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Page:Wolfe - Of Time and the River.djvu/160

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Then the train would roar into the Central Station, and the breath would come sobbing and soughing out of his tortured lungs like wind out of an organ bellows. And for several seconds, while the train was stopped there at the station (for in these magic formulas these stops at stations “did not count”) he would pant and gasp for breath like a fish out of water, gulping a new supply ravenously down into his lungs again, as if he thought he was being shot in a projectile through the terrific vacuum of unmeasured space.

Then, as the train roared out into the tunnel’s dark again, he would repeat the effort, sitting as solemn as an owl with his bulging eyes, stuck-out chest, the stolid apoplectic purple of his swollen face, while little children looked at him with frightened eyes, their mothers with a glance of nervous apprehension, and the men in all the various attitudes of gape-jawed astonishment and stupefaction. Yet, at that time, he saw nothing strange or curious in this mad behaviour. Rather, to hold his breath there in the tunnel’s dark, to make that mystery of rite and number, and to follow it with a maniacal devotion seemed as inevitable and natural to him as the very act of life, of breath itself, and he was sometimes bitterly incensed when people stared at him because of it.

Those faces—the secret, dark, unknown, nameless faces, the faces of the million instant casual meetings of these years, in the cars of subway trains or on the swarming streets—returned in later years to haunt him with a blazing, unforgettable intensity of vision, with an overwhelming sense of strangeness, loss and sorrow, a poignancy of familiarity, affection and regret, which was somehow, unbelievably, as wordless, grievous, full of an instant rending and unfathomable pity, as those things a man has known best and loved with all the life and passion in him, and has lost for ever—a child’s quick laugh of innocence and exultant mirth, a woman’s smile, an intonation in her voice, the naked, child-like look remembered in the eyes of simple, faithful people who have gone, or the snatches of the song one’s brother sang when he lay drowned in darkness and delirium, as he died.

Why did the unknown faces of these years come back to him? For he could not forget the million obscure faces of those first years of his wandering when for the first time he walked alone the streets of a great city, a madman, a beggar, and a king, feeling the huge joy of the secret world impending over him with all the glory of its magic imminence, and when each furious prowl and quest into the swarming streets of life, each furious journey through the tunnel’s depth was living with the intolerable prescience of triumph and discovery—a life