires]] | |title = [[Satires (Horace)|Satires]] | ||
|author=Horace | |author = Horace | ||
|section= II, 7. Of Spiritual Freedom | |section = II, 7. Of Spiritual Freedom | ||
|previous= | |previous = [[Satires/II, 6. Town versus Country|6. Town versus Country]] | ||
|next= | |next = [[Satires/II, 8. A Dinner Party|8. A Dinner Party]] | ||
|notes= | |notes = Translation by [[A. S. Kline]]. | ||
}} | }} | ||
<div class="verse"> | <div class="verse"> | ||
<poem> | |||
‘I’ve listened a while and wanted to say a few words | ‘I’ve listened a while and wanted to say a few words | ||
But being a slave daren’t.’ Are you Davus <ref><small>Davus - One of Horace’s slaves. - BkIISatVII:1-20 He is allowed to criticise his master. - BkIISatVII:46-67 He questions who is the true slave. - BkIISatVII:95-118 He finally exasperates Horace.</small></ref>? Yes, Davus, | But being a slave daren’t.’ Are you Davus <ref><small>Davus - One of Horace’s slaves. - BkIISatVII:1-20 He is allowed to criticise his master. - BkIISatVII:46-67 He questions who is the true slave. - BkIISatVII:95-118 He finally exasperates Horace.</small></ref>? Yes, Davus, | ||
A servant fond of his master, quite virtuous, but not | A servant fond of his master, quite virtuous, but not | ||
Enough so to die young.’ Come on, then, use the freedom | Enough so to die young.’ Come on, then, use the freedom | ||
December <ref><small>Saturnalia - The festival beginning on the 17th December (17-19th), noted for its freedom and licence. The festival marked the end of sowing, and the distinction between master and slave was suspended to mark the Golden Age of Saturn when all men were free. - Slaves are allowed freedom to speak on the Saturnalia</small>.</ref>allows, since our ancestors wished it: speak! | December <ref><small>Saturnalia - The festival beginning on the 17th December (17-19th), noted for its freedom and licence. The festival marked the end of sowing, and the distinction between master and slave was suspended to mark the Golden Age of Saturn when all men were free. - Slaves are allowed freedom to speak on the Saturnalia</small>.</ref>allows, since our ancestors wished it: speak! | ||
‘Some men love vice, yet follow a constant purpose: | ‘Some men love vice, yet follow a constant purpose: | ||
The majority waver, sometimes grasping what’s right, | The majority waver, sometimes grasping what’s right, | ||
At another time slaves to evil. Priscus, often | At another time slaves to evil. Priscus, often | ||
Noted for wearing three rings on his left hand, then none, | Noted for wearing three rings on his left hand, then none, | ||
Lived so capriciously, he’d change his tunic each hour, | Lived so capriciously, he’d change his tunic each hour, | ||
Leaving a great house he’d suddenly enter some dive | Leaving a great house he’d suddenly enter some dive | ||
From which a plain freedman couldn’t emerge without shame: | From which a plain freedman couldn’t emerge without shame: | ||
Now he’d choose to live as a lecher in Rome, now a scholar | Now he’d choose to live as a lecher in Rome, now a scholar | ||
In Athens, born when fluid Vertumnus <ref><small>Vertumnus - An ancient Italian god, of the seasons and their produce. He was the god of the changing seasons, able to alter his appearance and shape</small></ref> was changing form. | In Athens, born when fluid Vertumnus <ref><small>Vertumnus - An ancient Italian god, of the seasons and their produce. He was the god of the changing seasons, able to alter his appearance and shape</small></ref> was changing form. | ||
When the gout he deserved crippled Volanerius’ | When the gout he deserved crippled Volanerius’ | ||
Finger-joints, that joker hired a man by the day | Finger-joints, that joker hired a man by the day | ||
To pick up the dice, and rattle them in the cup: | To pick up the dice, and rattle them in the cup: | ||
Because he stuck to one vice, he was less unhappy | Because he stuck to one vice, he was less unhappy | ||
And preferable to one who at one moment handles | And preferable to one who at one moment handles | ||
A rope that is taut, the next moment one that’s slack.’ | A rope that is taut, the next moment one that’s slack.’ | ||
Does it take you all day you gallows-bird, to tell me | Does it take you all day you gallows-bird, to tell me | ||
Where such rot leads? ‘To you, say I.’ How so, you wretch? | Where such rot leads? ‘To you, say I.’ How so, you wretch? | ||
‘You praise the good luck and manners of men of old, | ‘You praise the good luck and manners of men of old, | ||
