They had the complete marble quality of all looking alike. Sculpture had always seemed a dull business—still, bronzes looked like something. But marble busts all looked like a cemetery. There was one fine cemetery though—the one at Pisa. Genoa was the place to see the bad marbles. This had been the villa of a very wealthy German and the busts must have cost him plenty. I wondered who had done them and how much he got. I tried to make out whether they were members of the family or what; but they were all uniformly classical. You could not tell anything about them.
I sat on a chair and held my cap. We were supposed to wear steel helmets even in Gorizia but they were uncomfortable and too bloody theatrical in a town where the civilian inhabitants had not been evacuated. I wore one when we went up to the posts and carried an English gas mask. We were just beginning to get some of them. They were a real mask. Also we were required to wear an automatic pistol; even doctors and sanitary officers. I felt it against the back of the chair. You were liable to arrest if you did not have one worn in plain sight. Rinaldi carried a holster stuffed with toilet paper. I wore a real one and felt like a gunman until I practised firing it. It was an Astra 7.65 caliber with a short barrel and it jumped so sharply when you let it off that there was no question of hitting anything. I practised with it, holding below the target and trying to master the jerk of the ridiculous short barrel until I could hit within a yard of where I aimed at twenty paces and then the ridiculousness of carrying a pistol at all came over me and I soon forgot it and carried it flopping against the small of my back with no feeling at all except a vague
