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Page:Wolfe - Of Time and the River.djvu/665

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Reboux, and Lavedan; their names were Rosny, Gyp, Boylesve, and Richepin; their names were Bordeaux, Prévost, Margueritte, and Duvernois—their names, Great God! their names were countless as the sands upon the shore—and in the end, their names were only names and names and names—and nothing more.

Or, if their names were something more than names—if they sometimes shaped themselves in his mind as personalities—these personalities were faded, graceful, and phantasmal ones—each talented and secure in his position and curiously alike—each brave and good and gentle in his trade, like lesser-known knights of the Round Table. He knew that few of them had been the hero of a generation, the leader of a century; he knew that none of them had rivalled Balzac, surpassed Stendhal, outdone Flaubert. And for this reason, their vague, phantasmal company became more haunting-strange to him than if they had.

He knew, as well, that there must be among them great differences of talent, great differences of style. His reason told him that some were good, and some were fair, and some were only cheap; even his meagre understanding of their tongue showed him that there was a great range, every kind of difference in their choice and treatment of a subject—a range that swept from the gracefully ironic sentiment of Les Vacances d’un Jeune Homme Sage to the stern earth-and-peasant austerity of Le Blé qui lève; from the dream nostalgia of Le Passé Vivant to the salty and difficult drolleries of Messieurs les Ronds-de-Cuir or Le Train de 8 heures 47.

He knew that each of these men must have had his own style, his special quality which would instantly be discerned and appraised by a French reader; he knew that some had written of the quiet life of the provinces, and that others wrote of the intrigue, the love affairs, the worldly and sophisticated gentry of Paris; he knew that some were writers of a graceful sentiment, some delicately ironic, some drolly comic, some savagely satiric, and some grimly tragic.

But all of them seemed to come from the same place, to have the same quality, to evoke the same perfume. They were the vague and shadowy figures of a charming, beautiful, and legendary kind of life—a life that was all the more legendary to him because he was constantly groping with half-meanings, filling in his faulty understanding of the language with painful intuitions, tearing desperately at the contents of unnumbered volumes, with a tortured hunger of frustration, an aching brain, a dictionary