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Page:Wolfe - Of Time and the River.djvu/123

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were he had no idea. Stevenson, too, to him hardly more than a writer of books for boys, books that he had read as a child with interest and delight, was a symbol of some vague but monstrously pernicious influence.

But he discovered at once that to voice any of these questionings was to brand oneself in the esteem of the group; intuitively he saw that their jargon formed a pattern by which they might be placed and recognized; that, to young men most of all, to be placed in a previous discarded pattern was unendurable disgrace. It represented to them the mark of intellectual development, just as in a sophomore’s philosophy the belief that God is an old man with a long beard brings ridicule and odium upon the believer but the belief that God is an ocean without limit, or an all-pervasive and inclusive substance, or some other equally naïve and extraordinary idea, is regarded as a certain sign of bold enlightenment. Thus it often happens, when one thinks he has extended the limits of his life, broken the bonds, and liberated himself in the wider ether, he has done no more than to exchange a new superstition for an old one, to forsake a beautiful myth for an ugly one.

The young men in Professor Hatcher’s class were sorry for many things and many people.

“Barrie?” began Mr. Scoville, an elegant and wealthy young dawdler from Philadelphia, who, by his own confession, had spent most of his life in France, “Barrie?” he continued regretfully, in answer to a question. For a moment, he drew deeply on his cigarette, then raised sad, languid eyes. “I’m sorry,” he said gently, with a slight regretful movement of his head—“I can’t read him. I’ve tried it—but it simply can’t be done.” They laughed, greatly pleased.

“But it is a pity, you know, a great pity,” Francis Starwick remarked languidly, using effectively his trick of giving a tired emphasis to certain words which conveyed a kind of sad finality, a weary earnestness to what he said. He turned to go.

“But—but—but—how—how—how very interesting! Why is it, Frank?” Hugh Dodd demanded with his earnest stammering eagerness. He was profoundly respectful of Starwick’s critical ability.

“Why is what?” said Starwick in his curiously mannered voice, his air of languid weariness.

“Why is it a great pity about Barrie?” knitting his bushy brows together, and scowling with an air of intense concentration over his words as he spoke. “Because,” said the appraiser of Values, as he prepared to depart,