at the wreath a moment with hands clasped across her waist, and then turned away, shaking her head rapidly, with a short convulsive pucker of her lips, as she spoke to Helen in a low voice:
“I tell you what—it’s pretty strange when you come to think of it—it gives you a queer feeling—I tell you what, it does.”
And this expressed the emotion that everyone felt when they saw the wreath. For Hugh McGuire had been found dead at his desk at six o’clock that morning, the news had just spread through the town, and now, when people saw the wreath upon Gant’s coffin, there was something in their hearts they could not utter.
Gant lay in the splendid coffin, with his great hands folded quietly on his breast. Later, the boy could not forget his father’s hands. They were the largest, most powerful, and somehow the most shapely hands he had ever seen. And even though his great right hand had been so crippled and stiffened by an attack of inflammatory rheumatism ten years before that he had never regained the full use of it, and since that time could only hold the great wooden mallet that the stone-cutters use in a painful and clumsy half-clasp between the thumb and the big stiffened fingers, his hands had never lost their character of life, strength, and powerful shapeliness.
The hands had given to the interminable protraction of his living death a kind of concrete horror that it otherwise would not have had. For as his powerful gaunt figure waned and wasted under the ravages of the cancer that was consuming him until he had become only the enfeebled shadow of his former self, his gaunt hands, on which there was so little which death could consume, lost none of their former rock-like heaviness, strength and shapely power. Thus, even when the giant figure of the man had become nothing but a spectral remnant of itself, sunk in a sorrow of time, awaiting death, those great, still-living hands of power and strength hung incredibly, horribly, from that spectral form of death to which they were attached.
And for this reason those powerful hands of life evoked, as nothing else could have done, in an instant searing flash of memory and recognition the lost world of his father’s life of manual power, hunger, fury, savage abundance and wild joy, the whole enchanted structure of that lost life of magic he had made for them. Constantly, those great hands of life joined, with an almost grotesque incongruity, to that scarecrow form of wasting death would awake for them, as nothing else on earth could do, all of the sorrowful ghosts of time, the dream-like spell and terror