The remainder of M. de Charlus’s guests drifted away fairly rapidly. Several of them said: “I don’t want to call at the vestry” (the little room in which the Baron, with Charlie by his side, was receiving congratulations, and to which he himself had given the name), “but I must let Palamède see me so that he shall know that I stayed to the end.” Nobody paid the slightest attention to Mme. Verdurin. Some pretended not to know which was she and said good night by mistake to Mme. Cottard, appealing to me for confirmation with a “That is Mme. Verdurin, ain’t it?” Mme. d’Arpajon asked me, in the hearing of our hostess: “Tell me, has there ever been a Monsieur Verdurin?” The Duchesses, finding none of the oddities that they expected in this place which they had hoped to find more different from anything that they already knew, made the best of a bad job by going into fits of laughter in front of Elstir’s paintings; for all the rest of the entertainment, which they found more in keeping than they had expected with the style with which they were familiar, they gave the credit to M. de Charlus, saying: “How clever Palamède is at arranging things; if he were to stage an opera in a stable or a bathroom, it would still be perfectly charming.” The most noble ladies were those who shewed most fervour in congratulating M. de Charlus upon the success of a party, of the secret motive of which some of them were by no means unaware, without, however, being embarrassed by the knowledge, this class of society—remembering perhaps certain epochs in history when their own family had already arrived at an identical stage of brazenly conscious effrontery—carrying their contempt for scruples almost as far as their respect for etiquette. Several of them engaged Charlie on the spot for different evenings on which he was to come and play them Vinteuil’s septet, but it never occurred to any of them to invite Mme. Verdurin. This last was already blind with fury when M. de Charlus who, his head in the clouds, was incapable of perceiving her condition, decided that it would be only decent to invite the Mistress to share his joy. And it was perhaps yielding to his literary preciosity rather than to an overflow of pride that this specialist in artistic entertainments said to Mme. Verdurin: “Well, are you satisfied? I think you have reason to be; you see that when I set to work to give a party there are no half-measures. I do not know whether your heraldic knowledge enables you to gauge the precise importance of the display, the weight that I have lifted, the volume of air that I have displaced for you. You have had the Queen of Naples, the brother of the King of Bavaria, the three premier peers. If Vinteuil is Mahomet, we may say that we have brought to him some of the least movable of mountains. Bear in mind that to attend your party the Queen of Naples has come up from Neuilly, which is a great deal more difficult for her than evacuating the Two Sicilies,” he went on, with a deliberate sneer, notwithstanding his admiration for the Queen. “It is an historic event. Just think that it is perhaps the first time she has gone anywhere since the fall of Gaeta. It is probable that the dictionaries of dates will record as culminating points the day of the fall of Gaeta and that of the Verdurins’ party. The fan that she laid down, the better to applaud Vinteuil, deserves to become more famous than the fan that Mme. de Metternich broke because the audience hissed Wagner.” “Why, she has left it here,” said Mme. Verdurin, momentarily appeased by the memory of the Queen’s kindness to herself, and she shewed M. de Charlus the fan which was lying upon a chair. “Oh! What a touching spectacle!” exclaimed M. de Charlus, approaching the relic with veneration. “It is all the more touching, it is so hideous; poor little Violette is incredible!” And spasms of emotion and irony coursed through him alternately. “Oh dear, I don’t know whether you feel this sort of thing as I do. Swann would positively have died of convulsions if he had seen it. I am sure, whatever price it fetches, I shall buy the fan at the Queen’s sale. For she is bound to be sold up, she hasn’t a penny,” he went on, for he never ceased to intersperse the cruellest slanders with the most sincere veneration, albeit these sprang from two opposing natures, which, however, were combined in himself. They might even be brought to bear alternately upon the same incident. For M. de Charlus who in his comfortable state as a wealthy man ridiculed the poverty of the Queen was himself often to be heard extolling that poverty and, when anyone spoke of Princesse Murât, Queen of the Two Sicilies, would reply: “I do not know to whom you are alluding. There is only one Queen of Naples, who is a sublime person and does not keep a carriage. But from her omnibus she annihilates every vehicle on the street and one could kneel down in the dust on seeing her drive past.” “I shall bequeath it to a museum. In the meantime, it must be sent back to her, so that she need not hire a cab to come and fetch it. The wisest thing, in view of the historical interest of such an object, would be to steal the fan. But that would be awkward for her—since it is probable that she does not possess another!” he added, with a shout of laughter. “Anyhow, you see that for my sake she came. And that is not the only miracle that I have performed. I do not believe that anyone at the present day has the power to move the people whom I have brought here. However, everyone must be given his due. Charlie and the rest of the musicians played divinely. And, my dear Mistress,” he added condescendingly, “you yourself have played your part on this occasion. Your name will not be unrecorded. History has preserved that of the page who armed Joan of Arc when she set out for battle; indeed you have served as a connecting link, you have made possible the fusion between Vinteuil’s music and its inspired interpreter, you have had the intelligence to appreciate the capital importance of the whole chain of circumstances which would enable the interpreter to benefit by the whole weight of a considerable—if I were not referring to myself, I would say providential—personage, whom you were clever enough to ask to ensure the success of the gathering, to bring before Morel’s violin the ears directly attached to the tongues that have the widest hearing; no, no, it is not a small matter. There can be no small matter in so complete a realisation. Everything has its part. The Duras was marvellous. In fact, everything; that is why,” he concluded, for he loved to administer a rebuke, “I set my face against your inviting those persons—divisors who, among the overwhelming people whom I brought you would have played the part of the decimal points in a sum, reducing the others to a merely fractional value. I have a very exact appreciation of that sort of thing. You understand, we must avoid blunders when we are giving a party which ought to be worthy of Vinteuil, of his inspired interpreter, of yourself, and, I venture to say, of me. You were prepared to invite the Molé, and everything would have been spoiled. It would have been the little contrary, neutralising drop which deprives a potion of its virtue. The electric lights would have fused, the pastry would not have come in time, the orangeade would have given everybody a stomachache. She was the one person not to invite. At the mere sound of her name, as in a fairy-tale, not a note would have issued from the brass; the flute and the hautboy would have been stricken with a sudden silence. Morel himself, even if he had succeeded in playing a few bars, would not have been in tune, and instead of Vinteuil’s septet you would have had a parody of it by Beckmesser, ending amid catcalls. I, who believe strongly in personal influence, could feel quite plainly in the expansion of a certain largo, which opened itself right out like a flower, in the supreme satisfaction of the finale, which was not merely allegro but incomparably allegro, that the absence of the Molé was inspiring the musicians and was diffusing joy among the very instruments themselves. In any case, when one is at home to Queens one does not invite one’s hall-portress.” In calling her ‘the Molé’ (as for that matter he said quite affectionately ‘the Duras’) M. de Charlus was doing the lady justice. For all these women were the actresses of society and it is true also that, even regarding her from this point of view, Comtesse Molé did not justify the extraordinary reputation for intelligence that she had acquired, which made one think of those mediocre actors or novelists who, at certain periods, are hailed as men of genius, either because of the mediocrity of their competitors, among whom there is no artist capable of revealing what is meant by true talent, or because of the mediocrity of the public, which, did there exist an extraordinary individuality, would be incapable of understanding it. In Mme. Molé‘s case it is preferable, if not absolutely fair, to stop at the former explanation. The social world being the realm of nullity, there exist between the merits of women in society only insignificant degrees, which are at best capable of rousing to madness the rancours or the imagination of M. de Charlus. And certainly, if he spoke as he had just been speaking in this language which was a precious alloy of artistic and social elements, it was because his old-womanly anger and his culture as a man of the world furnished the genuine eloquence that he possessed with none but insignificant themes. Since the world of differences does not exist on the surface of the earth, among all the countries which our perception renders uniform, all the more reason why it should not exist in the social ‘world.’ Does it exist anywhere else? Vinteuil’s septet had seemed to tell me that it did. But where? As M. de Charlus also enjoyed repeating what one person had said of another, seeking to stir up quarrels, to divide and reign, he added: “You have, by not inviting her, deprived Mme. Molé of the opportunity of saying: ‘I can’t think why this Mme. Verdurin should invite me. I can’t imagine who these people are, I don’t know them.’ She was saying a year ago that you were boring her with your advances. She’s a fool, never invite her again. After all, she’s nothing so very wonderful. She can come to your house without making a fuss about it, seeing that I come here. In short,” he concluded, “it seems to me that you have every reason to thank me, for, so far as it went, everything has been perfect. The Duchesse de Guermantes did not come, but one can’t tell, it was better perhaps that she didn’t. We shan’t bear her any grudge, and we shall remember her all the same another time, not that one can help remembering her, her very eyes say to us ‘Forget me not!’, for they are a pair of myosotes” (here I thought to myself how strong the Guermantes spirit—the decision to go to one house and not to another—must be, to have outweighed in the Duchess’s mind her fear of Palamède). “In the face of so complete a success, one is tempted like Bernardin de Saint-Pierre to see everywhere the hand of Providence. The Duchesse de Duras was enchanted. She even asked me to tell you so,” added M. de Charlus, dwelling upon the words as though Mme. Verdurin must regard this as a sufficient honour. Sufficient and indeed barely credible, for he found it necessary, if he was to be believed, to add, completely carried away by the madness of those whom Jupiter has decided to ruin: “She has engaged Morel to come to her house, where the same programme will be repeated, and I even think of asking her for an invitation for M. Verdurin.” This civility to the husband alone was, although no such idea even occurred to M. de Charlus, the most wounding outrage to the wife who, believing herself to possess, with regard to the violinist, by virtue of a sort of ukase which prevailed in the little clan, the right to forbid him to perform elsewhere without her express authorisation, was fully determined to forbid his appearance at Mme. de Duras’s party.
The Baron’s volubility was in itself an irritation to Mme. Verdurin who did not like people to form independent groups within their little clan. How often, even at la Raspelière, hearing M. de Charlus talking incessantly to Charlie instead of being content with taking his part in the so harmonious chorus of the clan, she had pointed to him and exclaimed: “What a rattle [Mme. Verdurin uses here the word tapette, being probably unaware of its popular meaning. C. K. S. M.] he is! What a rattle! Oh, if it comes to rattles, he’s a famous rattle!” But this time it was far worse. Inebriated with the sound of his own voice, M. de Charlus failed to realise that by cutting down the part assigned to Mme. Verdurin and confining it within narrow limits, he was calling forth that feeling of hatred which was in her only a special, social form of jealousy. Mme. Verdurin was genuinely fond of her regular visitors, the faithful of the little clan, but wished them to be entirely devoted to their Mistress. Willing to make some sacrifice, like those jealous lovers who will tolerate a betrayal, but only under their own roof and even before their eyes, that is to say when there is no betrayal, she would allow the men to have mistresses, lovers, on condition that the affair had no social consequence outside her own house, that the tie was formed and perpetuated in the shelter of her Wednesdays. In the old days, every furtive peal of laughter that came from Odette when she conversed with Swann had gnawed her heartstrings, and so of late had every aside exchanged by Morel and the Baron; she found one consolation alone for her griefs which was to destroy the happiness of other people. She had not been able to endure for long that of the Baron. And here was this rash person precipitating the catastrophe by appearing to be restricting the Mistress’s place in her little clan. Already she could see Morel going into society, without her, under the Baron’s aegis. There was but a single remedy, to make Morel choose between the Baron and herself, and, relying upon the ascendancy that she had acquired over Morel by the display that she made of an extraordinary perspicacity, thanks to reports which she collected, to falsehoods which she invented, all of which served to corroborate what he himself was led to believe, and what would in time be made plain to him, thanks to the pitfalls which she was preparing, into which her unsuspecting victims would fall, relying upon this ascendancy, to make him choose herself in preference to the Baron. As for the society ladies who had been present and had not even asked to be introduced to her, as soon as she grasped their hesitations or indifference, she had said: “Ah! I see what they are, the sort of old good-for-nothings that are not our style, it’s the last time they shall set foot in this house.” For she would have died rather than admit that anyone had been less friendly to her than she had hoped. “Ah! My dear General,” M. de Charlus suddenly exclaimed, abandoning Mme. Verdurin, as he caught sight of General Deltour, Secretary to the President of the Republic, who might be of great value in securing Charlie his Cross, and who, after asking some question of Cottard, was rapidly withdrawing: “Good evening, my dear, delightful friend. So this is how you slip away without saying good-bye to me,” said the Baron with a genial, self-satisfied smile, for he knew quite well that people were always glad to stay behind for a moment to talk to himself. And as, in his present state of excitement, he would answer his own questions in a shrill tone: “Well, did you enjoy it? Wasn’t it really fine? The andante, what? It’s the most touching thing that was ever written. I defy anyone to listen to the end without tears in his eyes. Charming of you to have come. Listen, I had the most perfect telegram this morning from Froberville, who tells me that as far as the Grand Chancery goes the difficulties have been smoothed away, as the saying is.” M. de Charlus’s voice continued to soar at this piercing pitch, as different from his normal voice as is that of a barrister making an emphatic plea from his ordinary utterance, a phenomenon of vocal amplification by over-excitement and nervous tension analogous to that which, at her own dinner-parties, raised to so high a diapason the voice and gaze alike of Mme. de Guermantes. “I intended to send you a note to-morrow by a messenger to tell you of my enthusiasm, until I could find an opportunity of speaking to you, but you have been so surrounded! Froberville’s support is not to be despised, but for my own part, I have the Minister’s promise,” said the General. “Ah! Excellent. Besides, you have seen for yourself that it is only what such talent deserves. Hoyos was delighted, I didn’t manage to see the Ambassadress, was she pleased? Who would not have been, except those that have ears and hear not, which does not matter so long as they have tongues and can speak.” Taking advantage of the Baron’s having withdrawn to speak to the General, Mme. Verdurin made a signal to Brichot. He, not knowing what Mme. Verdurin was going to say, sought to amuse her, and never suspecting the anguish that he was causing me, said to the Mistress: “The Baron is delighted that Mlle. Vinteuil and her friend did not come. They shock him terribly. He declares that their morals are appalling. You can’t imagine how prudish and severe the Baron is on moral questions.” Contrary to Brichot’s expectation, Mme. Verdurin was not amused: “He is obscene,” was her answer. “Take him out of the room to smoke a cigarette with you, so that my husband can get hold of his Dulcinea without his noticing it and warn him of the abyss that is yawning at his feet.” Brichot seemed to hesitate. “I don’t mind telling you,” Mme. Verdurin went on, to remove his final scruples, “that I do not feel at all safe with a man like that in the house. I know, there are all sorts of horrible stories about him, and the police have him under supervision.” And, as she possessed a certain talent of improvisation when inspired by malice, Mme. Verdurin did not stop at this: “It seems, he has been in prison. Yes, yes, I have been told by people who knew all about it. I know, too, from a person who lives in his street, that you can’t imagine the ruffians that go to his house.” And as Brichot, who often went to the Baron’s, began to protest, Mme. Verdurin, growing animated, exclaimed: “But I can assure you! It is I who am telling you,” an expression with which she habitually sought to give weight to an assertion flung out more or less at random. “He will be found murdered in his bed one of these days, as those people always are. He may not go quite as far as that perhaps, because he is in the clutches of that Jupien whom he had the impudence to send to me, and who is an ex-convict, I know it, you yourself know it, yes, for certain. He has a hold on him because of some letters which are perfectly appalling, it seems. I know it from somebody who has seen them, and told me: ‘You would be sick on the spot if you saw them.’ That is how Jupien makes him toe the line and gets all the money he wants out of him. I would sooner die a thousand times over than live in a state of terror like Charlus. In any case, if Morel’s family decides to bring an action against him, I have no desire to be dragged in as an accomplice. If he goes on, it will be at his own risk, but I shall have done my duty. What is one to do? It’s no joke, I can tell you.” And, agreeably warmed already by the thought of her husband’s impending conversation with the violinist, Mme. Verdurin said to me: “Ask Brichot whether I am not a courageous friend, and whether I am not capable of sacrificing myself to save my comrades.” (She was alluding to the circumstances in which she had, just in time, made him quarrel, first of all with his laundress, and then with Mme. de Cambremer, quarrels as a result of which Brichot had become almost completely blind, and [people said] had taken to morphia.) “An incomparable friend, far-sighted and valiant,” replied the Professor with an innocent emotion. “Mme. Verdurin prevented me from doing something extremely foolish,” Brichot told me when she had left us. “She never hesitates to operate without anaesthetics. She is an interventionist, as our friend Cottard says. I admit, however, that the thought that the poor Baron is still unconscious of the blow that is going to fall upon him distresses me deeply. He is quite mad about that boy. If Mme. Verdurin should prove successful, there is a man who is going to be very miserable. However, it is not certain that she will not fail. I am afraid that she may only succeed in creating a misunderstanding between them, which, in the end, without parting them, will only make them quarrel with her.” It was often thus with Mme. Verdurin and her faithful. But it was evident that in her the need to preserve their friendship was more and more dominated by the requirement that this friendship should never be challenged by that which they might feel for one another. Homosexuality did not disgust her so long as it did not tamper with orthodoxy, but like the Church she preferred any sacrifice rather than a concession of orthodoxy. I was beginning to be afraid lest her irritation with myself might be due to her having heard that I had prevented Albertine from going to her that afternoon, and that she might presently set to work, if she had not already begun, upon the same task of separating her from me which her husband, in the case of Charlus, was now going to attempt with the musician. “Come along, get hold of Charlus, find some excuse, there’s no time to lose,” said Mme. Verdurin, “and whatever you do, don’t let him come back here until I send for you. Oh! What an evening,” Mme. Verdurin went on, revealing thus the true cause of her anger. “Performing a masterpiece in front of those wooden images. I don’t include the Queen of Naples, she is intelligent, she is a nice woman” (which meant: “She has been kind to me”). “But the others. Oh! It’s enough to drive anyone mad. What can you expect, I’m no longer a girl. When I was young, people told me that one must put up with boredom, I made an effort, but now, oh no, it’s too much for me, I am old enough to please myself, life is too short; bore myself, listen to idiots, smile, pretend to think them intelligent. No, I can’t do it. Get along, Brichot, there’s no time to lose.” “I am going, Madame, I am going,” said Brichot, as General Deltour moved away. But first of all the Professor took me aside for a moment: “Moral Duty,” he said, “is less clearly imperative than our Ethics teach us. Whatever the Theosophical cafés and the Kantian beer-houses may say, we are deplorably ignorant of the nature of Good. I myself who, without wishing to boast, have lectured to my pupils, in all innocence, upon the philosophy of the said Immanuel Kant, I can see no precise ruling for the case of social casuistry with which I am now confronted in that Critique of Practical Reason in which the great renegade of Protestantism platonised in the German manner for a Germany prehistorically sentimental and aulic, ringing all the changes of a Pomeranian mysticism. It is still the Symposium, but held this time at Kônigsberg, in the local style, indigestible and reeking of sauerkraut, and without any good-looking boys. It is obvious on the one hand that I cannot refuse our excellent hostess the small service that she asks of me, in a fully orthodox conformity with traditional morals. One ought to avoid, above all things, for there are few that involve one in more foolish speeches, letting oneself be lured by words. But after all, let us not hesitate to admit that if the mothers of families were entitled to vote, the Baron would run the risk of being lamentably blackballed for the Chair of Virtue. It is unfortunately with the temperament of a rake that he pursues the vocation of a pedagogue; observe that I am not speaking evil of the Baron; that good man, who can carve a joint like nobody in the world, combines with a genius for anathema treasures of goodness. He can be most amusing as a superior sort of wag, whereas with a certain one of my colleagues, an Academician, if you please, I am bored, as Xenophon would say, at a hundred drachmae to the hour. But I am afraid that he is expending upon Morel rather more than a wholesome morality enjoins, and without knowing to what extent the young penitent shews himself docile or rebellious to the special exercises which his catechist imposes upon him by way of mortification, one need not be a learned clerk to be aware that we should be erring, as the other says, on the side of clemency with regard to this Rosicrucian who seems to have come down to us from Petronius, by way of Saint-Simon, if we granted him with our eyes shut, duly signed and sealed, permission to satanise. And yet, in keeping the man occupied while Mme. Verdurin, for the sinner’s good and indeed rightly tempted by such a cure of souls, proceeds—by speaking to the young fool without any concealment—to remove from him all that he loves, to deal him perhaps a fatal blow, it seems to me that I am leading him into what one might call a man-trap, and I recoil as though from a base action.” This said, he did not hesitate to commit it, but, taking him by the arm, began: “Come, Baron, let us go and smoke a cigarette, this young man has not yet seen all the marvels of the house.” I made the excuse that I was obliged to go home. “Just wait a moment,” said Brichot. “You remember, you are giving me a lift, and I have not forgotten your promise.” “Wouldn’t you like me, really, to make them bring out their plate, nothing could be simpler,” said M. de Charlus. “You promised me, remember, not a word about Morel’s decoration. I mean to give him the surprise of announcing it presently when people have begun to leave, although he says that it is of no importance to an artist, but that his uncle would like him to have it” (I blushed, for, I thought to myself, the Verdurins would know through my grandfather what Morel’s uncle was). “Then you wouldn’t like me to make them bring out the best pieces,” said M. de Charlus. “Of course, you know them already, you have seen them a dozen times at la Raspelière.” I dared not tell him that what might have interested me was not the mediocrity of even the most splendid plate in a middle-class household, but some specimen, were it only reproduced in a fine engraving, of Mme. Du Barry’s. I was far too gravely preoccupied—even if I had not been by this revelation as to Mlle. Vinteuil’s expected presence—always, in society, far too much distracted and agitated to fasten my attention upon objects that were more or less beautiful. It could have been arrested only by the appeal of some reality that addressed itself to my imagination, as might have been, this evening, a picture of that Venice of which I had thought so much during the afternoon, or some general element, common to several forms and more genuine than they, which, of its own accord, never failed to arouse in me an inward appreciation, normally lulled in slumber, the rising of which to the surface of my consciousness filled me with great joy. Well, as I emerged from the room known as the concert-room, and crossed the other drawing-rooms with Brichot and M. de Charlus, on discovering, transposed among others, certain pieces of furniture which I had seen at la Raspelière and to which I had paid no attention, I perceived, between the arrangement of the town house and that of the country house, a certain common air of family life, a permanent identity, and I understood what Brichot meant when he said to me with a smile: “There, look at this room, it may perhaps give you an idea of what things were like in Rue Montalivet, twenty-five years ago.” From his smile, a tribute to the defunct drawing-room which he saw with his mind’s eye, I understood that what Brichot, perhaps without realising it, preferred in the old room, more than the large windows, more than the gay youth of his hosts and their faithful, was that unreal part (which I myself could discern from some similarities between la Raspelière and Quai Conti) of which, in a drawing-room as in everything else, the external, actual part, liable to everyone’s control, is but the prolongation, was that part become purely imaginary, of a colour which no longer existed save for my elderly guide, which he was incapable of making me see, that part which has detached itself from the outer world, to take refuge in our soul, to which it gives a surplus value, in which it is assimilated to its normal