felt they came close to blasphemy. But, unhappily, on occasions his own mad eloquence grew too much for him: his voice, always too near the heart of passion, would burst in splinters, and he would fall violently forward across his lectern, his face covered by his great gaunt fingers, sobbing horribly.
This, in the Middle West, where his first church had been, does not go down so well—yet it may be successful if one weeps mellowly, joyfully—smiling bravely through the tears—at a lovely aisle processional of repentant sinners; but Bascom, who chose uncomfortable titles for his sermons, would be overcome by his powerful feelings on those occasions when his topic was “Potiphar’s Wife,” “Ruth, the Girl in the Corn,” “The Whore of Babylon,” “The Woman on the Roof,” and so on.
His head was too deeply engaged with his conscience—he was in turn Episcopal, Presbyterian, Unitarian, searching through the whole roaring confusion of Protestantism for a body of doctrine with which he could agree. And he was for ever finding it, and later for ever renouncing what he had found. At forty, the most liberal of Unitarians, the strains of agnosticism were piping madly through his sermons: he began to hint at his new faith in prose which he modelled on the mighty utterance of Carlyle, and in poetry, in what he deemed the manner of Matthew Arnold. His professional connection with the Unitarians, and indeed with the Baptists, Methodists, Holy Rollers, and Seventh Day Adventists, came to an abrupt ending after he read from his pulpit one morning a composition in verse entitled “The Agnostic,” which made up in concision what it lacked in melody, and which ended each stanza sadly, but very plainly, on this recurrence:
“I do not know:It may be so.”
Thus, when he was almost fifty, Bascom Pentland stopped preaching in public. There was no question where he was going. He had his family’s raging lust for property. He became a “conveyancer”; he acquired enough of the law of property to convey titles; but he began to buy pieces of land in the suburbs of Boston and to build small cheap houses, using his own somewhat extraordinary designs to save the architect’s fees and, wherever possible, doing such odd jobs as laying the foundations, installing the plumbing, and painting the structure.
The small houses that he—no, he did not build them!—he went through the agonies of monstrous childbirth to produce them, he licked, nursed,
