the back of the hall and watched her empty the ashes into the garbage pail and rap out the pipes against its rim. Then she stood with the pipes in her hand, looking around uncertainly; finally she put the pipes and the ash tray on the cupboard shelf, and set the smoking stand in the corner of the kitchen behind the stove. He went back along the hall on tiptoe and into the sitting room.
Catherine sat in the little chair by the side window with a picture book on her knees. Her crayons were all over the window sill and she was working intently with an orange crayon. She looked up when he came in and looked down again and kept on working.
He did not want to help her, be wanted to be my himself and see if he could find the paper with the names in it, but he felt that he ought to try to be good, for by now he felt a dark uneasiness about something, he was not quite sure what, that he had done. He walked over to her. “I’ll help you,” he said.
“No,” Catherine said, without even looking up. It was the Mother Goose book and with her orange crayon she was scrawling all over the cow which jumped over the moon, inside and outside the lines of the cow.
“Aunt Hannah says to,” he said, disgusted to see what she was doing to the cow.
“No,” Catherine said, and again she did not look up or stop scrawling for a second.
“That ain’t no color for a cow,” he said. “Whoever saw an orange cow?” She made no reply, but he could see that her face was getting red. “Besides, you’re not even coloring inside the cow,” he said. “Just look at that. You’re just running that crayon around all over the place and it isn’t even the right color.” She bore down even harder and harder with the crayon and pushed it in a wider and wider tangle of lines and all of a