substance, transforming itself—houses that have been pulled down, people long dead, bowls of fruit at the suppers which we recall—into that translucent alabaster of our memories, the colour of which we are incapable of displaying, since we alone see it, which enables us to say truthfully to other people, speaking of things past, that they cannot form any idea of them, that they do not resemble anything that they have seen, while we are unable to think of them ourselves without a certain emotion, remembering that it is upon the existence of our thoughts that there depends, for a little time still, their survival, the brilliance of the lamps that have been extinguished and the fragrance of the arbours that will never bloom again. And possibly, for this reason, the drawing-room in Rue Montalivet disparaged, for Brichot, the Verdurins’ present home. But on the other hand it added to this home, in the Professor’s eyes, a beauty which it could not have in those of a stranger. Those pieces of the original furniture that had been transported here, and sometimes arranged in the same groups, and which I myself remembered from la Raspelière, introduced into the new drawing-room fragments of the old which, at certain moments, recalled it so vividly as to create a hallucination and then seemed themselves scarcely real from having evoked in the midst of the surrounding reality fragments of a vanished world which seemed to extend round about them. A sofa that had risen up from dreamland between a pair of new and thoroughly substantial armchairs, smaller chairs upholstered in pink silk, the cloth surface of a card-table raised to the dignity of a person since, like a person, it had a past, a memory, retaining in the chill and gloom of Quai Conti the tan of its roasting by the sun through the windows of Rue Montalivet (where it could tell the time of day as accurately as Mme. Verdurin herself) and through the glass doors at la Raspelière, where they had taken it and where it used to gaze out all day long over the flower-beds of the garden at the valley far below, until it was time for Cottard and the musician to sit down to their game; a posy of violets and pansies in pastel, the gift of a painter friend, now dead, the sole fragment that survived of a life that had vanished without leaving any trace, summarising a great talent and a long friendship, recalling his keen, gentle eyes, his shapely hand, plump and melancholy, while he was at work on it; the incoherent, charming disorder of the offerings of the faithful, which have followed the lady of the house on all her travels and have come in time to assume the fixity of a trait of character, of a line of destiny; a profusion of cut flowers, of chocolate-boxes which here as in the country systematised their growth in an identical mode of blossoming; the curious interpolation of those singular and superfluous objects which still appear to have been just taken from the box in which they were offered and remain for ever what they were at first, New Year’s Day presents; all those things, in short, which one could not have isolated from the rest, but which for Brichot, an old frequenter of the Verdurin parties, had that patina, that velvety bloom of things to which, giving them a sort of profundity, an astral body has been added; all these things scattered before him, sounded in his ear like so many resonant keys which awakened cherished likenesses in his heart, confused reminiscences which, here in this drawing-room of the present day that was littered with them, cut out, defined, as on a fine day a shaft of sunlight cuts a section in the atmosphere, the furniture and carpets, and pursuing it from a cushion to a flower-stand, from a footstool to a lingering scent, from the lighting arrangements to the colour scheme, carved, evoked, spiritualised, called to life a form which might be called the ideal aspect, immanent in each of their successive homes, of the Verdurin drawing-room. “We must try,” Brichot whispered in my ear, “to get the Baron upon his favourite topic. He is astounding.” Now on the one hand I was glad of an opportunity to try to obtain from M. de Charlus information as to the coming of Mlle. Vinteuil and her friend. On the other hand, I did not wish to leave Albertine too long by herself, not that she could (being uncertain of the moment of my return, not to mention that, at so late an hour, she could not have received a visitor or left the house herself without arousing comment) make any evil use of my absence, but simply so that she might not find it too long. And so I told Brichot and M. de Charlus that I must shortly leave them. “Come with us all the same,” said the Baron, whose social excitement was beginning to flag, but feeling that need to prolong, to spin out a conversation, which I had already observed in the Duchesse de Guermantes as well as in himself, and which, while distinctive of their family, extends in a more general fashion to all those people who, offering their minds no other realisation than talk, that is to say an imperfect realisation, remain unassuaged even after hours spent in one’s company, and attach themselves more and more hungrily to their exhausted companion, from whom they mistakenly expect a satiety which social pleasures are incapable of giving. “Come, won’t you,” he repeated, “this is the pleasant moment at a party, the moment when all the guests have gone, the hour of Dona Sol; let us hope that it will end less tragically. Unfortunately you are in a hurry, in a hurry probably to go and do things which you would much better leave undone. People are always in a hurry and leave at the time when they ought to be arriving. We are here like Couture’s philosophers, this is the moment in which to go over the events of the evening, to make what is called in military language a criticism of the operations. We might ask Mme. Verdurin to send us in a little supper to which we should take care not to invite her, and we might request Charlie—still Hernani—to play for ourselves alone the sublime adagio. Isn’t it fine, that adagio? But where is the young violinist, I would like to congratulate him, this is the moment for tender words and embraces. Admit, Brichot, that they played like gods, Morel especially. Did you notice the moment when that lock of hair came loose? Ah, then, my dear fellow, you saw nothing at all. There was an F sharp at which Enesco, Capet and Thibaut might have died of jealousy; I may have appeared calm enough, I can tell you that at such a sound my heart was so wrung that I could barely control my tears. The whole room sat breathless; Brichot, my dear fellow,” cried the Baron, gripping the other’s arm which he shook violently, “it was sublime. Only young Charlie preserved a stony immobility, you could not even see him breathe, he looked like one of those objects of the inanimate world of which Théodore Rousseau speaks, which make us think, but do not think themselves. And then, all of a sudden,” cried M. de Charlus with enthusiasm, making a pantomime gesture, “then... the Lock! And all the time, the charming little country-dance of the allegro vivace. You know, that lock was the symbol of the revelation, even to the most obtuse. The Princess of Taormina, deaf until then, for there are none so deaf as those that have ears and hear not, the Princess of Taormina, confronted by the message of the miraculous lock, realised that it was music that they were playing and not poker. Oh, that was indeed a solemn moment.” “Excuse me, Sir, for interrupting you,” I said to M. de Charlus, hoping to bring him to the subject in which I was interested, “you told me that the composer’s daughter was to be present. I should have been most interested to meet her. Are you certain that she was expected?” “Oh, that I can’t say.” M. de Charlus thus complied, perhaps unconsciously, with that universal rule by which people withhold information from a jealous lover, whether in order to shew an absurd ‘comradeship,’ as a point of honour, and even if they detest her, with the woman who has excited his jealousy, or out of malice towards her, because they guess that jealousy can only intensify love, or from that need to be disagreeable to other people which consists in revealing the truth to the rest of the world but concealing it from the jealous, ignorance increasing their torment, or so at least the tormentors suppose, who, in their desire to hurt other people are guided by what they themselves believe, wrongly perhaps, to be most painful. “You know,” he went on, “in this house they are a trifle prone to exaggerate, they are charming people, still they do like to catch celebrities of one sort or another. But you are not looking well, and you will catch cold in this damp room,” he said, pushing a chair towards me. “Since you have not been well, you must take care of yourself, let me go and find you your coat. No, don’t go for it yourself, you will lose your way and catch cold. How careless people are; you might be an infant in arms, you want an old nurse like me to look after you.” “Don’t trouble, Baron, let me go,” said Brichot, and left us immediately; not being precisely aware perhaps of the very warm affection that M. de Charlus felt for me and of the charming lapses into simplicity and devotion that alternated with his delirious crises of grandeur and persecution, he was afraid that M. de Charlus, whom Mme. Verdurin had entrusted like a prisoner to his vigilance, might simply be seeking, under the pretext of asking for my greatcoat, to return to Morel and might thus upset the Mistress’s plan.
