and deaden the fiery particle of his brain, and thicken his tongue to a faltering, incoherent mumble. Eugene did not know what Abe wanted, what he expected, what kind of teaching he thought worthy of him: he only knew that nothing he did suited him, that the story of his inadequacy and incompetence was legible in every line of that grey, dreary, censorious face. He thought of it at night with a kind of horror: the ghoulish head which craned out of a vulture’s body swept after him through all the fields of a distressful sleep, a taloned fury filled with croakings of hoarse doom. Never before had Eugene been driven through desperation to such exhausting intensities of work: night by night he sweated blood over great stacks and sheaves of their dull, careless, trivial papers—he read, re-read, and triple-read them, putting in all commas, colons, periods, correcting all faults of spelling, grammar, punctuation that he knew, writing long, laborious comments and criticisms on the back and rising suddenly out of a haunted tortured sleep to change a grade. And at the end, the inexorable end, he was always faced with the menace of Abe’s weekly paper; with dread and quaking he tackled it. He wrote the best papers that Eugene got: the grammar was flawless, the spelling impeccable, the vocabulary precise and extensive, the sentences cleanly and forcibly shaped. The thought was sound, subtle, and coherent—by every standard the work was of an extraordinary grade and quality, its merit was unmistakable, and yet Eugene approached a four-page paper with fear and trembling; before he had gone beyond the first paragraph great sobs and groans of weariness and despair were wrung from him; he stamped across the floor with it like a man maddened by an aching tooth; he began again, he flung himself upon the bed, got up and walked again, doused his head in basins of cold water—but it was no use: to read the paper to the end, as he did and must, was weariness and travail of the spirit—it was like eating chalk or trying to suck sweetness out of paving brick, or being drowned in an ocean of dish-water, or forced to gorge oneself on boiled unseasoned spinach. Abe wrote on a great range and variety of subjects and everything he wrote was good: he wrote about the plays of Pirandello, of “Six Characters in Search of an Author,” and of “three planes of reality” therein: he estimated and analysed those three planes with the power of a philosopher, the delicacy of a subtle-souled psychologist, and all of this to Eugene was as weeping and wailing and gnashing of teeth, because it was so good, and he did not know what was wrong, and he could not endure to read it. He could not write upon his papers that
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