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Page:The Short Stories of Ernest Hemingway.djvu/338

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“You are in love with this girl now? You don’t write her. I read all your letters.”

“I am in love with her,” Pinin said, “but I do not write her.”

“You are sure of this?”

“I am sure.”

“Tonani,” the major said in the same tone of voice, “can you hear me talking?”

There was no answer from the next room.

“He can not hear,” the major said. “And you are quite sure that you love a girl?”

“I am sure.”

“And,” the major looked at him quickly, “that you are not corrupt?”

“I don’t know what you mean, corrupt.”

“All right,” the major said. “You needn’t be superior.”

Pinin looked at the floor. The major looked at his brown face, down and up him, and at his hands. Then he went on, not smiling, “And you don’t really want—” the major paused. Pinin looked at the floor. “That your great desire isn’t really—” Pinin looked at the floor. The major leaned his head back on the rucksack and smiled. He was really relieved: life in the army was too complicated. “You’re a good boy,” he said. “You’re a good boy, Pinin. But don’t be superior and be careful some one else doesn’t come along and take you.”

Pinin stood still beside the bunk.

“Don’t be afraid,” the major said. His hands were folded on the blankets. “I won’t touch you. You can go back to your platoon if you like. But you had better stay on as my servant. You’ve less chance of being killed.”

“Do you want anything of me, signer maggiore?”

“No,” the major said. “Go on and get on with whatever you were doing. Leave the door open when you go out.”

Pinin went out, leaving the door open. The adjutant looked up at him as he walked awkwardly across the room and out the door. Pinin was flushed and moved differently than he had moved when he brought in the wood for the fire. The adjutant