Meanwhile Ski had sat down, uninvited, at the piano, and assuming—with a playful knitting of his brows, a remote gaze and a slight twist of his lips—what he imagined to be an artistic air, was insisting that Morel should play something by Bizet. “What, you don’t like it, that boyish music of Bizet. Why, my dear fellow,” he said, with that rolling of the letter r which was one of his peculiarities, “it’s rravishing.” Morel, who did not like Bizet, said so in exaggerated terms and (as he had the reputation in the little clan of being, though it seems incredible, a wit) Ski, pretending to take the violinist’s diatribes as paradoxes, burst out laughing. His laugh was not, like M. Verdurin’s, the stifled gasp of a smoker. Ski first of all assumed a subtle air, then allowed to escape, as though against his will, a single note of laughter, like the first clang from a belfry, followed by a silence in which the subtle gaze seemed to be making a competent examination of the absurdity of what had been said, then a second peal of laughter shook the air, followed presently by a merry angelus.
I expressed to M. de Charlus my regret that M. Brichot should be taking so much trouble. “Not at all, he is delighted, he is very fond of you, everyone is fond of you. Somebody was saying only the other day: ‘We never see him now, he is isolating himself!’ Besides, he is such a good fellow, is Brichot,” M. de Charlus went on, never suspecting probably, in view of the affectionate, frank manner in which the Professor of Moral Philosophy conversed with him, that he had no hesitation is slandering him behind his back. “He is a man of great merit, immensely learned, and not a bit spoiled, his learning hasn’t turned him into a bookworm, like so many of them who smell of ink. He has retained a breadth of outlook, a tolerance, rare in his kind. Sometimes, when one sees how well he understands life, with what a natural grace he renders everyone his due, one asks oneself where a humble little Sorbonne professor, an ex-schoolmaster, can have picked up such breeding. I am astonished at it myself.” I was even more astonished when I saw the conversation of this Brichot, which the least refined of Mme. de Guermantes’s friends would have found so dull, so heavy, please the most critical of them all, M. de Charlus. But to achieve this result there had collaborated, among other influences, themselves distinct also, those by virtue of which Swann, on the one hand, had so long found favour with the little clan, when he was in love with Odette, and on the other hand, after he married, found an attraction in Mme. Bontemps who, pretending to adore the Swann couple, came incessantly to call upon the wife and revelled in all the stories about the husband. Just as a writer gives the palm for intelligence, not to the most intelligent man, but to the worldling who utters a bold and tolerant comment upon the passion of a man for a woman, a comment which makes the writer’s bluestocking mistress agree with him in deciding that of all the people who come to her house the least stupid is after all this old beau who shews experience in the things of love, so M. de Charlus found more intelligent than the rest of his friends Brichot, who was not merely kind to Morel, but would cull from the Greek philosophers, the Latin poets, the authors of Oriental tales, appropriate texts which decorated the Baron’s propensity with a strange and charming anthology. M. de Charlus had reached the age at which a Victor Hugo chooses to surround himself, above all, with Vacqueries and Meurices. He preferred to all others those men who tolerated his outlook upon life. “I see a great deal of him,” he went on, in a balanced, sing-song tone, allowing no movement of his lips to stir his grave, powdered mask over which were purposely lowered his prelatical eyelids. “I attend his lectures, that atmosphere of the Latin Quarter refreshes me, there is a studious, thoughtful adolescence of young bourgeois, more intelligent, better read than were, in a different sphere, my own contemporaries. It is a different world, which you know probably better than I, they are young bourgeois,” he said, detaching the last word to which he prefixed a string of b_s, and emphasising it from a sort of habit of elocution, corresponding itself to a taste for fine distinctions in past history, which was peculiar to him, but perhaps also from inability to resist the pleasure of giving me a flick of his insolence. This did not in any way diminish the great and affectionate pity that was inspired in me by M. de Charlus (after Mme. Verdurin had revealed her plan in my hearing), it merely amused me, and indeed on any other occasion, when I should not have felt so kindly disposed towards him, would not have offended me. I derived from my grandmother such an absence of any self-importance that I might easily be found wanting in dignity. Doubtless, I was scarcely aware of this, and by dint of having seen and heard, from my schooldays onwards, my most esteemed companions take offence if anyone failed to keep an appointment, refuse to overlook any disloyal behaviour, I had come in time to exhibit in my speech and actions a second nature which was stamped with pride. I was indeed considered extremely proud, because, as I had never been timid, I had been easily led into duels, the moral prestige of which, however, I diminished by making little of them, which easily persuaded other people that they were absurd; but the true nature which we trample underfoot continues nevertheless to abide within us. Thus it is that at times, if we read the latest masterpiece of a man of genius, we are delighted to find in it all those of our own reflexions which we have always despised, joys and sorrows which we have repressed, a whole world of feelings scorned by us, the value of which the book in which we discover them afresh at once teaches us. I had come in time to learn from my experience of life that it was a mistake to smile a friendly smile when somebody made a fool of me, instead of feeling annoyed. But this want of self-importance and resentment, if I had so far ceased to express it as to have become almost entirely unaware that it existed in me, was nevertheless the primitive, vital element in which I was steeped. Anger and spite came to me only in a wholly different manner, in furious crises. What was more, the sense of justice was so far lacking in me as to amount to an entire want of moral sense. I was in my heart of hearts entirely won over to the side of the weaker party, and of anyone who was in trouble. I had no opinion as to the proportion in which good and evil might be blended in the relations between Morel and M. de Charlus, but the thought of the sufferings that were being prepared for M. de Charlus was intolerable to me. I would have liked to warn him, but did not know how to do it. “The spectacle of all that laborious little world is very pleasant to an old stick like myself. I do not know them,” he went on, raising his hand with an air of reserve—so as not to appear to be boasting of his own conquests, to testify to his own purity and not to allow any suspicion to rest upon that of the students—“but they are most civil, they often go so far as to keep a place for me, since I am a very old gentleman. Yes indeed, my dear boy, do not protest, I am past forty,” said the Baron, who was past sixty. “It is a trifle stuffy in the hall in which Brichot lectures, but it is always interesting.” Albeit the Baron preferred to mingle with the youth of the schools, in other words to be jostled by them, sometimes, to save him a long wait in the lecture-room, Brichot took him in by his own door. Brichot might well be at home in the Sorbonne, at the moment when the janitor, loaded with chains of office, stepped out before him, and the master admired by his young pupils followed, he could not repress a certain timidity, and much as he desired to profit by that moment in which he felt himself so important to shew consideration for Charlus, he was nevertheless slightly embarrassed; so that the janitor should allow him to pass, he said to him, in an artificial tone and with a preoccupied air: “Follow me, Baron, they’ll find a place for you,” then, without paying any more attention to him, to make his own entry, he advanced by himself briskly along the corridor. On either side, a double hedge of young lecturers greeted him; Brichot, anxious not to appear to be posing in the eyes of these young men to whom he knew that he was a great pontiff, bestowed on them a thousand glances, a thousand little nods of connivance, to which his desire to remain martial, thoroughly French, gave the effect of a sort of cordial encouragement by an old soldier saying: “Damn it all, we can face the foe.” Then the applause of his pupils broke out. Brichot sometimes extracted from this attendance by M. de Charlus at his lectures an opportunity for