“Like a wedding,” said the handler. “Fine. You came out like Joselito and Belmonte.”
Zurito rode by, a bulky equestrian statue. He wheeled his horse and faced him toward the toril on the far side of the ring where the bull would come out. It was strange under the arc-light. He pic-ed in the hot afternoon sun for big money. He didn’t like this arc-light business. He wished they would get started.
Manuel went up to him.
“Pic him, Manos,” he said. “Cut him down to size for me.”
“I’ll pic him, kid,” Zurito spat on the sand. “I’ll make him jump out of the ring.”
“Lean on him, Manos,” Manuel said.
“I’ll lean on him,” Zurito said. “What’s holding it up?”
“He’s coming now,” Manuel said.
Zurito sat there, his feet in the box-stirrups, his great legs in the buckskin-covered armor gripping the horse, the reins in his left hand, the long pic held in his right hand, his broad hat well down over his eyes to shade them from the lights, watching the distant door of the toril. His horse’s ears quivered. Zurito patted him with his left hand.
The red door of the toril swung back and for a moment Zurito looked into the empty passageway far across the arena. Then the bull came out in a rush, skidding on his four legs as he came out under the lights, then charging in a gallop, moving softly in a fast gallop, silent except as he woofed through wide nostrils as he charged, glad to be free after the dark pen.
In the first row of seats, slightly bored, leaning forward to write on the cement wall in front of his knees, the substitute bull-fight critic of El Heraldo scribbled: “Campagnero, Negro, 42, came out at 90 miles an hour with plenty of gas—”
Manuel, leaning against the barrera, watching the bull, waved his hand and the gypsy ran out, trailing his cape. The bull, in full gallop, pivoted and charged the cape, his head down, his tail rising. The gypsy moved in a zigzag, and as he passed, the