But if some god suddenly urged you to visit that era, | But if some god suddenly urged you to visit that era, | ||
You’d refuse every time, ‘cos you don’t really believe | You’d refuse every time, ‘cos you don’t really believe | ||
What you praise was better, or else ‘cos you’re not firm | What you praise was better, or else ‘cos you’re not firm | ||
In defence of what’s true, sticking fast in the mud while | In defence of what’s true, sticking fast in the mud while | ||
Vainly struggling to get free. In Rome you yearn for the fields: | Vainly struggling to get free. In Rome you yearn for the fields: | ||
Once there, waverer, you laud the far town to the skies. | Once there, waverer, you laud the far town to the skies. | ||
If by chance you’re not asked out to dinner you praise | If by chance you’re not asked out to dinner you praise | ||
Cabbage in peace, call yourself happy and hug yourself | Cabbage in peace, call yourself happy and hug yourself | ||
For not partying, as if you’d have to be forced to go. | For not partying, as if you’d have to be forced to go. | ||
But Maecenas sends you a late invitation at twilight, | But Maecenas sends you a late invitation at twilight, | ||
And you scream: “Where’s the lamp-oil? Quick, are you | And you scream: “Where’s the lamp-oil? Quick, are you | ||
Deaf?” at the top of your voice, then off you scurry. | Deaf?” at the top of your voice, then off you scurry. | ||
Mulvius and your other hangers-on disperse, | Mulvius and your other hangers-on disperse, | ||
With unmentionable curses aimed your way. He says, | With unmentionable curses aimed your way. He says, | ||
“I’m easily goaded on by my belly, it’s true, nostrils | “I’m easily goaded on by my belly, it’s true, nostrils | ||
Twitching at savoury smells, weak, spineless, a glutton | Twitching at savoury smells, weak, spineless, a glutton | ||
Too, if you wish, but since he’s just the same or worse, | Too, if you wish, but since he’s just the same or worse, | ||
What cause has he to criticise me, and cloak his vices | What cause has he to criticise me, and cloak his vices | ||
In decorous words” What if you’re more foolish than me, | In decorous words” What if you’re more foolish than me, | ||
Who cost you five hundred! Don’t try and scare me pulling | Who cost you five hundred! Don’t try and scare me pulling | ||
Faces: control your hands and your spleen, while I preach | Faces: control your hands and your spleen, while I preach | ||
The lessons I learned from Crispinus’ door-keeper.’ | The lessons I learned from Crispinus’ door-keeper.’ | ||
‘Another man’s wife tempted you: a whore caught Davus. | ‘Another man’s wife tempted you: a whore caught Davus. | ||
Which of our sins more deserves the gallows? When Nature | Which of our sins more deserves the gallows? When Nature | ||
Goads me fiercely, she who naked in the lamplight | Goads me fiercely, she who naked in the lamplight | ||
Feels the flicking of a distended tail, or wildly, | Feels the flicking of a distended tail, or wildly, | ||
With her buttocks, urges on the stallion she rides, | With her buttocks, urges on the stallion she rides, | ||
Won’t send me off disgraced, or anxious lest some richer | Won’t send me off disgraced, or anxious lest some richer | ||
Or more handsome rival’s also watering there. | Or more handsome rival’s also watering there. | ||
While when you’ve shed your badges of rank, your knight’s ring, | While when you’ve shed your badges of rank, your knight’s ring, | ||
Your Roman clothes, and no longer a worthy, step out | Your Roman clothes, and no longer a worthy, step out | ||
As Dama the servant, hiding your perfumed hair | As Dama the servant, hiding your perfumed hair | ||
Under a cowl, aren’t you the slave you pretend to be? | Under a cowl, aren’t you the slave you pretend to be? | ||
Anxious, you gain admittance, body trembling with fear | Anxious, you gain admittance, body trembling with fear | ||
That vies with your lust. What matter whether you sell yourself | That vies with your lust. What matter whether you sell yourself | ||
To be seared by the lash, killed by the sword, or are shut | To be seared by the lash, killed by the sword, or are shut | ||
Shamefully in her mistress’ chest by a knowing maid, | Shamefully in her mistress’ chest by a knowing maid, | ||
Cowering, with head between your knees? Hasn’t the husband | Cowering, with head between your knees? Hasn’t the husband | ||
Of a sinful wife with lawful powers over both, more | Of a sinful wife with lawful powers over both, more | ||
