He had done it too many times in his imagination. Too many times he had seen the horns, seen the bull’s wet muzzle, the ear twitching, then the head go down and the charge, the hoofs thudding and the hot bull pass him as he swung the cape, to re-charge as he swung the cape again, then again, and again, and again, to end winding the bull around him in his great media-verónica, and walk swingingly away, with bull hairs caught in the gold ornaments of his jacket from the close passes; the bull standing hypnotized and the crowd applauding. No, he would not be afraid. Others, yes. Not he. He knew he would not be afraid. Even if he ever was afraid he knew that he could do it anyway. He had confidence. “I wouldn’t be afraid,” he said.
Enrique said, “Leche,” again.
Then he said, “If we should try it?”
“How?”
“Look,” said Enrique. “You think of the bull but you do not think of the horns. The bull has such force that the horns rip like a knife, they stab like a bayonet, and they kill like a club. Look,” he opened a table drawer and took out two meat knives. “I will bind these to the legs of a chair. Then I will play bull for you with the chair held before my head. The knives are the horns. If you make those passes then they mean something.”
“Lend me your apron,” said Paco. “We’ll do it in the dining room.”
“No,” said Enrique, suddenly not bitter. “Don’t do it, Paco.”
“Yes,” said Paco. “I’m not afraid.”
“You will be when you see the knives come.”
“We’ll see,” said Paco. “Give me the apron.”
At this time, while Enrique was binding the two heavy-bladed razor-sharp meat knives fast to the legs of the chair with two soiled napkins holding the half of each knife, wrapping them tight and then knotting them, the two chambermaids, Paco’s sisters, were on their way to the cinema to see Greta Garbo in Anna Christie. Of the two priests, one was sitting in