giving pleasure, almost for returning hospitality. He would say to some parent, or to one of his middle-class friends: “If it would interest your wife or daughter, I may tell you that the Baron de Charlus, Prince de Carency, a scion of the House of Condé, attends my lectures. It is something to remember, having seen one of the last descendants of our aristocracy who preserves the type. If they care to come, they will know him because he will be sitting next to my chair. Besides he will be alone there, a stout man, with white hair and black moustaches, wearing the military medal.” “Oh, thank you,” said the father. And, albeit his wife had other engagements, so as not to disoblige Brichot, he made her attend the lecture, while the daughter, troubled by the heat and the crowd, nevertheless devoured eagerly with her eyes the descendant of Condé, marvelling all the same that he was not crowned with strawberry-leaves and looked just like anybody else of the present day. He meanwhile had no eyes for her, but more than one student, who did not know who he was, was amazed at his friendly glances, became self-conscious and stiff, and the Baron left the room full of dreams and melancholy. “Forgive me if I return to the subject,” I said quickly to M. de Charlus, for I could hear Brichot returning, “but could you let me know by wire if you should hear that Mlle. Vinteuil or her friend is expected in Paris, letting me know exactly how long they will be staying and without telling anybody that I asked you.” I had almost ceased to believe that she had been expected, but I wished to guard myself thus for the future. “Yes, I will do that for you, first of all because I owe you a great debt of gratitude. By not accepting what, long ago, I had offered you, you rendered me, to your own loss, an immense service, you left me my liberty. It is true that I have abdicated it in another fashion,” he added in a melancholy tone beneath which was visible a desire to take me into his confidence; “that is what I continue to regard as the important fact, a whole combination of circumstances which you failed to turn to your own account, possibly because fate warned you at that precise minute not to cross my Path. For always man proposes and God disposes. Who knows whether if, on the day when we came away together from Mme. de Villeparisis’s, you had accepted, perhaps many things that have since happened would never have occurred?” In some embarrassment, I turned the conversation, seizing hold of the name of Mme. de Villeparisis, and sought to find out from him, so admirably qualified in every respect, for what reasons Mme. de Villeparisis seemed to be held aloof by the aristocratic world. Not only did he not give me the solution of this little social problem, he did not even appear to me to be aware of its existence. I then realised that the position of Mme. de Villeparisis, if it was in later years to appear great to posterity, and even in the Marquise’s lifetime to the ignorant rich, had appeared no less great at the opposite extremity of society, that which touched Mme. de Villeparisis, that of the Guermantes. She was their aunt; they saw first and foremost birth, connexions by marriage, the opportunity of impressing some sister-in-law with the importance of their own family. They regarded this less from the social than from the family point of view. Now this was more brilliant in the case of Mme. de Villeparisis than I had supposed. I had been impressed when I heard that the title Villeparisis was falsely assumed. But there are other examples of great ladies who have made degrading marriages and preserved a predominant position. M. de Charlus began by informing me that Mme. de Villeparisis was a niece of the famous Duchesse de——-, the most celebrated member of the great aristocracy during the July Monarchy, albeit she had refused to associate with the Citizen King and his family. I had so longed to hear stories about this Duchess! And Mme. de Villeparisis, the kind Mme. de Villeparisis, with those cheeks that to me had been the cheeks of an ordinary woman, Mme. de Villeparisis who sent me so many presents and whom I could so easily have seen every day, Mme. de Villeparisis was her niece brought up by her, in her home, at the Hôtel de——-. “She asked the Duc de Doudeauville,” M. de Charlus told me, “speaking of the three sisters, ‘Which of the sisters do you prefer?’ And when Doudeauville said: ‘Madame de Villeparisis,’ the Duchesse de———replied ‘Pig!’ For the Duchess was extremely witty,” said M. de Charlus, giving the word the importance and the special pronunciation in use among the Guermantes. That he should have thought the expression so ‘witty’ did not, however, surprise me, for I had on many other occasions remarked the centrifugal, objective tendency which leads men to abdicate, when they are relishing the wit of others, the severity with which they would criticise their own, and to observe, to record faithfully, what they would have scorned to create. “But what on earth is he doing, that is my greatcoat he is bringing,” he said, on seeing that Brichot had made so long a search to no better result. “I would have done better to go for it myself. However, you can put it on now. Are you aware that it is highly compromising, my dear boy, it is like drinking out of the same glass, I shall be able to read your thoughts. No, not like that, come, let me do it,” and as he put me into his greatcoat, he pressed it down on my shoulders, fastened it round my throat, and brushed my chin with his hand, making the apology: “At his age, he doesn’t know how to put on a coat, one has to titivate him, I have missed my vocation, Brichot, I was born to be a nursery-maid.” I wanted to go home, but as M. de Charlus had expressed his intention of going in search of Morel, Brichot detained us both. Moreover, the certainty that when I went home I should find Albertine there, a certainty as absolute as that which I had felt in the afternoon that Albertine would return home from the Trocadéro, made me at this moment as little impatient to see her as I had been then when I was sitting at the piano, after Françoise had sent me her telephone message. And it was this calm that enabled me, whenever, in the course of this conversation, I attempted to rise, to obey Brichot’s injunctions who was afraid that my departure might prevent Charlus from remaining with him until the moment when Mme. Verdurin was to come and fetch us. “Come,” he said to the Baron, “stay a little here with us, you shall give him the accolade presently,” Brichot added, fastening upon myself his almost sightless eyes to which the many operations that he had undergone had restored some degree of life, but which had not all the same the mobility necessary to the sidelong expression of malice. “The accolade, how absurd!” cried the Baron, in a shrill and rapturous tone. “My boy, I tell you, he imagines he is at a prize-giving, he is dreaming of his young pupils. I ask myself whether he don’t sleep with them.” “You wish to meet Mlle. Vinteuil,” said Brichot, who had overheard the last words of our conversation. “I promise to let you know if she comes, I shall hear of it from Mme. Verdurin,” for he doubtless foresaw that the Baron was in peril of an immediate exclusion from the little clan. “I see, so you think that I have less claim than yourself upon Mme. Verdurin,” said M. de Charlus, “to be informed of the coming of these terribly disreputable persons. You know that they are quite notorious. Mme. Verdurin is wrong to allow them to come here, they are all very well for the fast set. They are friends with a terrible band of women. They meet in the most appalling places.” At each of these words, my suffering was increased by the addition of a fresh suffering, changing in form. “Certainly not, I don’t suppose that I have any better claim than yourself upon Mme. Verdurin,” Brichot protested, punctuating his words, for he was afraid that he might have aroused the Baron’s suspicions. And as he saw that I was determined to go, seeking to detain me with the bait of the promised entertainment: “There is one thing which the Baron seems to me not to have taken into account when he speaks of the reputation of these two ladies, namely that a person’s reputation may be at the same time appalling and undeserved. Thus for instance, in the more notorious group which I shall call parallel, it is certain that the errors of justice are many and that history has registered convictions for sodomy against illustrious men who were wholly innocent of the charge. The recent discovery of Michelangelo’s passionate love for a woman is a fresh fact which should entitle the friend of Leo X to the benefit of a posthumous retrial. The Michelangelo case seems to me clearly indicated to excite the snobs and mobilise the Villette, when another case in which anarchism reared its head and became the fashionable sin of our