Power over her seducer? Not for her to forgo | Power over her seducer? Not for her to forgo | ||
Her clothes or rank, and take the lead in sinning, since she’s | Her clothes or rank, and take the lead in sinning, since she’s | ||
A woman, frightened, not able to trust a lover. | A woman, frightened, not able to trust a lover. | ||
It’s ‘wise’ you who goes under the yoke, committing | It’s ‘wise’ you who goes under the yoke, committing | ||
Self, wealth, reputation and life, to her furious lord.’ | Self, wealth, reputation and life, to her furious lord.’ | ||
‘You’ve escaped! Then I hope you’ll know fear, and be | ‘You’ve escaped! Then I hope you’ll know fear, and be | ||
Cautious after learning your lesson: oh no, you’ll look | Cautious after learning your lesson: oh no, you’ll look | ||
To the next chance of terror and ruin, you inveterate slave! | To the next chance of terror and ruin, you inveterate slave! | ||
What creature that breaks its chains and flees, returns to them | What creature that breaks its chains and flees, returns to them | ||
So perversely? “I’m no adulterer,” you say: nor am I a thief | So perversely? “I’m no adulterer,” you say: nor am I a thief | ||
By Hercules, when I wisely avoid your silver plate. | By Hercules, when I wisely avoid your silver plate. | ||
Remove the risks though: and errant Nature will burst | Remove the risks though: and errant Nature will burst | ||
Free of its reins. Are you my master, ruled by so many | Free of its reins. Are you my master, ruled by so many | ||
Men and things? Touched by the rod three times, four times, | Men and things? Touched by the rod three times, four times, | ||
It will never release you from your miserable fears. | It will never release you from your miserable fears. | ||
Add these words that carry no less weight than those: | Add these words that carry no less weight than those: | ||
Whether one who obeys a slave’s called a proxy, as | Whether one who obeys a slave’s called a proxy, as | ||
Your lot say, or a co-slave, what else am I to you? | Your lot say, or a co-slave, what else am I to you? | ||
Wretch, you who order me around serve another, | Wretch, you who order me around serve another, | ||
Like a wooden puppet jerked by alien strings. | Like a wooden puppet jerked by alien strings. | ||
So who is free? The wise man: in command of himself, | So who is free? The wise man: in command of himself, | ||
Unafraid of poverty, chains, or death, bravely | Unafraid of poverty, chains, or death, bravely | ||
Defying his passions, despising honours, complete | Defying his passions, despising honours, complete | ||
In himself, smoothed and rounded, so that nothing | In himself, smoothed and rounded, so that nothing | ||
External can cling to his polished surface, whom | External can cling to his polished surface, whom | ||
Fortune by attacking ever wounds herself. Can you | Fortune by attacking ever wounds herself. Can you | ||
Claim any of this for your own? The woman demands | Claim any of this for your own? The woman demands | ||
A fortune, bullies you, slams the door in your face, | A fortune, bullies you, slams the door in your face, | ||
Drowns you in cold water, then calls you back! Take your | Drowns you in cold water, then calls you back! Take your | ||
Neck from the vile yoke. “I’m free, free,” say it! You can’t: | Neck from the vile yoke. “I’m free, free,” say it! You can’t: | ||
A despot, and no slight one, oppresses your spirit, | A despot, and no slight one, oppresses your spirit, | ||
Pricking sharp spurs in your tired flanks, yanking when you shy.’ | Pricking sharp spurs in your tired flanks, yanking when you shy.’ | ||
‘When you gaze like an idiot at Pausias’ paintings, | ‘When you gaze like an idiot at Pausias’ paintings, | ||
Why’s that less harmful than my admiring a fight, | Why’s that less harmful than my admiring a fight, | ||
With Fulvius, Rutuba, or Pacideianus, tense-kneed, | With Fulvius, Rutuba, or Pacideianus, tense-kneed, | ||
Sketched in red-chalk or charcoal, as if they were really | Sketched in red-chalk or charcoal, as if they were really | ||
Battling away, thrusting and parrying and waving | Battling away, thrusting and parrying and waving | ||
Their blades? Davus is a ‘worthless idler’: while you | Their blades? Davus is a ‘worthless idler’: while you | ||
Pass for a ‘subtle and knowing’ judge of old masters! | Pass for a ‘subtle and knowing’ judge of old masters! | ||
If I’m tempted by hot pastry, I’m good-for-nothing: | If I’m tempted by hot pastry, I’m good-for-nothing: | ||
