backs it up. Or just a man who backs his play. And I’m not thinking of the theatre, he thought. Lovely as the theatre can be.
And yet, he thought, seeing now the little villa, close up against the water, ugly as a building you would see on the boat train from Havre or Cherbourg, coming into the banlieue before Paris as you came into town. It was over-run with badly administered trees, and not a place that you would live in if you could help it. There he lived.
They loved him for his talent, and because he was bad, and he was brave. A Jewish boy with nothing, he stormed the country with his talent, and his rhetoric. He was a more miserable character than any that I know and as mean. But the man I think of to compare him with never put the chips on the line and went to war, the Colonel thought, and Gabriele d’Annunzio (I always wondered what his real name was, he thought, because nobody is named d’Annunzio in a practical country and perhaps he was not Jewish and what difference did it make if he was or was not,) had moved through the different arms of the service as he had moved into and out of the arms of different women.
All the arms were pleasant that d’Annunzio served with and the mission was fast and easily over, except the Infantry. He remembered how d’Annunzio had lost an eye in a crash, flying as an observer, over Trieste or Pola, and how, afterwards, he had always worn a patch over it and people who did not know, for, then, no one really knew, thought it had been shot out at the Veliki or San Michele or some other bad place beyond the Carso where everyone