worthy dilettantes, but which must not even be mentioned now for fear of stirring up quarrels, shall have run its course.” From the moment when Brichot began to speak of masculine reputations, M. de Charlus betrayed on every one of his features that special sort of impatience which one sees on the face of a medical or military expert when society people who know nothing about the subject begin to talk nonsense about points of therapeutics or strategy. “You know absolutely nothing about the matter,” he said at length to Brichot. “Quote me a single reputation that is undeserved. Mention names. Oh yes, I know the whole story,” was his brutal retort to a timid interruption by Brichot, “the people who tried it once long ago out of curiosity, or out of affection for a dead friend, and the man who, afraid he has gone too far, if you speak to him of the beauty of a man, replies that that is Chinese to him, that he can no more distinguish between a beautiful man and an ugly one than between the engines of two motorcars, mechanics not being in his line. That’s all stuff and nonsense. Mind you, I don’t mean to say that a bad (or what is conventionally so called) and yet undeserved reputation is absolutely impossible. It is so exceptional, so rare, that for practical purposes it does not exist. At the same time I, who have a certain curiosity in ferreting things out, have known cases which were not mythical. Yes, in the course of my life, I have established (scientifically speaking, of course, you mustn’t take me too literally) two unjustified reputations. They generally arise from a similarity of names, or from certain outward signs, a profusion of rings, for instance, which persons who are not qualified to judge imagine to be characteristic of what you were mentioning, just as they think that a peasant never utters a sentence without adding: ‘Jarnignié,’ or an Englishman: ‘Goddam.’ Dialogue for the boulevard theatres. What will surprise you is that the unjustified are those most firmly established in the eyes of the public. You yourself, Brichot, who would thrust your hand in the flames to answer for the virtue of some man or other who comes to this house and whom the enlightened know to be a wolf in sheep’s clothing, you feel obliged to believe like every Tom, Dick and Harry in what is said about some man in the public eye who is the incarnation of those propensities to the common herd, when as a matter of fact, he doesn’t care twopence for that sort of thing. I say twopence, because if we were to offer five-and-twenty louis, we should see the number of plaster saints dwindle down to nothing. As things are, the average rate of sanctity, if you see any sanctity in that sort of thing, is somewhere between thirty and forty per cent.” If Brichot had transferred to the male sex the question of evil reputations, with me it was, inversely, to the female sex that, thinking of Albertine, I applied the Baron’s words. I was appalled at his statistics, even when I bore in mind that he was probably enlarging his figures to reach the total that he would like to believe true, and had based them moreover upon the reports of persons who were scandalmongers and possibly liars, and had in any case been led astray by their own desire, which, coming in addition to that of M. de Charlus, doubtless falsified the Baron’s calculations. “Thirty per cent!” exclaimed Brichot. “Why, even if the proportions were reversed I should still have to multiply the guilty a hundredfold. If it is as you say, Baron, and you are not mistaken, then we must confess that you are one of those rare visionaries who discern a truth which nobody round them has ever suspected. Just as Barrés made discoveries as to parliamentary corruption, the truth of which was afterwards established, like the existence of Leverrier’s planet. Mme. Verdurin would prefer to cite men whom I would rather not name who detected in the Intelligence Bureau, in the General Staff, activities inspired, I am sure, by patriotic zeal, which I had never imagined. Upon free-masonry, German espionage, morphinomania, Léon Daudet builds up, day by day, a fantastic fairy-tale which turns out to be the barest truth. Thirty per cent!” Brichot repeated in stupefaction. It is only fair to say that M. de Charlus taxed the great majority of his contemporaries with inversion, always excepting those men with whom he himself had had relations, their case, provided that they had introduced the least trace of romance into those relations, appearing to him more complex. So it is that we see men of the world, who refuse to believe in women’s honour, allow some remnants of honour only to the woman who has been their mistress, as to whom they protest sincerely and with an air of mystery: “No, you are mistaken, she is not that sort of girl.” This unlooked-for tribute is dictated partly by their own self-respect which is flattered by the supposition that such favours have been reserved for them alone, partly by their simplicity which has easily swallowed everything that their mistress has given them to believe, partly from that sense of the complexity of life which brings it about that, as soon as we approach other people, other lives, ready-made labels and classifications appear unduly crude. “Thirty per cent! But have a care; less fortunate than the historians whose conclusions the future will justify, Baron, if you were to present to posterity the statistics that you offer us, it might find them erroneous. Posterity judges only from documentary evidence, and will insist on being assured of your facts. But as no document would be forthcoming to authenticate this sort of collective phenomena which the few persons who are enlightened are only too ready to leave in obscurity, the best minds would be moved to indignation, and you would be regarded as nothing more than a slanderer or a lunatic. After having, in the social examination, obtained top marks and the primacy upon this earth, you would taste the sorrows of a blackball beyond the grave. That is not worth powder and shot, to quote—may God forgive me—our friend Bossuet.” “I am not interested in history,” replied M. de Charlus, “this life is sufficient for me, it is quite interesting enough, as poor Swann used to say.” “What, you knew Swann, Baron, I was not aware of that. Tell me, was he that way inclined?” Brichot inquired with an air of misgiving!“What a mind the man has! So you suppose that I only know men like that. No, I don’t think so,” said Charlus, looking to the ground and trying to weigh the pros and cons. And deciding that, since he was dealing with Swann whose hostility to that sort of thing had always been notorious, a half-admission could only be harmless to him who was its object and flattering to him who allowed it to escape in an insinuation: “I don’t deny that long ago in our schooldays, once by accident,” said the Baron, as though unwillingly and as though he were thinking aloud, then recovering himself: “But that was centuries ago, how do you expect me to remember, you are making a fool of me,” he concluded with a laugh. “In any case, he was never what you’d call a beauty!” said Brichot who, himself hideous, thought himself good-looking and was always ready to believe that other men were ugly. “Hold your tongue,” said the Baron, “you don’t know what you’re talking about, in those days he had a peach-like complexion, and,” he added, finding a fresh note for each syllable, “he was as beautiful as Cupid himself. Besides he was always charming. The women were madly in love with him.” “But did you ever know his wife?” “Why, it was through me that he came to know her. I thought her charming in her disguise one evening when she played Miss Sacripant; I was with some fellows from the club, each of us took a woman home with him, and, although all that I wanted was to go to sleep, slanderous tongues alleged, for it is terrible how malicious people are, that I went to bed with Odette. Only she took advantage of the slanders to come and worry me, and I thought I might get rid of her by introducing her to Swann. From that moment she never let me go, she couldn’t spell the simplest word, it was I who wrote all her letters for her. And it was I who, afterwards, had to take her out. That, my boy, is what comes of having a good reputation, you see. Though I only half deserved it. She forced me to help her to betray him, with five, with six other men.” And the lovers whom Odette had had in succession (she had been with this man, then with that, those men not one of whose names had ever been guessed by poor Swann, blinded in turn by jealousy and by love, reckoning the chances and believing in oaths more affirmative than a contradiction which escapes from the culprit, a contradiction far more unseizable, and at the same time far more significant, of which the jealous lover might take advantage more logically than of the information which he falsely