But does your great virtuous mind turn down fine dinners? | But does your great virtuous mind turn down fine dinners? | ||
Why is it worse for me to be slave to my belly? | Why is it worse for me to be slave to my belly? | ||
Because my back pays? But do you escape scot-free | Because my back pays? But do you escape scot-free | ||
Attracted by delicacies that no small sum will buy? | Attracted by delicacies that no small sum will buy? | ||
Dinners endlessly pursued only turn to bitter aching, | Dinners endlessly pursued only turn to bitter aching, | ||
And overtaxed legs refuse to carry your swollen | And overtaxed legs refuse to carry your swollen | ||
Body. Is the slave who trades a stolen bath-brush | Body. Is the slave who trades a stolen bath-brush | ||
For grapes, at nightfall, guilty? Then is he not slave-like | For grapes, at nightfall, guilty? Then is he not slave-like | ||
Who sells his estates to serve his gullet? Add that you | Who sells his estates to serve his gullet? Add that you | ||
Can’t bear an hour in your own company, or employ | Can’t bear an hour in your own company, or employ | ||
Your leisure usefully, that you evade yourself | Your leisure usefully, that you evade yourself | ||
Like a fugitive, a vagabond, trying to cheat Care | Like a fugitive, a vagabond, trying to cheat Care | ||
With sleep or wine: vainly: that dark companion dogs | With sleep or wine: vainly: that dark companion dogs | ||
Your flight.’ Bring me a stone! ‘What for?’ Or arrows! | Your flight.’ Bring me a stone! ‘What for?’ Or arrows! | ||
‘The man’s mad, or making verses.’ Scarper, pronto! Or | ‘The man’s mad, or making verses.’ Scarper, pronto! Or | ||
You’ll end up labourer number nine on my Sabine Farm! | You’ll end up labourer number nine on my Sabine Farm! | ||
</poem> | |||
==== Notes ==== | ==== Notes ==== | ||
| Line 250: | Line 134: | ||
</div> | </div> | ||
{{CC-BY-NC}} | |||
Revision as of 11:16, 28 May 2008
| 6. Town versus Country | Satires ~ II, 7. Of Spiritual Freedom written by Horace |
8. A Dinner Party |
| Translation by A. S. Kline. | Link to further information |
‘I’ve listened a while and wanted to say a few words
But being a slave daren’t.’ Are you Davus [1]? Yes, Davus,
A servant fond of his master, quite virtuous, but not
Enough so to die young.’ Come on, then, use the freedom
December [2]allows, since our ancestors wished it: speak!
‘Some men love vice, yet follow a constant purpose:
The majority waver, sometimes grasping what’s right,
At another time slaves to evil. Priscus, often
Noted for wearing three rings on his left hand, then none,
Lived so capriciously, he’d change his tunic each hour,
Leaving a great house he’d suddenly enter some dive
From which a plain freedman couldn’t emerge without shame:
Now he’d choose to live as a lecher in Rome, now a scholar
In Athens, born when fluid Vertumnus [3] was changing form.
When the gout he deserved crippled Volanerius’
Finger-joints, that joker hired a man by the day
To pick up the dice, and rattle them in the cup:
Because he stuck to one vice, he was less unhappy
And preferable to one who at one moment handles
A rope that is taut, the next moment one that’s slack.’
Does it take you all day you gallows-bird, to tell me
Where such rot leads? ‘To you, say I.’ How so, you wretch?
‘You praise the good luck and manners of men of old,
But if some god suddenly urged you to visit that era,
You’d refuse every time, ‘cos you don’t really believe
What you praise was better, or else ‘cos you’re not firm
In defence of what’s true, sticking fast in the mud while
Vainly struggling to get free. In Rome you yearn for the fields:
Once there, waverer, you laud the far town to the skies.
If by chance you’re not asked out to dinner you praise
Cabbage in peace, call yourself happy and hug yourself
For not partying, as if you’d have to be forced to go.
But Maecenas sends you a late invitation at twilight,
And you scream: “Where’s the lamp-oil? Quick, are you
Deaf?” at the top of your voice, then off you scurry.
Mulvius and your other hangers-on disperse,
With unmentionable curses aimed your way. He says,
“I’m easily goaded on by my belly, it’s true, nostrils
Twitching at savoury smells, weak, spineless, a glutton
Too, if you wish, but since he’s just the same or worse,
What cause has he to criticise me, and cloak his vices
In decorous words” What if you’re more foolish than me,
Who cost you five hundred! Don’t try and scare me pulling
Faces: control your hands and your spleen, while I preach
The lessons I learned from Crispinus’ door-keeper.’
