and people crowding in the windows of the train, and old familiar words and quiet greetings, the sudden thrum and starting of a motor car, and then dark misty woods, white fields, a few spare lights and houses, all sweeping past beneath the wild beleaguered moon with the fan-like stroke of the immortal and imperturbable earth, with a wild and haunting loneliness, with tragic brevity and strong joy.
Suddenly, in the middle of the night, he started up into sharp wakefulness. The train had slackened in its speed, it was slowing for a halt at the outskirts of a town: in the distance upon the flanks of low sweeping hills he could see a bracelet of hard bright lights, and presently the outposts of the town appeared. And now he saw the spokes of empty wintry streets, and hard street lamps that cast a barren light upon the grimy façades of old houses; and now old grimy blocks of buildings of brown stone and brick, all strange and close and near and as familiar as a dream.
And now the train was slowing to its halt; the old red brick of station warehouses, the worn rust and grime of factory walls abutting on the tracks with startling nearness, and all of it was as it had always been, as he had always known it, and yet he had not seen the place before.
And now the train had slowed to a full halt; he found himself looking at a wall of old red brick at one of the station’s corners. It was one of the old brick buildings that one sees in the station section of almost any town: in the wall beside the tracks there was a dingy-looking door and above the door a red electric bulb was burning with a dim but sinister invitation. Even as he looked the door opened, a man stepped quickly out, looked quickly to both sides with the furtive and uneasy look men have when they come out of a brothel, and then, turning up the collar of his overcoat, he walked rapidly away.
And at the corner, in the first floor of the old brick building, he could see a disreputable old bar-room, and this, too, had this dreamlike, stage-like immediacy, it was so near to him that he could almost have touched the building with his hand, a kind of gigantic theatrical setting, overpowering in its immediacy, as strange and as familiar as a dream.
Without moving in his berth he could look through the windows of the bar, which were glazed or painted half-way up, and see everything that was going on inside. Despite the lateness of the hour—the round visage of a clock above the bar told him it was just four o’clock—there were several people in the place, and it was doing an open thriving business.
