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Page:Woolf - The Waves.djvu/81

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not always to act, but to explore; to hear vague, ancestral sounds of boughs creaking, of mammoths; to indulge impossible desires to embrace the whole world with the arms of understanding — impossible to those who act. Am I not, as I walk, trembling with strange oscillations and vibrations of sympathy, which, unmoored as I am from a private being, bid me embrace these engrossed flocks; these starers and trippers; these errand-boys and furtive and fugitive girls who, ignoring their doom, look in at shop-windows? But I am aware of our ephemeral passage.

‘It is, however, true that I cannot deny a sense that life for me is now mysteriously prolonged. Is it that I may have children, may cast a fling of seed wider, beyond this generation, this doom- encircled population, shuffling each other in endless competition along the street? My daughters shall come here, in other summers; my sons shall turn new fields. Hence we are not raindrops, soon dried by the wind; we make gardens blow and forests roar; we come up differently, for ever and ever. This, then, serves to explain my confidence, my central stability, otherwise so monstrously absurd as I breast the stream of this crowded thoroughfare, making always a passage for myself between people’s bodies, taking advantage of safe moments to cross. It is not vanity; for I am emptied of ambition; I do not remember my special gifts, or idiosyncrasy, or the marks I bear on my person; eyes, nose or mouth. I am not, at this moment, myself.

‘Yet behold, it returns. One cannot extinguish that persistent smell. It steals in through some crack in the structure — one’s identity. I am not part of the street — no, I observe the street. One splits off, therefore. For instance, up that back street a girl stands waiting; for whom? A romantic story. On the wall of that shop is fixed a small crane, and for what reason, I ask, was that crane fixed there? and invent a purple lady swelling, circumambient, hauled from a barouche landau by a perspiring husband sometime in the sixties. A grotesque story. That is, I am a natural coiner of words, a blower of bubbles through one thing and another.