pretends to have received, in the hope of confusing his mistress), these lovers M. de Charlus began to enumerate with as absolute a certainty as if he had been repeating the list of the Kings of France. And indeed the jealous lover is, like the contemporaries of an historical event, too close, he knows nothing, and it is in the eyes of strangers that the comic aspect of adultery assumes the precision of history, and prolongs itself in lists of names which are, for that matter, unimportant and become painful only to another jealous lover, such as myself, who cannot help comparing his own case with that which he hears mentioned and asks himself whether the woman of whom he is suspicious cannot boast an equally illustrious list. But he can never know anything more, it is a sort of universal conspiracy, a ‘blindman’s buff’ in which everyone cruelly participates, and which consists, while his mistress flits from one to another, in holding over his eyes a bandage which he is perpetually attempting to tear off without success, for everyone keeps him blindfold, poor wretch, the kind out of kindness, the wicked out of malice, the coarse-minded out of their love of coarse jokes, the well-bred out of politeness and good-breeding, and all alike respecting one of those conventions which are called principles. “But did Swann never know that you had enjoyed her favours?” “What an idea! If you had suggested such a thing to Charles! It’s enough to make one’s hair stand up on end. Why, my dear fellow, he would have killed me on the spot, he was as jealous as a tiger. Any more than I ever confessed to Odette, not that she would have minded in the least, that ... but you must not make my tongue run away with me. And the joke of it is that it was she who fired a revolver at him, and nearly hit me. Oh! I used to have a fine time with that couple; and naturally it was I who was obliged to act as his second against d’Osmond, who never forgave me. D’Osmond had carried off Odette and Swann, to console himself, had taken as his mistress, or make-believe mistress, Odette’s sister. But really you must not begin to make me tell you Swann’s story, we should be here for ten years, don’t you know, nobody knows more about him than I do. It was I who used to take Odette out when she did not wish to see Charles. It was all the more awkward for me as I have a quite near relative who bears the name Crécy, without of course having any manner of right to it, but still he was none too well pleased. For she went by the name of Odette de Crécy, as she very well might, being merely separated from a Crécy whose wife she still was, and quite an authentic person, a highly respectable gentleman out of whom she had drained his last farthing. But why should I have to tell you about this Crécy, I have seen you with him on the crawler, you used to have him to dinner at Balbec. He must have needed those dinners, poor fellow, he lived upon a tiny allowance that Swann made him; I am greatly afraid that, since my friend’s death, that income must have stopped altogether. What I do not understand,” M. de Charlus said to me, “is that, since you used often to go to Charles’s, you did not ask me this evening to present you to the Queen of Naples. In fact I can see that you are less interested in people than in curiosities, and that continues to surprise me in a person who knew Swann, in whom that sort of interest was so far developed that it is impossible to say whether it was I who initiated him in these matters or he myself. It surprises me as much as if I met a person who had known Whistler and remained ignorant of what is meant by taste. By Jove, it is Morel that ought really to have been presented to her, he was passionately keen on it too, for he is the most intelligent fellow you could imagine. It is a nuisance that she has left. However, I shall effect the conjunction one of these days. It is indispensable that he should know her. The only possible obstacle would be if she were to die in the night. Well, we may hope that it will not happen.” All of a sudden Brichot, who was still suffering from the shock of the proportion ‘thirty per cent’ which M. de Charlus had revealed to him, Brichot who had continued all this time in the pursuit of his idea, with an abruptness which suggested that of an examining magistrate seeking to make a prisoner confess, but which was in reality the result of the Professor’s desire to appear perspicacious and of the misgivings that he felt about launching so grave an accusation, spoke. “Isn’t Ski like that?” he inquired of M. de Charlus with a sombre air. To make us admire his alleged power of intuition, he had chosen Ski, telling himself that since there were only three innocent men in every ten, he ran little risk of being mistaken if he named Ski who seemed to him a trifle odd, suffered from insomnia, scented himself, in short was not entirely normal. “Nothing of the sort!” exclaimed the Baron with a bitter, dogmatic, exasperated irony. “What you say is utterly false, absurd, fantastic. Ski is like that precisely to the people who know nothing about it; if he was, he would not look so like it, be it said without any intention to criticise, for he has a certain charm, indeed I find something very attractive about him.” “But give us a few names, then,” Brichot pursued with insistence. M. de Charlus drew himself up with a forbidding air. “Ah! my dear Sir, I, as you know, live in a world of abstraction, all that sort of thing interests me only from a transcendental point of view,” he replied with the touchy susceptibility peculiar to men of his kind, and the affectation of grandiloquence that characterised his conversation. “To me, you understand, it is only general principles that are of any interest, I speak to you of this as I might of the law of gravitation.” But these moments of irritable reaction in which the Baron sought to conceal his true life lasted but a short time compared with the hours of continual progression in which he allowed it to be guessed, displayed it with an irritating complacency, the need to confide being stronger in him than the fear of divulging his secret. “What I was trying to say,” he went on, “is that for one evil reputation that is unjustified there are hundreds of good ones which are no less so. Obviously, the number of those who do not merit their reputations varies according to whether you rely upon what is said by men of their sort or by the others. And it is true that if the malevolence of the latter is limited by the extreme difficulty which they would find in believing that a vice as horrible to them as robbery or murder is being practised by men whom they know to be sensitive and sincere, the malevolence of the former is stimulated to excess by the desire to regard as—what shall I say?—accessible, men who appeal to them, upon the strength of information given them by people who have been led astray by a similar desire, in fact by the very aloofness with which they are generally regarded. I have heard a man, viewed with considerable disfavour on account of these tastes, say that he supposed that a certain man in society shared them. And his sole reason for believing it was that this other man had been polite to him! So many reasons for optimism,” said the Baron artlessly, “in the computation of the number. But the true reason of the enormous difference that exists between the number calculated by the profane, and that calculated by the initiated, arises from the mystery with which the latter surround their actions, in order to conceal them from the rest, who, lacking any source of information, would be literally stupefied if they were to learn merely a quarter of the truth.” “Then in our days, things are as they were among the Greeks,” said Brichot. “What do you mean, among the Greeks? Do you suppose that it has not been going on ever since? Take the reign of Louis XIV, you have young Vermandois, Molière, Prince Louis of Baden, Brunswick, Charolais, Boufflers, the Great Condé, the Duc de Brissac.” “Stop a moment, I knew about Monsieur, I knew about Brissac from Saint-Simon, Vendôme of course, and many, others as well. But that old pest Saint-Simon often refers to the Great Condé and Prince Louis of Baden and never mentions it.” “It seems a pity, I must say, that it should fall to me to teach a Professor of the Sorbonne his history. But, my dear Master, you are as ignorant as a carp.” “You are harsh, Baron, but just. And, wait a moment, now this will please you, I remember now a song of the period composed in macaronic verse about a certain storm which surprised the Great Condé as he was going down the Rhône in the company of his friend, the Marquis de La Moussaye. Condé says:
Carus Amicus Mussaeus,
Ah! Quod tempus, bonus Deus,
Landerirette
Imbre sumus perituri.
And La Moussaye reassures him with:
Securae sunt nostrae vitae
Sumus enim Sodomitae
Igne tantum perituri
Landeriri.”