‘Another man’s wife tempted you: a whore caught Davus.
Which of our sins more deserves the gallows? When Nature
Goads me fiercely, she who naked in the lamplight
Feels the flicking of a distended tail, or wildly,
With her buttocks, urges on the stallion she rides,
Won’t send me off disgraced, or anxious lest some richer
Or more handsome rival’s also watering there.
While when you’ve shed your badges of rank, your knight’s ring,
Your Roman clothes, and no longer a worthy, step out
As Dama the servant, hiding your perfumed hair
Under a cowl, aren’t you the slave you pretend to be?
Anxious, you gain admittance, body trembling with fear
That vies with your lust. What matter whether you sell yourself
To be seared by the lash, killed by the sword, or are shut
Shamefully in her mistress’ chest by a knowing maid,
Cowering, with head between your knees? Hasn’t the husband
Of a sinful wife with lawful powers over both, more
Power over her seducer? Not for her to forgo
Her clothes or rank, and take the lead in sinning, since she’s
A woman, frightened, not able to trust a lover.
It’s ‘wise’ you who goes under the yoke, committing
Self, wealth, reputation and life, to her furious lord.’
‘You’ve escaped! Then I hope you’ll know fear, and be
Cautious after learning your lesson: oh no, you’ll look
To the next chance of terror and ruin, you inveterate slave!
What creature that breaks its chains and flees, returns to them
So perversely? “I’m no adulterer,” you say: nor am I a thief
By Hercules, when I wisely avoid your silver plate.
Remove the risks though: and errant Nature will burst
Free of its reins. Are you my master, ruled by so many
Men and things? Touched by the rod three times, four times,
It will never release you from your miserable fears.
Add these words that carry no less weight than those:
Whether one who obeys a slave’s called a proxy, as
Your lot say, or a co-slave, what else am I to you?
Wretch, you who order me around serve another,
Like a wooden puppet jerked by alien strings.
So who is free? The wise man: in command of himself,
Unafraid of poverty, chains, or death, bravely
Defying his passions, despising honours, complete
In himself, smoothed and rounded, so that nothing
External can cling to his polished surface, whom
Fortune by attacking ever wounds herself. Can you
Claim any of this for your own? The woman demands
A fortune, bullies you, slams the door in your face,
Drowns you in cold water, then calls you back! Take your
Neck from the vile yoke. “I’m free, free,” say it! You can’t:
A despot, and no slight one, oppresses your spirit,
Pricking sharp spurs in your tired flanks, yanking when you shy.’
‘When you gaze like an idiot at Pausias’ paintings,
Why’s that less harmful than my admiring a fight,
With Fulvius, Rutuba, or Pacideianus, tense-kneed,
Sketched in red-chalk or charcoal, as if they were really
Battling away, thrusting and parrying and waving
Their blades? Davus is a ‘worthless idler’: while you
Pass for a ‘subtle and knowing’ judge of old masters!
If I’m tempted by hot pastry, I’m good-for-nothing:
But does your great virtuous mind turn down fine dinners?
Why is it worse for me to be slave to my belly?
Because my back pays? But do you escape scot-free
Attracted by delicacies that no small sum will buy?
Dinners endlessly pursued only turn to bitter aching,
And overtaxed legs refuse to carry your swollen
Body. Is the slave who trades a stolen bath-brush
For grapes, at nightfall, guilty? Then is he not slave-like
Who sells his estates to serve his gullet? Add that you
Can’t bear an hour in your own company, or employ
Your leisure usefully, that you evade yourself
Like a fugitive, a vagabond, trying to cheat Care
With sleep or wine: vainly: that dark companion dogs
Your flight.’ Bring me a stone! ‘What for?’ Or arrows!
‘The man’s mad, or making verses.’ Scarper, pronto! Or
You’ll end up labourer number nine on my Sabine Farm!
Notes
- ↑ Davus - One of Horace’s slaves. - BkIISatVII:1-20 He is allowed to criticise his master. - BkIISatVII:46-67 He questions who is the true slave. - BkIISatVII:95-118 He finally exasperates Horace.
- ↑ Saturnalia - The festival beginning on the 17th December (17-19th), noted for its freedom and licence. The festival marked the end of sowing, and the distinction between master and slave was suspended to mark the Golden Age of Saturn when all men were free. - Slaves are allowed freedom to speak on the Saturnalia.
- ↑ Vertumnus - An ancient Italian god, of the seasons and their produce. He was the god of the changing seasons, able to alter his appearance and shape
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