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Page:Wolfe - Of Time and the River.djvu/473

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nose and one blind eye. Her physical resemblance to Abe was marked. She was a very talented pianist, and once or twice he took Eugene to visit her on Sunday afternoons: she played for them in a studio room in which candles were burning and she carried on very technical and knowing conversations about the work of various composers with her brother. Abe listened to the music when she played with an obscure and murky smile: he seemed to know a great deal about music: it awakened a thousand subtle echoes in his Jewish soul, but for Eugene, somehow, the music, and something arrogant, scornful, and secretive in their knowingness, together with the dreary consciousness of a winter’s Sunday afternoon outside, the barren streets, the harsh red waning light of day, and a terrible sensation of thousands of other knowing Jews—the men with little silken moustaches—who were coming from concerts at that moment, awakened in him vague but powerful emotions of nakedness, rootlessness, futility and misery, which even the glorious memory of the power, exultancy and joy of poetry could not conquer or subdue. The scene evoked for him suddenly a thousand images of a sterile and damnable incertitude, in which man groped indefinitely along the smooth metallic sides of a world in which there was neither warmth, nor depth, nor door to enter, nor walls to shelter him: he got suddenly a vision of a barren Sunday and a grey despair, of ugly streets and of lights beginning to wink and flicker above cheap moving-picture houses and chop-suey restaurants, and of a raucous world of cheap and flashy people, as trashy as their foods, as trivial and infertile as their accursed amusements, and finally of the Jews returning through a thousand streets, in that waning and desolate light, from symphony concerts, an image which, so far from giving a note of hope, life, and passionate certitude and joy to the wordless horror of this damned and blasted waste of Dead-Man’s Land, seemed to enhance it rather and to give it a conclusive note of futility and desolation.

Abe and his sister did not seem to feel this: instead the scene, the time, the day, the waning light, the barren streets, the music, awakened in them something familiar and obscure, a dark and painful joy, a certitude Eugene did not feel. They argued, jibed, and sneered harshly and arrogantly at each other: their words were sharp and cutting, impregnated with an aggressive and unpleasant intellectualism; they called each other fools and sentimental ignoramuses, and yet they did not seem to be wounded or offended by this harsh intercourse: they seemed rather to derive a kind of bitter satisfaction from it.